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December 9, 2018

WATCH Smokestack Lightning BBQ - i'm famous for discovering Big "S" Grill, Memphis, and beautiful, epicene J.C. Hardaway (RIP), waiter, busboy, bartender, chef


I'm famous for discovering The Big "S" Grill on Dunnavant, Memphis, TN, and the beautiful, epicene J.C. Hardaway (RIP): waiter, busboy, bartender, and chef; ineffable, and indefatigable, having come from Hawkins ... then i invited Andria Lisle, and she, like me, became addicted and/or abducted, told her friends, and well, it's alarming how people and places go away and then other people forget to mention them.
Eric Lolis, @lolisericelie, NO food author, who wrote "smokestack lightning," indispensable BBQ book, turned me on first.

"Smokestack Lightning: Memphis Pit Masters"

That's J.C. from Big "S" on the right!

Smokestack Lightning: Memphis Pit Masters - Raymond Robinson (Cozy Corner Barbecue) and J. C. Hardaway (Big S Lounge) serve up their origin stories and talk meat
Smokestack Lightning | PBS America
Smokestack Lightning - premieres 9pm, Wednesday 16 October 2013 PBS America | Virgin Media 243 | Sky 534 For some, barbecuing is more than a culinary skill -- it is a way of life. David Bransten's film is a celebration of the time-honoured tradition of cooking food over a barbecue. To the uninitiated, barbecuing is the simplest form of cooking. With no need for pots or pans, all the chef needs to do is to place some meat over a fire and wait for things to happen. As this programme demonstrates, however, the barbecue is rather more complicated -- indeed, for some enthusiasts it has assumed the status of an art form. Introduced by Lolis Eric Elie, author of a book on the subject, the film looks at the art of barbecuing, its importance to American food cultureand its roots within the African-American and Mexican communities as well as with European immigrants. Shot in North Carolina, South Carolina, Texas, Kansas City and Memphis, the film looks at the different methods of barbecuing, from the restaurants catering for hundreds of customers to the rural families who simply enjoy food prepared alfresco. Historical and cultural context is offered by New York restaurateur Danny Meyer and author Calvin Trillin, who discuss the barbecue's significance at the Big Apple Barbecue Block Party, an annual festival held in Madison Square Park in celebration of authentic American cultural and musical traditions.
Sam Price (owner for 51 years) and his daughter, Aniese CannonPhotographs by Justin Fox Burks
Sam Price (owner for 51 years) and his daughter, Aniese Cannon






*Fun Memphis Food Fact

Big S Memphis
The Big "S" Grill


Image result for The Big "S" Grill
J.C. Hardaway RIP

I don't hide [my recipes]. I let them have them, but they tell me, "You're lying. That ain't the way you fix it." I say, "That's just the way I fix it." They don't want to believe it. God Give everybody so much. If barbecue is yours, that's it. – J.C. Hardaway

J.C. Hardaway


Essay by Joe York
The plywood pig hanging perpendicular to McLemore names the place: Candy Man Lounge. The few parking spaces in front are as empty as the lot next door. Black iron bars block all the entrances. Midday, midweek, and nothing is happening here.
Before the Candy Man moved in and crapped out, the store housed Hawkin’s Grill. Started in 1938, Hawkin’s turned out shoulder after slow-cooked shoulder for the better part of six decades. It was there that J. C. Hardaway, one of Memphis’ world-renowned pit masters, got his start at the age of thirteen delivering orders on his bicycle.
Before long, J.C. traded in his pedals for the pits. He cooked hamburgers and chopped the meat as it came off the coals, all the while soaking up secrets and learning the tricks of a trade that would feed him and his community for years to come.
In 1993, J.C. took his tongs and walked around the corner and down Dunnavant to the Big “S” Grill. Now that J.C. sends his smoke up their stacks, they’ve added his name to the sign and his barbecue to the board, which for years sold only soul food. Listening to J.C., one wonders if there is a difference.
“God gives everybody so much. If barbecue is yours, that’s it.”
Transcript

SUBJECT: J.C. Hardaway
DATE
: February 19, 2002
INTERVIEWER: Brian Fisher
—–
In the restaurant, Hawkins Grill. Eighteen, but I started at 13, 14, riding a bicycle delivering orders. At that time they didn’t allow children [to work] in restaurants until they were of age. And, at the age of 18. So after I reached 18, I went inside and started working around, and started looking around and started cooking. Hawkins Grill, they were my godparents.

Big S Grill

Did you try to spend time in the kitchen when you were younger? Did you get shooed away?
I think it might be that it was in my blood. Just in me that I would learn it. I was around it. I just picked it up.
Cook at home?
Nothing but regular food. Soul food. Home cooked food. No barbecue just home cooked food.
Beginnings in the Hawkins Kitchen Frying hamburgers and selling sandwiches, chopping up barbecue but I wasn’t cooking it.
Profession from the Beginning?
Right.
Who did you learn to cook from at Hawkins?
No teacher. Just picked it up looking. Just looking. We didn’t take time to teach you. You just picked it up.
They said “here’s the job”?
Here’s the job and if you couldn’t do it you had to go I guess.
Who was in charge of barbecue at Hawkins?
Mrs. Hawkins.
How long have you been cooking?
Since I was 18. 59 years.
How long was Hawkins Grill open?
From 1938 and I left in ’93. Big S since ’93. It’ll be nine years in October.
Big S Grill 


