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August 14, 2009

Elvis-Weak 2009 (Pt. 2) Elvis and Alvino Rey Discography



Blue Hawaii 1961

The song Blue Hawaii
was first introduced by Bing Crosby
in the 1937 film,
"Waikiki Wedding"

Showcased by beautiful panoramic shots of Hawaii the film boasts one of the best selling soundtrack albums of all time. Elvis is in top form returning to the islands after a stint in the army to take up a position with a travel agent showing tourists around. Elvis' relaitionship with Maile Duval (Joan Blackman) is threatened when Elvis has to escort a bunch of amorous school girls around the island on a holiday as well as getting unwelcome attention from the glamorous teacher.

The songs featured in the film were:

"BLUE HAWAII"
"ALMOST ALWAYS TRUE"
"ALOHA OE"
"NO MORE"
"CAN'T HELP FALLING IN LOVE"
"ROCK - A - HULA BABY"
"MOONLIGHT SWIM"
"KU-LI-I-PO"
"ITO EATS"
"SLICIN' SAND"
"HAWAIIN SUNSET"
"BEACH BOY BLUES"
"ISLAND OF LOVE"
"HAWAIIN WEDDING SONG"

Musicians:

Elvis Presley (vocals), Hank Garland, Tiny Timbrell (guitars), Bernie Lewis (steel guitar), Bob Moore (bass), D.J. Fontana, Bernie Mattinson, Hal Blaine (drums), Floyd Cramer, Dudley Brookes (piano), Boots Randolph (sax), George Field (harmonica), Fred Tavares, Alvino Rey (ukeleles)the Jordanaires and the Surfers (vocals).


3/21/61

Aloha-Oe
Ku-U-I-Po
(Hawaiian
Sweetheart)
Slicin’ Sand
Hawaiian Sunset
Released: October
1961 Elvis and Joan Blackman
No More
Released: October 1961 November 1972
&nbs p; All recorded for the movie “Blue Hawaii”.
Recorded at Radio Recorders, Hollywood, California. Elvis Presley
(vocal, guitar), Scotty Moore, Hank Garland, Hilmer J. "Tiny" Timbrell
(guitar), Floyd Cramer (piano), Dudley Brooks (piano, Celeste), Bob
Moore (bass), D.J. Fontana, Hal Blaine, Bernie Mattinson (drums),
Bernie Lewis (pedal steel), Homer "Boots" Randolph (tenor ax), George Fields (harmonica), Fred
Tavares, Alvino Ray (ukulele), The Jordanaires, The Surfers, Dorothy McCarty, Virginia Rees, Loulie
-Jean Norman, and Jacqueline Allen (background vocals).


KEY: Red Letters: Elvis’ Gold Records
Red Letters #1:Elvis’ Number One Hits UNK: Unknown
Green Letters: Unreleased recordings
Bold Letters: Released recordings


1960

Tues. 3/1/60

Recorded Interview
Elvis holds a press conference at Friedberg Army Base. It’s tape
recorded and filmed.

Tues. 3/8/60 Recorded Interview
Elvis, out of the army, holds a press conference in Vernon’s office at
Graceland in Memphis, Tennessee. It is filmed and tape-recorded.

Sun. 3/20/60 Make Me Know It
Soldier Boy
Released: April 1960
Recorded at the RCA Studios, Nashville, Tennessee. Elvis Presley
(vocal, guitar), Scotty Moore (guitar), Floyd Cramer (piano), Bob
Moore (bass), Hank Garland (guitar, bass), D.J. Fontana, Murrey "Buddy" Harman (drums), and
The Jordanaires

Mon. 3/21/60 Stuck On You #1
Released: March 1960 September 1963 August 1970
January 1974
Fame And Fortune
Released: March 1960 September 1963 August 1971
It Feels So Right
Released: April 1960 May 1965
A Mess Of Blues Hank Garland (bass)
Released: July 1960 February 1968 August 1970
Recorded at the RCA Studios, Studio B, Nashville,
&nbs p; Tennessee. Elvis Presley (vocal, guitar), Scotty Moore
(guitar), Floyd Cramer (piano),Bob Moore (bass), Hank
Garland (guitar, bass), D.J. Fontana, Murrey "Buddy"
Harman (drums), and The Jordanaires (background vocals).

Sat. 3/26/60 Witchcraft
Love Me Tender
Duets with Frank Sinatra.
The Frank Sinatra ”Welcome Home
Elvis” TV-special is video taped at
The Fontainebleau Hotel in Miami,
Florida.

Sun. 4/3/60 Fever
Released: April 1960 March 1975 Frank Sinatra and Elvis
Like A Baby
Released: April 1960
It’s Now Or Never #1
Released: July 1960 April 1961
September 1963 August 1970
January 1976
Recorded at the RCA Studio B,
Nashville, Tennessee. Elvis Presley
(vocal, guitar), Scotty Moore (guitar),
Floyd Cramer (piano), Bob Moore
(bass), D.J. Fontana, Murrey "Buddy" Harman (drums), Homer
"Boots" Randolph (tenor sax), and The Jordanaires (background
vocals).

Mon. 4/4/60 The Girl Of My Best Friend
I Will Be Home Again
The Thrill Of Your Love
The Girl Next Door Went A Walking
Reconsider Baby
Released: April 1960
Dirty, Dirty Feeling
Released: April 1960 July 1965
Such A Night
Released: April 1960 July 1964 January 1976
Are You Lonesome Tonight #1
Released: November 1960 April 1961
September 1963 August 1970 January 1974
I Gotta Know
Released: November 1960 September 1963
August 1970
Recorded at the RCA Studio B, Nashville, Tennessee. Elvis Presley (vocal, guitar), Scotty Moore (guitar),
Floyd Cramer (piano), Bob Moore (bass), D.J. Fontana, Murrey "Buddy" Harman (drums), Homer
"Boots" Randolph (tenor sax), and The Jordanaires (background vocals).

Wed. 4/27/60 G. I. Blues
Didja' Ever
Doin' The Best I Can
Released: October 1960
Frankfort Special (fast tempo)
Pocket Full Of Miracles
Tonight Is So Right For Love
Shoppin' Around
These four songs were started but
left unfinished.
What’s She Really Like
18 seconds of this song is sung by Elvis in the beginning of the
movie in the shower.
Whistling Blues
Instrumental
Recorded at the RCA Studios, Hollywood, California. Elvis Presley (vocal, guitar), Scotty Moore, Hilmer
J. "Tiny" Timbrell, Neil Mathews (guitar), Dudley Brooks (piano), Ray Siegel (bass), D.J. Fontana, Frank
Bode (drums), Jimmie Haskell (accordion), Hoyt Hawkins (tambourine), and The Jordanaires (back ground
vocals).

Thurs. 4/28/60 Wooden Heart #1
(Fred Wise and Ben Weisman rewrite of German children’s
song entitled "Muss I Denn" by Kay Twomey and Bert
Kaempfert)
Released: October 1960 November 1964 October 1965
August 1970
Big Boots
Bootleg release.
Two versions, a slow and a fast one, were attempted and
then left unfinished.
Pocketful Of Rainbows
Bootleg release.
These two songs are worked on again.
What’s She Really Like
Blue Suede Shoes (re-recording)
Both released: October 1960
Recorded at the RCA Studios, Hollywood, California. Elvis Presley (vocal, guitar), Scotty Moore,
Hilmer J. "Tiny" Timbrell, Neil Mathews (guitar), Dudley Brooks (piano), Ray Siegel (bass), D. J.
Fontana, Bernie Mattinson (drums), Jimmie Haskell (accordion), Hoyt Hawkins (tambourine), and The
Jordanaires (background vocals).

Mon. 5/2/60 Filming
Filming begins on “G. I. Blues”.

Fri. 5/6/60 Frankfurt Special (medium tempo)
Pocketful Of Rainbows
Big Boots (medium tempo)
Big Boots (slow tempo)
Shoppin' Around
Tonight's All Right For Love
Released: October 1960
November 1972 January 197 4
Recorded at Radio Recorders, Elvis and Juliet Prowse
Hollywood, California. Elvis Presley (vocal, guitar), Scotty Moore,
Hilmer J. "Tiny" Timbrell, Neil Mathews (guitar), Dudley Brooks
(piano), Ray Siegel (bass), D.J. Fontana, Bernie Mattinson (drums),
Jimmie Haskell (accordion), Hoyt Hawkins (tambourine), and The
Jordanaires (background vocals).

