Drunk Lionel Richie ( http://post.ly/gx1D - Cannes) Sings Lohan, Hilton, Chopard Happy Birthday - Paris Hilton caught checking her cleavage at the Chopard party in Cannes -- Lindsay Lohan Bares Legs, Loses Passport Cannes Lindsay Lohan arrives for the Chopard 150th anniversary party, Cannes, France Chopard naturally chose Cannes and its prestigious Film Festival, of which it is both official partner and designer of the Palme dOr, as the ideal setting in which to celebrate its 150th anniversary with a memorable party at the VIP Room and an exceptional concert by Lionel Richie.
From 11 pm onwards, Chopards 1,000 guests gathered at the VIP Room, the iconic Croisette night-club, for a festive evening.
To celebrate this milestone in due style, Chopard co-president Caroline Gruosi-Scheufele invited renowned American singer Lionel Richie to give a special performance. For over an hour, and to guests obvious delight, he reprised some of his greatest hits, including Say you say Me, All Night Long and Hello, specially dedicated to Caroline whom he invited on stage.
A number of stars were in attendance including Eva Herzigova, Jacky Ickx, Princess Charlotte Casiraghi with Margherita Missoni, Tatiana Santo Domingo and Francesca Versace, French actresses Marion Cotillard, Emmanuelle Béart, Clotilde Coureau and Nora Arnezeder, English actress and this years jury member Kate Beckinsale, along with Naomi Watts, Meg Ryan, Billy Zane and David Furnish, fashion models Dree Hemingway, Tori Praver, Naomi Campbell and Eugenia Silva, producer Harvey Weinstein, dancer Eleonora Abbagnato, the Hilton family, Lindsay Lohan, and the evenings Emcee, Myleene Klass.
Richie, whose daughter Nicole is Paris Hilton's on-again, off-again friend, played an hour-long set that included a rendition of "Happy Birthday," to Chopard. a sensational photo of Lindsay Lohan partying with a strange white powder in the foreground was released by TMZ few days back. Obviously, court was never going to take that photo as means of proof to rule that Lindsay is yet to reform and change her past ways.
Yet, the bad girl has to change her ways. If she has really reformed, she would have not blamed everyone except her for not visiting the court in time. The excuse that passport was lost due to vague reasons clearly suggest that Lindsay needs real counseling. She may be later cleared by court for attending reform sessions, but the actual need of the hour should be addressed by her and those in contact with her--A sensational photo of Lindsay Lohan partying with a strange white powder in the foreground was released by TMZ few days back. Hotel heirhead Paris Hilton boobs at the Chopard party in Cannes as she's caught checking her cleavage.
Happy that everything was where it ought to be, Paris tottered off to the unofficial after-party aboard a lush yacht and stayed 'til well past midnight - by which time she was in sunglasses
Paris Hilton checking Cannes cleavage Chopard party
A-list guests shine at Chopard 150th birthday bash
Lindsay Lohan arrives for the Chopard 150th anniversary party, during the 63rd international film festival, in Cannes, France, Monday, May 17, 2010.
Richie, whose daughter Nicole is Paris Hilton's on-again, off-again friend, played an hour-long set that included a rendition of "Happy Birthday," to Chopard.
Yep, they're both present and correct... Hotel heirhead Paris Hilton boobs at Chopard in Cannes as she's caught checking her cleavage.
Happy that everything was where it ought to be, Paris tottered off to the unofficial after-party aboard a lush yacht and stayed 'til well past midnight - by which time she was in sunglasses. Hmm.
Lionel Richie has given a shout out to Paris Hilton during a set at Chopard's star-studded 150th anniversary fete on the French Riviera.
150th anniversary evening in Cannes
Chopard naturally chose Cannes and its prestigious Film Festival, of which it is both official partner and designer of the Palme d’Or, as the ideal setting in which to celebrate its 150thanniversary with a memorable party at the VIP Room and an exceptional concert by Lionel Richie.
From 11 pm onwards, Chopard’s 1,000 guests gathered at the VIP Room, the iconic Croisette night-club, for a festive evening.
To celebrate this milestone in due style, Chopard co-president Caroline Gruosi-Scheufele invited renowned American singer Lionel Richie to give a special performance. For over an hour, and to guests’ obvious delight, he reprised some of his greatest hits, including Say you say Me, All Night Long and Hello, specially dedicated to Caroline whom he invited on stage.
