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William Eggleston
Paris Review
William Eggleston: For Now
November 16, 2010 | by Michael Almereyda
William Eggleston, 1970. Photographer unknown.
William Eggleston's color photographs are among the most widely viewed, and widely admired, in the medium. But I wanted to survey Eggleston's unseen, unpublished work-his B-sides, bootlegs, unreleased tracks-and to that end I made five trips to Memphis in the course of a year, rummaging through roughly 35,000 digital scans archived by the Eggleston Artistic Trust. The intention was to come up with a book of images rescued from near oblivion. The resulting selection-necessarily partial, narrow, subjective-favors pictures of people, many of them the photographer's blood relatives and close friends, a few of which appear below. When I reviewed an early layout with Bill, he was pleased to be confronted with images he'd clean forgotten about, and he provided considered commentary.
§
Untitled (Marcia Hare), early 1970s.
"She used to dance onstage with a hippie band called **Insect Trust.
§
Untitled (Julian Hohenberg), Algiers, Louisiana, early 1970s.
"A cotton merchant. His fortune soared in the billions. He lost it all at once. His competitors ganged up and brought him down." Hohenberg financed the first dye-transfer portfolio of Eggleston images, 14 Pictures, in 1974. "I don't think he'll ever know how important that was to me."
§
Untitled (T. C. Boring), Greenwood, Mississippi, early 1970s.
"He was a dentist. We immediately became best friends. I can't even say why. I'll think about it, and if I come up with anything, you'll be the first to know."
T. C., alone in a graffiti-scrawled room, is the solitary nude in "William Eggleston's Guide" (Museum of Modern Art, New York, 1976). The blood-red ceiling, one of Eggleston's most iconic images, was located under T. C.'s roof in Greenwood, Mississippi, though that home, Bill takes pains to insist, is not the site on view here.
§
Untitled (Vernon Richards with William Eggleston III), Memphis, Tennessee, early 1970s.
Richards was "a close friend from childhood, in Sumner, Mississippi." He appears extensively in Eggleston's epic video, Stranded in Canton, and assisted in the taking of flash-lit nightclub portraits during the same period. He's also visible, beardless, in the "Guide," gazing from within a parked car, above two bare feet, crossed at the ankles, braced on the car door.
§
Untitled, Windsor Ruins, Mississippi, early 1980s.
This officially designated "art car" was painted by Tom Young, formerly Eggleston's instructor at the University of Mississippi, and was driven in a New Orleans Mardi Gras parade. "He polished it, then painted it, then polished it some more. He spent months on it. He took it very seriously." The columns are the lone surviving remnants of the Windsor Plantation, lost to fire in 1890. "That car's probably the last thing you'd expect to see at that spot."
§
Untitled (Tom Young), early 1980s.
Tom Young is also responsible for supplying young Eggleston with early, oracular advice, commanding him to photograph things around him, even or especially things he hated. From this, Eggleston extracted a credo, transforming hatred to love. His much-quoted remark-"I've been photographing democratically"-offers a measure of this reversal, his all-encompassing embrace and its Whitmanesque reach, whereby nearly every subject caught by his camera becomes part of an overflowing family album.
*"thanks to my A&R Man, Jim Barber for the title from this dregs of curious beauty of an essay on Old Bill. I couldn't have come up with a better title if I tried."
**"Insect Trust contained none other than Robert Palmer...NO! NYTimes, Robert Palmer (Music Critic extraordinaire--with an extraordinaire fondess for sleepy juice) on Noise Clarinet...no wonder Bill was not a fan. Although how could you remember with all the quaaludes in the mix in those loagy Stranded in Canton Days of Memphis?!"
Michael Almereyda's films include Nadja (1994), Hamlet (2000), and William Eggleston in the Real World (2005). This text is excerpted from his afterword to William Eggleston: For Now, which gathers nearly ninety previously unknown Eggleston photographs in one volume and has just been published by Twin Palms.
Livres/Emmanuelle Seigneur
Emmanuelle Seigner
Nom de naissance
♥ Naissance 22 juin 1966 Paris, France Nationalité Française
Décès Texan
ωProfession(s) Actrice, chanteuse Distinctions
Site internet http://www.linternaute.com/video/506/backstage-extrait-n-1/# Emmanuelle S♥igner, née le 22 juin 1966 à Paris, est Emmanuelle Seignercomédienne et chanteuse française
Backstage Emmanuelle Seigner
Vie Private
blouse Roman Polanski le 30 août 1989, eels onto deluxe L'Enfant, Morgane (nae en 1993) ET Elvis (nu en 1998).Lucie 17 ans, est une adolescente "ordinaire". Sa mère, collectionneuse d'autographes, voue un véritable culte à un tas de vedettes et consacre tout son temps libre à ses activités de fan. Mais Lucie, elle, ne disperse pas ses sentiments Valery Zeitoun. De star dans son coeur, dans sa tête, il n'y en a qu'une. Tout le monde le sait. recouvrent les murs de sa chambre, les pages de son cahier de. Un jour, son destin va la conductor à pénétrer dans la vie de son idole. Mathilde Seigner – comédienne comme elle – et de la chanteuse Marie-Amélie Seigner, elle est la petite-fille du comédien Louis Seigner (1903-1991) et la nièce de Françoise Seigner, tous deux sociétaires de la Comédie-Française. Son père est photographe, sa mère journaliste. Scolarisée chez les sœurs, elle devient mannequin à l'âge de 14 ans et bandoleer ensuite cette profession pour le cinéma.
