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August 1, 2009

OUT: Michael Jackson Swine For Captain Crunch Justice Vault Ashes & SHOWBIZ Bizarre - Amy WINEHOUSE addicted to heroin after first Carousel - Memorial macabre circus lollipop...

'Lovechild' Blanket.

Michael Jackson Sand Wacko.

Michael Jackson to Billie Jean map.

Jacko Sand sedative conversational.

Jacko turned into diamonds by American gemstone firm.

Jacko doc home DRUG cops search DOC Conrad Murray.

Jacko was like old man PARAMEDIC, who rushed to Jacksonville deathbed.

I thought body was old man Fast worker.

Jackson fat conk.

Michael Jackson alias Wacko.

MICHAEL Jackson's child Blanket has asked her dad on holiday.

Jacko strolls with Prince before death dad Jacko die-o, Debbie Rowe picture  shrine-o Jacko.

Jackson in Seventies, Wacko.

Jacko doc home minutes ago

Hobbit Holly on sofa for Big  brand boobs exposed boob Chinese takeaway!

I love love boy in blue bar boxer mum baby.

Memorial macabre circus lollipop baby chat-more.

Michael should be in Neverland to fight.

Jacko kids kid want Lawyer.

Omer circled Jacko.

Klein addict.

Jacko wall.

Jackson doctor led La Star.

Maternal instinct comforts Paris Jacko up.

Michael Jackson hits Cop Jock, Jocko doc Hobbit castoff sofa time.

Jacko 'lovechild' dancing like star and looking like third Blanket Denial.

Jacko jerky AIDE stop paying life insurance premium, Take cash Laugh.


Paris Jackson tried to tell bro about dad DAUGHTER.  heartbreaking task of explaining Blanket dad gone.

Dr Conrad Murray Cops-o.


Jacko lovechild memorial DANCER.

Tito Marlon Jackie Jermaine jackpot.

Jackson UCLA Hospital star fascinated surgery Surgeon doctors.

Michael Jackson Set alight catches Jacko.

Joe Jackson Dad beats singer bunch bulls***’ .

Michael Jackson Hits killed doctor .

Michael Jackson Die carjacking, Dr die Drugs.

King of Pop drugstore cocktail trace cocktail killers.

Michael Jackson saw self turn surgery kid in neighborhood brand big nosecone day doomed Wacko.

Jacko home life shown NEVER world starvation.

Jacko portrait coat of arms, sketchy memorization doodles seem show how.

Wacko fans ARTIST unveil series sand sculpture tribute to King Pop Catfish.

Oman's ear end op.

Serial bigamist avoid sentence, gets new lift op.

Pan op succeeds Proud Boy Features.

Oman Fashion Rival Celeb fashion boobs expose baby cute Blue paradise flourish definitely.

Xerox hero transport hat star mean  at maid in Giant Cupcake Pic, try giant cupcake serves cum and has  cupcake shop seller Cowell compare natch Meerkat TV blooper Ace back Becks.

LORD Cup. inner George Cohen gives Becks advice on how to deal. ith unruly fans * Look fit for a prince * Female boxer fights fit * Co stars. ho have affairs Lauren Breast new model LAUREN Golfer from Catfish is.

Bra stop's competition Star in a Bra.

Brick Loco over Coco Chanel.

Britain star bod Fatal attraction. hat drives crush on killer drug haul in pants.

Hard-on ‘making progress’.

CANCER STRICKEN Celtic hero line has second brain op docs reveal.

Murder victim ‘alive - hen dumped’ Storm brews beer.

Live grenade in Jackson garden.

Le KO Dynamo.

Motorway Champ Leg chance red menace after Celt exit anger.


stars hail Cesar as frontal  top form gay policeman.

Gay itch baby and surrogate farthing Registrar.

Gay dad get gay couple to have gay baby thanks to surrogate mum talking Mouse.

Fallen love sexy scruff toffs best sellers enjoy selves in Newcastle early after new licensing laws force midnight arrival of hour drinking whimper ear bang.


pubs close, carnage erupt, combined kith bin-drinking ASBESTOS.

sober teen Mousers search Wacko.

Jacko thumb Jordan Peter Andre dumped me by phone Celeb exposed Amy Leigh Barne life for model murder. RICARDO Morrison gets life with minimum of years for murder of Amy Leigh Barnes * Fallen soldier laid drug supply lottery *

'Swine helpline opened too late' Jose JOSE switches Bombastic teen sex TEACHER FOR Liverpool school sex pupil.

Whorehouse 'too out of romp' mobbed Nepal under umbrella.

POP beauty keepsake upstream Britney off Radar split porn past.

Bizarre Sex with awkward lobber fury lover.

DAWN lungs afraid OF pregnant flies'.

Madonna Erotic Madge tape sale, LOVE letter kinky auction.

Pussycat cop DiCaprio Hard day's nightshirt.

Shock fat Madge Vogue Footballs.

Ashes Bent Jackson Chinese takeaway.

Big base brands sleaze boobs exposed.

Gaza boob Bent Jackson's Chinese takeaway!