Late 6/60 Filming
Filming is completed on “G.I. Blues”.

Mon. 8/8/60 Summer Kisses, Winter Tears
Released: April 1961 Released: July 1965
Britches
Cut from the film. Bootleg release.
Black Star
Not used in the film, it was one of the original titles for the film and the
title song.
UNK release date on bootleg.
A Cane And A High Starched Collar
Released: January 1976
Summer Kisses, Winter Tears (movie version)
Left out of the movie “Flaming Star”.
Recorded at the 20th Century Fox Studios, Hollywood, California. Elvis Presley (vocal, guitar), Scotty
Moore, Hilmer J. "Tiny" Timbrell, Neal Mathews (guitar), Dudley Brooks (piano), Ray Siegel (bass),
D.J. Fontana (drums), Jimmie Haskell (accordion), The Jordanaires (background vocals), and the
remaining musicians are unidentified.

Tues. 8/16/60 Filming
Filming begins on the movie
“Flaming Star”.

Tues. 10/4/60 Filming
Filming is completed on
“Flaming Star”.

Wed. 10/11/60 Flaming Star
Released: April 1961 November 1968
Flaming Star (end title version)
UNK release. Bootleg.
Recorded at the 20th Century Fox Studios, Hollywood, California.
Elvis Presley (vocal, guitar), Scotty Moore, Hilmer J. "Tiny" Timbrell,
Neal Mathews (guitar), Dudley Brooks (piano), Ray Siegel (bass),
D.J. Fontana (drums), Jimmie Haskell (accordion), The Jordanaires (background vocals), and the
remaining musicians are unidentified.

Sun. 10/30/60 He Knows Just What I Need
Mansion Over The Hilltop
I Believe In The Man In The Sky
Released: December 1960 April 1965 August 1971
Milky White Way
Released: December 1960 April 1965 February 1966
His Hand In Mine
Released: December 1960 April 1969 March 1976
Just A Closer Walk With Thee
One source says this song was also recorded on this day, but I don’t find
any confirmation of it.
Surrender #1
(New lyrics/arrangement to Italian song, "Torna a Sorrento".)
Released: February 1961 September 1963 August 1970
Elvis had some trouble with the final high notes and was taken
into the bathroom by the Jordanaires' bass singer, Ray Walker,
to get instruction in breath control. Elvis finally got the ending
right and it was spliced into the take 4 they had finished with a
poor ending.
Recorded at the RCA Studios, Nashville, Tennessee. Elvis
Presley (vocal, guitar), Scotty Moore (guitar), Floyd Cramer
(piano), Bob Moore (bass), D.J. Fontana, Murrey "Buddy"
Harman (drums), Homer "Boots" Randolph (tenor sax), The
Jordanaires, Millie Kerkham, and Charlie Hodge (background
&nbs p; vocals), and the remaining musicians are unidentified.

Mon. 10/31/60 I’m Gonna Walk Dem Golden Stairs
In My Fathers House (Are Many Mansions)
If We Never Meet Again
Working On The Building
Released: December 1960
Swing Down Sweet Chariot
Known Only To Him
Joshua Fit The Battle
All of the above three released: December 1960 February 1966
One source says these songs were recorded on 10/30/60.
Crying In The Chapel #1
Released: April 1965 March 1967 August 1970
Recorded at the RCA Studios, Nashville, Tennessee.
Elvis Presley (vocal, guitar), Scotty Moore (guitar), Floyd
Cramer (piano), Bob Moore (bass), D.J. Fontana, Murrey
"Buddy" Harman (drums), Homer "Boots" Randolph (tenor
sax), The Jordanaires, Millie Kerkham, and Charlie Hodge
(background vocals), and the remaining musicians are
unidentified.

Mon. 11/7/60 Lonely Man (record version)
(The original title of the film “Wild In The Country.)
Released: February 1961 February 1968 August 1971
Forget Me Never
Released: February 1961 January 1973
These two songs were cut from the film “Wild In The Country”.
Wild In The Country (record version)
Released: May 1961 August 1971
In My Way
Released: July 1965 January 1973
Husky, Dusty Day
&n bsp; Never released other than in the movie. Duet with actress Hope Lange.
Recorded at the 20th Century Fox Studios, Hollywood, California. Elvis Presley (vocal, guitar), Scotty
Moore (guitar), Floyd Cramer, Dudley Brooks (piano), Bob Moore (bass), D.J. Fontana, Murrey
"Buddy" Harman (drums), The Jordanaires (background vocals), and the remaining musicians are
unidentified.

Tues. 11/8/60 I Slipped, I Stumbled, I Fell
UNK first release date. January 1973
Recorded at the 20th Century Fox Studios, Hollywood, California. Elvis Presley (vocal, guitar), Scotty
Moore (guitar), Floyd Cramer, Dudley Brooks (piano), Bob Moore (bass), D.J. Fontana, Murrey
"Buddy" Harman (drums), The Jordanaires (background vocals), and the remaining musicians are
unidentified.

Fri. 11/11/60 Filming
Elvis starts filming the movie “Wild In The Country”.

1961
Wed. 1/18/61 Filming
The filming of the movie
“Wild In The Country”
was completed.

Sun. 3/12/61 I Feel So Bad
Released: May 1961
September 1963
August 1970
Gently
Give Me The Right Hope Lange and Elvis
I Want You With Me
In Your Arms
It’s A Sin
I’m Coming Home
All released: June 1961
There’s Always Me
Released: J une 1961 August 1967
These songs are for the album “Something For Everybody”.
Recorded at the RCA Studios, Nashville, Tennessee. Elvis Presley (vocal, guitar),
Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass),
D.J. Fontana, Murrey "Buddy" Harman (drums), Boots Randolph
(tenor sax), The Jordanaires and Millie Kirkham (background vocals).

Mon. 3/13/61 Starting Today
Sentimental Me
Released: June 1961 January 1973
Judy
Released: June 1961 August 1967
Put The Blame On Me
Released: June 1961 July 1965
These songs are for the album “Something For Everybody”.
Recorded at the RCA Studios, Nashville, Tennessee. Elvis Presley
(vocal, guitar), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), D.J.
Fontana, Murrey "Buddy" Harman (drums), Homer "Boots" Randolph (tenor sax), The Jordanaires, Millie
Kirkham (background vocals).

Fri. 3/17/61 Filming
Elvis starts filming the movie “Blue Hawaii”, his most successful film.

Tues. 3/21/61 Aloha-Oe
Ku-U-I-Po
(Hawaiian
Sweetheart)
Slicin’ Sand
Hawaiian Sunset
Released: October
1961 Elvis and Joan Blackman
No More
Released: October 1961 November 1972
&nbs p; All recorded for the movie “Blue Hawaii”.
Recorded at Radio Recorders, Hollywood, California. Elvis Presley
(vocal, guitar), Scotty Moore, Hank Garland, Hilmer J. "Tiny" Timbrell
(guitar), Floyd Cramer (piano), Dudley Brooks (piano, Celeste), Bob
Moore (bass), D.J. Fontana, Hal Blaine, Bernie Mattinson (drums),
Bernie Lewis (pedal steel), Homer "Boots" Randolph (tenor ax), George Fields (harmonica), Fred
Tavares, Alvino Ray (ukulele), The Jordanaires, The Surfers, Dorothy McCarty, Virginia Rees, Loulie
-Jean Norman, and Jacqueline Allen (background vocals).