Enjoy commercial cooking?
Yes. I enjoy cooking for the public. It’s just a part of me. At the age I am now, I don’t need nothing else but that basis.
A favorite part of cooking for the public?
I can do pastry. Most anything. But I do barbecue especially if I have a party I’ll fix some barbecue beans, spaghetti, potato salad. That line of food, party food. Even cold plates, you know, if necessary.
Did you do catering at Hawkins?
No.
Where’d you learn to do catering? I just picked it up. I put it together myself. It just have been my style of life, cooking.
Most people just don’t learn pastry. No, that’s what my wife says. I’ve got so many cakes and pies on order now that they’ll never get them. We’ll I told her I’m not thinking about them. When’ll he get to it? We say whenever he feels like it, he’ll fix it but he ain’t in no hurry. It’s not my job. I let them know I stopped doing all that.
I took cake decorating at Sears back some years ago. Much, much, a long time ago. I don’t even know where my utensils I use. I couldn’t find them even if I wanted to.
Commercial cooking give experiences or connect you to parts of the world that you never thought about before you started cooking? I have them all over the country. Overseas and everywhere. Wanting to hear about me. They want to know how I do this and that.
Call or write?
They ask me am I going to be in and some of their friends send them by.
People call from all over the world?
When can I get with you? I want to taste that world famous barbecue. I never knew that I’d be world famous. They say, you put everything into yours. You don’t throw it up and sell it. You take pride with you food and your orders and get them out right. Whether it’s one sandwich or fifteen sandwiches, they all taste- I fix them all the same.
Has Your Cooking and Food Afforded You Chances to Travel?
Yes, I just back from New Orleans . October the 20th, I had to cook for a charity ball for the children. It was at a little college in New Orleans and the mission was J.C. Hardaway barbecue and ten dollars. Pay ten dollars and you get to see the movie- the movie Smokestack Lightening, which I’m in the movie- Cozy Corner is in the movie. The three Memphis people in the movie is Cozy Corner, Big S, that’s me, and Charles Vergo. Cozy Corner and Charles Vergo is Rendezvous and Big S and J.C. and we’re the only three in the movie. So the movie. The movie is on sale now.
Did you ever think that you’d be in a movie?
No. I was flattered when they come from California to make the movie and the book. I’m getting a lot from the book. Because if you buy the book or see the movie, you can get everything out of it.
Your food has gone way beyond Memphis.
I’ve had from Russia , everywhere. I think I’ve had some. There’s no telling. I don’t know. I’m just amazed. Some come up in here where I couldn’t understand what they were saying. One man brought two people from overseas in here I couldn’t understand- I forget what they were- but- I have a lot of them. Every day I get somebody from out of town.
How do they contact you? Call? Come by?
Pick it up on the Internet and they’ve heard about it.
How do they contact you?
They have the number. Using the Internet and the computer. Plus whoever they know in Memphis , they will bring them. I have quite a few customers bring people from out of town all the time.
Directions and Names from the 2000 SFS.
Learned anything about people or customers?
Oh, yes. I have learned a lot about them. I know I have, sure.
—–

