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May 27, 2011

HTML5 Shivhistory

HTML5 Shiv

May 24th, 2011

Heard of Sjoerd Visscher? I would venture to guess you have not; however, what he considered a minor discovery of his is at the foundation of our ability to use HTML5 today.

Back in 2002, In The Hague, Netherlands, Mr. Visscher was attempting to improve the performance of his XSL output. He switched from createElement calls to setting the innerHTML property, and then realized all the unknown non-HTML elements were no longer styleable by CSS.

Fast forward to 2008, HTML5 is gaining momentum. New elements have been specified, however in practice, Internet Explorer 6-8 pose a problem as they do not recognize unknown elements; the new elements cannot hold children and are unaffected by CSS. This sad fact was posing quite a big hinderance to HTML5 adoption.

And it's now, half a decade after his discovery that Sjoerd innocently mentions this trick in a comment on the blog of the W3C HTML WG co-chair, Sam Ruby:

Btw, if you want CSS rules to apply to unknown elements in IE, you just have to do document.createElement(elementName). This somehow lets the CSS engine know that elements with that name exist

Ian Hickson, lead editor of the HTML5 spec, stood surprised, along the rest of the web, that he had never heard this trick before and was happy to report: "This piece of information makes building an HTML5 compatibility shim for IE7 far easier than had previously been assumed."

John Resig, one day later, wrote the post that coined the term "HTML5 Shiv". While it technically is a "shim" and John admitted this later, the proliferation of assorted HTML5 shims nowadays makes a good case for us to continue using "shiv" for this solution. Chris Wilson, then of the IE Team, said “I want to jam standards support into (this and future versions of) Internet Explorer. If a shiv is the only pragmatic tool I can use to do so, shouldn’t I be using it?”

Now, from here, a quick timeline:

  • January 2009: Remy Sharp creates the first distributable script for enabling HTML5 element use in IE.
  • June 2009: Faruk Ateş includes the html5shiv in Modernizr's initial release.
  • February 2010: A ragtag team of superstar JavaScript developers including Remy, Kangax, John-David Dalton, and PorneL collaborate and drop the filesize of the script.
  • March 2010: Mathias Bynens and others notice the shiv doesn't affect pages printed from IE. It was a sad day.
  • April 2010: Jonathan Neal answers the challenge with the IE Print Protector (IEPP), which captured the scope of the html5shiv but also added in support for printing the elements as well, through clever use of the onbeforeprint & onafterprint events, along with a faux DOM reconstruction.
  • April 2010: Remy replaces the legacy html5shiv solution with the new IEPP.
  • August 2010: JD Bartlett introduced the innerShiv, which is necessary for shiv'ing content going in via innerHTML.
  • February 2011: Alexander Farkas carries the torch, moving the IEPP project to github, adding a test suite, fixing bugs, and improving performance.
  • April 2011: IEPP v2 comes out. Modernizr and the html5shiv inherit the latest code. Meanwhile developers everywhere continue to use HTML5 elements in a cross-browser fashion without worry.

This is what the HTML5 community is all about to me: distributed folks, working collaboratively, to bring the promise and potential of HTML5 into reality.

Just for emphasis on all the bright minds that engaged on this one.. Here are the people who worked on the HTML5 Shiv: Sjoerd Visscher, Sam Ruby, John Resig, Remy Sharp, JD Bartlett, Faruk Ateş, Kangax, John-David Dalton, PorneL, Mathias Bynens, me and last but certainly not least, Jonathan Neal and Alexander Farkas.


The narrative above appears in my foreword for the book HTML5 & CSS3 for The Real World by Estelle Weyl, Louis Lazaris, and Alexis Goldstein.

It's a very good book on practical HTML5 and CSS3 development with a lovely learning curve. Buy it if you like. ;)

HTML5 Shiv May 24th, 2011 Heard of Sjoerd Visscher ? I would venture to guess you have not; however, what he considered a minor discovery of his is at the foundation of our ability to use HTML5 today. Back in 2002 , In The Hague, Netherlands, Mr. Visscher was attempting to improve the performance of ...»See Ya

i love the little bubbles...don't you?




On Sat, May 14, 2011 at 10:13 AM,
Dogmeat wrote


Hello,
I
'm the rebel who eventually convinced FB to let YOU ' Like Dog meat posts containing the formerly offensive contraction for the words 'Who Are' in the title.
i t was a long hard fight, but eventually justice prevailed, and now anyone can use the word 'Who're' in a sentence on Facebook and ALL SOCIAL NETWORKs

--

thanks for coming to
Dogmeat

via weirdopedia.posterous.com via weirdopedia.posterous.com On Sat, May 14, 2011 at 10:13 AM, Dogmeat wrote Hello, I 'm the rebel who eventually convinced FB to let YOU ' Like Dog meat posts containing the formerly offensive contraction for the words 'Who Are' in the title. i t was a long hard fight ...»See Ya

Le Taxi Driver « tu parles à moi » (doublage en français)