A number of stars were in attendance including Eva Herzigova, Jacky Ickx, Princess Charlotte Casiraghi with Margherita Missoni, Tatiana Santo Domingo and Francesca Versace, French actresses Marion Cotillard, Emmanuelle Béart, Clotilde Coureau and Nora Arnezeder, English actress and this year’s jury member Kate Beckinsale, along with Naomi Watts, Meg Ryan, Billy Zane and David Furnish, fashion models Dree Hemingway, Tori Praver, Naomi Campbell and Eugenia Silva, producer Harvey Weinstein, dancer Eleonora Abbagnato, the Hilton family, Lindsay Lohan, and the evening’s Emcee, Myleene Klass.
Actresses Naomi Watts, Lindsay Lohan, Marion Cotillard and Kate Beckinsale, as well as Hilton and her sister Nicky, were among the A-list guests at Monday night's party.
Ms. Argento explained that she and Ms. Leigh had a little run-in on the set. But, “I couldn’t care less about this friction,” she said. On screen for just a few minutes in “Go Go Tales”
WITHIN the hothouse atmosphere of last month’s Cannes Film Festival, the Italian actress Asia Argento was a weather system unto herself, creating pockets of turbulence wherever she went. Ms. Argento, whose first name is pronounced “AH-zee-ah,” is one of those rare actors whose mere presence instantly makes a movie less predictable. She had three films in the festival, and in each one, handily conquered scenes that would reduce most performers to nervous wrecks or laughingstocks.
Asia Argento torna sul grande schermo, dopo circa due anni dalla nascita del suo secondo figlio (Nicola avuto dal regista Michele Civetta). «Baciato dalla fortuna» di Paolo Costella, prodotto da Medusa con Rita Rusic, su un soggetto di Vincenzo Salemme (anche protagonista), sarà nelle sale tra febbraio e marzo prossimo per raccontare un'Italia attuale, tra crisi economica, Supernalotto e problemi sentimentali. Una vincita di 120 milioni, che in realtà nessuno ha realizzato, è l'equivoco che stravolgerà la vita dei personaggi. Gaetano (Salemme) tre volte alla settimana punta sempre sugli stessi numeri al Superenalotto, ma proprio la volta in cui escono arriva tardi alla ricevitoria per seguire in diretta l'estrazione della sua sestina. La sua bella e sensuale compagna, Betty (Asia Argento), che lo costringeva a un tenore di vita al di sopra delle sue possibilità e stava per scappare con il bello del posto (Alessandro Gassman), torna su suoi passi, così come i suoi amici e le banche, pronte ora a fargli credito, credendo nella sua vincita.
In Catherine Breillat’s “Old Mistress,” playing a Spanish courtesan entangled with a pretty-boy aristocrat in 1830s Paris, she consummates the affair by hungrily lapping the blood off her wounded lover’s chest. They later have tearful sex next to their dead baby’s funeral pyre.
As an ex-prostitute in “Boarding Gate,” a transcontinental thriller by Olivier Assayas, she ensnares a former lover (Michael Madsen) in S-and-M mind games that turn increasingly physical. The highlight is a complicated maneuver involving handcuffs, a belt and a whole lot of nerve.
The real showstopper, though, is in Abel Ferrara’s “Go Go Tales.” As an exotic dancer — introduced as the “scariest, sexiest, most dangerous girl in the world” — she storms a strip-club stage, pet Rottweiler in tow, and proceeds to entwine tongues with the slobbering dog.
With her feral magnetism, Ms. Argento, 31, is indeed sexy and, for some, undoubtedly scary. But her taste for the outré, easy to dismiss as provocation, hints at a deeper fearlessness, apparent in her headlong performances as well as in her willful career choices. In a series of conversations during Cannes (and after the festival, by telephone from Rome) she openly discussed the pleasures and risks of self-exposure and the tension between person and persona.
“In Italy people think I’m a cliché,” she said. “The dark lady, the bitch from hell. All they can see is that I’m naked.”