You meet all kinds every day. Every time you see. You have to have to have it this way or that way. If they have it your way it tastes better but – most important thing about the food that goes out to customers.
Customer experiences. I let them tell me what they like about it. That the smoke and the sauce and the slaw without that they wouldn’t have a barbecue sandwich. They’ve got it but no taste. Some sauce put on top of it. Sauce it too much and it still makes it worse.
What are you putting into your food that elicits customer statements such as “You put everything into your food.” What gets customers to say this?
Time. I just don’t throw it on the bun. I cook the sauce in.
Time- how long do you spend on a shoulder?
I tell everybody I don’t have a certain time. I just smoke it until I feel like it’s time. You know. Somewhere 6-8, 8 hours. The smoke is really what cooks the meat anyway. Hot smoke.
Wood.
Hickory , white, or red oak. Hickory only comes one but oak comes white and red. So, either one. If you use white oak the meat is white. It never turns the pretty color. If you use hickory on red oak the meat- all the way through- has a very pretty color. The white oak will not give it [color] too it [meat]. Just give it white meat. I never use charcoal. Because you don’t get as much flavor out of it. It’s already been cooked all to pieces to make charcoal. It’s not enough left in it to smoke and nothing to bring it out.
Dried cordwood. Hot fire. Flame. J.C. uses the flame. Get it hot with the flame. Brown it on both sides. Brown it. Keep your fire hot and the smoke’ll cook it and then that wood will keep warm. It’ll blaze up every once and a while. If you leave it open it’ll burn up. But if you slow it down, you get a better piece of meat. I have no idea how they cook their meat with that charcoal. Slow process. In New Orleans they tell me the smoke is on one side and the meat is on the other [in the pit] and the smoke has to travel over there. There’s not enough smoke in it. In New Orleans , they’re putting the meat on one side of the pit and the fire on the other side. And the smoke comes over to the meat. That’s where they get their smoke in it. But that’s not enough smoke.
BBQ vs. Fast Food
It’s not very good barbecue [fast food barbecue]. Why do folks pursue barbecue? Well they see it coming off the pits. They know how its cooked and they it’s more expensive that way than making a hamburger patty and throwing on there already come in pre-cooked.
Seeing you cooking means something to customers?
It means that it’s right out of the pit.
What do you hope customers say?
That they always’ say, “That’s the best I’ve ever eaten.”
Has Cooking at Hawkins and the Big S allowed you to do something that you never imagined?
Yes, cause if anybody told me that I would still be in barbecue I would say no I wouldn’t. I sure wouldn’t. I didn’t know- after it got to be a big thing after they come by to interview me for the book Smokestack Lightening then I thought there must be something good about it.
Movie?
That’s right. I wouldn’t. Never dreamed that I’d be in a movie about cooking barbecue. I just hate that they didn’t get it all at the Hawkins Grill where I was raised, you know. I was there at the grill and I would loved for them to have had the praise but it didn’t work out.
Hawkins Grill- did it close in 1993?
I left and they kept it open somebody else come and leased it.
Still called the Hawkins Grill?
No. Another man got it [after several leases] and changed it [name] the Candyman Lounge. He still advertises Hawkins Grill barbecue though. Commercial sent some men out after they heard about the barbecue I was doing and had them to taste it. Well it sure don’t taste like no J.C. Hardaway barbecue. If it tastes like this I sure don’t see how he got all the praise. The guy was posing as me. But it didn’t taste like nothing. That’s what I said. It didn’t taste like what it should have tasted like. They didn’t know my slaw and my barbecue sauce. None of that. They left and have made a nightclub out of it. Hawkins Grill 2. They didn’t want to turn Hawkins Grill lose. They didn’t make no hickory and he had to get out. And this last man was Candy Man. He wouldn’t do right. Wouldn’t pay his rent. So they had to let him go. Now it’s up- I think they tried to buy it several times. My godmother wouldn’t sell it. My godmother’s 97, see, now and at that time she was a few years younger. Now she wants to sell it. But his young man he don’t want to buy it, he wants to lease it to have a sports bar. So that’s what they have down there now. If it ever opens. He’s been over a year trying to get it open. I’ve never seen nothing take that long to open.
How many days a week do you still cook?
I’m here seven. I know that I can meet you this morning because I don’t have any specific thing going. Most of my business that mean anything, are call ins. Like last night, if anybody wanted me to meet them today for lunch. I don’t have a straight lunch period cause down in this area it’s off beat it’s not a through street where cars travel like McLemore. Now Hawkins was on McLemore, a through street. You could pick up all kinds of money. It’s quieter down here. I have walk-ins [customers]. They’ll smell me cooking and they’ll come and after they’ll call and get so many sandwiches.
Do you do walk-ins at night?
I would, but I got sick in ’99 and I stayed off three months, March of 2000. I had a sugar attack. I’m diabetic and I didn’t know it. I new I was messed up some kind of way about it. That bad. But I was putting up too much time- 24 hours. I didn’t think I could break down. Now I come here at ten and today I will stay here until 7 or something like that. ‘Til the people start dying.
Volume.
How much do you cook each week? Approximately 125 lbs. a week and no ribs. That’s another thing. Ribs, they want me to have ribs, but they’re not an everyday seller and they’ll dry out. Shoulder will not dry out and sell every day.
James Willis
He cooked on the corner and I was the delivery boy. Leonard’s was opposite Hawkins. They called it black barbecue. Leonard’s was called, at that time, the white folks’ barbecue. Where they had the black folks come over to Hawkins. At that time it was segregated. My mother wanted bought sandwiches from Leonard’s before I was old enough to drive. Before Hawkins opened. People in the neighborhood, we had to go to the back steps or the side door.
Side.
This is a little hall and the window was there. You’d pick up your stuff and in there was dining room.
Custom Cooking.
I do that now. Charge .50 or whatever you want a pound. When I was at Hawkins, it was .35 a pound. Now I’ll get .50. I think that I started getting .50 before I came up here. But if you want me to cook you some ribs or a shoulder- a slab or two of ribs- I won’t even fire my pit up for that. Now if I’m already cooking, but just to fire it up, somebody’s got to have enough meat. I sell slaw. I sell barbecue sauce. Anything they want to buy. Sauce. Slaw. .50 a pound. A ten-pound piece meat. That’s just $5. That’s not worth it. But say if you’re cooking for yourself and throw it in there, that’s money. You’ve made something. If I’ve got enough people- like five people- I’d cook for that. That’d be all right $25. That’s not bad while you’re working. Don’t take nothing to stick it in. But you don’t’ fire your pit for not 2 or 3 pounds of meat.
Still Make Your Own Sauce
Oh, yes. Sauce, slaw, everybody wants the secret. Do you have an understudy? You’re going to ask me that part aren’t you? I refuse to train. You can’t get anything now but drugs and even they come in wanting to do, they walk off. I wouldn’t want a girl. I know I’d want a man cause he would be more stable. He would be more holding a job up. A woman would get married and her husband tell her to come home. A man can’t do that. Like me. I’m determined not to leave. I’m holding it down. You don’t find many like- you broke the mold.
Recipes written down?
Oh, yes. They’re supposed to have it, but they say you’re lying. That’s not what you put in it. I tell everybody to do everything and they tell people that they cannot get it to taste like yours. Just give some of yours. Make me a ball, because I don’t want that mess that you told me to fix. My godmother always told me when I was growing up they would come into the café. Figure how long I’ve bee having this- experience- the people liking the barbecue. And, way before she thought about retiring and I supervised a couple of paper companies after I come out school I was working management at two paper companies. I never did leave two or three days at the grill [Hawkins]. I worked three or four nights, especially weekends. But I got married and just worked part time. But I never missed a week of being in that place [Hawkins Grill]. So, when I would go on vacation, when I started working a little bit more. People would come there and say- look in- and they didn’t see me and they’d say can we help you? And my godmother would say they’d say no “we’re looking for J.C.” We’ll he’s on vacation but we be back when he come back. She’s say we can fix it. No, uh, uh. You can’t fix it. She’d come over. Now look, come here. This is the slaw. This is the barbecue sauce and this is everything that he uses. Now why would his taste different from mine? So she told me one day. Baby, I can’t understand that. You use the same thing we use. There’s something about that. My wife says it’s just a gift to you- something about your hands. It’s the same thing. Something with your hands that’s not with everybody else’s hands.
Recipes
I don’t hide them. I let them have them but they tell me “you’re lying.” That ain’t the way you fix it. I say that’s just the way I fix it. They don’t want to believe it. God Give everybody so much if barbecue is yours that’s it.
Favorite Thing about Work?
I like good times. I like to go out. But when I’m on the job, I’m on the job. When I leave I go dancing. When I’m messing around, I’m messing around. But, then, when I’m working, I’m working. People say come out here and talk to us. I say, I don’t have time. I’ve got to have my slaw and barbecue sauce ready for the weekend. I don’t have time. I don’t drop my work and sit down and get behind then go look crazy. I never run out of nothing.
Sauce
I make a gallon every time. A hot gallon of barbecue sauce. I make three times as much mild as I do hot. My hot is hot. A drop is hot. Put me a little bit. J.C. you put more than a drop on there I can tell. A drop will do of yours they say.
Vacation
When I’m not there, they won’t accept it. They couldn’t make no money if I leave. When I go on vacation they lock the kitchen up. They close down. We’re not going to try to fix that stuff J.C. We’re not going to mess up nothing. We make it taste like his now. No.
Daily Volume
Some days I could have a hundred- a hundred barbecue sandwiches. And the least I fix is 25. I have man start coming. He comes every day. Now I said “please, don’t make yourself sick.” He wouldn’t let me hurt his feelings. He came right back the next day. He used to be one of my customers down on Hawkins. He said I didn’t know where you moved to. He was here yesterday. I said, Lord, you’re going to hurt yourself. No I ain’t. No I ain’t. I’ve been out about 8 years now I’m getting back in it. I can’t hurt myself right now. I’ve got a long time to go. I’ve got to get it back in my system.
Date of interview:
2002-01-01 00:00
Interviewer:
Brian Fisher

