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April 21, 2009

Faster, Pussycat! Kill! Kill! (1965)

Faster, Pussycat! Kill! Kill! (1965)
Video sent by bmoviebabe

Three go-go dancers seeking thrills, encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become house guests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.

ELVIS: DOWN ON THE GEISHA! 16-YR-OLD STIPPER, TURA SATANA ('MISS JAPAN BEAUTIFUL,' STAR OF 'FASTER PUSSYCAT!') SHOWS ELVIS - ASIAN ART OF CUNNILINGUS!



PATRICIA "Patti" D'ARBANVILLE APPEARED IN TWO WARHOL FILMS, AND AS CAT STEVENS' GROUPIE/OLD LADY, SHE INSPIRED HIS 'LADY D'ARBANVILLE' FROM THEIR ONE-MONTH SEPARATION; HOWEVER, HER MOST NOTABLE CLAIM TO FAME CAME IN 1977, WHERE SHE PLAYED THE LEAD ROLE IN David Hamilton's 'BILITIS' [SOFT-CORE, FRENCH, HORNY FANTASY OF ADOLESCENT GIRLS' COMING-OF-AGE [DIRECTED BY THE MAN WHO INVENTED SOFT-FOCUS PHOTOGRAPHY!].

ABOUT THIS CLIP:
PATTI D. READS A SELECTION FROM 'HER' CHAPTER
WHICH DESCRIBES A 1956, MOONLIT BEACH ENCOUNTER IN BILOXI, MS, BETWEEN ELVIS PRESLEY AND, THEN, 16-YEAR-OLD, ASIAN STRIPPER, Tura Satana [STAR OF "Faster, Pussycat! Kill! Kill!" Russ Meyer, 1965], WHOSE CLAIM IT IS, ACCORDING TO P.D. IN PDB'S BOOK, IN INTERVIEW [DETAILS ARE NOT STATED?], THAT TURA TAUGHT ELVIS THE FINE ART OF KISSING AND CUNNILINGUS OVER THE PERIOD OF A FEW WEEKS? MONTHS? [THERE ARE ALSO DETAILS ON THE SIZE OF "L'IL E"].
INCLUDED IN PAMELA DES BARRES' "Let's Spend the Night Together..." --July 9 2007, NYC
[*on some of this information, i'm inclined to agree with 'groupie blog;' not so much from the incorrect spelling, but from the extremely common PR practice of "retrospective sex-linking," usually used by non-celebrities, seeking publicity--certainly not the case here [although PDB's cum-well must be running dry]; however until, i can prove otherwise, i'm giving Tura, P.D & PDB the benefit of the doubt]

Andy Warhol Interview Magazine, April 1973

"Patti D'Arbanville is a young actress who has appeared in three films to date: Flesh, L'Amour and La Maison, which was a critical and commercial success in France. She has been through the pop hippy scene in New York and California, the rock groupie scene in London, the chic ready to wear scene in Paris, always traveling fast and light."
INTERVIEW:
Patti D'Arbanville: There's such freedom in something like L'Amour that I just run wild. I mean, at times I was just foaming at the mouth. I haven't seen the film, just some rushes of me in the bathtub, and I was quiet for a change. I grew up on Bleecker and MacDougal. The Figaro was right across the street...I asked my mother if I could stay out until midnight...she said, 'Well, of course, it's only across the street.' Then I started going to Ondine. Then I decided to go to California with these two girls and my best girlfriend who was pregnant. We had spent all the money for her abortion on mescaline and spent three nights in a hotel with some boys freaked out on mescaline. We got $1,000 for the abortion by going up to this guy in Ondine and asking him for it...I made Flesh the...I went back to California, back to New York...Bert Stern took me to Paris to do the collections...went to London and stayed at Donald Cammell's house for a couple of months. Then I went to Hollywood to do a movie with *Nic Roeg...It was called "Deadly Honeymoon"... but it didn't work out. Jim Aubrey didn't like what Nic had done to the script...Nic wouldn't do it any way but his own..Steven wrote that song [Lady D'Arbanville by Cat Stevens] when I left for New York. I left for a month, it wasn't the end of the world was it? But he wrote this whole song: 'Lady D'Arbanville, why do you sleep so still.' It's about me dead. So while I was in New York, for him it was like I was lying in a coffin...he wrote that because he missed me, because he was down... It's a sad song.
BIO:
Patricia D'Arbanville
Born May 25, 195, NYC
daughter of George and Jean (nee Egan) D'Arbanville
MARRIAGES:
Roger Mirmont (actor), 1975 (divorced)