If there is a theme in Ms. Argento’s career, it’s that there’s more than one way to be naked. The daughter of the Italian horror maestro Dario Argento, she is also a filmmaker and has created for herself a pair of flamboyantly lurid star vehicles: “Scarlet Diva” (2000), a Eurotrashy psychodrama about an actress who wants to be a filmmaker, and the full-throttle J T LeRoy adaptation “The Heart Is Deceitful Above All Things” (2004), in which she plays the mother of all monstrous mothers.
For Ms. Argento directing is partly a way to control her own image and by extension the course of her career. “It could have gone one way or another,” she said. “I was doing these mainstream comedies in Italy when I was a teenager and winning awards. I was a golden kid. And then I did ‘Scarlet Diva,’ and everyone was like, ‘Whoa, who is this?’ ”
Her English-language film career began in the late 1990s, in the under-the-radar indies “B Monkey” and “New Rose Hotel.” In 2002 she appeared opposite Vin Diesel in the blockbuster “XXX” and landed on the cover of Rolling Stone. (“She Puts the Sex in XXX.”) But instead of building on her new action-babe status, she moved toward smaller, quirkier roles.
Ms. Argento’s latest films, which prompted festivalgoers to crown her the “queen of Cannes,” are the most generous showcases yet of her charms. “An Old Mistress” and “Boarding Gate” feature the trademarks that have made her an all-purpose mystery lady — her salacious scowl, her damaged-goods vulnerability, her unplaceable exoticism, her many tattoos — while also throwing fresh challenges in her path.
In her decidedly uncorseted costume drama, Ms. Breillat positions Ms. Argento as a destabilizing force of nature, peeling away clothes and hypocrisies in a single swoop. Mr. Assayas creates a fanboy valentine, testing his star’s talent for erotic bravado and athletic action, even in lingerie and spike heels. (“Boarding Gate” will be released here this winter by Magnolia Pictures and is so far the only one of Ms. Argento’s three Cannes films with an American distributor.)
Mr. Assayas, who wrote “Boarding Gate” especially for Ms. Argento, said he had been impressed with her unpretentious openness. “She doesn’t distinguish between high and low art,” he said. “When she acts, it’s an amazing combination of pure instinct and virtuoso technique.”
Both of those qualities are on full display in the talky sequences that she and Mr. Madsen partly improvised. These long bouts of kinky one-upmanship got so extreme that she sometimes left the set in tears. In one particularly intense scene, “he bit me,” she said, providing unprintable specifics about where and how.
“He’s a brilliant actor, but he’s a manly man,” she said. “It was difficult for him not to be in charge.” To get the desired response she would try surprising her co-star, whom she called, with a laugh, “Mad-sen.” “There was a scene where he just couldn’t say the word ‘slave,’ so I started masturbating,” she said. “He was so taken off guard. It felt like the only thing I could do to make it work.”
Ms. Argento’s usual sense of control was demolished when she worked with Ms. Breillat, who has a reputation for putting her actors through the wringer. “I thought, I’m such a soldier, she’s not going to hurt me,” Ms. Argento said. “But she did. She knew how to push my buttons.” Ms. Argento referred to Ms. Breillat variously as “a tough cookie,” “a great intellectual,” “a control freak,” “like my mother” and “a crazy bitch.” Ms. Breillat, sitting a few tables away at a Cannes restaurant, offered her own cool appraisal. “I chose Asia for her explosive subconscious, so I worked with her subconscious,” she said. “We had a few horrible blowups. She can terrorize people. She doesn’t like to be dominated. She would burst into tears and go, ‘Catherine doesn’t like me.’ And I would say, ‘Look, your tears are costing us time.’ ”
When the conversation turned to acting, Ms. Breillat spoke glowingly: “Put her in front of the camera, and she gives entirely of herself, body and soul, without any ego.”
Ms. Argento has been acting since she was 9, and she joined the family business partly as a way of joining the family. “I was shy and weird,” she said. “Making movies was the only time I belonged to something.” A defining moment came at the age of 5, when her mother, the actress Daria Nicolodi, showed her Tod Browning’s “Freaks.” She felt a strong kinship with the sideshow performers.
As a child she reached for the high shelf where videos of her father’s movies were stored and covertly screened them for her friends. As a teenager she started working with him, playing an anorexic orphan in “Trauma” (1993) and a rape victim in “The Stendhal Syndrome” (1996). Mr. Argento, speaking by telephone from Rome, said he was used to questions about subjecting his daughter to on screen torments. “I tell people it’s a movie,” he said.