—–

The Big S: A Very Memphis Bar

The Memphis Flyer

Jun 8, 2017
A couple weeks ago, we had a full-on Memphis meltdown after some nerd from Nashville began trolling us with a series of misspelled tweets and non-applicable GIFs (full disclosure: I am Nashville-born and mostly Nashville-raised, and this cretin offended even me). It was absolutely maddening, but here's the deal: That guy doesn't get it and never will, and that's just fine with me because that means he stays the hell out of Memphis and the hell out of bars like the Big S Grill. The Big S is Memphis through and through and embodies all this city has to offer, and it does it all in a tiny, unassuming house next to the train tracks.

1179 Dunnavant is stuck in time. It doesn't look like it has changed anything about itself since the '60s except for the name (formerly it was known as the Hawkins Grill). Indeed, the telephone directory hanging by the front door looked older than I am.

The Big S has six barstools, five tables, and three booths, keeping it intimate. We sat at the bar, where there were holes worn in the fabric from years of boot toes pressing into the sides. The place was dim, lit only by a few red lights. My buddy and I looked at each other. The Big S Grill was a winner.

  barreport_bigs_51a5036.jpg

There are a handful of things that make a bar: the music, the people, and the drinks. A bar doesn't require anything more than that, which is why it baffles the mind that so many bars are terrible. The Big S Grill scores a 10/10 in every category. The jukebox is packed with soul classics, and not one patron in there was under 60. But the drink of choice in the Big S is where the Memphis really comes through. We were served two 40-ounce bottles of beer with a chilled rocks glass and a napkin. A chilled rocks glass and a napkin! I dare you to find a better setup than that.

My friend and I were one of several people in there, but every other patron was an older gentleman. Just like with Ashton Kutcher, the headwear was evenly split between fedoras and trucker hats, but unlike Ashton Kutcher, none of these guys' hats made them look like assholes. In fact, any one of those guys could've been my own grandfather, sitting there with a trucker hat perched on his head, barbecue sauce running down his arms as he ate his pulled pork sandwich at a gritty neighborhood bar. The Big S serves their barbecue from a smoker out front, and although we didn't partake, we were the only ones in there not eating. It looked and smelled incredible.

Like many of these lesser-known dives, the Big S Grill allows folks to bring in their own liquor for a small fee. At a table nearby, three men were passing around a bottle of Svedka. The bartender had brought them beer mugs full of ice in which to make their mixed drinks. A whole beer mug for a vodka drink? Giddy up! My friend noticed one of them wearing a Memphis Tigers shirt and remarked, "I like your shirt." The man replied, "You like the blue? You gotta like the blue if you're in Memphis." While the rest of us entitled jerks have been arguing about the Tigers since halfway through the Pastner era, the loyalty of the men of the Big S Grill has never even faltered.

We paid our tab, a beyond-reasonable $9 for two 40-ounce beers, and as we stood up to leave, the owner walked over and introduced himself. The Big S Grill has been run by the same folks, more or less, since the 1960s. This guy has surely seen the best and worst in people over the years, but greeted us as warmly as he would greet his own grandchildren. He called out, "Y'all come back now, you hear?" — just like in the movies — as we were walking out.

The next time we run across some Nashvillian — or any other city's less-than-stellar example of a citizen — who wants to hurl racial slurs and lame jokes at Memphis, don't let him win. Be glad that he's off making some other city's population dumber. Be happy that he doesn't understand. Be thrilled that we're taking the highest road, all while sitting in a low-ceilinged bar drinking beer with grandpas.
The Big S, 1179 Dunnavant (775-9127)

Meghan Stuthard, try to do, at least, a cursory dive into the next gem, and the people who made it so, before pressing "publish." 

—–


The Big "S" Grill has the best barbecue sandwich in Memphis. Keep that in mind--it's like saying that a place has the best gumbo in New Orleans.

The place is small, dark, out-of-the-way. There are no crowds, no waiting for an hour before you get a table.

There is one waiter, who is also the busboy, the bartender, and the chef.

His name is J.C. Hardaway, and he is a man with a gift. Over his seventy-odd years, he has perfected the recipe and technique for making a barbecue sandwich.

The sandwich (available hot or mild) is sweet, smoky, spicy, magnificent. It is also a case study in texture, with a soft, toasted bun, crisp, cool slaw, and tender meat .

The beer, although nothing fancy, is ice cold. The burgers, I am told, are also excellent.
Reviewed July 18, 2001
—–

Payne's Bar-B-Q, Memphis, TN (this is a living William Eggleston tableau) - and when Ron Easley took me here in the early 80s ... it was Ron taking me somewhere that made it weird.  never mind.

