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July 29, 2009

Daily Papal Announcement from the Holy See

Go Back RINUNCE E NOMINE , 27.07.2009 WAIVERS AND APPOINTMENTS, 27.07.2009

RINUNCE E NOMINE APPOINTMENTS AND CANCELLATIONS NOMINA DELL'AUSILIARE DI ATLANTA (USA) The auxiliary APPOINTMENT OF ATLANTA (USA)

Il Santo Padre ha nominato Vescovo Ausiliare dell'arcidiocesi di Atlanta (USA) Mons. Luis R. The Holy Father has appointed Auxiliary Bishop of the Archdiocese of Atlanta (USA) Bishop Luis R. Zarama, finora Vicario Generale della medesima arcidiocesi, assegnandogli la sede titolare vescovile di Bararo. Zarama hitherto Vicar General of the Archdiocese, giving the bishop's seat holder Bărar.

Mons. Luis R. Bishop Luis R. Zarama Zarama

Mons. Luis R. Bishop Luis R. Zarama Zarama è nato il 28 novembre 1958 a Pasto, Colombia. was born November 28 1958 in Pasto, Colombia. E' entrato nel Seminario di Pasto e, dal 1982 al 1987, ha frequentato l' "Universidad Mariana" dove ha studiato filosofia e teologia. E 'entered the seminary of Pasto and from 1982 to 1987, he attended the' Universidad Mariana, where he studied philosophy and theology. Dal 1978 al 1991, ha seguito gli studi alla "Universidad Javeriana" a Bogota, ottenendo la Licenza in Diritto Canonico. From 1978 to 1991, was studying at the "Universidad Javeriana" in Bogota, obtaining a licentiate in Canon Law.

Ordinato sacerdote per l'arcidiocesi di Atlanta il 27 novembre 1993, ha svolto gli incarichi di vicario parrocchiale della "Sacred Heart Parish" ad Atlanta (1993-1996), Amministratore della "Saint Helena Mission" a Clayton (1996-2006) e Parroco della "Saint Mark Parish" a Clarkesville. Nel Tribunale metropolitano di Atlanta è stato, dal 1993 al 1997, Avvocato del Tribunale d'Appello; dal 1997 Difensore del Vincolo; e dal 2008 Vicario Giudiziale. Ordained a priest for the Archdiocese of Atlanta on 27 November 1993, played the positions of parochial vicar of Sacred Heart Parish "in Atlanta (1993-1996), director of" Saint Helena Mission "on Clayton (1996-2006) and Parish the "Saint Mark Parish" in Clarkesville. In the Court of Metropolitan Atlanta has been, from 1993 to 1997, Advocate of the Court of Appeals, from 1997 Defender of the Bond, and Judicial Vicar in 2008. Dal 2000 è Vice-Direttore delle Vocazioni e dal 2006 è Vicario Generale dell'arcidiocesi. Since 2000 he is Vice-Director of Vocations and since 2006, Vicar General of the Archdiocese.

Il 4 luglio 2004 è diventato cittadino americano. On 4 July 2004 he became U.S. citizen.

Il 10 febbraio 2007 è stato nominato Cappellano di Sua Santità. On 10 February 2007 he was appointed chaplain of His Holiness.

Oltre l'inglese, parla lo spagnolo. Beyond English, speaks Spanish.

[01167-01.01] [01167-01.01]

[B0493-XX.01] [B0493-XX.01]

Les derniers jours de Heath Ledger : rien à signaler ? - Le fil cinéma - Télérama.fr