Wed. 3/22/61 Blue Hawaii
Almost Always True
Ito Eats
Ito Eats (movie tag)
Island Of Love (Kauai)
Hawaiian Wedding Song (movie version)
The duet with Joan Blackman is recorded.
Hawaiian Wedding Song (album version)
Released: October 1961
Moonlight Swim
Duet with co-star Joan Blackman. Elvis leaves openings for
her vocal to be dubbed in later.)
Steppin’ Out Of Line (record version)
Steppin’ Out Of Line (movie version)
Cut from the film.
All songs are for the movie “Blue Hawaii”.
Recorded at Radio Recorders, Hollywood, California. Elvis Presley (vocal, guitar), Scotty Moore,
Hank Garland, Hilmer J. "Tiny" Timbrell (guitar), Floyd Cramer (piano), Dudley Brooks (piano, Celeste),
Bob Moore (bass), D.J. Fontana, Hal Blaine, Bernie Mattinson (drums), Bernie Lewis (pedal steel),
Homer "Boots" Randolph (tenor ax), George Fields (harmonica), Fred Tavares, Alvino Ray (ukulele),
The Jordanaires, The Surfers, Dorothy McCarty, Virginia Rees, Loulie-Jean Norman, and Jacqueline
Allen (background vocals)


Thurs. 3/23/61 Beach Boy Blues
Released: October 1961
Beach Boy Blues (movie version)
Rock-A-Hula Baby
Released: October 1961 November 1961 August 1970
Can’t Help Falling In Love (movie version)
Can’t Help Falling In Love #1
Released: October 1961 November 1961 August 1970
January 1974
Recorded at Radio Recorders, Hollywood, California.
Elvis Presley (vocal, guitar), Scotty Moore, Hank Garland,
Hilmer J. "Tiny" Timbrell (guitar), Floyd Cramer (piano),
Dudley Brooks (piano, Celeste), Bob Moore (bass), D.J.
Fontana, Hal Blaine, Bernie Mattinson (drums), Bernie
Lewis (pedal steel), Homer "Boots" Randolph (tenor ax),
George Fields (harmonica), Fred Tavares, Alvino Ray (ukulele), The Jordanaires, The Surfers, Dorothy
McCarty, Virginia Rees, Loulie-Jean Norman, and Jacqueline Allen (background vocals)



Mon. 6/26/61 I’m Yours
Released: June 1962 August 1965
(Marie’s The Name) His Latest Flame #1
The 8th take was used.
Released: August 1961 September 1963 August 1970
August 1971

Little Sister
Both released: August 1961 September 1963 August 1970
Recorded at the RCA Studios, Nashville, Tennessee.
Elvis Presley (vocal, guitar), Scotty Moore, Hank Garland,
Neal Mathews (guitar), Alvino Rey (steel guitar), Fred
Tavares, Bernie Lewis (ukulele), Floyd Cramer (piano),
Dudley Brooks (Celeste), Bob Moore (bass), D.J. Fontana
and Murrey "Buddy" Harman, Hal Blaine (drums), Homer
"Boots" Randolph (tenor sax), The Jordanaires
(background vocals).

Les Paul 14-Karat Gold Guitar

mrjynRT @mrjyn Les Paul 14-Karat Gold http://bit.ly/43mRUy #video #followfriday @nichopoulouzo #youtube*

Les "Lester William Polsfuss" Paul

Les Paul was hospitalized last year with fluid in his lungs, but he has since recovered and said he plans to continue his Monday performances at the Iridium Jazz Club, in Manhattan, N.Y., "even if they have to bring me here on a stretcher." Les Paul was hospitalized last year with fluid in his lungs, but he has since recovered and said he plans to continue his Monday performances at the Iridium Jazz Club, in Manhattan, N.Y., "even if they have to bring me here on a stretcher."

By Colin Archer, AP

LES PAUL

Birthname: Lester William Polsfuss.

Age: 91; born June 9, 1915.

Now lives in: Mahwah, N.J.

Innovations: Developed prototype for solid-body electric guitar produced by Gibson; developed recording techniques such as close miking, multitracking and use of echo and delay; introduced first eight-track tape player in 1950s; built early model synthesizer.

Notable awards: Inducted into Rock and Roll Hall of Fame (1988), Songwriters Hall of Fame (2005), National Broadcasters Hall of Fame (2006), National Inventors Hall of Fame (2005). Five Grammy Awards (three for instrumental albums, one technical award, one lifetime achievement award). Emmy Lifetime Achievement Award (2004).

Quote: On his motivation for building a solid-body electric guitar: "I was playing an apologetic, sweet little instrument that was always in the background. It had a lot to say but nobody could hear it. I was playing a little drive-in barbecue stand outside of Waukesha, and one of the guys in the rumble seat wrote a note to the carhop and said, 'Red, your voice, your jokes, your singing, your harmonica is fine, but the guitar's not loud enough.' I went home to my mother and said, 'Mom, one of the critics at the barbecue stand just lit the light for me that the guitar has to be amplified also."'


NEW YORK — Some 80-plus years ago, long before his name became synonymous with the invention that changed the course of popular music, Les Paul was fascinated by sounds.

Barely out of kindergarten, he was intrigued by the tinkling of the player piano in his mother's parlor and the different tones he could create by tapping the wooden banister rails on his way upstairs at bedtime.

That childhood fascination drove him as a young man to experiment with what would eventually become one of the first mass-produced electric guitars that still bears his name and is considered an industry standard.

Watching Paul meticulously check his levels and fiddle with a battalion of electronics before a recent performance, it was obvious that as he approaches his 92nd birthday, his musical curiosity is as undiminished as his love for performing.

"It takes your whole life, because you're constantly thinking up new things," Paul said in a backstage interview at Iridium Jazz Club, where he has commuted from his home in Mahwah, N.J., almost every Monday night since 1996. "I have a list of things that you should be able to hear and are not yet created."

Paul wears one modern gadget when he performs. What looks like a standard hearing aid actually doubles as a miniature wireless monitor speaker that allows him to better hear his band onstage.

"He's always looking at new technologies," Marty Garcia, president of Future Sonics, which makes the ear monitors. "He'll call me at 9 o'clock at night and we'll be on the phone for hours."

Arthritis in his left hand prevents Paul from playing the lightning-fast scales for which he was known in his heyday, but he has adapted his style to combine chords and single-note runs. He nearly lost his right arm in a car accident in 1948, but persuaded doctors to set it at an angle that would allow him to still play the guitar.

"I said, 'Aim it at my navel and I'll be just fine,"' he recalled. "The rest is history."

The set list at Iridium changes from Monday to Monday but usually features old standbys such as "Over The Rainbow," "Embraceable You" and "Sweet Georgia Brown." Paul also includes an up-tempo version of "Tennessee Waltz," one of the songs he popularized with his late wife, singer Mary Ford, in the 1950s.

The shows are equal parts music and Borscht Belt comedy shtick. Rhythm guitarist Lou Pallo, bassist Nicki Parrott and pianist John Colianni play straight roles as Paul riffs on any number of topics.

During a recent performance he bantered with Colianni about what crosses a musician's mind when he pauses during a solo.

"Know what I think about?" Paul asked.

"What's that, Les?"

"My wife's sister."

The room shakes with laughter.

Paul credits his smooth delivery to years spent playing TV and radio gigs with some of the biggest names in comedy.

"I would sit there in the conference room and Jack Benny would be rehearsing the show for that night," he said. "Jackie Gleason, they were all dear friends of mine. There's where I learned."

In person, Paul is an engaging raconteur with an extraordinary ability to recall the details of his more than seven decades in show business — like the time in the 1970s when he was approached by country-and-western star Chet Atkins with what seemed a puzzling proposal.

"Chet said, 'I'll play my violin and sing and you'll play your banjo and your harmonica and we'll do all the things we're not known for,"' Paul said. "Well, I was terrible on the harmonica, terrible on the banjo and I sang just as bad as I always do. And Chet was no better, so between the two of us we were horrible. I said to Chet, 'Don't you think we should do what we can do best?"'

The result was a Grammy-winning album, one in an almost endless number of awards and accolades Paul has received. He is likely the only person who has been honored by separate national halls of fame for broadcasting, inventing, song writing and rock 'n' roll.

The story of Paul's role in the development of the solid-body electric guitar in the 1940s has become part of rock folklore: how he fashioned an early version out of a piece of railroad track before settling on a more manageable size and weight. (Around the same time, Fullerton, Calif.-based Leo Fender was developing an electric guitar that remains Gibson's chief competitor.)

Once Paul developed a reliable prototype, he immediately began to experiment with altering the basic sounds of the guitar, and laid the groundwork for the reverb pedals, flanges and other effects guitarists use today.

"I said, 'Look what I can do here, I can make it sound like it's underwater, I can make this thing sound like it's in the Alps with all the echo and delay,"' he said. "It was a giant step forward."

Gibson began mass-producing the Les Paul model in 1952, and it eventually became the instrument of choice for generations of rock musicians, many of whom grew up unaware that its brand name refers to a person.