Judging from the two features she has directed, Ms. Argento’s take on the intersection of life and art is more complicated. Her interest in confessional fiction backfired when J T LeRoy, author of the purportedly autobiographical tale of abuse, “The Heart Is Deceitful Above All Things,” was revealed to be the creation of a writer named Laura Albert. “On a human level I’m glad the story didn’t happen to somebody,” Ms. Argento said. “But I feel incapable of writing a movie now, and it’s a result of that deceit.”
After stints in Paris and Los Angeles, she now lives in Rome with her 6-year-old daughter (whose father is the Italian musician Marco Castoldi), but her relationship with the news media and the film world there remains contentious. “Italy to me is like the mean mother,” Ms. Argento said. “Whatever I do, it’s never good enough. People say I’m the queen of Cannes, but in Italy I get turned down for work.”
Her first Italian production in nearly a decade is a kind of family reunion. She stars alongside her mother in her father’s latest feature, “The Mother of Tears,” the final chapter of a trilogy that began with his 1977 classic, “Suspiria.”
Ms. Argento is very much her father’s daughter. “If I ever get too mainstream,” she said, “I feel like I’m neglecting his legacy.” Still, she has stepped out of his shadow, to the extent that “I think he’s kind of scared of me now,” she said. “He’s like, ‘Who is this monster I’ve created?’ He said to me once that ‘The Heart Is Deceitful’ is so extreme. And I’m like, ‘Look at your movies, Dad.’ I’ve realized that I also make horror films, but I deal with real life and not the fantastic.”
In that sense Ms. Argento’s true mentor has been Mr. Ferrara, who cast her in “New Rose Hotel” and whose raw, mordant brand of low-life poetry is a clear influence on her. (She has made documentaries about both her father and Mr. Ferrara.) Parked on a bar stool at his hotel in Cannes, Mr. Ferrara declined to discuss Ms. Argento — he would only say, “She’s awesome all the way” — because he was with his girlfriend, Shanyn Leigh, an actress who also appears in “Go Go Tales.”
Ms. Argento explained that she and Ms. Leigh had a little run-in on the set. But, “I couldn’t care less about this friction,” she said. On screen for just a few minutes in “Go Go Tales”
Ms. Argento provided the most talked-about scene of the film, perhaps even of the festival: the canine kiss. She was terrified of the Rottweiler at first, but after a day of bonding, grew comfortable enough to incorporate the animal into her pole dance. Midscene, “the dog decides he loves me,” she said. “So to keep him calm I kissed him.”
There’s a sick punch line to the anecdote, an Argento-esque one you might say. “The dog died,” she said. “Or that’s what Abel told me. I hope it’s not because of the kiss.”
Ilona Staller (complete name Anna Elena Staller, 26 November 1951), also known by her stage name la Cicciolina, is a Hungarian-born Italianporn-star, sometimes politician, and singer. She continued to make hard core pornographic films while in office. She is famous for delivering political speeches with one breast exposed.
Anna Ilona was born in Budapest, Hungary. Her stepfather was an official in the Ministry of the Interior, her mother a midwife. In 1964 she began working for a Hungarian modeling agency, M.T.I. In her memoirs and in a 1999 TV interview, she claimed that she had provided Hungarian authorities with information on American diplomats staying at a Budapest luxury hotel where she worked as a maid in the late 1960s.
Pornography and show business career
Naturalized by marriage and settled in Italy, she met pornographer Riccardo Schicchi in the early 1970s, and, beginning in 1973, achieved fame with a radio show called "Voulez-vous coucher avec moi?" (French for "Do You Want to Sleep with Me?") on Radio Luna. For that program she adopted the name "la Cicciolina," which translates, loosely, as "cuddles". She has referred to her male fanbase and later the Italian parliament as "cicciolini", translating loosely as "little tubby boys". Although she appeared in several films from 1970, she made her debut under her own name in 1975 with "La Liceale," whose U.S. title was "The Teasers," playing a lesbian classmate of Gloria Guida. In 1978, on the RAI show "C'era due Volte", her breasts were the first to be bared live on Italian TV.
She appeared in her first hardcore pornographic film, titled "Il telefono rosso" ("The Red Telephone") in 1983. She produced the film together with Schicchi's company Diva Futura. She was rumored to have engaged in zoophilia with a horse in the movie "Cicciolina Number One", but her memoirs and other sources have disputed the claim.