Retour de vacances, ultime soirée farniente, mais devant la télé : on y passe Casanova, de Lasse Hallström – inédit en salles, me semble-t-il (sur Cinécinéma Emotion, en multidiffusion). Heath Ledger n'était pas encore la star-météore qu'il serait à l'époque de Brokeback Mountain, et à fortiori après sa mort, en janvier 2008, et la sortie de The Dark Knight... Mais il fait l'affaire, avec ardeur et fraîcheur. Un peu moins réussi que Chevalier, la savoureuse fable médiévale où j'ai découvert le comédien australien, Casanova enquille une intrigue Marivaux-Goldoni où s'ébrouent, plutôt bien, des acteurs british, la jolie Sienna Miller, Jeremy Irons en Grand Inquisiteur, le gros Oliver Platt en fabricant de lard gênois, tentant de pénétrer le marché du saindoux vénitien. Il faut attendre la fin du film pour comprendre que Casanova n'est pas tout à fait Casanova, mais dans cette fantaisie, Heath porte bien la chemise blanche, comme en témoignent les séquences ci-dessus...

 

Cet été, l'édition américaine de Vanity Fair a publié un long article consacré aux « derniers jours » de Heath Ledger, mettant sur l'affaire un as du ciné-journalisme local, Peter Biskind (l'auteur du Nouvel Hollywood). Des révélations dans ce texte « king size » (plus de trente feuillets !) ? Pas vraiment : des bribes d'infos, pêchées ici ou là. La certitude qu'Heath Ledger était un type un peu compliqué, dont la plus grande peur était de devenir ce que les Américains appellent une « matinee idol » - un jeune premier pour ados. Il passait beaucoup de temps à refuser les projets (aurait-il dû dire non à Casanova ?) et aurait justement accepté The Dark Knight parce que la longueur du tournage lui permettait de décliner toutes les autres propositions... Il n'aurait pas détesté, suggèrent certains, que son interprétation du Joker soit « too much » pour les producteurs du film (son modèle était Johnny Depp sur la série Pirates des Caraïbes), puisque, même viré, il aurait touché son cachet...

Biskind explique que Heath Ledger, trop beau, trop fragile, n'était pas fan du star-system et de la pression d'Hollywood, d'où son envie de retrouver Terry Gilliam, marginal volontaire, pour L'Imaginarium du Docteur Parnassus, qu'on a vu depuis à Cannes – et déjà évoqué dans ce blog. L'acteur avait comme projet perso un biopic du chanteur Nick Drake : les similarités de leur mort - overdose de médicaments, vraisemblablement involontaire - sont troublantes, de même que le petit clip que Ledger avait tourné sur la dernière chanson de Drake, Black eyed dog. Un certain euh... romantisme noir est perceptible dans l'extrait (de médiocre qualité) ci-dessous...

Pourtant, l'article de Peter Biskind est plutôt plus marquant quand il quitte Ledger pour s'intéresser à Terry Gilliam, et aux difficultés du cinéaste à finir son film. Le comédien est mort alors que la partie londonienne du tournage s'était achevée, et que les prises de vue devaient reprendre en studio à Vancouver. Restait à tourner les scènes de pur imaginaire - ce qu'éprouvent les « patients » du Docteur Parnassus. On sait comment Gilliam s'en est tiré : en faisant appel à Johnny Depp, Jude Law et Colin Farrell pour créer des avatars (le mot est à la mode) du personnage de Ledger. Pas facile, pourtant, de contacter une superstar : après avoir eu l'accord verbal de Johnny Depp, le réalisateur s'est trouvé à un moment dans l'impossibilité de le joindre, désemparé face à une myriade d'agents, avocats, managers, qui n'avaient pas eu vent (ou n'étaient pas ravis) de la décision de leur client. Gilliam demanda même à sa fille, employée de la production, d'aller faire le pied de grue devant la maison hollywoodienne de la star pour tenter de l'apercevoir – elle se fit jeter par les vigiles... Le genre d'expérience à laquelle Heath Ledger rêvait d'échapper ?

Les derniers jours de Heath Ledger : rien à signaler ? - Le fil cinéma - Télérama.fr

Heath Ledger

Needing to Know Everything about Everything May Be Good For You but It Sucks for Me - The night I read Le Figaro in Google Translation

The death of Michael Jackson on TMZ, a new paradigm of info?