 

 

Gilberto Eyzaguirre


Galatoire's Restaurant
For anyone familiar with the famed Galatoire’s Restaurant on Bourbon Street in the heart of the French Quarter, Gilberto’s reputation precedes him. It was during his twenty-five year tenure as a waiter at there that he made cocktails for his customers, which was part of the Galatoire’s tradition. The restaurant has seen quite a few changes in recent years, and the hiring of bartenders is one of them. But Gilberto is from the era of Galatoire’s service when waiters chopped ice from blocks, prepared Café Brulot tableside and became notorious for their generously mixed cocktails served to their devoted customers. And what customer wouldn’t be devoted to a waiter who could write their name in flames on the tablecloth in front of them as he prepared a Café Brulot? At Galatoire’s, beloved waiters not only gave excellent service, they poured excellent drinks.
Date of interview:
2005-04-01 00:00
Interviewer:
Amy Evans

Bang bang that awful sound – TP names the baby who shot…down


When she “was five and he was six” and they “rode on horses made of sticks”, surely they didn’t ride into Galatoire’s to make the “awful sound”!
Today’s Times Picayune reports the  identity of the “baby” who “shot…down” in Galatoire’s gun mystery, owner revealed:
On Friday afternoon, the convivial hum of a dozen simultaneous conversations in the sanctum sanctorum of New Orleans’ social set, Galatoire’s, was pierced by the unfamiliar crackle of a gunshot.
Luckily, no one was injured by the errant bullet, which apparently was fired when a purse containing a .38-caliber pistol fell off a table near the foyer and went off when it hit the floor. The bullet lodged harmlessly in a panel of black wainscoting. Police came and took an incident report. No one was arrested.

the led zeppelins $179 AND bob dylan has no direction home $299 by Lamar Sorrento *CHRISTMAS ART SALE^

jimmy page and i around christmas '94 drinking absinthe and playing stairway to wherever. i gave Jimmy a Lamar Sorrento

the led zeppelins  

$179 

AND

 bob dylan has no direction home 

$299 

by Lamar Sorrento 

CHRISTMAS ART SALE!



the led zeppelins - Lamar Sorrento $179 (Offer MORE)  i gave one to Jimmy Page in 1994 and HE LOVED IT.
ITS GOT A SECRET BUTTON! he's gone totally fucking insane. ask his UKULELE-frailing wife, Vicki Cook Campbell​, or the guy who helped me make him famous and rich with IsaacTigrett's House of Blues New Orleans-​ money, Alan Boudreaux​ (he thinks he needs a goddamn '9' in it to sell it like a used car so it doesn't sound like fucking $180 - do you know how much basketball players make? have you priced Jackson Pollock Art​ lately?)!

now do you see why i/he quit talking to me/him?! this has gotten me upset.

Description by the master
"9 ” x 19″ on an old piece of some kind of shitty furniture…but i liked the size and it was a challenge to undo what man has done. there is a secret button on the painting you can press it when you want a whole lotta love.

 

bob dylan has no direction home - by Lamar Sorrento

still a huge bargain at $299 FRAMED! - NO SHIPPING! WHAT'S WRONG WITH YOU? tell him you're a friend of mine and i bet ya he'll give you a discount. don't negotiate for more than $50 though, because he might let you take advantage.

Lamar's Description
i dont think he even can drive a car…sure cant drive a motorcycle..! in the picture he is obviously at a gas station…in england.(its an old bp gas pump)..its 1966..he doesnt even have a car or any money because his manager carries it all. bob has no clue which way to walk…in England they walk on the wrong side of the road too. i hope he doesnt get runned over…he doesnt look too concerned. he is probably formulating a new song as he stands there. this is in a whorehouse frame. its 22 x 26 ..its painted on a 16 x 20 art board… its festive… don’t you think..?

$299.00

Truman Capote reads his"A Christmas Memory" from original 1959 album - MERRY CHRISTMAS 🎄


Truman Capote Reads His "A Christmas Memory" from original 1959 Album (WARNING: short musical prelude before Truman reads, for all you speedfreaks, WORTH IT - can't stop laughing), "Truman Capote reading A Christmas Memory" 

🎄 THIS IS ONE OF THE MOST BEAUTIFUL THINGS EVER WRITTEN AND TO HEAR IT READ BY THIS GENIUS IS AMAZING ! thank you so very much for posting it ! MERRY CHRISTMAS 🎄


No problem, I listen to it several times every year. Scott Johnson , you have a very strong heart ! 🎄🎅 MERRY CHRISTMAS ! 🎆

Scott Johnson


Scott Johnson, listen - I love you for this wonderful present you've given me and thank you with all my heart - it's so brilliant ! have a marvelous Christmas 🌌🎂 just having a needed drink ( anisette and water ) and a cigarette ! have to stop wailing ! again, have a wonderful Christmas and a fruitcake too ! Maryland Memories Well said. In my mind, Capote's best work. Brilliant. Try to get thought even the first few paragraphs with dry eyes.

WATCH Ringo Starr Andy Gibb - Now THAT'S a SELFIE! (progressive post of 12.8 - 12.9.2018)


https://i.pinimg.com/originals/55/9d/08/559d08add74569b53fbaa3fbd58dd852.jpg

Ringo Starr Andy Gibb - Now THAT'S a SELFIE! via Tyler Baum​ (make a new one for Christmas, or three)


"This website looks awful/spammy/sketchy and I wish you would stop posting links to it"


#JerryLeeLewis *1.5 million views ... had flown all the way to Australia, and no one can blame him, he'd taken a few mandrax, but then because of the time difference, etc., well, this happened

Tyler Mahan Coe
This website looks awful/spammy/sketchy and I wish you would stop posting links to it.

Correct me if I'm wrong but no new understanding of Jerry Lee Lewis or his career is gained by you posting links to this blog.

You just embed a YouTube video and send traffic to your site to watch it?

That's not cool.

If it's a good video, please just post the video here like everyone else does.

I have clicked a few of the links you've posted and not seen any additional value you're providing on your blog that warrants not linking to the actual main content wherever it already exists.

Furthermore, even if you were providing some extra value it would be nearly impossible to tell because of the way the site is formatted to look like some secret Russian botnet signup page or an AI's best attempt at simulating human communication.