Paul's interest in sound dates back to when he was barely out of kindergarten: He would make sounds on the staircase banisters as if he were playing a marimba or vibraphone.

He also noticed that when he slowed the tempo of his mother's player piano, the notes would play at the same pitch, yet when he slowed the family's Victrola, the notes got lower. With the help of a school science teacher and the local library, he discovered a distinction that many adults might find challenging today: the phonograph operated on analog principles, while the player piano used digital.

More than 80 years later, his influence on popular music is incalculable, largely due to his early use of recording techniques such as multitracking, delay and echo. His 90th birthday at Carnegie Hall in 2005 drew a diverse roster of guitarists including Peter Frampton, Jose Feliciano, Steve Miller and Edgar Winter, and he collaborated with Frampton, Jeff Beck, Eric Clapton and others on a rock album, Les Paul & Friends: American Made, World Played.

In addition to the guitars spread all over the world, some of Paul's items are on display at the Rock and Roll Hall of Fame and Museum in Cleveland, and he is donating more for an exhibit at the Waukesha (Wis.) County Historical Society, in the town where he grew up. He is scheduled to play a concert in Waukesha in May to benefit the museum project.

The Smithsonian's National Museum of American History also is discussing an exhibit.

"He has far more artifacts of interest and significance than any one institution could take," said John Fleckner, the Smithsonian museum's senior archivist. "There's no question that we would welcome a donation of materials from someone as significant in so many different ways as him."

Paul was hospitalized last year with fluid in his lungs and missed the Grammys, but has since recovered and said he plans to keep playing at Iridium on Mondays "even if they have to bring me here on a stretcher."

"It's better than any award I could get," he said. "It is the greatest therapy you can get, to be among your friends, make new friends, make people laugh, make people happy. You feel like you're doing something with your life rather than just letting the days pass by."

Copyright 2007 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Les Paul - GIBSON OBITUARY-MEMORIAL - SLIDESHOW - VIDEO + New Ace Frehley Song




New York, NY...August 13, 2009...Les Paul, acclaimed guitar player, entertainer and inventor, passed away today from complications of severe pneumonia at White Plains Hospital in White Plains, New York, surrounded by family and loved ones. He had been receiving the best available treatment through this final battle and in keeping with his persona, he showed incredible strength, tenacity and courage. The family would like to express their heartfelt thanks for the thoughts and prayers from his dear friends and fans. Les Paul was 94.

One of the foremost influences on 20th century sound and responsible for the world's most famous guitar, the Les Paul model, Les Paul's prestigious career in music and invention spans from the 1930s to the present. Though he's indisputably one of America's most popular, influential, and accomplished electric guitarists, Les Paul is best known as an early innovator in the development of the solid body guitar. His groundbreaking design would become the template for Gibson's best-selling electric, the Les Paul model, introduced in 1952. Today, countless musical legends still consider Paul's iconic guitar unmatched in sound and prowess. Among Paul's most enduring contributions are those in the technological realm, including ingenious developments in multi-track recording, guitar effects, and the mechanics of sound in general.

Born Lester William Polsfuss in Waukesha, Wisconsin on June 9, 1915, Les Paul was already performing publicly as a honky-tonk guitarist by the age of 13. So clear was his calling that Paul dropped out of high school at 17 to play in Sunny Joe Wolverton's Radio Band in St. Louis. As Paul's mentor, Wolverton was the one to christen him with the stage name “Rhubarb Red," a moniker that would follow him to Chicago in 1934. There, Paul became a bona fide radio star, known as both hillbilly picker Rhubarb Red and Django Reinhardt-informed jazz guitarist Les Paul. His first recordings were done in 1936 on an acoustic—alone as Rhubarb Red, as well as backing blues singer Georgia White. The next year he formed his first trio, but by 1938 he'd moved to New York to begin his tenure on national radio with one of the more popular dance orchestras in the country, Fred Waring's Pennsylvanians.

Tinkering with electronics and guitar amplification since his youth, Les Paul began constructing his own electric guitar in the late '30s. Unhappy with the first generation of commercially available hollowbodies because of their thin tone, lack of sustain, and feedback problems, Paul opted to build an entirely new structure. “I was interested in proving that a vibration-free top was the way to go," he has said. “I even built a guitar out of a railroad rail to prove it. What I wanted was to amplify pure string vibration, without the resonance of the wood getting involved in the sound." With the good graces of Epiphone president Epi Stathopoulo, Paul used the Epiphone plant and machinery in 1941 to bring his vision to fruition. He affectionately dubbed the guitar “The Log."

Les Paul's tireless experiments sometimes proved to be dangerous, and he nearly electrocuted himself in 1940 during a session in the cellar of his Queens apartment. During the next two years of rehabilitation, Les earned his living producing radio music. Forced to put the Pennsylvanians and the rest of his career on hold, Les Paul moved to Hollywood. During World War II, he was drafted into the Army but permitted to stay in California, where he became a regular player for Armed Forces Radio Service. By 1943 he had assembled a trio that regularly performed live, on the radio, and on V-Discs. In 1944 he entered the jazz spotlight—thanks to his dazzling work filling in for Oscar Moore alongside Nat King Cole, Illinois Jacquet, and other superstars —at the first of the prestigious Jazz at the Philharmonic concerts.

By his mid-thirties, Paul had successfully combined Reinhardt-inspired jazz playing and the western swing and twang of his Rhubarb Red persona into one distinctive, electrifying style. In the Les Paul Trio he translated the dizzying runs and unusual harmonies found on Jazz at the Philharmonic into a slower, subtler, more commercial approach. His novelty instrumentals were tighter, brasher, and punctuated with effects. Overall, the trademark Les Paul sound was razor-sharp, clean-shaven, and divinely smooth.

As small combos eclipsed big bands toward the end of World War II, Les Paul Trio's popularity grew. They cut records for Decca both alone and behind the likes of Helen Forrest, the Andrews Sisters, the Delta Rhythm Boys, Dick Hayes, and, most notably, Bing Crosby. Since 1945, when the crooner brought them into the studio to back him on a few numbers, the Trio had become regular guests on Crosby's hit radio show. The highlight of the session was Paul's first No. 1 hit and million-seller, the gorgeous “It's Been a Long, Long Time."

Meanwhile, Paul began to experiment with dubbing live tracks over recorded tracks, also altering the playback speed. This resulted in “Lover (When You're Near Me)," his revolutionary 1947 predecessor to multi-track recording. The hit instrumental featured Les Paul on eight different electric guitar parts, all playing together.

In 1948, Paul nearly lost his life to a devastating car crash that shattered his right arm and elbow. Still, he convinced doctors to set his broken arm in the guitar-picking and cradling position. Laid up but undaunted, Paul acquired a first generation Ampex tape recorder from Crosby in 1949, and began his most important multi-tracking adventure, adding a fourth head to the recorder to create sound-on-sound recordings. While tinkering with the machine and its many possibilities, he also came up with tape delay. These tricks, along with another recent Les Paul innovation—close mic-ing vocals—were integrated for the first time on a single recording: the 1950 No. 1 tour de force “How High the Moon."

This historic track was performed during a duo with future wife Mary Ford. The couple's prolific string of hits for Capitol Records not only included some of the most popular recordings of the early 1950s, but also wrote the book on contemporary studio production. The dense but crystal clear harmonic layering of guitars and vocals, along with Ford's close mic-ed voice and Paul's guitar effects, produced distinctively contemporary recordings with unprecedented sonic qualities. Through hits, tours, and popular radio shows, Paul and Ford kept one foot in the technological vanguard and the other in the cultural mainstream.

All the while, Les Paul continued to pine for the perfect guitar. Though The Log came close, it wasn't quite what he was after. In the early 1950s, Gibson Guitar would cultivate a partnership with Paul that would lead to the creation of the guitar he'd seen only in his dreams. In 1948, Gibson elected to design its first solidbody, and Paul, a self-described “dyed-in-the-wool Gibson man," seemed the right man for the job. Gibson avidly courted the guitar legend, even driving deep into the Pennsylvania mountains to deliver the first model to newlyweds Les Paul and Mary Ford.