Steve Curry (actor, singer), 1980 (divorced)

Terry Quinn 1993 (separated)


*Child with actor, Don Johnson
[Jesse Wayne]


Add Tura Satana to your collection!

TURA

SATANA

Tura Satana, born Tura Luna Pascual Yamaguchi July 10, 1938 in Hokkaidō, Japan, is a Japanese-born American actress and former exotic dancer.
She is mostly remembered for her role as "Varla" in Russ Meyer's 1965 cult film,
Faster, Pussycat! Kill! Kill!


TURA SATANA STATUE  STATUES  MOVIES-TV STATUES MARK ALFREY STUDIO TURA SATANA STATUE (C: 0-1-2) MOVIES-TV HORROR MOVIES STATUES


Best known as Varla from the 1965 exploitation film, Faster, Pussycat! Kill! Kill!, actress Tura Satana is brought to life in this officially licensed, limited edition statue!
Standing 12" tall, the statue was designed and sculpted by Mark Alfresco and comes with a limited edition poster by Mike Hoffman.
Sure to be sought after by film buffs and connoisseurs of exploitation cinema,
don't miss this chance to add
Tura Satana
to your collection!
Painted and ready to display.

Tura
Satana


BELOW IS FROM
groupieblog tura-satana

TURA SATANA STATUE  STATUES  MOVIES-TV STATUES MARK ALFREY STUDIO TURA SATANA STATUE (C: 0-1-2) MOVIES-TV HORROR MOVIES STATUES

Pamela and Patti spelled her name in the video as Toru Setana [sic].
So can we believe the story about Elvis,
if they even can’t spell her name right?

Here she is in the 1965 film by Russ Meyer,

Faster, Pussycat! Kill! Kill!

turasatana.jpg

Together with Haji and Lori Williams

faster-pussycat.jpg

The original trailer

Variety reports that Quentin Tarentino is gonna do a remake with…
Britney Spears…

000010-a.jpg
Later, Tura Satana looked like this

Michiro Endo: Sex-1985 「オデッセイ・1985・SEX」 ”スターリン”


http://apia-net.com/michiro/images/ANI_019.GIFhttp://i4.ytimg.com/vi/wKdXNyuxzes/1.jpghttp://i4.ytimg.com/vi/wKdXNyuxzes/2.jpghttp://i4.ytimg.com/vi/wKdXNyuxzes/3.jpghttp://apia-net.com/michiro/images/ANI_019.GIF

http://apia-net.com/michiro/images/ANI_019.GIFhttp://apia-net.com/michiro/images/tab-michiro.gifhttp://apia-net.com/michiro/images/ANI_019.GIF



Michiro Endo

遠藤 ミチロウ

http://apia-net.com/michiro/images/ANI_019.GIFhttp://apia-net.com/michiro/images/tab-michiro.gifhttp://apia-net.com/michiro/images/ANI_019.GIF
Endo Michirō

http://apia-net.com/michiro/images/ANI_019.GIF「ハッピーバード ブルー・レッド2個セット」http://apia-net.com/michiro/images/ANI_019.GIF
was the founder and vocalist of punk rock band The Stalin, one of the dominant acts of the 1980s Japanese punk rock scene. He is still active on the live scene, both as a solo performer and playing in an acoustic band.

