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October 8, 2018

Ultimate Stinky Toys Video Capsule


Ultimate Stinky Toys Video Capsule 

(My Favorite French Punk Band Ever)


Stinky Toys were a punk band from Rennes, France in 1976 and featured Elli Medeiros (vocals), Denis Quilliard, alias Jacno, (aka., Jan Colrth rhythm guitar)...

Stinky Toys - Plastic Faces (1977)





1. Best French Punk Band Sexiest Singer TOUT l'HISTOIRE!

let's just say this is MY FAVORITE MOOD BRIGHTENER THIS SIDE OF A PROZAC-ADDER-ALL COCKTAIL!


Stinky Toys "Birthday Party" | Archive INA

This one's my favorite.  It's about CHINESE BIRTHDAY PARTIES AND CAKE...

«Elli & Jacno - Le Téléphone» 




Voici c'est «Téléphone» (Réponse, maintenant!) by «l'odeur des ordures ou très bon fromage, et un jouet pour un enfant»
English: Here is "Phone" (Answer now!) By "the smell of garbage or very good cheese, and a toy for a child"
Partie-2 de mes six-partie uruguayenne sexe-bombe, s'il-vous plaît, d'inventer le temps machinaux avant de mourir, et luxure-fest--vidéo la présentation.
ENGLISH: Part-two of my six-part Uruguayan sex-bomb, if you please, to invent the mechanical time before dying, and lust-fest - video presentation.
Quel est le groupe punk premiers Français avec plus sexy chanteuse uruguayenne en du monde 'qui était responsable pour plus les taches de sperme plus un jeune garçon, que d'un de 24-heures-Brigitte Bardot-minuit-films marathon?
ENG: What is the first French punk band with the sexiest singer in the world Uruguayan, who was responsible for more semen stains over a young boy, a 24-Hour Brigitte Bardot-midnight-movie marathon?
Pour la conservation et la longévité de cette vidéo, je ne vais pas risque de divulgation de l'information, mais plutôt je utiliser une référence à la cryptographie informatique inter-linguistique pour ceux qui ne peuvent pas sais
ENG: For the preservation and longevity of this video, I'm not going to risk disclosure, but rather I use a reference to the cross-linguistic data encryption for those who may not know

Le nom du groupe est une autre expression signifié «l'odeur des ordures ou très bon fromage, et un jouet pour un enfant...
ENG: The band's name is another term meant "the smell of garbage or very good cheese, and a toy for a child ...









Stinky Toys

Stinky Toys
Origin Rennes, France
Genres Punk rock, new wave
Years active 1976-1979
Labels Polydor

Former members
  • Elli Medeiros
  • Denis Quilliard, aka Jacno
  • Bruno Carone
  • Albin Dériat
  • Hervé Zénouda


http://upload.wikimedia.org/wikipedia/en/3/36/Gauloises.png

One of the first French new wave bands, in 1976 the band took part in the 100 Club Punk Festival in London, sharing the bill with such bands as Sex Pistols, The Clash, The Damned and Buzzcocks.

A single was released in a picture cover on Polydor Records in 1977, "Boozy Creed", with "Driver Blues" on the B-side.

The single met with mixed reviews, causing Polydor to abandon the release of the band's eponymous debut album outside France.

The album was described by Allmusic as  

"a largely flat, bland collection of recycled Stones and New York Dolls riffs with low-quality vocals",  
while Trouser Press were also not impressed with what they described as "uninspired sub-Rolling Stones rock'n'boogie with terrible vocals by Elli Medeiros".

The band split up in 1979, with Elli Medeiros and Jacno then forming the duo, Elli et Jacno. Medeiros went on to a solo career, releasing the Elli album in 1988.

Jacno later released several solo albums as well as working with several other artists including Mareva Galanter.

Medeiros was chosen by Dev Hynes as part of his 'Fantasy Band' in 2008.

  • "Boozy Creed" 7" single (1977) Polydor
  • Stinky Toys LP (1977) Polydor (reissued in 1990 as Plastic Faces by Universal Records)
  1. Strong, Martin C. (2003) "Stinky Toys", in The Great Indie Discography, Canongate, ISBN 1 84195 335 0
  2. ^ Huey, Steve "Stinky Toys Review", Allmusic, Macrovision Corporation
  3. ^ a b Robbins, Ira "Stinky Toys", Trouser Press
  4. ^ Dupont, Pascal (2002) "Jacno l'hédoniste", L'Express
  5. ^ "My Fantasy Band: Dev Hynes, Lightspeed Champion", The Independent, 21 November 2008

Elli & Jacno was a French 1980s electron-pop group. They were quite successful in France and to some extent in Britain, having been featured once on the front page of Melody Maker magazine.

  http://upload.wikimedia.org/wikipedia/commons/thumb/a/a6/NL_Gauloises_special_edition.jpg/120px-NL_Gauloises_special_edition.jpg 

Denis Quillard alias Jacno and Elli Medeiros decided to start a music duo after leaving the punk band The Stinky Toys

Jacno composed and performed the music and Elli sang and wrote the lyrics. They released three albums together before splitting up and beginning solo careers. A compilation Symphonies de Poche was released by Virgin ten years later.

