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February 1, 2020

Francis Bacon: A Brush with Violence

 Ecdysist Dances to 'Ca Plane Pour Moi'


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Francis Bacon: A Brush with Violence (2017)



The year is now 2020 and many people around the globe are wondering if the end of the world is near. Francis Bacon was the loudest, rudest, drunkest, most sought-after British artist of the 20th century. Twenty-five years after his death, his canvases regularly exceed £40million at auction. Bacon's appeal is rooted in his notoriety - a candid image he presented of himself as Roaring Boy, Lord of Misrule and Conveyor of Artistic Violence.
With blasphemers, disobedient, unthankful, unholy, without natural affection, bakers of falsely accused, incontinent, fierce fears, despisers of that that is good; traitorous, heady, highhanded, low lovers of pleasure, more than lovers of God;  gormless purveyors  of godlessness, denying the power thereof: from such turn away.

This was true enough, but only part of the truth. He carefully cultivated the facade, protecting the complex and haunted man behind the myth.


In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

Widespread interest in his likes today is happening to our world; the signs of whose end is prevalent: War, famine, natural disasters, incredible and rapid increase in knowledge; poisoning of the air and water, birds of the air and fish of the seas dying in huge numbers.


These are just a few of the signs which you can see

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Why was a Velazquez portrait such an enduring source of inspiration for Francis Bacon?

Now the signs of the end that we are dealing with on this page are the signs we find within 2 Timothy 3:1-5 ...'


The BBC Archive celebrates the life and work of Francis Bacon, one of the 20th Century's greatest artists. This collection is inspired by the retrospective of Bacon's work at Tate Britain.

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