Où étiez-vous, jeudi dernier, lorsque vous avez appris la mort de Michael Jackson ? Where were you last Thursday, when you've learned the death of Michael Jackson? Devant votre téléviseur , sur Twitter , sur les deux en essayant de démêler le vrai du faux ? Front of your TV, Twitter, both trying to untangle truth from fiction?

TMZMJ.JPG Jeudi 25 juin, à 17h20 heure de Los Angeles, le site d'info "people" TMZ.com a annoncé que le King of Pop était décédé, cinquante minutes après avoir posté une note informant d'un arrêt cardiaque. Thursday 25 June at 17:20 hours from Los Angeles, the site of news "people" TMZ.com reported that the King of Pop had died, fifty minutes after posting a note informing them of a cardiac arrest. Seul le site du LA Times a repris l'info dix minutes plus tard. Only the site of the LA Times has taken the news in ten minutes. Pour les autres médias, Michael Jackson était " entre la vie et la mort " jusqu'à ce que le médecin légiste officialise l'information, deux heures plus tard. For other media, Michael Jackson was "between life and death" until the coroner formalizes the information, two hours later.

Pendant tout ce temps, Michael Jackson était "mort sur Internet et vivant à la télévision" , note  le New York Times . Throughout this time, Michael Jackson was "death on the Internet and live television," notes the New York Times. La palme du grand écart médiatique va à Time Warner , qui contrôle TMZ (via AOL), et qui a laissé une autre filiale, la chaîne d'info continue CNN , faire durer le suspense ! The palm of the large gap media goes to Time Warner, which controls TMZ (via AOL), and left another subsidiary, the chain continues CNN news, to sustain the suspense!

Les médias établis ont voulu être prudent et vérfier l'information. C'est très bien : les elkabbacheries , on s'en méfie dans ces maisons où ne peut pas faire des "edit" en deux clics et effacer une info erronnée comme si elle n'avait jamais été annoncée. The established media have tried to be careful and vérfier information. It's very well: the elkabbacheries, it will be wary in these homes can not do "edit" in two clicks and erase a wrong info as if it had never been announced. Mais n'ont-ils pas péché par excès de méfiance ? But did not they err on the side of distrust? Fait preuve de présomption d'inexactitude vis-à-vis du Web ? Proved inaccurate presumption vis-à-vis the Web? (comme d'autres patrons de presse qui parlent de " tout à l'égoût de la démocratie "...) (like other bosses press talk of "all the drainage of democracy "...)

lewinsky.jpg Car TMZ s'est illustré précédemment avec quelques scoops et exclusivités de bonne facture. Et ce n'est pas une première : l'affaire Lewinsky avait été révélée par le blog de Matt Drudge . Because TMZ was shown previously with a few scoops and exclusives good. And this is not a first: the Lewinsky affair was revealed by the blog of Matt Drudge.

A moins que l'ancien monde médiatique ait, par son retard à l'allumage, s'implement cautionné un nouveau paradigme de l'information : Unless the old media world has, by its delay in the ignition, backed sets a new paradigm of information:

TMZ "n'est pas une grosse machine à profits. Ils se concentrent sur une seule chose : sortir l'info, et c'est tout - et ils semblent le faire plutôt correctement.(...) Les agents de Hollywood et les structures du pouvoir ne leur prêtent pas beaucoup d'attention. D'une certaine manière c'est une bénédiction, ils n'ont pas besoin d'aller faire de la lèche aux agents et échanger des faveurs pour avoir de l'accès " , analyse Keith Kelly, chroniqueur du New York Post, dans The Guardian . TMZ is not a big machine profits. They focus on one thing: the info out, and that's all - and they do not appear correctly .(...) agents and Hollywood power structures do not lend them much attention. In some ways it is a blessing, they did not need to go do the shopping agents and exchange favors for in access " analysis Keith Kelly, columnist for the New York Post, in The Guardian.