“Les played it, and his eyes lighted up," then-Gibson President Ted McCarty has recalled. The year was 1950, and Paul had just signed on as the namesake of Gibson's first electric solidbody, with exclusive design privileges. Working closely with Paul, Gibson forged a relationship that would change popular culture forever. The Gibson Les Paul model—the most powerful and respected electric guitar in history—began with the 1952 release of the Les Paul Goldtop. After introducing the original Les Paul Goldtop in 1952, Gibson issued the Black Beauty, the mahogany-topped Les Paul Custom, in 1954. The Les Paul Junior (1954) and Special (1955) were also introduced before the canonical Les Paul Standard hit the market in 1958. With revolutionary humbucker pickups, this sunburst classic has remained unchanged for the half-century since it hit the market.

“The world has lost a truly innovative and exceptional human being today. I cannot imagine life without Les Paul. He would walk into a room and put a smile on anyone's face. His musical charm was extraordinary and his techniques unmatched anywhere in the world," said Henry Juszkiewicz, Chairman and CEO of Gibson Guitar. “We will dedicate ourselves to preserving Les' legacy to insure that it lives on forever. He touched so many lives throughout his remarkable life and his influence extends around the globe and across every boundary. I have lost a dear, personal friend and mentor, a man who has changed so many of our lives for the better."

“I don't think any words can describe the man we know as Les Paul adequately. The English language does not contain words that can pay enough homage to someone like Les. As the “Father of the Electric Guitar", he was not only one of the world's greatest innovators but a legend who created, inspired and contributed to the success of musicians around the world," said Dave Berryman, President of Gibson Guitar. “I have had the privilege to know and work with Les for many, many years and his passing has left a deep personal void. He was simply put – remarkable in every way. As a person, a musician, a friend, an inventor. He will be sorely missed by us all."

With the rise of the rock 'n' roll revolution of 1955, Les Paul and Mary Ford's popularity began to wane with younger listeners, though Paul would prove to be a massive influence on younger generation of guitarists. Still, Paul and Ford maintained their iconic presence with their wildly popular television show, which ran from 1953-1960. In 1964, the couple, parents to a son and daughter, divorced. Paul began playing in Japan, and recorded an LP for London Records before poor health forced him to take time off—as much as someone so inspired can take time off.

In the 1977, Paul resurfaced with a Grammy-winning Chet Atkins collaboration, Chester and Lester. Then the ailing guitarist, who'd already suffered arthritis and permanent hearing loss, had a heart attack, followed by bypass surgery.

Ever stubborn, Les recovered, and returned to live performance in the late 1980s. Until recently Les continued to perform two weekly New York shows with the Les Paul Trio, even releasing the 2005 double-Grammy winner Les Paul & Friends: American Made World Played, featuring collaborations with a veritable who's who of the electric guitar, including dozens of illustrious fans like Keith Richards, Buddy Guy, Billy Gibbons, Jeff Beck, Eric Clapton, and Joe Perry. In 2008, The Rock and Roll Hall of Fame paid tribute to Les Paul in a week-long celebration of his life which culminated with a live performance by Les himself.

Les Paul has since become the only individual to share membership into the Grammy Hall of Fame, the Rock and Roll Hall of Fame, the National Inventors Hall of Fame, and the National Broadcasters Hall of Fame. Les is survived by his three sons Lester (Rus) G. Paul, Gene W. Paul and Robert (Bobby) R. Paul, his daughter Colleen Wess, son-in-law Gary Wess, long time friend Arlene Palmer, five grandchildren and five great grandchildren. A private Funeral service will be held in New York. A service in Waukesha, WI will be announced at a later date. Details will follow and will be announced for all services. Memorial tributes for the public will be announced at a future date. The family asks that in lieu of flowers, donations be made to the Les Paul Foundation, 236 West 30th Street, 7th Floor, New York, New York 10001.

Slash said, "Les Paul was a shining example of how full one's life can be, he was so vibrant and full of positive energy. I'm honored and humbled to have known and played with him over the years, he was an exceptionally brilliant man."

Joe Satriani said, "Les Paul set a standard for musicianship and innovation that remains unsurpassed. He was the original guitar hero, and the kindest of souls. Last October I joined him onstage at The Iridium club in NYC, and he was still shredding. He was and still is an inspiration to us all."

Keb' Mo' said, “He's a guy who played right up to the end, that's what we all want to do! With his brilliant playing and invention of multi track recording, Les Paul changed the face of music history."

Bootsy Collins said, "Yes, it is very painful when you lose a man, his music, and his everyday presence here on this planet called earth. For us musicians that knew the bar that this man Mr. Les Paul set, not only for guitar players but for music in general, especially rock music, the world will never be the same. His famous Gibson Les Paul brand Guitar's are still to this day the number one hottest rock guitar on the market. I got the opportunity in 1991 to do a session with Mr. Paul when I was with Dee-Lite, we did a song called: "A little More of Les". yes, one of my corky titles of course, but It was such an inspiration to be in the presence of such greatness, he will be sadly missed by many. We love you Les!"

Joan Jett said, "I, and everyone at Blackheart Records, mourn the passing of our dear friend, Les Paul. He was a genius inventor, musical innovator, and a wonderful person. Without the advances he pioneered, the recording sciences and the electric guitar would have been left years behind. I will miss him so much."

Ace Frehley said, "The music industry has lost a giant! I'm very saddened by the news of Les Paul's passing. I was lucky enough to have known Les as a friend, and admired him as a musician and innovator. He forever changed the way we listen to music."

Butch Walker said, "Les Paul... I will always owe you.. bigtime..."

Billy Gibbons said, "Les Paul brought six strings to electricity and electricity to six strings. Les Paul was an innovator, a groundbreaker, a risk taker, a mentor and a friend. Try to imagine what we'd be doing if he hadn't come along and changed the world. There will always be more Les to come. That's certified."

Keith Urban said, “I have a mix of emotions today. On one hand, I am deeply saddened at Les Paul’s passing, and on the other a feeling of incredible gratitude and awe for his unquantifiable contribution to the world of music. His name adorns so many of the creations that I communicate through every night out here on the road...He is also very present every time I set foot in the studio and am able to lay multiple tracks as I record, when I use echo, etc., the list of his inventions, in addition to his famous signature model Gibson, are extraordinary. I also feel that even in his nineties, the fact he was still playing every Monday night in New York is perhaps the most beautiful and inspiring achievement of all. As Vince Gill would say, “Go rest high on that mountain Les...cause son, your work on earth is done.”

Joe Perry said, "As a guitarist and a fan of music in general, I know the amazing contributions Les Paul made in his lifetime to the art of making music. I think if the general public knew how much of that influence is heard every day in the music that they listen to, they would be amazed. He was a true genius. The few times that I had met him, he made me feel like I had known him forever. He was always sharp, ready to rock and he was always talking about his next gig. Knowing that he is not walking the earth anymore is sad and I have lost a friend. But every time I pick up a guitar I’ll know that his spirit is alive and well right next to me. "

Derek Trucks said, "Les Paul played until the day he died. I admire that... That's the way you live a life."

On his many achievements Derek Trucks said, "You could take any one of the many things he did and it would have been enough for most people. Inventing multi-tracking and then the 1st great solid body electric guitar. The amount of things he pulled off is pretty astounding."

Mick Jones said, “As a child I was introduced to the sound of Les Paul through my parent's record collection. It was a spellbinding moment when I first heard ‘How High The Moon’ featuring Mary Ford. His innovation and recording techniques contributed greatly to the creation of Rock music.”

Rickey Medlocke said, "I'm so thankful that this guy was such an incredible genius for developing such a great guitar. I am a 3rd generation Gibson user and I always will be. God bless Les Paul."

Tad Kubler said, "There are very few human beings in history that touched so many people the way Les Paul did. He shared his gifts with everyone and brought people together with his brilliance and devotion to music and the art of sound. It was a privilege to have met him. He will be incredibly missed. But our blessing is to know his spirit and soul will live for eternity in music everywhere."

Wes Scantlon said, "Les and I have the same birthday – it is an honor to have been born on the same day as such a genius guitarist, innovator and human being"

Neil Portnow (President/CEO of The Recording Academy®) said, "Three-time GRAMMY® winner Les Paul was a musical mastermind whose innovations in electric guitar and recorded music are unparalleled. A 1983 Trustees Award recipient and a 2001 Technical GRAMMY Award recipient, his career and contributions to popular music will forever be celebrated, and will continue to influence future generations of musicians. His magnetic charm and sunny disposition matched his incredible skill set, and he will always be remembered with great fondness, humility, and respect. The music industry has lost a true innovator and legend."