Her memoirs were published as Confessioni erotiche di Cicciolina by the Olympia Press of Milan in 1987. That same year she appeared in "Carne bollente," called "The Rise and Fall of the Roman Empress" in the US, co-starring John Holmes. The film would later create a furor when it was revealed that Holmes had tested positive for HIV prior to appearing in it.
Staller married American sculptor Jeff Koons in 1991. Koons produced a series of sculptures and photographs of them having sex in many positions, settings and costumes, which were exhibited under the title "Made In Heaven." The marriage broke up in 1992, and their son Ludwig Maximillian was born shortly afterwards. Staller left the US with the child, and a lengthy custody battle ensued. Koons won custody in 1998 but Ludwig remains with Staller in Italy. In 2008, Staller filed suit against Koons for failing to pay child support.
Staller has appeared nude in the Playboy Magazine's editions in several countries. Her first Playboy appearance was in Argentina in March 1988. Other appearances for the magazine were in the U.S. (September 1990), Hungary (June 2005), Serbia (July 2005) and Mexico (September, 2005).
In 1994, she appeared in the film "Replikator", and in 1996, she had a role in the Braziliantelenovela "Xica da Silva." In 2008, she was a contestant on the Argentine version of "Strictly Come Dancing" named "Bailando por un Sueño". She withdrew after breaking a rib in rehearsals.
In 1979, Staller was presented as a candidate to the Italian Parliament from the "Lista del Sole", Italy's first Green party. In 1985, she switched to the Partito Radicale, campaigning against nuclear energy and NATO membership, for human rights, and "against world hunger".
She was elected to the Italian parliament in 1987, with approx. 20,000 votes. While in office, and before the outset of the Gulf War she offered to have sex with Saddam Hussein if he would release the foreign hostages. She was not reelected at the end of her term in 1991.
In 1991, Staller was among the founders of the political movement Partito dell'Amore (Love Party), spearheaded by her friend and fellow porn starMoana Pozzi. She has advocated absolute sexual freedom - "Love for All!" She also proposed a tax on automobiles to reduce the damages of smog and fund the defence of nature. She is a strict vegan and an animal rights activist.
In January 2002, she began exploring the possibility of campaigning in Hungary, her country of birth, to represent Budapest's industrial Kőbánya district in the Hungarian parliament. However, she failed to collect enough petition signatures for a non-partisan candidacy. In the same year, she ran in local elections in Monza, Italy, promising to convert a prominent building into a gambling casino, but she attracted few votes. In 2004, she announced plans to run for mayor of Milan with a similar promise.
She renewed her offer to have sex with Saddam Hussein in October 2002, when Iraq was resisting international pressure to allow inspections for weapons of mass destruction, and in April 2006 made the same offer to Osama bin Laden.
Staller has recorded several songs, mostly from live performances, with explicit lyrics being sung to a children's melody. Her most famous song is "Muscolo Rosso," a song entirely dedicated to il cazzo, which means "the dick" in Italian. Because of its extensive use of swear words, the sond could not be released it in Italy, but became a hit in other countries, especially in France, where the listeners did not grasp the meaning of the lyrics. The song gained considerable popularity in the internet era, when many Italian speakers were able to hear it for the first time.
Several unreleased songs were recorded during her RCA period and the Diva Futura agency period. some of these unreleased songs were subsequently used during her TV shows, live performances or as soundtracks in her porn movies.
1979 Ilona Staller (RCA PL 31442) published at least in Italy and Colombia (The Colombian record has titles in Spanish). Also music tape exists.
I was made for dancing / Pane Marmellata e Me / Labbra / Benihana / Lascia l'ultimo ballo per me / Cavallina Cavallo (by Ennio Morricone) / It's all up to you / Professor of Percussions / Più su sempre più su
1987 Muscolo Rosso (BOY RECORDS) published in Spain only.
1988 Sonhos Eróticos printed in Brazil only (ALL DISC 00.101.009, also music tape 00.107.009). Basically a reprint of the English long playing Erotic dreams plus the two Cicciolina songs "Muscolo Rosso" and "Avec toi". The other songs are performed by Erotic Dreams Band. Some Cicciolina's speeches are used in "La prima volta" song. Cover is dedicated to Cicciolina.