Discography 

  • Tout va sauter (1980, Vogue)
  • Inédits 77-81 (1981, compilation, Vogue)
  • Boomerang (1982, Celluloid)
  • Les Nuits de la Pleine Lune (1984, CBS)
  • Symphonies de Poche (1994, compilation, Virgin)

    Jacno (born 3 July 1957, Paris - died 6 November 2009) was a French musician.

    Born as Denis Quillard, he was a founding member of the first French punk band The Stinky Toys. In the early 1980s, after the group disbanded, he teamed up with former Stinky Toys singer Elli Medeiros to form the pop duo Elli et Jacno. Jacno had also released a number of solo albums since 1979.

    A chain smoker, he took his professional name from the name of the graphic artist who drew the Gallic helmet logo of French Gauloises cigarettes brand.

    He died overnight between 5–6 November from cancer, aged 52.

    Discography 

    • Jacno. Celluloid, 1979.
    • Rectangle. Celluloid, 1980.
    • T'es loin, t'es près. Barclay, 1988.
    • Une idée derrière la tête. Barclay, 1991.
    • Faux témoin. Polygram, 1995.
    • La Part des anges. Mélodie/Sony Music, 1999.
    • French paradoxe. Emma/Wagram, 2002.
    • Tant de temps. Warner Music, 2006.

      

    1. Obituary (in French)


    Cream Farewell Concert (BBC TV January 5th 1969) | Tony Palmer Films


    Cream Farewell Concert (as transmitted on BBC TV January 5th 1969) | Tony Palmer Films





     

     

     

     

     

     

    Tony Palmer: All You Need Is Love -- 17-part series on American popular music (Best Documentary Ever)

    All You Need Is Love


    Sunday Times, 7th February 1977
    All You Need Is Love

    … brilliant exposition … magisterial style … magnificent Sunday Times

    … a brilliant authoritative, historical study New York Library Journal

    … this beautifully–presented book and films are something of a triumph … the first well–planned … history of the people’s music in the people’s century, infuriating, stimulating, long overdue: and hugely welcome. The Listener

    PALMER, Tony

    Date of birth
    29/08/1941 (London, England)

    Tony Palmer


    ...At least this time you can get the story straight!...




    “One of the great, and uncompromising, poets of
    television” Sight & Sound
    “Tony Palmer…a clear seeing, visionary artist, pursuing with precision and perfection the image which draws him onwards.” Yehudi Menuhin


     
    TONY PALMER's vast filmography of over one hundred films ranges from early works with The Beatles, Cream, Jimi Hendrix and Frank Zappa (200 Motels), to the famous portraits with and about Walton, Britten, Stravinsky, Maria Callas, John Osborne, Margot Fonteyn and Menuhin. His 7 hour 45 minutes film on Wagner, starring Richard Burton, Laurence Olivier and Vanessa Redgrave, was described by the

    Los Angeles Times as "one of the most beautiful films ever made". Among over 40 international prizes for his work are 12 Gold Medals at the New York Film & Television Festival, as well as numerous BAFTA (British Academy of Film & Television) and EMMY nominations and awards. He is the only person to have won the Prix Italia twice.
    With his wife Michela, their sons Angelo and Gabriele and their daughter Apollonia, he lives in the most westerly house in England.

    He is also a Fellow of the Royal Geographical Society, and honorary citizen of both New Orleans and Athens.

    ******

    Tony Palmer is one of the leading directors of music documentaries and historical drama films in the world. He has won over forty international prizes for his work, including and especially television's most coveted award, the Prix d'Italia; indeed, he is the only person to have won this prize twice, and has been honoured by the Italia Prize with a gala screening of his work.

    From Cambridge University (where he was also President of the Marlowe Society), he joined the BBC. Following an apprenticeship with Ken Russell and Jonathan Miller, Palmer's first major film, Benjamin Britten & his Festival, became the first BBC film to be networked in the U.S.A. With his second film, All My Loving, an examination of rock 'n' roll & politics in the late 60s, he achieved considerable notoriety overnight.