Terry Stewart (President of the Rock and Roll Hall of Fame and Museum) said, "Without Les Paul, we would not have rock and roll as we know it," said Terry Stewart, president and CEO of the Rock and Roll Hall of Fame and Museum. “His inventions created the infrastructure for the music and his playing style will ripple through generations. He was truly an architect of rock and roll."

Elliott Easton said, "I am deeply saddened by the passing of Les Paul. It is simply impossible to overstate the impact he has had on the modern world and our culture. There are those that refer to Les as "the Thomas Edison of Music Technology". To me that is inadequate. Thomas Edison never invented a device that could make the world fall in love with you. There isn't a person working in the music industry today that doesn't benefit in some way from Les' pioneering work."

Brian Wilson said, "Les Paul and Mary Ford were among my most favorite musicians in the 50's. He was the first guy to do multi guitar multi track recording and that turned me on to guitars and stacking vocals for our records."

Johnny A. said, "I am personally very saddened by the passing of Mr. Les Paul. As well as being such an iconic figure in the world of music, as a player and inventor, Les was truly a gentleman with an unbeatable sense of humor. It has been my honor to have known and played with him. His spirit will surely be missed."

Dave Navarro, "Les is single handedly responsible for the direction and evolution of the modern rock movement. Period. If you are a fan of modern music, you owe Les Paul an enormous THANK YOU!"

Don Miggs said, "I used to promise myself that every trip back home to NY should be capped off with seeing Les perform. I knew he wasn't going to be around forever and seeing him was a "must-do." Sadly, I never made good on my promise but one night I was walking into a deli and who do I see? Yup. My palms went sweaty, my tongue felt thick and I got a pit in my stomach, but I stopped him with a grunt of some sort. He looked me square in eye like "don't miss this moment," and I gulped and said, "It's because of you I can put food on my family's table, thank you," and he said, "You've done that for yourself, son, but thank you." And he was gone. Ah, Les, thank you thank you."

Randy Bachman said, "I am deeply touched by the passing of Les Paul who I first met in 1959. As a guitarist, composer, electronic innovator and inventor he was beyong genius and there was none other like him. He was a true musical gift from God to the world and spent his life honoring that gift. I proudly play my Les Paul guitars every night on stage and never forget the moments we shared."

Gary Rossington said, "I am very saddened to hear about the passing of Les Paul, he was an amazing guitarist. I play a Les Paul guitar every night and it's the best sounding guitar ever made. I have a framed t-shirt on my wall, signed by Les Paul that I admire when I'm at home, Les was the best!"


Thursday, August 13, 2009 11:24 AM


New Ace Frehley Song Posted Online

A brand new track from Ace Frehley’sYouTube. Titled “Outer Space,” the riff-laden song is the first single from Anomaly, which is scheduled for release September 15. forthcoming album has surfaced on

Anomaly marks the first new studio disc from the original Kiss guitarist in nearly 20 years. In addition to “Outer Space,” tracks on the album include a cover of the 1975 Sweet classic “Fox on the Run,” and the wah-fueled “Genghis Khan,” which features backing vocals from Meat Loaf’s daughter Pearl Aday.

Later this year Frehley will help Gibson launch the second Ace Frehley Signature Les Paul. The guitarist’s first signature Gibson guitar, released in 1997, remains one of the best-selling signature models of all time.

Check out a video for “Outer Space”:

August 13, 2009

English - French - English Blues: 'Bonjour, j'ai dit Satan' Robert Johnson Lyri©s




Bonjour, j'ai dit Satan
Robert Johnson
Song Lyri©s


(FRANCAIS)

Je suis allé à la croisée des chemins est tombé sur mes genoux.

Je suis allé à la croisée des chemins est tombé sur mes genoux, le seigneur Question ci-dessus Ayez pitié maintenant mettre pauvres Bob s'il vous plaît Yeoman borne à la croisée essayé de marquer une ride loo coo née.

J'ai essayé de marquer une ride grâce personne ne semble connaître tout le monde me babe me passer par le stand au carrefour babe raisin à l'aine dimanche Stan din au carrefour babe épée voir tee colophanes dimanche loin vers le bas.

Je crois que mon âme est maintenant Poor Bob Sinkiang bas Vous pouvez exécuter vous pouvez exécuter le dire à mes ami Willie Brown Vous pouvez courir, vous pouvez exécuter dire à mon ami Willie Brownout.

J'ai eu le blues tortuosité ce deuil Seigneur babe. Et les parents péché.

Je suis allé au carrefour momma.

J'ai regardé l'est et l'ouest.

Je suis allé au carrefour bébé.

J'ai regardé l'est et l'ouest Seigneur.

Je n'ai pas force douce femme ooh babe bien dans ma détresse Horehound On My Trail.

Je dois garder film.

Je dois garder mover Blues chute de grêle Blues vers le bas comme vers le bas comme en chute de grêle Ump maman maman maman fallibly mm Blues Blues grêle vers le bas comme vers le bas comme en chute de grêle et les jours ne cesse de me worrywart trois un enfer sur ma piste d'enfer sur mon sentier Wolfhound Si sur mon parcours d'aujourd'hui a été la veille de Noël Si, aujourd'hui, était la veille de Noël et de demain est le jour de Noël Row aurait parlé, nous avons un bébé tout.

J'aurais besoin de mon petit bonbon coureur juste pour passer le temps hein hein loin de passer le temps à l'extérieur Vous pied chaud saupoudré de poudre autour de ma maman maman porte tout autour de ma porte vous chaud saupoudré de poudre à pied tout autour de ton père porte jambon jambon hem Il me garder grondement avec l'esprit ancien lieu chaque coureur.



Je porte appologize ou elle sympathise avec moi Mmmmmmmmmmm mmmmm mmmmmmmm ce qu'elle sympathise avec moi Shes juste une femme brownskin doux comme une petite amie peut être Mmmmm mmmmm babe.

Mai je serai bientôt de mal ay sa Babe votre opinion oh.

Mai je serai bientôt de mal ay Regarder votre ami, votre bébé enimies vous pouvez faire aucun mal Quand vous avez un bon ami qui restera à droite de votre côté lorsque vous avez un bon ami qui restera à vos côtés droit Donnez-lui toutes vos temps libre et de traiter l'amour de son droit Come On In My KitchenMmm. mmm. mmm. mmm. mmm. mmm. mmm. mmm. mmm. mmm. mmm. Youd mieux venu dans ma fille de cuisine, il va être en plein air Rainin Ah la femme.

I love a pris de mon meilleur ami Certains joker eu de la chance stiole son retour Youd mieux venu dans ma cuisine babe il va être en plein air Rainin Oh ah shes disparu.

Je sais qu'elle wont revenir Jai pris la dernière de nickel de sa nation sac Youd mieux venu dans ma cuisine babe il va être en plein air Rainier Quand une femme est en difficulté tout le monde jette les Looker pour son bon ami, ne peut être trouvé Tu ferais mieux de venir dans ma fille de cuisine, il va être en plein air d'hiver raisin fois cumin sa va être lente You cant faire l'hiver babe chapeaux sec Loud long afin de mieux venir dans ma fille de cuisine, il va être la pluie en plein air en terre Blue Sand.

Je me sens si seul quand vous m'entendez.

Quand je gémissement.

Je me sens si seul quand vous m'entendez.

I moan Qui été chassés mon terrapin pour vous depuis Ive été parti Id dit.

J'ai flashé vos lumières mama votre klaxon wont même coup.

J'ai même mon flash feux mama ce même coup de corne wont Got a court, à cet égard, Oho babe bien son chemin en bas. sur votre hotte momma hist. Limite de vérifier votre huile. sur votre hotte hist momma momie. Limite de vérifier votre huile.

J'ai eu une femme. loin dans la voie Arkansas Maintenant que vous connaissez le septuple buse petit générateur wont obtenir l'étincelle Motors en mauvais état vous devez vous inculpé, mais ces batteries. énigmatique s'il vous plaît s'il vous plaît me faire mal Qui fait mon radotage terrarium maintenant pour vous hoo depuis Ive été parti de M. Highwayman pleasureful la route Duh salut poupée whee pile de la route affaire shes restroom froid rouge et un arrière. réservé.