Carrier
Elle s'est révélée au public par le film Détective, de Jean-Luc Godard, puis par le thriller parisien de Roman Polanski, Frantic. Elle dévoile une autre facette de son jeu avec Lunes de fiel ; histoire d'un écrivain américain vivant à Paris tombant follement amoureux d'une jeune parisienne. Elle est par la suite longtemps absente du grand écran mais revient dans La Neuvième Porte. Ensuite, Emmanuelle Seigner se fait plus discrète, avec Place Vendôme et Backstage.Backstage Emmanuelle Seigner
Lauren Marks Emmanuelle Seigner Juliette Noémie Lvovsky Marie-Line Edith Le Merdy
Théâtre
Backstage Nudity,
Emmanuelle Seigner
Emmanuelle Seigner
Naaktheid,
Emmanuelle Seigner
عري, bn:নগ্নতা,
Emmanuelle Seigner
Noazhded, ca:Nuesa,
Emmanuelle Seigner
Nøgenhed, de:Nacktheit, eo:Nudeco, es:Desnudo, et:Alastiolek, id:Ketelanjangan, fa:برهنگی, fi:Alastomuus,
Emmanuelle Seigner
fr:Nudité
Backstage Lucie, 17 ans, est une adolescente "ordinaire". Sa mère, collectionneuse d'autographes, voue un véritable culte à un tas de vedettes et consacre tout son temps libre à ses activités de fan. Mais Lucie, elle, ne disperse pas ses sentiments. De star dans son coeur, dans sa tête, il n'y en a qu'une. Tout le monde le sait. Ses photos recouvrent les murs de sa chambre, les pages de son cahier de texte. Un jour, son destin va la conduire à pénétrer dans la vie de son idole.
Backstage
French girls lose it
in Emmanuelle Bercot's film Backstage
Editing Utilisateur:Mrjyn/Livres/Emmanuelle Seigneur Backstage
Backstage
- Emmanuelle Seigner
- Emmanuelle Seigneur Backstage
Emmanuelle Seigneur Backstage (French girls lose it) extrait n°1
Backstage Lucie, 17 ans, est une adolescente "ordinaire". Sa mère, collectionneuse d'autographes, voue un véritable culte à un tas de vedettes et consacre tout son temps libre à ses activités de fan. Mais Lucie, elle, ne disperse pas ses sentiments. De star dans son coeur, dans sa tête, il n'y en a qu'une. Tout le monde le sait. Ses photos recouvrent les murs de sa chambre, les pages de son cahier de texte. Un jour, son destin va la conduire à pénétrer dans la vie de son idole.
- Elvis Presley
- BDSM
- Awra
- Cheville (anatomie)
- Discussion Wikipédia:Atelier accessibilité
- ET
- Feuille de vigne
- Harper's Bazaar
Utilisateur:Mrjyn/Livres/Emmanuelle Seigneur Backstage
Sunday, December 12, 2010
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David Bowie Thin White Duke Spécial 1976 (Fr.)
THIS IS CLASSIC Bowie! and classic Natasha SMOLIANOFF???
i'm not 100% because neither is my French, but I know the concert footage takes place in 1976 in Paris on his last "Thin White Duke" show...and here is where i get fuzzy--the description translated by Google may either help you or make you more confused
- Petit DESCRIPTION of this mini-doc BELOW, OR go to 'Super Bowie Groupie' Post 'Who're David Bowie Dating" HERE
- *when i found this and uploaded it and posted it the first time, the Bowie Freak Community Freaked out. I'll see if i can find some of the old forum threads to show you. It is quite good, but they freaked out about this woman in it (who has some strange connection to the Dame...idk)
- Natacha recalls her encounter with David Bowie when younger; speaks to the sensitivity of the artist, and the creation of a fan club in her care.
- Natasha and Bowie's Crossed interviews are interspersed with footage of a concert which includes Natacha and many songs, such as "Life on Mars"
To mark the passing of "Thin White Duke", David Bowie's last concert tour in Paris on 18 May 1976, , an unusual news story was dedicated to the singer and his androgynous encounter with one of his fans--a certain Natasha SMOLIANOFF, sexagenarian mélomane.