Le Taxi Driver (doublage en francais)
«tu parles à moi » 
THIS IS WHAT I WAS SAYING TO MYSELF DURING THE FIRST FEW SECONDS OF PREVIEWING THIS TROUVAILLE (THIS MORNING):
'PLEASE BE IN FRENCH,
«S'IL VOUS PLAÎT ETRE EN FRANÇAIS »,
PLEASE BE IN FRENCH
«S'IL VOUS PLAÎT ETRE EN FRANÇAIS »
and then after i knew it was in french:
PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE...
AND THEN MY LIFE WAS PRETTY WELL TAKEN CARE OF FOR THE NEXT FEW DAYS...
BECAUSE ALL OF THE ABOVE QUESTIONS PARLEZED WERE ANSWERED AVEC UN GRANDE 'OUI'!!!
i'd be willing to bet good money that at some point soon you will be seeing this 'ORIGINATED' by Marc Edwards (scumbag, no-brained, exclusive intellectual property thief of this very channel)! 
until then, enjoy it on Dogmeat, where it was come by naturally and symptomatically of our own personal digital hoarding/internet addiction and not through the back-alley peregrinations of an ex-punk rocking sleaxeball, PLUS, the ugliest human being on the face of planet earth.
NOW READ THIS!
"YOU TALKING TO ME?"
YES, AS A MATTER OF FACT, I AM.  AND IF YOU CAN STEAL THIS ONE WITH SUCH A SUPER GRAND FABULOSO PRE-PLAGIARIZING MAGNA-CUM-LOUDER CARTE, MORE POWER TO YOU, AND MAYBE I'LL GIVE YOU A COUPLE POINTS FOR GROWING BALLS...
Hypo_congenitale
tu me parles? tu me parles?
Le chauffeur de taxi (doublage en francais)
C'est ce que je disais à moi-même durant les premières secondes de visionner CE trouvaille (ce matin):

«S'IL VOUS PLAÎT ETRE EN FRANÇAIS », S'IL VOUS PLAÎT ETRE EN FRANÇAIS, S'IL VOUS PLAÎT S'IL VOUS PLAÎT ETRE EN FRANÇAIS ETRE EN FRANÇAIS S'IL VOUS PLAÎT ETRE EN FRANÇAIS S'IL VOUS PLAÎT ETRE EN FRANÇAIS et puis après je savais que c'était en français: S'IL VOUS PLAÎT INCLURE LES

«tu parles à moi »  SCENE, S'IL VOUS PLAÎT INCLURE LES "tu parles SCENE« à moi », S'IL VOUS PLAÎT INCLUENT 'Vous me réponds «SCENE, S'IL VOUS PLAÎT INCLURE LES« tu parles à moi »SCENE, S'IL VOUS PLAÎT INCLURE LES  « tu parles à moi »SCENE ... Et puis ma vie a été très bien pris en charge POUR LES PROCHAINS JOURS ... PARCE QUE TOUTES LES QUESTIONS CI-DESSUS PARLEZED ont répondu «OUI»

GRANDE AVEC Nations Unies! Je serais prêt à parier beaucoup d'argent à un certain moment dès que vous verrez ce 'est issue »par Marc Edwards (minable, sans cervelle, le voleur à la propriété intellectuelle exclusive de ce canal très)!

 jusque-là, profitez-en sur Dogmeat, où il était venu naturellement et par les symptômes de notre propre panneau numériques personnels de dépendance à Internet / et non par les pérégrinations contre-allée d'un ex-punk à bascule sleaxeball, PLUS, le plus laid de l'homme étant sur ​​la face de la planète Terre.

Désormais, ce texte!

"tu me parles?"

OUI, DANS LE CADRE DE FAIT, JE SUIS. Et si vous pouvez voler ce ONE UN TEL SUPER GRAND MAGNA Fabuloso-PRE-plagiat CUM-FORT CARTE, tant mieux pour vous et peut-être que je vais vous donner un POINTS COUPLE POUR BALLES DE CROISSANCE ... Le chauffeur de taxi (Doublage en Francais) Le Taxi Driver (Doublage en Francais)

 

Le Taxi Driver

(Doublage en Francais)

LE_TAXI_DRIVER.mp4 Watch on Posterous

 

Le Taxi Driver

(Doublage en Francais)

Le Taxi Driver (doublage en francais) «tu parles à moi »  THIS IS WHAT I WAS SAYING TO MYSELF DURING THE FIRST FEW SECONDS OF PREVIEWING THIS TROUVAILLE (THIS MORNING): 'PLEASE BE IN FRENCH, «S'IL VOUS PLAÎT ETRE EN FRANÇAIS », PLEASE BE IN FRENCH «S'IL VOUS PLAÎT ETRE EN FRANÇAIS » and then after i ...»See Ya

MOST Dog Meat (mrjyn) VIDEO-VIEWS Dailymotion

Hey LoOK!

it's @mrjyn most viewed @Dailymotion # 160,000 Banned from #YouTube TOO! video BRASSY BUS GROPE http://t.co/QSrX8uM
Media_httpmcdailymoti_llexq