I really must insist that you stop linking to this blog.
- Tyler Mahan Coe


Dear Tyler,
I have to wonder what your warning would have sounded like if I wasn't a new fan of your podcast.

My Blogger blogspot address is almost half as old as you are. It has at no time ever featured any spam, or I'm happy to say, advertising; not because I don't enjoy revenue, but simply for the fact that I abhor those aesthetics.

I have been blogging for my own amusement and for those of 500,000 x 2 strangers a year. My Dailymotion and three YouTube videos have above 15 million views. None of those videos contain any form of advertising.

I do everything I do for my enjoyment and mine only; if other people also like it occasionally, then all the better.

I also sometimes revert back to another life and play with CSS and coding on my blogs, which I have been told in the past make some of the entries difficult, if not impossible to view on certain devices. But since I only peruse the Internet from large screens, I can only take your word on this seemingly benign reason for a caveat.

Many of my posts contain only a video, which is how this blog began 15 years ago (it was a unique and popular concept), and while that is rarely the case anymore, I completely agree and have acted accordingly when it comes to my submissions to your group, it serves everyone much better to simply post a video, if "no new understanding...is gained by you posting links to this blog."


As far as your criticism, of which I'm a big fan - having posted excerpts of your tirade against Malcolm Gladwell, which inspired me to go on one myself over his last podcast of the season.

I really must disagree, however, when you assume in a general sense that "... no new understanding of Jerry Lee Lewis or his career is gained by you posting links to this blog."


I have known Jerry Lee Lewis since I was 18-years-old; been a good friend to his older sister, Frankie Jean, who just recently passed away at the Jerry Lee Lewis Museum, which she curated from scratch at their childhood home in Ferriday, LA; and conceived and produced his youngest sister, Linda Gail Lewis's comeback solo album (her first in 15 years), International Affair, released on New Rose Disque ca. 1991, to critical and commercial success, as she continues to support her brother around the world.

Here's what Robert Christgau had to say about that:

International Affair [New Rose, 1991]

"The long-ago costar of the lowbrow gem Together registers more twang per syllable than prime Duane Eddy, belting and screeching like a flat-out hillbilly--Jeannie C. Riley, say. But though I'd love to hear her "Harper Valley P.T.A." (or "Fist City," or "9 to 5"), she's Jerry Lee's sister, wild-ass before she's anything else.

She doesn't ignore country on this band-centered studio job, but except for Billy Swan's "I Can Help"

("If your child needs a mama we can discuss that too"),

the standouts are from Wolf-Justman, Dave Edmunds, Bob Dylan, all of whom should be damn proud. Covering "They Called It Rock," she gets up to "Someone in the newspaper said it was shit," and instead of rushing discreetly on to the next line she draws out that last word with the relish of a gal who's waited to sing it all her life."  A-
I was in a Country band which released its first EP in 1981 on Nashville's Praxis Records (001 - their first release), followed later by labelmates Jason and the Scorchers, Georgia Satellites, etc.

My band, Our Favorite Band was signed to Big Time Records, a division of RCA in 1985, when we released our only LP, Saturday Nights and Sunday Mornings, to critical acclaim.

I've lived all over the world and been the director of an Outsider Art Gallery in New Orleans' French Quarter for eight years.

I've met all of my heroes, and become friends with a few.

But until today, no one has ever suggested that I am duplicitous, meretricious, or possess motives of anything but the purest intention.

When it comes to my love, experience, and knowledge of music, I thought we had that in common.


So, when you wrote, "Correct me if I'm wrong," I'm just doing so in a civil manner, while politely informing you that you could not have mischaracterized my few-and-far-between submissions to your Facebook group any more cynically or disrespectfully.

Here's what I posted about you on the post I did about Malcolm Gladwell's last podcast episode:


"Tyler Mahan Coe of the wonderfully wordy, well-researched Cocaine & Rhinestones podcast; David Allan Coe progeny; and FB group administrator, 20th Century Country Music, first turned me on to how clueless and helpless Gladwell was about Country Music in a scathing blogpost which I loved for its loathing and indefatigably psychotic personalization - with which i agreed."


So, while I understand that it is "your football," and you can take it home any time -

I will, but only with your permission, be using your review of my blog as a description, along with many of the others sharing your sentiment:


"the site is formatted to look like some secret Russian botnet signup page or an AI's best attempt at simulating human communication"

Taylor Mahan Coe - 8.12.2018


"It’s OK, mrjyn is still in business, ripping off ppl’s content to further line his pockets with spamcash; he just frigged up his link with an @ instead of a dot. I reckon he’s some unattractive lost soul who speaks little or no English, and is trying to save enough money from his splog to pay for a penis enlargement operation, so he can become a porn star.

He calls his blog ‘the perfect american’, and there is something very Gatsby about it all, don’t you think?"


gullybogan May 17, 2008

"Mr. Dante Fontana's Visual Guidance Ltd. video-only blog has risen from the ashes to become...[::] which kind of rollllls off the tongue, don't you think?...the mastermind is the delightfully batshit crazy owner of THE完 PERFECT完 AMERICANな."
BAIKINANGE [SCHADENFREUDIAN THERAPY] October 30, 2008


"So, I'm over looking at The Perfect American, in awe of the whole scene, the style the volume, the insanity, which to the uninitiated, is a roiling vortex of lust for the illness called Rock n' Roll. It's a journey."


LEX10 [GLYPHJOCKEY] December 01, 2007


However, when they're not giving me great reviews, their showing they love me in other ways, by stealing videos discovered from the hard work that only comes from the practice of a perfected eye and awesome SEO skills, because 'imitation is the sincerest form of flatter.'
 

Here's a pinned-up Twitter list of all the videos and posts dangerousminds has poached over the years. Although it amounts to over 30, this is as far as I've gotten so far.


Anyway, hopes this helps. You've made yourself clear.