I love Tuesday LITE SITE.

ALERT Bingo Holidays in Europe.

Local Classified Club Rents Free Fit Squad.

Big Bros Latest Early boob job aim.

GLAMOUR model assets outhouse.

Si Ni Via Ni NI's Noir-IRISH siren pa-off fig's sleaze ie., be naive, Si.

Amy addicted to heroin after first carousel.

Jacko Uncanny Omer perform stage striking resemblance to Blanket.

Michael Jackson fell prey to ‘jackal doctors’ full of drugs--Dr Conrad Murray.

Jackson doc made star son watch vain attempt to revive star family.

Gaunt Bent ape GOODY Bat Sleep Alone with Bat survival .

MUM FRIEND Wacko sickie baby weight loss babe.

Exclusive nude Playboy sleep anorexia.

Classy card Hulk Hogan Huckster man megacycle mercenaries Exposed.

Exposed gossip Game Staphylococci Casebook Page.

Horoscope Thriller Comp Jackson secret kid had FRONT ROW seat service Grieving.

Michael doc Con rad Murray murder likely like death.

Dr Con hurray looking fence.

Wacko ‘kill’ clue, POLICE confirm evidence.

Goon take pulled plug on Heart to heart.

Madrid move Can Crouch cowpuncher.

Doggy Lucky PUP 'dog splints'.

'Dad hurled tot to cliff death'

Royal babe Jackson £ovestruck last.

Jock sand culture thrill Wacko.

No-doc painkiller  CORNER looking in Jacko death swoops MANOR clinic linked to doc Klein.

Just Michael Jackson afterglow Dr Hoefflin Two nose op.

Kids mocked Wacko.

Jackson morn money from Jacksonville estate.

Moon landing first walk First time Wacko.

Dr Conrad Murray home amid Jacko.

Michael Jackson showing off legendary dance for first time Aliases.

Michael Jackson Swine For Captain Crunch Justice Vault Ashes & SHOWBIZ Bizarre.

USA Planet Les BIG Talent more less.

LIVE WOMAN Sex Love Squad hunks hop Bingo Dr Sex Crunch Squad.

New Gizzard Puzzles Superglue's Babe Idol Not Girl.

TV Sex raspy Teen worries penpals Problem MYSTIC Destiny Love Biker.

WORLD BINGO POKER CASHBACK Law Suspect Sought in Beat Clock Kill Ban.

Woman Spent Week Stuck Bets Police Laser Pepper pray.

Police Search Jackson's Body's Dealer Cocaine Ring.

Fro Piracy Far And Two Taxi Murder 'Help Stand Time with Kindly Pregnant husband.

MD under fire for Butterscotch*Brillo needlewoman.

On stage Jackson clung to dead Jackson's hand and asked Tito's doctor a suspect in starvation's shock death claims.

Michael Jackson wrote lyrics to No-hit Billie Jean.

Doc eyes it Wacko.

Danni Cheryl, Cheryl Danni, in Bootblack shape, Cotton Super fit backtrack Jailhouse rock.

Inmate Dangerous mates lost holiday in California.

Jackson's corpse ‘like DRUGGED pin cushion, needle knees between TOES'.

Dr Con Murray Skip Goody Captain Crunch Ms Moneypennie.

Green Vault Biz Weird Expat Stalk.

Reboil bro's Randy.

Last of Jacko.

Neverland Bewildered Blanket Blanket torment over Jackson.

Jacko albums Thriller and Bad Albums clearing Jackson debt SALES mean $ million debts should be paid off in a few Needy plea for Wacko's cash .

Michael Jackson cuddles Jocko.

Michael Jackson Wacko.

Wacko looked so frail Dying Wacko.

Dr Conrad Murray Jackson doctor clinic is raided DRUG detectives have raided Houston clinic of Dr Conrad Murray.

Michael Jackson was ‘left to die’ when a doctor fell asleep after giving him sedative 'Lovechild' at family mask.

INCREDIBLE Jacko did Moonwalk.

My goodbye to dead Jackson hand, asked ‘Why housebroken’.

Michael Jackson killed Prep Pals Supra Man.

Le Doctor 'killed' Not Worthwhile Music.

Bumbling Bikini Bandit Weed Weep 'nip & corner bottom left conker bottom rightful.

Jacko drugstore bizarre alias used to get drug Pop.

Jacko fans ARTIST unveils series of amazing sand sculptures tribute to King Bumper Pop Wacko.

Michael Jackson cop concert latest dumped phone love Celeb exposed, exposed sordid drug hell carousel.

Breast practice on the riviera |BBC NEWS | Europe

Breast practice on the riviera

St Tropez

There was a time when French beaches were full of topless women - but no longer. As cities empty, and France makes its annual migration to the coast, Paris-based journalist Regan Kramer - a member of the feminist Les Chiennes de Garde group - asks why the breast is now back in the bikini.

In the early 70s, American and British women would struggle to stay well hidden behind their towels as they changed into or out off their bathing suits.

