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September 26, 2010
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Jayne MANSFIELD pousse le petit cri
via youtube.com
http://post.ly/zo9N Jayne MANSFIELD pousse le petit cri Post http://whatgetsmehot.posterous.com/ja... Jayne MANSFIELD pousse le petit crihubba Sex-Symboles et cinéma
Jayne MANSFIELD pousse le petit cri qui l'a rendue célèbre Cinépanorama
24/10/1957
Interviewée par François CHALAIS et à sa demande, Jayne MANSFIELD pousse à deux reprises le petit cri qui l'a rendue si célèbre et s'en justifie (ses propos sont traduits en off).
Du muet à la nouvelle vague, en passant par l'âge d'or du cinéma hollywoodien, le septième art a provoqué l'avènement des sex-symboles. Glamour, charisme, élégance et sex-appeal prennent alors chair devant les caméras. De Marylin Monroe à Sean Connery, de BB à Marlon Brando, portraits en vidéos de ces éternelles icônes. for http://www.youtube.com/limbsandthings via http://whatgetsmehot.posterous.com mrjyn yt:quality=high yt:limbsandthings1
Life Before Diana (Uma Thurman) Movie Costumes
Life Before Diana (Uma Thurman) Movie Costumes Sold For $100
Life Before Her Eyes - Diana Adult (Uma Thurman) screen worn costume. The tank top is pale pink ribbed "James Perse" size 3. The jeans are light blue distressed capri length "Abercrombie and Fitch". Wardrobe tag included.
Images
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(video) Max's Kansas City Doc: Artists and Women Too - YouTube
http://post.ly/ziG7 Max's Kansas City: Artists, Hetero-Holics and Women Too Artists at Max's Kansas City, 1965-1974
As the Cedar Tavern played a role in the formation of abstract expressionism, Max's Kansas City galvanized a younger generation of artists from when it opened in 1965 to when it closed its doors in 1974. Max's Kansas City was a social venue where ideas could be thrown out, tested and formed. But a salient distinction was signaled to the art world at Max's as important new art was installed; and the art was a "permanent installation," as Donald Judd phrased it, rather than a changing show.
Larry Rivers, Larry Poons, and Robert Rauschenberg.
A trailer for the documentary on Max's directed by Bill Maynes can be viewed on Loretta Howard's website
New York Times Style Article
The Wall Street Journal Article
Vanity Fair Article
Huffington Post Article
Gothamist Article
Artnet Article
New York Daily News ArticleLoretta Howard Gallery
we really don't think so the new instrument heavy I am literally very often just take kept me alert for two minutes
0:00:40.750 0:00:47.109 and have a couple of drinks to talk to people and animals in this make your way home to wherever you live in
0:00:48.120 0:00:49.779 knox is was
0:00:52.020 0:00:53.849 it was the place and stop
0:00:54.520 0:00:55.989 at twelve o'clock
0:00:56.150 0:00:57.109 you mean
0:00:57.440 0:01:01.239 and with the lisa and be there all afternoon
0:01:02.720 0:01:05.889 the key was my mind death and if we don't love him
0:01:06.480 0:01:08.779 he did everything for all of us
0:01:08.830 0:01:11.049 you really love the artists
0:01:12.120 0:01:14.869 and you know we all over my own lives
0:01:15.919 0:01:17.148 %uh huh
0:01:17.450 0:01:20.319 the nazis called
0:01:20.639 0:01:23.058 he did kitsch
0:01:23.630 0:01:24.739 I mean he had
0:01:25.489 0:01:26.739 going on
0:01:26.739 0:01:28.448 it's tall order
0:01:29.309 0:01:30.628 new order
0:01:31.389 0:01:33.048 he says it was
0:01:34.520 0:01:36.289 %uh force
0:01:36.540 0:01:38.669 these were all slowed
0:01:38.930 0:01:42.400 these agencies more the nazis the things
0:01:42.400 0:01:44.019 and the role all about
0:01:44.400 0:01:46.339 the lawsuit leave it there
0:01:47.059 0:01:48.528 and he said
0:01:49.129 0:01:51.368 the deal was high theater
0:01:52.840 0:01:53.909 it's not that
0:01:54.290 0:01:55.189 people were
0:01:56.610 0:01:58.359 the Iraqi military rule
0:01:58.559 0:02:02.178 it was more like the socialization people
0:02:03.120 0:02:05.329 if you were part of the structure
0:02:06.610 0:02:08.169 overruled
0:02:08.789 0:02:09.599 the only rule
0:02:09.599 0:02:13.119 although really was enforce was were no footprints
0:02:13.869 0:02:14.699 so anything
0:02:14.699 0:02:16.669 it was in there was one another
0:02:17.589 0:02:19.369 you couldn't make it
0:02:20.029 0:02:26.319 there would be have to be were my relationship with mickey and with the restaurant all
0:02:26.389 0:02:29.259 and with then you really didn't matter
0:02:29.260 0:02:30.519 in shingles
0:02:32.379 0:02:34.168 driving force
0:02:34.169 0:02:36.119 with relationship back
0:02:36.169 0:02:37.199 with the rest
0:02:38.899 0:02:41.829 I would have gone here because they told me about
0:02:42.109 0:02:43.709 these ago
0:02:44.549 0:02:50.509 I meeting in the air stand at yeltsin's something the would be very unlikely that time
0:02:51.579 0:02:52.718 andrea
0:02:52.719 0:02:55.209 and she max's kansas city
0:02:55.209 0:02:56.389 0:03:03.899 0:03:11.699 karen
0:03:11.699 0:03:15.459 listen
0:03:24.129 0:03:28.498 citizen prison sentence
0:03:28.499 0:03:30.789 let's listen
0:03:30.869 0:03:32.599 okay
0:03:32.600 0:03:34.609 all right
0:03:35.169 0:03:39.379 since this just prison sentence
As the Cedar Tavern played a role in the formation of abstract expressionism, Max's Kansas City galvanized a younger generation of artists from when it opened in 1965 to when it closed its doors in 1974. Max's Kansas City was a social venue where ideas could be thrown out, tested and formed. But a salient distinction was signaled to the art world at Max's as important new art was installed; and the art was a "permanent installation," as Donald Judd phrased it, rather than a changing show.