Autrement dit, n'ayant besoin ni d'interviews de patrons ou de stars ou d'avoir des DVD en avant-première pour les chroniquer et autres " exclusivités magazine ", les sites cracheurs de scoops comme TMZ sont libres de sortir toutes les informations qu'ils souhaitent. Contrairement aux grands supports, contraints de respecter certaines règles de bienséance pour pouvoir étoffer les pages d'exclusivités, d'avant-premières, de reportages nécessitant d'obtenir un accès officiel... In other words, did not need interviews with stars or bosses or having DVD preview for chronic and other "exclusive magazine, sites eaters like TMZ scoops are free to leave any information they want. Unlike larger carriers, obliged to respect certain rules of decorum to develop exclusive pages of previews, features need to get official access ...

Une vision qui inverserait radicalement les a prioris actuels d'un Internet poubelle pour mieux inaugurer l'ère du Web, source d'infos et des médias anciens, canaux d'exclusivités (négociées). A vision that radically reverse the current a priori an Internet trash can to better inaugurate the era of Web information source and old media, channels exclusivities (traded).

Insolite : un robot Toyota qui marche... bien - PC INpact


Toyota vient de présenter un robot capable de courir à 7 km/h, soit un de mieux que son fameux Asimo. Ce robot tient parfaitement l’équilibre et peut être poussé sans prendre une gamelle. De ses 1M30 et 50Kg, ce prototype possède des jambes avec 7 degrés de liberté, de quoi lui permettre de rester en l’air durant 100ms pendant son pas de course.


 


Insolite : un robot Toyota qui marche... bien - PC INpact

Government releases 20-page guide to using Twitter | Technology | guardian.co.uk

Screen grab of Gordon Brown's DowningStreet Twitter site

Screen grab of Gordon Brown's Twitter site. Photograph: Public Domain

Even its author admits that a 20-page strategy paper for government departments on how to use Twitter might be regarded as "a bit of over the top" for a microblogging tool with a limit of 140 characters a message.

Indeed, the 5,382-word official "template",which translates into 36,215 characters and spaces, would need roughly 259 separate tweets to put the word around Whitehall using Twitter.

But its author, Neil Williams, who describes himself as head of corporate digital channels at Lord Mandelson's Department for Business, Innovation and Skills, admits that when he sat down to write a proper plan for his department's corporate Twitter account, "I was surprised by just how much there was to say ‑ and quite how worth saying it is."

Whitehall's official use of Twitter was pioneered by Downing Street, the Foreign Office and the Communities and Local Government department.

Their low-profile experiments have grown into a regular feature of their official digital output.

Now Williams, a self-confessed web geek, has turned his template into an official Whitehall Twitter guide and posted it on the Cabinet Office's digital engagement blog.

He suggests that nothing too onerous is involved. Each department's "digital media team" should only need to spend less than an hour a day running their Twitter streams. A quick discussion of potential tweets at the morning press cuttings meetings should be followed by emails to minister's private offices to gather more material, and any incoming messages should be replied to.

However, the idea of official government use of a tool that provides a confidential and confessional glimpse into somebody's personal life and views appears at first sight to be something of an oxymoron.

The official guide seems to acknowledge this when it recommends that exclusive content such as "insights from ministers" and "updates on their movements" in a light or humanised style will be needed for the Twitter stream beyond the "business as usual" content of daily press releases and announcements.

It also concedes there is a problem with one of the basic Twitter features, the ability to "follow" any other users. It admits that if government departments start following individual users on Twitter uninvited, this may well be interpreted as "interfering 'Big Brother'-like behaviour".

However, once anyone does follow a Whitehall Twitter stream it recommends they should automatically be "followed back" on the grounds that it is not only good etiquette, but could result in a poor Twitter reputation if not done ‑ and in extreme cases could lead to the account being suspended.

In urging his fellow Whitehall civil servants to use Twitter, Williams sets out several grounds rules for the kind of content that needs to make it work:

• Human: He warns that Twitter users can be hostile to the "over-use of automation" - such as RSS feeds – and to the regurgitation of press release headlines: "While corporate in message, the tone of our Twitter channel must therefore be informal spoken English, human-edited and for the most part written/paraphrased for the channel."

