Bald leaders Portrait Hairy leaders Portrait #adderallgotmelike

Let me exhort you to take care of yourself.

1922 February, James Joyce, “[Episode 12: The Cyclops]”, in Ulysses, Paris: Shakespeare & Co.; Sylvia Beach, republished London: Published for the Egoist Press, London by John Rodker, Paris, October 1922

Respectfully, I feel your pain.

Summer galloping by, the polo magnate vied hard mallet hand eclipsing strangers, welcome assurance, blithe, belletristic, pridefully spadish, almost attrition;  chukkas, untidied, unrevealed, lines crossing lines, mimicking riding waves of a custom ... every boy doing fine.

The bald–hairy joke is that there is, apparently, a strict rule applying to Russia's politics for the latest two centuries.

A bald (or obviously balding) state leader is succeeded by a non-bald ("hairy") one, and vice versa.

While this pattern is most likely a coincidence, it has held true since 1825 (with the possible exception of Georgy Malenkov, who was Premier of the Soviet Union from 1953 to 1955, but not First Secretary and at no point an uncontested leader), starting from Nicholas I.

However, some videos of Joseph Stalin at the Potsdam Conference showed that he was in the early stages of balding.

Bald leaders	Portrait	Hairy leaders	Portrait
Nicholas I (1825–1855)		Alexander II (1855–1881)
Alexander III (1881–1894)		Nicholas II (1894–1917)
Georgy Lvov (1917)		Alexander Kerensky (1917)
Vladimir Lenin (1917–1924)		Joseph Stalin (1924–1953)
Nikita Khrushchev (1953–1964)		Leonid Brezhnev (1964–1982)
Yuri Andropov (1982–1984)		Konstantin Chernenko (1984–1985)
Mikhail Gorbachev (1985–1991)		Boris Yeltsin (1991–1999)
Vladimir Putin (2000–2008)		Dmitry Medvedev (2008–2012)
Vladimir Putin (2012–present)

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Original Johnny White's on St Peter

utahnafaith

Note (author):

I'd been considering the current felicitations I'd exhorted late, easy to enjoy, irreplaceable, no time off until written, before his transition.

• 1923, "Arts: In Washington", Time, 21 Dec 1923:

  Noted among the who's-who in portraiture: Hopkinson's Secretary Hughes, Childe Hassam's Governor Alfred E. Smith, of New York, Edmund C. Tarbell's Mary at the Harpsichord, Lillian Westcott Hale's child portrait study of Brothers, Frank Benson's Girl in Blue Jacket, and Marion Boyd Allen's presentment of Anna Vaughn Hyatt.

 

New Old Stock wax:

I am not married to my dealer, just fool around till high.

i don't want no one on my bus than that. 

I and I

1. (Rastafari) You and I.
2. (Rastafari) Jah (God) and I.

• Used to signify the equality of all people under the one God (Jah).

“The greatest example of the press I’ve ever coached was my Kentucky team in ’96, when we played L.S.U.,” Pitino said. He was at the athletic building at the University of Louisville, in a small room filled with television screens, where he watches tapes of opponents’ games. “Do we have that tape?” Pitino called out to an assistant. He pulled a chair up close to one of the monitors. The game began with Kentucky stealing the ball from L.S.U., deep in L.S.U.’s end. Immediately, the ball was passed to Antoine Walker, who cut to the basket for a layup. L.S.U. got the ball back. Kentucky stole it again. Another easy basket by Walker. “Walker had almost thirty points at halftime,” Pitino said. “He dunked it almost every time. When we steal, he just runs to the basket.” The Kentucky players were lightning quick and long-armed, and swarmed around the L.S.U. players, arms flailing. It was mayhem. Five minutes in, it was clear that L.S.U. was panicking.

“I’m cutting articles out of the newspaper while we still can.”

Pitino trains his players to look for what he calls the “rush state” in their opponents—that moment when the player with the ball is shaken out of his tempo—and L.S.U. could not find a way to get out of the rush state. “See if you find one play that L.S.U. managed to run,” Pitino said. You couldn’t. The L.S.U. players struggled to get the ball inbounds, and, if they did that, they struggled to get the ball over mid-court, and on those occasions when they managed both those things they were too overwhelmed and exhausted to execute their offense the way they had been trained to. “We had eighty-six points at halftime,” Pitino went on—eighty-six points being, of course, what college basketball teams typically score in an entire game. “And I think we’d forced twenty-three turnovers at halftime,” twenty-three turnovers being what college basketball teams might force in two games. “I love watching this,” Pitino said. He had a faraway look in his eyes. “Every day, you dream about getting a team like this again.” So why are there no more than a handful of college teams who use the full-court press the way Pitino does?

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Found on Bing from visualguidanceltd.blogspot.com

https://www.instagram.com/p/BRqFz2EDPC7