'80.9 「電動コケシ/肉」 ソノシート THE STALIN ポリティカル
'81.4 「スターリニズム」 EP THE STALIN ポリティカル
'81.12 「TRASH」 LP THE STALIN ポリティカル
'81.7 「STOP JAP」 LP THE STALIN 徳間音工
'82.7 「ロマンチスト」 EP THE STALIN 徳間音工
'82.8 「アレルギー」 EP THE STALIN 徳間音工
'83.2 「GO GO STALIN」 12”シングル THE STALIN 徳間音工
'83.4 「虫」 LP THE STALIN 徳間音工
'83.4 「NOTHING」 EP THE STALIN 徳間音工
'84.4 「ベトナム伝説」 カセット・ブック 遠藤ミチロウ JICC出版局
'84.7 「仰げば尊し」 EP 遠藤ミチロウ B.Q.RECORDS
'84.11 「Fish Inn」 LP THE STALIN  B.Q.RECORDS
'85.2 「仰げば尊し」 EP 遠藤ミチロウ 東芝EMI
'85.3 「THE END」 12”ミニLP 遠藤ミチロウ 東芝EMI
'85.5 「FOR NEVER」 2枚組LP THE STALIN  TOKUMA JAPAN
'85.5 「絶賛解散中」 ビデオ THE STALIN  TOKUMA JAPAN
'85.8 「・オデッセイ,1985,SEX」12”ミニLP3連作 遠藤ミチロウ KING RECORDS
'85.9 「オデッセイ,1985,SEX」 EP 遠藤ミチロウ KING RECORDS
'85.10 「・ オデッセイ,1985,SEX」 12”ミニLP3連作 遠藤ミチロウ KING RECORDS
'
85.12 「・GET THE HELP」 12”ミニLP3連作 遠藤ミチロウ KING RECORDS
'85.12 「オデッセイ,1985,SEX」 CD/カセット 遠藤ミチロウ KING RECORDS

The album version is longer and has the guitar solo and all that, but Michiro's vocal track on this one is way better.
This must've been his Visual Kei phase or something.
Visual Kei? fuck off, you prat.
I'm kidding, if this is VK then the Stalin were fucking SPAM.

Actually it reminds me a bit of Yamagata, but I didn't notice that before.
Not visual kei. Fucking not visual kei.

Weird prince like funk or something.

Mum...yea...Michiro's goal was to make it in to the mainstream and really fuck things up on a huge scale through out japan's music scene. So he did adopt a sort of Visual Kei look during the middle part of his career unlike the begging with The Stalin. It didn't work through. Hehe. Sex.

Yea really. He was quoted saying that before. And all Visual Kei really was just copying flamboyant new-wave artists and adding their own twist. And I doubt a man that's thrown fish heads in to a crowd, shit on stage and run around in his undies is going to be embarrassed about dressing like that. Most of his career was based on being a sill arse.

I think people are going to disagree with you saying most of his career was based on being a "silly arse". I still disagree that it is visual kei. It was even before all that crap came about.


The Stalin era - Amazing.
Michiro new wave pop era - OK at best.
志村けんにも似てるよね。
怖い
It's similar to Shimura Ken.

Scary

細川ふみえ - にこにこにゃんにゃん

戸川純 - 髑髏の円舞曲

The Phil Harmonics: "Powerhouse" [w/b Raymond Scott - from "The Dipsy Doodler" 1939] via:'FWCP'


The Phil Harmonics performing Raymond Scott's "Powerhouse", from the 1939 short "The Dipsy Doodler" by Larry Clinton and His Orchestra.

This tune was used in MANY MANY Loonie Tunes and Merrie Melodies cartoons from the Warner Brothers studios.

April 20, 2009

BORN TO BE WILD [ステッペンウルフ→ STEPPENWOLF cover] by 遠藤ミチロウ: Endo MICHIROU →4PD

BORN TO BE WILD [ステッペンウルフ→ STEPPENWOLF cover] by 遠藤ミチロウ: Endo MICHIROU →4PD

JOE ALCOHOL: THE HONG KONG KNIFE: "HEARTBREAK JET SALOON" [JAPANESE TV]

from R.S.F.B.again first edition

JOE ALCOHOL: THE HONK KONG KNIFE [JAP TV INTERVIEW (IN JAPANESE)]

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