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Showing posts with label Leigh Bowery. Show all posts
Showing posts with label Leigh Bowery. Show all posts

April 23, 2011

Cherry Vanilla The Punk

Cherry Vanilla The Punk

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Some people think that little girls should be seen and not heard... But I say Oh Bondage Up Yours ! 1-2-3-4[Cherry+Vanilla+-+1978+-+Bad+Girl+-+front.jpg]

Ok so we might have been a bit harsh in our initial description but one thing you can say about Cherry Vanilla is that she led an eventful life meeting people and being part of events that people can only dream about. By sheer luck rather than through astuteness she collided with the emerging punk scene in the UK finding an unlikely audience for her type of raunchy sex tinged rock'n'roll.

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Born in New York, Djed there and in South Of France as a teenager. Performed in Wayne Counties play World, Birth Of A Nation playing a nymphomaniac necrophiliac nurse.

 

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Andy Warhol impressed by her ability to simulate sex with a dead puppy in that play cast as her as Amanda Pork in 'Pork' based on Warhol superstar Brigitte Polk. The play which centred around discussions about all kinds of 'shit' literally. The stars 'were nymphos, queens ands prostitutes running around the stage naked.'

Cherry's trademark then was usually to introduce herself by baring her breasts and saying, 'Hi - I'm the Pork from New York.' and as if their notoriety from Pork wasn't enough when the show transferred to the Roundhouse London she continued being outrageous outside of the show casually giving a blowjob to a stranger while being interviewed by a journalist from Rolling Stone.

Not only that she came with a certain kind of cachet from New York and associations with Bowie, Warhol, Max's and the US punk scene. She also came with Wayne County and between them put on in your face shows of heavy sexual undertones your average punk rocker was unlikely to come across!!

 
One visitor to 'Pork' was a certain David and Angie Bowie who were captivated by what they saw and who returned again and again. It is suggested that Pork and its caravan of seamy underside characters was responsible fro transforming Bowie from long haired hippie to androgynous cross dressing superstar. Whether true or not Bowie loved it and especially the link to Warhol and took the unusual step of hiring Vanilla and others from the show to run his PR and signed Wayne County to Mainman his company.

"I screwed disc jockeys across America to get David Bowie's records played on the radio." Zigzag 71

Eventually though the bills the team ran up led them to be fired from Mainman.

Cherry_Vanilla_The_Punk.mp4 Watch on Posterous

 

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A book followed 'Pop Tart' detailing her groupie experiences


  

...»See Ya

September 6, 2010

i could fuck up a two-car funeral but this song is for my novia

My First Concert and Other Fuckups

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On Tour May 20 - June 2, 1977

The penultimate tour of Elvis' long career kicked off on 20th May in Knoxville, with a good, but run-of-the-mill, show which included a brilliant version of How Great Thou Art. The tour then moved onto Louisville with a more-or-less identical show to the previous night's but tonight's show featured his first single - That's All Right - in between two other old classics - I Got A Woman-Amen & Love Me.

Night three of the tour was in Largo, and this was a bad show for the period, and even the usual highlight of the show not being performed, Hurt. Things picked up on the 23rd with not only Hurt back in the setlist but another highlight of the show, My Way, also having its tour-premiere at the show.

Elvis had worn the Mexican Sundial suit at every show of the tour so far, and he would use it at every show this tour which led to rumours that there were, in fact, two identical suits which he alternated between each night, but the maker of the suits for him has confirmed that only one Sundial suit was made, and Elvis wore it nearly non-stop during most of 1977!

It was onto Augusta on the 24th and this show is one of the best of the tour. There are no real surprise songs in the show, other than an excerpt of Never Been To Spain, but all the songs are performed well for the period, and Elvis even introduced his record producer Felton Javis to the stage, and he made him stay on stage while he sung If You Love Me (Let Me Know). The 25th was, like the previous night, another good show with Tryin' to Get To You getting its first, of two, performance of the tour.

The tour then moved to Binghamton for two shows on the 26th & 27th, with the highlights of both shows being a rare version of Why Me Lord on the first night & rare versions of Heartbreak Hotel & Bridge Over Troubled Water on the second night. The real highlight, though, was a fantastic version of Unchained Melody just before closing on the second night. It was then onto Philadelphia for the next show, and the only surprise was a very exciting version of Polk Salad Annie before the band intros.

The next night is a very interesting show among fans. It was in Baltimore, and, looking at the setlist, it's a fantastic show with a lot of rare songs performed, including That's All Right & Blue Christmas very early in the show, and Help Me, Blue Suede Shoes, a verse of The Wonder Of You & One Night being performed near the end of the show. But it's what happened in between these two sections that's become the focal point of fans' interest. After You Gave Me a Mountain Elvis asked Sherrill Nielsen to sing a couple of songs. Elvis then sang Teddy Bear-Don't Be Cruel, and then he left the stage, leaving the Stamps & then Kathy to keep the audience entertained, after which Charlie did the band introductions which, in total, lasted nearly 30 minutes. After the band intros Elvis reappeared to finish School Day, and stating that "natured called". Things got back to normal after this, but reports have been that fans were crying and leaving the auditorium while he was gone. What was really the problem we may never know!

The tour should have ended at the last show but, because he'd cancelled the last four shows of his previous tour, they were rearranged to the end of this tour. So, Jacksonville was the next night with another run-of-the-mill show, but I Really Don't Want to Know To Know getting its first ever performance, 6 years after he'd recorded it. Although it wasn't a complete version, with the bridge missing, it became one of the highlights of the show, with his delicate reading of the lyrics.

The next rearranged show was in Baton Rouge on the 31st May, with no real unusual songs, or highlights such as My Way or Hurt (thanks, illiterate Elvis freak.  I'll just remember it on my own.) performed. It was then onto Macon for the penultimate show of the penultimate tour, with My Way back in the show, but no Hurt performance. The other highlights of the show were Fairytale & Big Boss Man just before closing with the usual Can't Help Falling In Love.

The last show had a few unusual songs performed. Help Me, An American Trilogy & Polk Salad Annie all performed just before the band introductions, with the latter two them being the final ever versions of the songs in front of an audience. The other highlight of the show was the house-raising performance of Unchained Melody.

In under a month Elvis would be doing his final ever performance on stage!

Recording Information

Recordings on CD:

Recordings on CD-R:

Video Information

Amateur footage.

  • ROCKIN' THE NATION #12 contains footage from Louisville, KY, IL (May 21, 1977) (5'05").
  • THE SUNDIAL TOURS contains footage from several concerts of this tour: Augusta, ME, Rochester, NY, Binghamton, NY, Philadelphia, PA and Providence, RI
  • MORE SUNDIAL TOURS 77 contains footage also from some concerts of this tour: Augusta, ME, & Binghamton, NY.
  • '72 PRESS CONFERENCE & OTHER CONCERT FOOTAGE contains footage from Louisville, KY, IL (May 21, 1977) (5'05").
  • LIVE ON STAGE #2 contains footage from Largo, MD (May 22, 1977) (16'42"), from Philadelphia, PA . (May 28, 1977) (16'40") and Augusta, ME (May 24, 1977) (6'30")
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