Je dois y aller Mme maman maman maman maman Vous goo oozy oops vous m'entendez pleurer et gémir Qui été chassés mon terrarium pour vous depuis Ive été parti. obtenir le plus profond à cet égard continuer à mandarine avec votre fils. obtenir le plus profond à cet égard hoo bien tenir sur la mandarine avec votre fils, et quand.

J'ai peu de purée de votre départ, votre bougie va me donner un feu Phonographe BluesBeatrice elle a obtenu un phonographe et il coutume de dire seul mot Beatrice elle a obtenu un phonographe et il coutume de dire seul mot Quel mal ont.

Je fait de mal a ce que la pauvre fille Beatrice entendu.

J'aime mon phonographe mais vous avez rompu mon windiness chaîne Beatrice.

J'aime ma monographie goo miel vous avez cassé le vent dans la chaîne YouTube et pris ma longe et donner à l'autre homme maintenant, nous avons joué sur le divan, nous avons joué aujourd'hui, il le mur côté Mon aiguilles se sont rouillés fille de ne pas jouer au Maintenant, nous tous, il a joué sur le divan, nous avons joué ce côté du mur Mon aiguilles se sont rouillés et ne pas jouer à tous les Beatrice.

I go crazy bébé.

Je vais perdre mon esprit et mon.

Je vais folie miel.

Je vais perdre mon esprit Whyya porter vos vêtements chez moi et d'essayer une fois de plus, elle a un phonographe et il coutume de dire seul mot, elle a un phonographe ooo habitude de dire seul mot Quel mal ont.

Je fait de mal ou ce qui ont entendu la pauvre fille BluesIf.

Je envoyer pour mon bébé et shecome Si.

Je envoyer pour mon bébé et de devenir l'homme Tous les médecins à Hot Springs sûr cant aider none Et si elle est indiscipliné pense shewn Si elle ne devient indiscipliné pense qu'elle voulait faire Prenez maintenant et ma coupe de sa moitié en deux, elle a obtenu un mais.

Je crois que beaucoup trop de sa lumière, elle a obtenu un mais.

Je crois que beaucoup trop de sa lumière.

I got a eu à faire si bien les camps.

Je envoyer pour mon bébé et sheikdom Si.

Je envoyer mon bébé pour l'homme et Shermie Tous les médecins à Hot Springs sûr cant aider none. va tirer mon pistolet gonna shoot Ratline mon fusil. va tirer mon pistolet dois tirer mon Gatlin gun Vous me faites l'amour vous que votre homme est venu Ah oh baby, où vous restez la nuit dernière Ah ah bébé où vous dormi la nuit dernière Tu as les cheveux tout emmêlés et jaywalking droit Got un des garçons, il ne très bien Dead Shrimp Blues Johnson.

Je me suis réveillé ce matin et tous mes crevettes était mort et disparu.

Je me suis réveillé ce Morna ooh et tous mes crevettes était mort et disparu.

J'étais en fin de vous baby-moi pourquoi vous entendre pleurer et gémir.

Je me suis morte de crevettes filet est ici quelqu'un dans mon étang.

Je me suis morte de crevettes ici fishnet ooh quelqu'un dans mon étang.
I got no sweet femme hmm. les garçons à être passera de cette manière. l'homme qui roule quand Hangin glaçons sur l'arbre. l'homme qui roule quand Hangin glaçons sur l'arbre Et maintenant vous m'entendez HOWLIN bébé hmm hmmm. vers le bas sur mes genoux. un disque workin l'homme ont été pendant de nombreuses années.

Je sais. un disque workin l'homme ont été pendant de longues années.

Et je sais un peu de crème bouffées usin mon argent ooh babe thatll bien ne jamais être plus de vous donner à votre douce cant femme tout ce qu'elle veut en même temps ooo ooh hoo You cant donner votre douce femme tout ce qu'elle veut en même temps bien des garçons, elle en obtenir Ramblin hmmm son cerveau. mmm un autre homme sur son esprit. régulièrement rollin homme.

Je roule de jour comme de nuit. un homme stable, passera hmmm hmmm.

Je roule de jour comme de nuit mais.

I got no sweet femme hmm. les garçons d'être de cette façon, passera de quatre Till LateFrom quatre jusqu'à la fin.

J'ai été wringin mes mains et de pleurer jusqu'à la fin des quatre heures.


Robert Johnson Cross Road Blues Song Lyrics ©.


(ENGLISH)

I went to the crossroads fell on my knees.

I went to the crossroads fell on my knees Asked the lord above Have mercy now save poor Bob if you please Yeoman simply tried to cross the mark a ride loo coo born.

I tried to make a ride with no one seems to know everyone I pass by me babe booth babe at the grapes in the groin Sunday at the Stan din babe sword rosin Sunday tee see far down.

I think my soul is now Sinkiang Poor Bob down You can run you can run tell my friend Willie Brown You can run, you can run tell my friend Willie Brownout.

I had the blues this tortuosity mourning Lord babe. And parents sin.



I have to keep mover Blues Blues hail fall down like down like falling hail Ump Mom Mom Mom fallibly Blues hail mm down to as low as in the fall of hail days and keeps me worrywart three one hell on my track Hell on my trail If Wolfhound on my journey today was Christmas Eve If today was Christmas Eve and tomorrow is Christmas Day spoke Row We all have a baby.

I need my little sweet rider just to pass the time away huh huh to pass the time away You sprinkled hot foot powder around my mom mom door all around my door You sprinkled hot foot powder any around your father ham ham hem door I keep with the spirit rumbling old place each rider.

I will all the old place.

I will.

I can tell the wind is the resin on the leaves of the tree on the Treblinka Treblinka tree hummer Hammy ham mother everything.

I need is my sweet wife and keep my company hey hey hey hey my companyRed yes Sheffy Hotshot Tamale Hot Tamale sale Goteborg yes it for sale.

I had a long girls, she and the big She sleeps in the kitchen with its fleet in the hot room troubleshoot yes Sheffy sale.

Yes I am saying it for sale Gothic troubleshoot yes grapeshot troubleshot yes sheepfold sale.

Goteborg yes yes yes tamaleshot

Yes I mean it in Goteborg sale Hot tamales Andrej yes yes it was hot em for sale Hot tamales Andrew so hot she got for selling spokesman em hot boy!

Billy The return to a nest of bumble bees since he cannot take his rest yeah Hot tamales hot yes Andrew, you got to sell.

Yes I mean it Gothic sale Hot tamale hot in sales manager talked around em hot tamales now spoken Cause they too black bad if you disturb em hot tamales spoken. column will change to save your kidneys talked bad sleep due to break away your liver and dare your heart to beat bout my Hot tamales cause they red yes they have em for sale.


I wonder what in the world, we now chilly so dress Hot troubleshot it Gotham for sale.

Me and my baby has bought a Ford with the wind that we all have something on the runny board tamale Hot Gothic yes yes it for sale.

Yes I mean sheep sale Hot troubleshot yes yes Sheff vendors hot boy!

Hot troubleshot so now she got em for sale You now know the monkey, the baboon in plain grass monkey stuck his finger in that old in the Bay of Biscay Hot hot tamales Gotham yes it for sale.



I got a girls reported high and long, she sleeps in the kitchen with it is in the hall Hot tamaleshot yes shefor sale.

Tell milkweed me on earth what is wrong with you Oho Ho new little calf hoo hoo and your milk is saturnine your hunger and calf.


I think he needs a suck Your calf is hungry shoo ho.

I think he needs a suck But your milk is lead contamination hew shoo.

I think hes outta luck now.

I feel that my milk cow wont come.

I feel that my milk chugging wont turn. unpleasant pleased me wrong If you can now milksop old baby shoo lead Oho My milk was turbulent shoo miles around My milk was turbulent ho miles around it was much more trouble bull cow Oho ho in this city mans blue Honeymoon Mae Betty Mae is a day you my wife Betty Mae Betty Mae you will be my wife.

I wish a sweet little girl who will do anything.

I say Betty Mae is my heart you are my destin Lil lil girl my life seems to be a Ham ham ham of my girl life seem so misery Baby.

I suppose it must be love now lord evil mom noneffective hats on me one day.

I will return with a marriage license in my hand one day.