• Frequent: a minimum of two and maximum of 10 tweets per working day, with a minimum gap of 30 minutes between tweets to avoid flooding followers' Twitter streams. (Not counting @replies or live coverage of a crisis/event.) Downing Street spends 20 minutes on its Twitter stream with two-three tweets a day plus a few replies, five-six tweets a day in total.

• Timely: in keeping with the "zeitgeist" feel of Twitter, official tweets should be about issues of relevance today or events coming soon.

• Credible: while tweets may occasionally be "fun", their relationship to departmental objectives must be defensible.

Alongside the promised tweetable content of minsters' thoughts and reflections following key meetings and events is something rather more sinister sounding called "thought leadership". Also known as "linked blogging", the idea is that by highlighting relevant research, events, awards and other action elsewhere on the web, the department's Twitter feed gets a reputation as a reliable filter of high quality content.

It even holds out the promise of "crisis content" in which the Twitter feed becomes a primary channel alongside the official website for up to the minute guidance and advice in the event of a major incident.

Perhaps the biggest stumbling block is that in true Whitehall tradition everything that goes out has to be approved and cleared first. So news releases are to be cleared for use only if they have first been paraphrased for Twitter. All other tweets have to be cleared by staff at information officer grade in the digital media team and colleagues in ministers' private offices and communications units have to be consulted as well.

The guidelines recommend that "light-touch controls" will also be needed to prevent "inappropriate content" being published in error such as embargoed news releases, information about the location of ministers that could put their security at risk, or other commercially or politically sensitive content. Steps are also to be taken to avoid hacking or vandalism of content.

But it is perhaps the "tone of voice" that is most troubling about the idea of Whitehall twitter stream. "Though the account will be anonymous (ie, no named officials will be running it) it is helpful to define a hypothetical 'voice' so that tweets from multiple sources are presented in a consistent tone (including consistent use of pronouns)," recommends the official template.

"The department's Twitter voice will be that of the digital media team, positioning the channel as an extension of the main department website ‑ effectively an 'outpost' where new digital content is signposted throughout the day. This will be implicit, unless directly asked about by our followers," it advises.

Williams, the author of this template, launched the first ever blog by a British cabinet minister. He admits he once ran a comedy website called idiotica.co.uk but the Cabinet Office confirm that his Twitter guidelines are genuine.

Government releases 20-page guide to using Twitter | Technology | guardian.co.uk

Magic at your fingertips

Magic at your fingertips
Jerusalem Post - Jerusalem
Author: OLIVIA FROEHLICH
Date: Jul 10, 2009
Start Page: 34
Section: Features
Text Word Count: 1640
Abstract (Document Summary)

[Uri Geller] isn't the only big local name in magic; living and working in Tel Aviv is [Menny Lindenfeld], the "magician's magician." A well-known and well-respected performer, Lindenfeld is also the creator of some of the most popular tricks used by magicians around the world. He's advised and worked with some of the most famous stage performers, helping them to train and polish their act. "I can't mention any names," Lindenfeld says when asked for their identities, but "you've definitely heard of them."

TO ENSURE that the tricks are as authentically "magical" as possible, Lindenfeld has tapped contacts to assemble the "Shadow Magicians" council, some of the biggest names in magic. "It's my job to look at the various technologies and determine which ones - GPS, voice, etc. - would be relevant to a trick we want to develop," says Grandes. "Then Menny and the Shadow Magicians take over, brainstorming the ways we can pull off the trick within the confines of the technology."

The loss is all the Egyptians'. Trixcell's tricks can make you instantly popular and gain you points with the boss or even potential mates (Grandes says the tricks "are a great way to hit on girls," or vice versa). "Magic and magicians are always the center of attention," says Grandes. "It makes Menny and me very happy to be able to give more people the opportunity to be magicians and make people smile."



Magic at your fingertips