Muscolo Rosso / Emmanuelle / Bilitis / Le Réve / La Prima Volta / I feel love / Je t'aime... moi non plus / Histoire d'O / Les Femmes / Black Emmanuelle / Love to love you bay / Avec Toi
1994 Sonhos Eróticos (Brazil only, All Disc RQ 032) Reprint of 1988 LP with a new layout of the cover, with background from brown to pink and violet.
2000 Ilona Staller (CD, in United Kingdom only, Sequel Records/Caste Music NEMCD398); reprint on CD of the 1979 LP, plus the two extended tracks of the red vinyl mix.
1976 "Voulez vous coucher avec moi?" (Italy only, with neither serial number nor cover; on the vinyl it is written "Nuovo Playore 1° Radio Rete 4 D.R." only); from the same-named radio programme on Radio Luna station by Riccardo Schicchi where the nickname Cicciolina was born.
1979 "I was made for dancing" / "Più su sempre su su" (Italy only, RCA PB 6323)
1979 "Cavallina Cavallo" / "Più su sempre più su" (Japan only, RCA SS 3205)
1987 "Muscolo Rosso" / "Avec Toi" (SFC 17117-7) symbolo the Italian Radical Party on the cover. The record was published in France and limitedly in other European countries.
1987 "Muscolo Rosso" / "Russians" (Spain only, BOY-028-PRO) promo for journalist; no cover.
12" mix and picture disks
1979 "I was made for dancing" (extended version) / "Save the last dance for me" (English original version of "Lascia l'ultimo ballo per me") (Italy only, RCA PD 6327, red vinyl mix without cover, promo for Djs).
1987 "Muscolo Rosso" / "Russians" (Spain only, BOY-028) versions are not extended, the same as 7".
1989 "San Francisco Dance" / "Living in my Paradise" / "My Sexy Shop" (Acv 5472) Picture disk; limited edition; published in Europe, together with her colleague Moana Pozzi's release.
1979 Dedicato al Mar Egeo, LP soundtrack by Ennio Morricone published in Japan only; though she does not sing, she is portrayed naked on the inlay and back-cover. She recorded two songs from that album ("Cavallina a cavallo" and "Mar Egeo") later in the year. The LP exists in 2 versions, one with Japanese titles, the other with Italian titles. Also CD version exists.
1979 Aquarium sounds, LP of an Italian TV programme; she sings on the "Elena Tip" track.
Pop culture influence
1990 The British pop band Pop Will Eat Itself released a single titled "Touched by the Hand of Cicciolina"; she is portrayed on the cover and appears in the promotional video. Some copies contain petition forms demanding that Cicciolina be allowed to present the 1990 FIFA World Cup to the winning team.
1990 The song "Cicciolina", from the Chilean rock band Los Peores de Chile was a hit single in that country.
1991 The song "Cicciolina" appears on the album Machines of Loving Grace by the Industrial group of the same name
1993 The lyrics on the Love 15 LP, by U.S. band Majesty Crush, focus on her celebrity and sexual legend.
Two Australian restaurants share the same name, one in St Kilda, Victoria, founded in 1993. A sister restaurant called 'Ilona Staller' is to open in 2010. The other is in Newtown, New South Wales (not connected) and displays a wall sculpture believed to be a nipple.
Irruption of punks on the shelf/Irruption de punks sur le plateau
May 25, 1978
Evelyne PAGES et Pierre LAFORET interview Gille JACOB about the Festival de Cannes. They are annoyed by a group of punks from sowing discord on the set: they threw a glass of champagne in the face of Gilles Jacob, make obscene gestures to the camera, swinging a pot of flowers on the table/
Evelyne PAGES et Pierre LAFORET interviewent Gille JACOB au sujet du Festival de Cannes. Ils sont importunés par un groupe de punks venus semer la zizanie sur le plateau : ils jettent un verre de champagne au visage de Gilles JACOB, font des gestes obscènes devant la caméra, balancent un pot de fleurs sur la table des...