Larry Rivers, Larry Poons, and Robert Rauschenberg.
A trailer for the documentary on Max's directed by Bill Maynes can be viewed on Loretta Howard's website
New York Times Style Article
The Wall Street Journal Article
Vanity Fair Article
Huffington Post Article
Gothamist Article
Artnet Article
New York Daily News ArticleLoretta Howard Gallery
we really don't think so the new instrument heavy I am literally very often just take kept me alert for two minutes
0:00:40.750 0:00:47.109 and have a couple of drinks to talk to people and animals in this make your way home to wherever you live in
0:00:48.120 0:00:49.779 knox is was
0:00:52.020 0:00:53.849 it was the place and stop
0:00:54.520 0:00:55.989 at twelve o'clock
0:00:56.150 0:00:57.109 you mean
0:00:57.440 0:01:01.239 and with the lisa and be there all afternoon
0:01:02.720 0:01:05.889 the key was my mind death and if we don't love him
0:01:06.480 0:01:08.779 he did everything for all of us
0:01:08.830 0:01:11.049 you really love the artists
0:01:12.120 0:01:14.869 and you know we all over my own lives
0:01:15.919 0:01:17.148 %uh huh
0:01:17.450 0:01:20.319 the nazis called
0:01:20.639 0:01:23.058 he did kitsch
0:01:23.630 0:01:24.739 I mean he had
0:01:25.489 0:01:26.739 going on
0:01:26.739 0:01:28.448 it's tall order
0:01:29.309 0:01:30.628 new order
0:01:31.389 0:01:33.048 he says it was
0:01:34.520 0:01:36.289 %uh force
0:01:36.540 0:01:38.669 these were all slowed
0:01:38.930 0:01:42.400 these agencies more the nazis the things
0:01:42.400 0:01:44.019 and the role all about
0:01:44.400 0:01:46.339 the lawsuit leave it there
0:01:47.059 0:01:48.528 and he said
0:01:49.129 0:01:51.368 the deal was high theater
0:01:52.840 0:01:53.909 it's not that
0:01:54.290 0:01:55.189 people were
0:01:56.610 0:01:58.359 the Iraqi military rule
0:01:58.559 0:02:02.178 it was more like the socialization people
0:02:03.120 0:02:05.329 if you were part of the structure
0:02:06.610 0:02:08.169 overruled
0:02:08.789 0:02:09.599 the only rule
0:02:09.599 0:02:13.119 although really was enforce was were no footprints
0:02:13.869 0:02:14.699 so anything
0:02:14.699 0:02:16.669 it was in there was one another
0:02:17.589 0:02:19.369 you couldn't make it
0:02:20.029 0:02:26.319 there would be have to be were my relationship with mickey and with the restaurant all
0:02:26.389 0:02:29.259 and with then you really didn't matter
0:02:29.260 0:02:30.519 in shingles
0:02:32.379 0:02:34.168 driving force
0:02:34.169 0:02:36.119 with relationship back
0:02:36.169 0:02:37.199 with the rest
0:02:38.899 0:02:41.829 I would have gone here because they told me about
0:02:42.109 0:02:43.709 these ago
0:02:44.549 0:02:50.509 I meeting in the air stand at yeltsin's something the would be very unlikely that time
0:02:51.579 0:02:52.718 andrea
0:02:52.719 0:02:55.209 and she max's kansas city
0:02:55.209 0:02:56.389 0:03:03.899 0:03:11.699 karen
0:03:11.699 0:03:15.459 listen
0:03:24.129 0:03:28.498 citizen prison sentence
0:03:28.499 0:03:30.789 let's listen
0:03:30.869 0:03:32.599 okay
0:03:32.600 0:03:34.609 all right
0:03:35.169 0:03:39.379 since this just prison sentence
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