If you change your mind, let me know; if not, nothing really changed today.
Thanks,
mrjyn

Tyler defends DAC against racism and everything else
Some of you are never going to change your mind about this and I want to start by making sure you understand that it means you're a very stupid person.
David Allan Coe is not a white supremacist. If he is, the movie Blazing Saddles is also white supremacist. Do white supremacists love some David Allan Coe songs? You fucking bet. Want to put money on how many white supremacists love watching Blazing Saddles?
David Allan Coe worked in satire. He made two X-rated albums that were meant to be heard in the form he put them in, albums that no sane person could listen to in their entirety and think were a work of earnestness. The problem is that cassette tapes existed and people took some of the songs and put them on mixtapes with other songs that were not satire, like Johnny Rebel. Again, if you took certain scenes of Blazing Saddles out of context, they would look white supremacist as fuck, especially if you cut them into other footage of, say, black men being lynched.
But how could DAC watch people misunderstand his work and not say anything? I don't know, does going on Howard Stern to tell everyone he's not a racist and those albums are satire count? Did Merle Haggard ever do that with "Okie from Muskogee"? Do you have an Internet connection and the ability to look into it for yourself or would you rather just have someone it's okay to demonize and hate? You ever met a white supremacist? They're usually pretty up front about it. They usually don't consistently say that they're not a racist, as DAC has always, ALWAYS, done.
Of course, that hack "journalist" Neil Strauss didn't help things by printing Johnny Rebel lyrics in the New York Times and telling the entire civilized world that David Allan Coe wrote them. And it doesn't help that the first website that comes up when you run a search for DAC's name is a website that DAC is not in any way affiliated with and a website that last time I checked sells those Johnny Rebel albums. Those things don't help and I understand how they seem to complete the picture everyone thinks they have of this man. But what I'm doing right now is ripping that picture in half and showing you a new one so it's your responsibility from here on out what you believe.
My father has had false teeth since he was a child because a prison guard beat his teeth out with a nightstick for being a nigger lover. If you've ever been locked up, you know that prison is segregated by race. That's just the way it is. Only, my father didn't stick to his own kind. He wanted to be a singer. The black guys sang. He hung out with the black guys and learned how to sing with them.
The song "Nigger Fucker" is about how stupid the narrator of the song is for being a dumb racist piece of shit. His lady leaves and says he'll someday understand what love is all about and the guy immediately fixates on penis size. He's a complete idiot and the song is one of contempt for him. Same thing with the line in "Lay Me Down Some Rails." The entirety of "If That Ain't Country" is a joke about how dumb motherfuckers like Neil Strauss and Malcolm Gladwell think authenticity is what matters so much in country music. It's a joke song about what city people think country people are like. Not a word in the song is true.

When he uses the "Great Speckled Bird/Blue Eyes" melody at the end? A black artist named Otis Williams used the same melody to make the same joke about authenticity in country music six years before this in a great song called "I Wanna Go Country." His album came out on Pete Drake's record label, Stop.

Pete Drake is a name you may recognize from the credits of my father's albums. There's no fucking way he didn't hear that song.

The other thing you're wrong about is that David Allan Coe is not a homophobic person.

He had sex with men in prison.

"Fuck Aneta Bryant" is a vulgar gay rights anthem and Nadine Hubbs does a great job of explaining this in the book Rednecks, Queers and Country Music.

But I said I was going to show you another picture. Here it is, the picture I have of the band my father fronted in prison. It wasn't a mixed gender prison. Look closer.
In fact, that's generally pretty good advice for having any conversation like this. Look closer. Is David Allan Coe a perfect person? Absolutely not. He and I don't talk. He'll probably die without giving me the apology he owes me and I'm not interested in knowing him without that apology. But that doesn't make it okay for there to be so many people who are so wrong about this.

https://seaofshoes.typepad.com/.a/6a00d8345282b769e2012876a2f622970c-pi 

Auden, Sartre, Graham Greene, Ayn Rand loved amphetamines

Coffee has such a beneficial effect on creative activity that it should be no surprise that many artists have turned to stronger stimulants in search of bigger and more prolonged boosts. Indeed, amphetamines have their own semi-distinguished artistic heritage, particularly among a swath of 20th-century writers.
The poet W.H. Auden is probably the most famous example.
He took a dose of Benzedrine (a brand name of amphetamine introduced in the United States in 1933) each morning the way many people take a daily multivitamin. At night, he used Seconal or another sedative to get to sleep. He continued this routine—“the chemical life,” he called it—for 20 years, until the efficacy of the pills finally wore off. Auden regarded amphetamines as one of the “labor-saving devices” in the “mental kitchen,” alongside alcohol, coffee, and tobacco—although he was well aware that “these mechanisms are very crude, liable to injure the cook, and constantly breaking down.”
Graham Greene had a similarly pragmatic approach to amphetamines. In 1939, while laboring on what he was certain would be his greatest novel, The Power and the Glory, Greene decided to also write one of his “entertainments”—melodramatic thrillers that lacked artistry but that he knew would make money. He worked on both books simultaneously, devoting his mornings to the thriller The Confidential Agent and his afternoons to The Power and the Glory. To keep it up, he took Benzedrine tablets twice daily, one upon waking and the other at midday. As a result he was able to write 2,000 words in the mornings alone, as opposed to his usual 500. After only six weeks, The Confidential Agent was completed and on its way to being published. (The Power and the Glory took four more months.)
Greene soon stopped taking the drug; not all writers had such self-control.
 Olivergillet
In 1942 Ayn Rand took up Benzedrine to help her finish her novel, The Fountainhead. She had spent years planning and composing the first third of the novel; over the next 12 months, thanks to the new pills, she averaged a chapter a week. But the drug quickly became a crutch. Rand would continue to use amphetamines for the next three decades, even as her overuse led to mood swings, irritability, emotional outbursts, and paranoia—traits Rand was susceptible to even without drugs.
Jean-Paul Sartre was similarly dependent. In the 1950s, already exhausted from too much work on too little sleep—plus too much wine and cigarettes—the philosopher turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists. The prescribed dose was one or two tablets in the morning and at noon. Sartre took 20 a day, beginning with his morning coffee, and slowly chewed one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
But perhaps the most notable case of amphetamine-fueled intellectual activity is Paul Erdös, one of the most brilliant and prolific mathematicians of the 20th century. As Paul Hoffman documents in The Man Who Loved Only Numbers, Erdös was a fanatic workaholic who routinely put in 19-hour days, sleeping only a few hours a night. He owed his phenomenal stamina to espresso shots, caffeine tablets, and amphetamines—he took 10 to 20 milligrams of Benzedrine or Ritalin daily. Worried about his drug use, a friend once bet Erdös that he wouldn’t be able to give up amphetamines for a month. Erdös took the bet, and succeeded in going cold turkey for 30 days. When he came to collect his money, he told his friend, “You’ve showed me I’m not an addict. But I didn’t get any work done. I’d get up in the morning and stare at a blank piece of paper. I’d have no ideas, just like an ordinary person. You’ve set mathematics back a month.” After the bet, Erdös promptly resumed his amphetamine habit.