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P.s. About that Russian news video of the naked woman in the garbage chute which we HAD TO REMOVE. As we mentioned almost a year ago, please understand that when YOU receive a form letter from us regarding any type of removal or community TOS, IT IS STRICTLY JUST A FORMALITY so that none of us get in trouble in Admin. in the event that records are checked...As mentioned last year, EVERYONE AT THE BOOK IS GOO GOO GA GA OVER YOUR VIDEOS SUBSCRIPTION AND WE'D RATHER CUT OFF OUR ARM THAN REMOVE YOUR PROFILE, but when some stupid housewife decides to push that 'Report' button which we still can't believe someone would actually seriously do, we HAVE TO MAKE IT LOOK GOOD FOR ZUCK AND co., capiche? Ciao! Please find that NMA.TV cartoon of Zuckerberg taking it in the bathroom from JT????!!!!! PLEEEEEASE! FBtEAM!
I'm sorry, but it is impossible to write a better headline than that which you see titling this page. I told you before, I actually think you're kinda cute (and plenty weird enough to be my girlfriend should that ever be a question), so you know I would never purposefully keep your wonderful video from Tyra up just to make your life miserable, but as we discussed in our correspondence, you certainly knew what you were doing by booking for the Tyra show, just as I suggested you knew what you were doing for the other scores of TV appearances for which you have volunteered, been paid, or otherwise appeared. As far as the few isolated instances from my last video which you found distasteful enough to have your own video removed because of a seemingly understandable and not completely unsexy (if you ask me) fence frottage (after all, you had feelings for this fence), I suppose maybe the director could have been a little more subtle and easily left it out, but do you think that its omission would really have changed anything all that much? Anyway, just mainly checking in to see how things are going. It seems like we used to talk a lot more when you were trying to get things removed from my channel. Please say hello to Mrs. Berlin Wall for me. I was thinking the other day that if I had to choose between the two of you (hypothetically, of course, if both of you magically started liking people more than objects), I would pick you in a heartbeat, although, I must tell you that I'd probably rather party with Mrs. Wall. But I'm willing to be pleasantly surprised in case you are harboring some let-your-hair-down tendency which I failed to glean from our brief flirtation/debate. Hope all is well with Madame E. and any others you may have on the side that I don't know about. I will tell you should it make you feel better, that no matter if you're monogamous with Mrs. Tower or not, you're still getting more pussy than I am. Hopefully that helps you carry through the rest of the day with a little inward smile. Love, Guk
Arnold Schwarzenegger makes out with stripper Lova Moor
Helmut Newton Le divan et Arnold Schwarzenegger makes out with stripper Lova Moor Cannes
Helmut Newton Le divan et Arnold Schwarzenegger makes out with stripper Lova Moor Cannes
Oui Magazine December 1972 Amena Nico RARE
Playboy Magazine - 1976 & 1978 issues - 15 issues - OK condition - all have been read - SOME show more wear than others - some paper loss - all centerfolds still included - PLS E-MAIL me for condition on a specific issue - $14.70 Priority Flat Rate Box - stored in a smoke free environment - bid with confidence - i am a long time E-Bay Seller (and Buyer) with OVER 1000 Positive Feedbacks and i guarantee satisfaction on every transaction - NEVER a reason to leave a Negative or Neutral - lets work it out.
Sept 1976 - Playmate collage cover - David Bowie interview (Elizabeth Ray / Fanne Foxe pictorial)
'Antichrist' Controversy Remembers Charlotte Gainsbourg FESTIVAL DE CANNES 2010
(Dogmeat Best-of Cannes 2010)
Le film très controversé du danois Lars Von Trier a reçu un accueil mitigé à Cannes. Un couple endeuillé par la mort de son enfant se retrouve dans une forêt hostile et maléfique. Charlotte Gainsbourg joue dans ce film très violent et choquant, en compagnie de Willem Dafoe.
"Antichrist", the controversial film from Danish director Lars Von Trier has received a mixed reception at Cannes. A couple mourn the death of her child is in a hostile and evil forest. Charlotte Gainsbourg plays in this movie very violent and shocking, along with Willem Dafoe.
Dogmeat Sexy Russian Candid FUN-TSKY via Dogmeat on 11/29/11 Russian Candid_Camera Comp Russian_Candid_Camera_Comp_7_mins.mp4 Watch on Posterous Russian_Candid bench Russian_Candid_bench.mp4 Watch on Posterous Russian_Candidworkoutits Russian_Candidworkoutits.mp4 Watch on Posterous Top ...»See Ya