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November 9, 2009

Monterey Pop (1967) - The Criterion Collection

Monterey Pop (1967) - The Criterion Collection

Monterey Pop

D. A. Pennebaker

United States

1967

78 minutes

Color

1.33:1

English

Watch Film for $5

168

Synopsis

On a beautiful June weekend in 1967, at the height of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey would launch the careers of Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic vérité style, D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar, Jimi Hendrix burning his. The Criterion Collection is proud to present this timeless document of a landmark event.

Cast


Janis Joplin

Paul Simon

Art Garfunkel

"Mama" Cass Elliot

John Phillips

Michelle Phillips

Denny Doherty

Jimi Hendrix

Hugh Masekela

Grace Slick

Eric Burdon

Roger Daltrey

Keith Moon

John Entwistle

Pete Townshend

Otis Redding

Ravi Shankar

Credits

DirectorD. A. Pennebaker
ProducerLou Adler and John Phillips
CinematographyJames Desmond, Richard Leacock, Albert Maysles, Roger Murphy, D. A. Pennebaker and Barry Feinstein
EditingNina Schulman
Assistant editorMary Lampson

Disc Features

  • Restored high-definition digital transfer, supervised and approved by D.A. Pennebaker
  • Soundtrack featuring a 5.1 mix by legendary recording engineer Eddie Kramer, presented in Dolby Digital (and DTS-HD Master Audio on the Blu-ray edition)
  • Audio commentary by Festival producer Lou Adler and Pennebaker
  • Video interview with Adler and Pennebaker
  • Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby
  • Photo-essay by photographer Elaine Mayes
  • Original theatrical trailer and radio spots
  • Monterey Pop Festival scrapbook
  • PLUS: A booklet featuring essays by critics Michael Lydon, Barney Hoskyns, and Armond White

From the Current

Monterey Pop: The First Rock Festival - Part Two

by Michael Lydon Nov 11, 2002

Continued from Monterey Pop: The First Rock Festival - Part OneSunday afternoon was Shankar, and one felt a return to peace. And yet there was an excitement in his purity...

A Bloody Battle over Monterey Pop Festival

by Jann Wenner Nov 11, 2002

April 6, 1968MONTEREY—A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.Fighting...

The Meeting of the ’Twain: Monterey and the Great California Divide

by Barney Hoskyns Nov 11, 2002

“TRAVELING UP the Coast from the ruins of the Sunset Strip to the Haight is a Dante-esque ascent,” New Yorker Richard Goldstein could write of a journey from southern to northern California in 1967. For Goldstein, pop music critic of the Village Voice at the time, the 400 miles between...

Monterey Pop: People In Motion

by Armond White Nov 11, 2002

A new era in popular music deserves a new era in filmmaking. That’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s Monterey Pop. When Pennebaker and his 16mm filmmaking team came on board to cover the 1967 festival, director Pennebaker...

Anatomy of a Love Festival - Part Two

by Robert Christgau Nov 11, 2002

Continued from Anatomy of a Love Festival - Part OneThe real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more...

Monterey Pop: The First Rock Festival - Part One

by Michael Lydon Nov 11, 2002

The Monterey International Pop Festival is over, all over. And what was it? Was it one festival, many festivals, a festival at all? Does anything sum it up, did it mean anything, are there any themes? Was it just a collection of rock groups of varying levels of proficiency doing their bit for a...

Monterey Pop Artist Bios - Part Three

by Bruce Eder Nov 11, 2002

Saturday nightHugh Masekela(1939 - )Ever since the mid-1960s, Hugh Masekela has been recognized as one of the leaders in world music and fusion jazz. Among his earliest professional engagements was a gig playing with the Huddleston Jazz Band, led by anti...

Monterey Pop Artist Bios - Part Four

by Bruce Eder Nov 11, 2002

Sunday nightThe Blues ProjectDanny Kalb—Lead guitar, vocalsSteve Katz—Rhythm guitar, vocalsAndy Kulberg—Bass, fluteRoy Blumenfeld—DrumsJohn McDuffy—Keyboards, vocalsFounded in New York City in 1965, The Blues Project had...

Monterey Pop Artist Bios - Part Five

by Bruce Eder Nov 11, 2002

The Jimi Hendrix ExperienceJimi Hendrix—Guitar, vocalsNoel Redding—BassMitch Mitchell—DrumsIt was the performance of Jimi Hendrix at Monterey that made the ABC television network—which had paid an advance for the broadcast rights to the film of the event...

Monterey Pop Artist Bios - Part One

by Bruce Eder Nov 11, 2002

Friday nightThe AssociationTerry Kirkman—Vocals, brass, reeds, harmonica, percussionTed Bluechel, Jr.—DrumsJim Yester—Vocals, rhythm guitar, keyboardsRuss Giguere—Lead vocals, rhythm guitar, percussionBrian Cole—Vocals, bass...

Monterey Pop Artist Bios - Part Two

by Bruce Eder Nov 11, 2002

Country Joe and the FishCountry Joe McDonald—Lead vocals, guitarBruce Barthol—Bass, guitar Barry Melton—Lead guitarDavid Cohen—KeyboardsGary “Chicken” Hirsh—Drums, percussionEasily the most “political” act at the Festival, Country Joe...

Celebrities with Narcolepsy



Jimmy Kimmel
Jeffrey Mayer, WireImage



We all have times where we struggle to keep our eyes open in the middle of day, but according to the National Institutes of Health, true narcolepsy --
LONDON, ENGLAND - AUGUST 27: A historic Govern...Image by Getty Images via Daylife
which afflicts approximately one in 2,000 Americans -- is more than just a bit of yawning and a fantasy about taking a nap under your desk.

November 7, 2009

Greatest Fashion Statements in Exploitation Cinema History


Love Train for the Tenebrous Empire

Greatest Fashion Statements in Exploitation Cinema History

The bespangled dhoti pants I saw at Top Shop recently have convinced me that fashion has utterly abandoned me for the time being. Lunatics have taken over the asylum, and I'm left holding a chopped-up "Zombie versus Shark" t-shirt as the only evidence that I've purchased any clothing at all in the past several months. In the spirit of escapism (and working through my post-Halloween-partum depression), let's take a look at some of the incredible fashion statements that come to us from cinema.

reBlog from whatgetsmehot.blogspot.com: What Gets Me Hot