— mrjyn (@mrjyn) December 8, 2018

Badi (Turkish E.T.) 
Turkish E.T. (Badi)
Turkish E.T. (Badi)


  • Director: By Zafer
  • Year 1983
  • Country: Turkey
  • Genre: Beware of fake
  • Duration: 1:14
  • Starring: Cengiz Sayhan, Tolga Sönmez Orhan, Çagman, Tunce
Turkish remake of classic American family film ET, only this one is better. The alien, this time known as "Badi" looks like it overstaffed a clumsy midget! Watch rollerskating Zoroaster's real kneecapping-always amazing Turkish cinema misshapen masterpiece.
Never released in the West for dark tales of intellectual property (are sly, these infidels!), The film is available for 20 euros at "5 minutes to live, publishing Craspek Collector. Another version (perhaps with the same master directly registered with the Turkish TV.) Can also be ordered at "Stumpy Disks".
Wow but what I am holding??? Better than E.. T is Turkish E.T!
Two weeks ago, at a congress of the VRP COGIP in Istanbul, I am addicted to my passion drove me to open the door Cash Convertür Street Cüneyt Arkin. Unaware of this work, I told myself: "Chic! AND for a handful of turkish lira, it is cheap and more is a classic. Well, the jacket is hideous Turkish but you would expect a little, right? Hard luck for me, it was not ET, but his cousin Turkish, I appointed the illustrious "Badi".

It's not even bother to tell the story because on one hand, it is not Turkish subtitles and secondly it is the same as the good Steven, namely that of an alien who lands on Earth and is rescued by a young boy and his gang of friends.
"When I do dream, it is with Saddam Hussein! "
The director, Zafer Par (wedding?), Has seen fit to surround himself with the worst elements for the construction of this film. The cream of the players, the top designers and special effects especially the most high tech of the moment. Because yes, the interest of this film lies not in its history (also relatively consistent) or in its actors (in fact very mustaches), but rather in the appearance on screen Badi, who turns out to be even naughtier than the original.
Turkish converging Arabists.
Both warn you right now, all the scenes are chiantes Badi is not to die, but the debut of our hero puts us in a good mood and start catching up the whole.
"OH! A neon landed! It illuminates what projo still strong! "
After landing and that the whole village is in search of her, this creature takes refuge in the house of the boy and then the second shock within 5 minutes of film: Badi farts to say hello.
"Oops sorry! He went out alone. "
Our young hero will soon make friends with the latex bead overcooked. Badi stolen apples, heals wounds, learns to talk, make jokes with parents ... In short, a true life and soul train.
In his humor-poo pudding totally amazing and wretched appearance, it seems at times an amateur film shot on Super 8 that pals have cobbled together half flared on two weekends to do a pastiche of schoolboy AND We remain amazed at the thought that it was shot in 1983. The true cinema of the Third World, where poverty is palpable, the budget does not dare all no restraint! The film has absolutely no complex Unlike other low-budget works rusent suggesting, "Badi" shows us all and proudly displays his turd with short legs, from every angle.
"I'm Gerard Majax. A deep look. "Here, eat, it's good! "
Amateurism terrible special effects is enhanced by a staging so gross that stripping would think the director went to sleep, leaving his camera running in a vacuum.
"HIHI! I'm hiding behind your mother and she does not see me.
Humor ubiquitous, it's hard to get up."
The humorous situations abound on all sides and the viewer can not Turkish:
"IT IS GRAVE! TOMB IT! TOO LOOOOOLL of MDRRRR "
As in the original work, Badi will then build a phone to "call home", using a turntable and a circular saw.
"Hello Dad? ... " "Oh no ... it's a mistake, sorry"
After the scene of the phone, it's time for that when he falls ill and is captured by the evil (that means adults) who understand that Badi was harmful to the health of their babies.
"I AM MALAAAAAAAAAADEEEEEEEEEE, FULLY MALAAAAAAAADEEEEEEEE"
Lastly, there is THE scene of the film. In "ET" Spielberg, there was a bike stolen but here Zafer (ironing?) Has said: "Pffffffffff! I'm going to steal a cart filled with kids and in broad daylight mÔssieur!
"The police are after us, running away quickly Us!" A car full of friendly people and law abiding.
Alas, my pleasure was short (1:14) as Badi must now leave us (and return for Badi 2?).
"Good friends" "Return us now" Badi away amid smoke blur. "My career is ruined! "
BONUS: "Daddy, why are you wearing a moss rock? " "It's for a friend who has a project interstellar" A sublime mustache.   Double-plane tits!
Ye hunger zorié not a franc or two, please?
A flashlight that lights up really well at night ... (yes, it's night!)
"Mommy I can play in Cannibal Virus ? »
  1. via Nanarland