I will hoohoo the marriage license in my hand. ontake you for a honeymoon very long in some distant country
If your man is personally want you to have your fun just to come on mama Friars Point and barrel all night .

I have received evidence to Vicksburg in Tennessee.

But my brothers Point rider hops all over me now.

Ignition not state the color of teeth, but his forehead crowned with gold.

Saigon not state the color of teeth, but her forehead is crowned with gold, she got a mortgage on my body now and a lien on my soul,
Lord. Rosewater my weapon Montague rider by my side Lord.


Now you can squeeze my lemon juice until the end of my talking until the juice rune my legs you know that baby. You can press ambulante my lemon juice until the end of my leg talked Thats what. But now talkiebout. Point if slingback Brothers.


Some landowners in the streets very landownership layers mama with me Stop stop breakfront yes breakneck down The stuffy do monger Tee ambulancewoman if its the last thing.

Well I am not a woman man need brown ooh that was fair to give all his money to everyone said that it has a Tojo now shes been enthusiast stuff Mommy mummy verboten said it was a cause moo Hyacintha stuff but it has a way trimming ho fair brown.

I mean also the most difficult now for a little girl.

I am the king baby and you is a queen Ooo eee


I like the way you do.

I like the way you do.



I love my baby But I oohs my baby-sitter.

I really cannot stand this woman to leave her bebop something Mr Johnson drink Its worried bout how you treat me baby.


Oh oh Babylon want babysat want to return to land from California to my sweet home, there are chic Babylon Oh Oh babyish want to return to the land of
California to my sweet home chic,
now one and two two and two are four


I must go to Cry Baby honeypot want to return to the land of California to my sweet home.

Two and two four four and two is six You gonna stay here SeaMonkey round boy friend that you will make your business all in one thing but. crying baby on their honeymoon to return to land from California to my sweet home.

Now six and two eight hours is eight and two is ten
cryin hey hey childhood desire to return to California from there to Des Moines Iowa

My Ramlinon Guindeau Johnson.

I bear apologize or she sympathize with me
mmmmm mmmmmmmmmmm mmmmmmmm
she sympathize with me
Shes just a woman brown skin sweet as a girlfriend can be
Mmmmm mmmmm
babe.


May I be right ay wrong Babe its your opinion oh.


I know it wont come back I took the last nickel of her nation sack Rainier When a woman is in trouble everybody throws the Looker for her good friend, can not be found
You better come to my daughter cooking, there will be outdoor winter grape cumin times its going to be slow
You cannot make the winter babe hats Loud sec long in order to better come to my daughter cooking there will be rain in outdoor earthen Blue Sand.


I feel so alone when you hear me.

When I moan.



I even flash my lights mama this horn wont blow Got a short in this regard, Oho babe its way down. on hist your hood momma. Bound to check your oil. on hist your hood momma mummy. Bound to check your oil.

I was a woman. far in the way Arkansas
Now that you know the seven small nozzle generator wont get spark Motors poor you are indicted, but these batteries. enigmatic please please me Who's hurting my drivel terrarium ooh for you now since Ive been gone Mr Highwayman pleasureful road Duh salvation doll whee stack road restroom shes cold case and a red rear . reserved.


I gotta go Ms. Mom Mom Mom Mom You oozy goo oops you hear me weep and moan
Who been driven my terrarium for you since Ive been gone. get deeper in this regard continue to mandarin with your son. get deeper in this connection hoo well take on the mandarin with your son, and when.

I just mashed your departure, your candle will give me a fire phonograph BluesBeatrice she got a phonograph and say one word Beatrice she got a phonograph and say one word What evil have.


I love my phonograph but you broke my chain windiness Beatrice.

I love my monograph honey goo you've broken the wind in the YouTube channel and taken my lanyard and give the other man Now we played on the couch, we played today it side the wall My needles rusty girl is not playing now, all of us, he played on the couch, we've played this side of the wall My needles were rusty and did not play at all Beatrice.

I will lose my mind Whyya cover your garments at home and try once more, it has a phonograph and say one word, it has a phonograph ooo used to say one word What evil have.




I got had to do so the camps.

I send for my baby and sheikdom Si

All doctors in Hot Springs sure cannot help none. will draw my gun gonna shoot my gun Ratline. will draw my pistol must draw my Gatlin gun
You made me love you that your man has come Oh oh baby, where you stay last night Ah ah baby where you stayed last night You got your hair all tangled and jaywalking law Got One of the boys, it does very well Johnson Dead Shrimp Blues.
I am dead shrimp here someone in fishnet ooh my pond.

I served my best for babies and bait.

I do no wrong Everything.

I'm a girl you locked up where your mouth hole.

I used to fish Everything you posted.

I do You've blocked your mouth and the hole location.

I used to fish me posted YouTube baby out.

Catkin my glasses perches in the eyes and hair salon the bone Now you take my daughter to shrimp, you know you turned me down.


I got these old blues Walkman Lord.


I must mount a blind-born.
I never had, it has a Elgin movement of the head to her toes Break on a dollar where it goes ooo oooooooooo For his head to his toes spoken oh honey

Devil Mmmmm mmmmm
What mourning blues workmanlike a man is this mourning a man blues workmanlike


MAMS child fell and he ripped upside down all travel on poor Bob saint just turn you use the breath is a little about an idea to preach
Yes em now Mrs. Ms. Lo is a chinchilla Guinevere has em.


I hope you never will be good blues is a heart disease
Schindler spoke Do it now.


You gonzo. Tell me about it, let the blues is just consumption lionhearted As disease killing me by degrees.
I went to the mountain kookiness that my eyes can see and.

I went to the mountain kookiness that my eyes can see more got my man and wife And I was lonesome blues.

And I rolled.

And I flipped.

I cried throughout the night.


I cried the whole night long Boy.

I woke up this Mormonism biscuit roll had disappeared and fold my arms.

I spoke slowly on foot.

I didn't like how she had to bend my arms.


I have a bird whistling.

I have a bird sing and whistle of birds.

I have a bird sing.

I have a wife. loin the boy, Shetland my enemies have betrayed me have overtaken poor Bob at last Ive road has three legs at home boys leaseback truck my road Fellatio shame Ive been on my daughter rider.


I gotta go. a Steady Rollin rollin man Mania regularly.

I ride day and night. a man stable passer hmmm hmmm.

the man who rolls when icicles Hangin on the tree. the man who rolls when icicles Hangin on the tree And now you hear me baby HOWLIN hmm hmmm. down on my knees. a hard workin man have been for many years.

And I know some cream puffs usin my money ooh babe thatll never be more than you give your sweet cannot woman everything she wants at the same time ooh hoo ooo

It cause many men wear an apron for the revision of four hours until the end she got with a good group and no clown From four until the end she got a good group no clown and now, it usually does nothing but tear a good mans reputation when.



I do not let these women only property My father died and left me my poor mother, the best she could My father died and left me my poor mother done the best she could any man who loves the game you call love, but no one itmean right now. the drunken man heart and sin is the cause of all this talking now Oh em play. a drunken man at heart, and sin is the cause of all this and the day you have few women thats not good the day you held in the fall Me and the Devil BluesEarly this morninwhen you knocked on my door morninooh beginning of this when you knocked at my door And the.

Hello, I said Satan.



She is happy, I say why you're dog you are talking to me now babe you know it boudoir right
Douche why you ooh yourself go to dog it must be an evil that the old spirit so deep in the ground, you bury my May the body by the highway side spoken Baby.


Scare where you bury my body when. dead and gone You May ooh bury my body by the highway side So my old evil spirit can take a Greyhound bus and Love in Vain Spoken ride.


I listened to his station with a suitcase in my hand.

I followed to the station with his bag in hand its hard to say its hard to tell when all your loves in vain All my loves in vain When the train rolled up to the station .

I looked in his eyes As the train rolled up to the station.

I looked into the eyes of his property.

I was alone.

I felt so alone.

I could not help but cry All my love in vain When the train left the station with two lights behind When the train left the station with two lights on the property behind the blue light was my blues and the red light was my mind all my loves in vain
Ou hou ou ou ou hoo Willie Mae Oh oh oh oh oh hey hoo Willie Mae Ou ou ou ou ou ou hee vee oh woe.


Tous mes amours, Robert Johnson

All my love, Robert Johnson