    Red Rhodes - Velvet Hammer in a Cowboy Band (Best Country Space Instrumental I've Ever Heard - 1973)


    Red Rhodes
    Birth nameOrville J. Rhodes
    Also known asRed
    Born(1930-12-30)December 30, 1930
    Alton, Illinois
    DiedAugust 20, 1995(1995-08-20) (aged 64)
    Los Angeles, California
    GenresCountry, country rock
    InstrumentsPedal steel guitar
    Years active1960s - 1990s
    LabelsCrown, Countryside, Exact, Happy Tiger, Alshire
    Associated actsMichael Nesmith and The First National Band, The Strangers




    Orville J. Rhodes, better known as Red Rhodes or O. J. Rhodes (December 30, 1930 – August 20, 1995), was an American pedal steel guitarist. His mother taught him to play the Dobro at the age of five, but at the age of fifteen he switched to the steel guitar. He was a boxer and an oil company engineer before he settled into music.[1] He moved to Los Angeles in 1960 and became a session musician.[2]

    Rhodes played pedal steel on many country rock, pop and rock albums with The Monkees, Michael Nesmith, James Taylor, The Beach Boys, Seals and Crofts, The Byrds, The Carpenters, Spanky and Our Gang, and many other groups, as part of the "Wrecking Crew" studio musicians. He is most often remembered for his work with former Monkee Michael Nesmith on Nesmith's first solo albums in the early 1970s.[3] Rhodes is also credited for the "other-worldly" effects he created with pedal steel on The Ventures futuristic album The Ventures in Space in 1964.[4]
    In the late 1970s Rhodes shifted his focus from performing to guitar electronics at his Royal Amplifier Service shop in Hollywood, California. There Rhodes modified amplifiers and created his custom Velvet Hammer guitar pickups for James Burton, Clarence White, Gerald Ray.[5] and other influential guitarists.[6] His shop staff included future instrument makers David Schecter, Michael Tobias and Bill Chapin.
    Rheumatoid arthritis restricted Rhodes' public performances and recordings in the 1980s and 1990s, with the notable exception of his appearance on Michael Nesmith's Tropical Campfires album and tour in 1992. Rhodes fell ill soon after this tour, and died on August 20, 1995.[2]


    Solo projects

    • Once a Day and Other Steel Guitar Country & Western Favorites, 1961, Crown
    • Blue Blue Day and Other Steel Guitar Country & Western Favorites, 1962, Crown
    • Steel Guitar Rag and Other Country and Western Favorites, 1963, Crown
    • Red Rhodes Live at The Palomino, 1969, Happy Tiger
    • Velvet Hammer in a Cowboy Band, 1973, Countryside
    • Red Rhodes' Steel Guitar, 1979, Alshire
    • Fantastic Steel Guitar, 1980, Exact
    • Steel Guitar Favorites, 1990, Alshire

    Session work

    References

    1. Jump up ^ "Orville Rhodes; Country and Western Musician". LA Times. Retrieved 2016-02-04.
    2. ^ Jump up to: a b Brennan, Sandra. "Red Rhodes - Biography". allmusic. Retrieved 2009-06-12.
    3. Jump up ^ "Biography for Red Rhodes". IMDB. Retrieved 2009-06-13.
    4. Jump up ^ Eden, Dawn (1992). The Ventures Play Telstar, The Lonely Bull and Others/Ventures in Space (CD insert). The Ventures. Hollywood, CA: EMI America Records. E2-80239.
    5. Jump up ^ Gerald Ray
    6. Jump up ^ "Products". Velvet Hammer Pickups. Archived from the original on 2011-04-29. Retrieved 2009-06-13.

    October 7, 2018

    one man's 18-year quest for the perfect couch (@ThisAmerLife podcast) just buy a fucking couch


    little girl reading to her dog in his dogbed underneath the penitent eye of  a strikingly, high Lamar Sorrento painting, eclipsed by the Sun of a chandelier


    In This American Life episode 309 (Cat and Mouse) is a bizarre telling of one man's 18-year quest for the perfect couch.


    The story marries marital and material aspirations, illustrates in miniature the role of consumer objects as social agents, the social nature of consumption and desire, and the immateriality of real and imagined objects of personal experience.

    I have for years known it to offer the ultimate example of humanistic ethnography.


    Last year I had the opportunity to attend a concert by This American Life's creator/rock star, Ira Glass (a furtively obese, oleaginous man with the stage presence of an housebound Olivier), where he rallied and defenestrated chaotic ruminations on his serial radio-unloosing, like a too-sober Donald Trump or Lenny Bruce, overdressed with a multiplicity of lawsuits to defend before the cool bathroom tiles and silence
    me being very serious about this being my favorite 8-minute podcast clip in the last many years @ThisAmerLife ...

     
    with artwork by Lamar Goatboy Sorrento - also inspired by his purchase of a new couch today

    It's been well over a decade, so why can't Eric, who is in many other respects a measured and reasonable person, select a simple piece of furniture?

    David Segal attempts to explain why the man can't just buy himself a couch, already.
    David works at The New York Times. (8 minutes)