Hey LoOK! it's @mrjyn most viewed @Dailymotion # 160,000 Banned from #YouTube TOO! video BRASSY BUS GROPE http://t.co/QSrX8uM via dailymotion.com ...»See Ya

Performances Surgeries

http://www.english.ucsb.edu/faculty/ecook/courses/eng114em/venusorlan.JPG

The Performances/Surgeries
Thal_STN_SNr.ogv Watch on Posterous

 

Orlan with her entourage in the operating room/theatre Carnal Art is not against cosmetic surgery but, rather against the conventions carried by it and their subsequent inscription, within female flesh in particular, but also male. Carnal Art is feminist, that is necessary. It is interested not only in cosmetic surgery, but also advanced techniques in medicine and biology that question the status of the body and the ethical questions posed by them.

T he operating room, entirely redesigned, becomes Orlan's artist studio from which comes the works of art (blood-drawings, reliquaries containing Orlan's flesh, shroud, photos, videos, films, etc.). The operating room is Orlan's atelier. And what a surreal theatre it is. Each of her "performances" is carefully choreographed. Famous designers, such as Paco Rabanne and Issey Miyake, have designed costumes for Orlan to wear during the surgeries. Poetry is read and music is played while she lies on the operating table fully conscious of the events taking place (only local anesthetic is used). Each surgery has been captured on video (and fed to live international audiences via satellite link-ups!), and exhibited in a number of galleries in Europe and the .S., as well as at the Sydney Bicentenial (December 1993) in Australia

She calls it Carnal Art. Unlike 'Body Art', Carnal Art does not desire pain as a means of redemption, or to attain purification. Carnal Art does not wish to acheive a final 'plastic' result, but rather seeks to modify the body, and engage in public debate. Says Orlan: "'My work is not a stand against cosmetic surgery, but against the standards of beauty, against the dictates of a dominant ideology that impresses itself more and more on feminine . . . flesh'" (O'Bryan). It's also a stand against nature. Through her art, Orlan seeks to link the interior self with the exterior self. She takes physiognomy to its extreme.

This surgical montage recalls the practices of the ancient Greek artist, Zeuxis, and Leonardo da Vinci, in which the artists extrapolated the most ideal features of several different models and morphed them into one. But Orlan has taken these methods to a different level. Her operations are not cosmetic; she has had no facelifts or liposuction. Far from an ideal identity, the result seems to be none at all. Her performances are transmitted live via satellite in many museums while Orlan is answering questions from the public during the surgery.

The artist puts into question the actual state of the body and the possible genetic manipulations. Her body has become the product of a public debate both online and off. During the seventh surgery in New York, Orlan asked the surgeon to put on her temples implants which are normally used to make the cheekbones more prominent, and so, Orlan is now wearing two bumps on the temples.

"I can observe my own body cut open, without suffering!... I see myself all the way down to my entrails; a new mirror stage. "I can see to the heart of my lover; his splendid design has nothing to do with sickly sentimentalities"- Darling, I love your spleen; I love your liver; I adore your pancreas, and the line of your femur excites me." (Orlan from Carnal Art Manifesto)

 

 

 

 

 

 

Next Page: The End Results?

Return to English 114EM home


English 114EM: Women Writers, 1650-1760

The End?

Orlan after surgery in 1995.


Carnal Art affirms the independance of the artist, in the sense that it fights against a prioris and diktats; that is why it is engages society and the media (where it is seen as scandalous because it goes against received ideas) and will go as far as the judicial system.

One of the main points that make Orlan a feminist artist is that there is a long tradition of the surgical exploration and unveiling of the female body, and it is loaded within the discourse of male dominance, not only of the gaze, but also of erotic penetration. It is linked to a history of unveiling which Orlan willingly submits to and actively engages in. (Goode, 1997)

This page has been explicitly designed for educational purposes and images should not be reproduced.

The Performances/Surgeries Thal_STN_SNr.ogv Watch on Posterous   Orlan with her entourage in the operating room/theatre Carnal Art is not against cosmetic surgery but, rather against the conventions carried by it and their subsequent inscription, within female flesh in particular, but also male. Car ...»See Ya

LIBERTANGO

LIBERTANGO

1° Version


On distingue bien dans cette version, les deux lignes mélodiques de Libertango, la première à l'accordéon, la seconde au vibraphone.

 

2° Version : Version Originale d'Astor PIAZZOLLA

 

Libertango fut repris par Grace Jones, dans Libertango, il y a deux ligne mélodiques, c'est la deuxième qu'exploite Grace Jones.


Libertango par le-pere-de-colombe

LIBERTANGO 1° Version On distingue bien dans cette version, les deux lignes mélodiques de Libertango, la première à l'accordéon, la seconde au vibraphone.   2° Version : Version Originale d'Astor PIAZZOLLA   Libertango fut repris par Grace Jones, dans Libertango, il y a deux ligne mélodiques, c'est ...»See Ya

ALZHEIMER