Even undoing their suit tops as they lay on their stomachs poolside could attract a reprimand.

So it's no wonder that the French Riviera, with its brazenly topless women, was something to fantasize about back then - both for the women who dreamt of finally feeling the sun on their hitherto hidden breasts and for all those who were happy just to look.

It all started in Saint Tropez in 1964.

Although initially banned, going topless caught on quickly and spread throughout France in under a decade.

'Being able' to go topless gradually evolved into feeling obliged to do so

It was hailed as feminist progress. Women could go topless, "just like men" - even though that was never really so, as it was always more complicated for women, who had to decide first if they would do it at all, and then only "horizontally" (i.e. while sunbathing) or "vertically" (swimming and walking on the beach) too.

Still, going topless suited the era, coming, as it did, just a year before another feminist breakthrough, the legalisation of the Pill. Like contraception, toplessness (at both the beach and municipal pools) was seen as a way for women to assert and control their own sexuality.

So what happened? Why is it that you hardly see women going topless in France any more? Or if you do, they're more likely to be in their 50+year-old veterans of feminist battles who are damned if they're going to give up any of the rights they fought for.

'Porno-chic'

Actually, a lot happened: Aids, for one, which put its damper on the sexual revolution in general.

Of course, since this is France, somebody had to write a serious book about it, and a small group of radical feminists had to stage a protest

Advertising, for another, as more and more women came to feel harassed by the "porno-chic" trend that put nearly-naked women on billboards everywhere.

"Being able" to go topless gradually evolved into feeling obliged to do so, and eventually, the prevailing feminist perspective changed from revelling in a new-found freedom to refusing to give in to the endless pressure to flaunt a "perfect" body.

Even ozone depletion has played a role, as many women now say they're worried about exposing their pale breasts to the sun's potentially cancer-inducing rays…

Of course, since this is France, somebody had to write a serious book about it, and a small group of radical feminists had to stage a protest.

Historian Christophe Granger recently wrote a book called "Les Corps d'été" (Summer Bodies) which describes the evolution of the "love triangle" between the French, the sun and nudity evolved over the course of the 20th Century. This summer's perfect beach book, n'est-ce pas?

Snowball effect

In the meantime, far from the Riviera, Les Tumultueuses (Tumultuous Women), a group of radical feminists, has staged several topless actions at Parisian public pools.

It seems simply to be fading away like a suntan in autumn

At their latest outing, Natacha, one of the group members, explained: "The point of our action is to denounce the ways in which men and women are treated differently. Women's bodies are systematically sexualized in a way that men's bodies aren't."

When managers threatened to call the police (who had indeed been called in to the group's two previous actions), Natacha pointed out that, "Nobody gets upset about the topless women you see every day on newsstands, even though those images are degrading. But when it's real women, it's a problem, and the police are called in."

The women handed out tracts with their slogan "My body, when I want, if I want, as it is," a play on the 60s pro-choice slogan, "A baby, if I want, when I want".

Yet Paris mayor Bertrand Delanoe has slapped a ban on topless sunbathing at Paris-Plage, the artificial beach installed along the Seine every summer - leading many feminists to comment that France seems to be slipping in terms of women's right to reveal what they please. (The Islamic veil, on the other hand, is permitted.)

Interestingly, no other French beach has actually banned toplessness.

It seems simply to be fading away like a suntan in autumn, a process that is hastened by a sort of snowball effect, as it takes a critical mass of topless sun-bathers for most women to feel comfortable trying it.

As one 18-year-old Parisian put it, when asked if she went topless at the beach: "Are you kidding? You don't walk around like that in front of people!"

But when asked if she would do it if everybody else was, the reply was tempered to a more wistful: "Why not? It could be fun."

BBC NEWS | Europe | Breast practice on the riviera

Wardell Quezergue - Honoring a New Orleans and R&B Arranger at Alice Tully Hall - NYTimes.com

Honoring an R&B Arranger Who Helped Singers Shine


Published: July 20, 2009

Arrangers don’t get noticed much. Like cinematographers, they usually fill in the structures and concepts of others: songwriters and producers, who call on arrangers to deploy horns, strings or other sounds that might unobtrusively improve a song. But people who read album credits recognize that Wardell Quezergue, a working musician since 1953, is the rare exception: an arranger whose long career reveals him as a consistent catalyst of New Orleans R&B, and not just because he shares the songwriting credit on a ubiquitous New Orleans song, “It Ain’t My Fault.”

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Stephanie Berger

From left, the singers Athelgra Gabriel, Rosa Hawkins, Barbara Hawkins and Tammy Lynn performing at Alice Tully Hall.

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At Alice Tully Hall on Sunday night, the Lincoln Center Festival allied itself with the Ponderosa Stomp Foundation — the New Orleans record collectors-turned-promoters who find the musicians behind the obscure singles — to present a tribute to Mr. Quezergue. His wryly understated arrangements for horn sections in particular, drawing on local parade traditions and big-band jazz, often prod, tease or talk back to a singer and a song, with a chortling layer of syncopation that has helped define New Orleans rock.

Mr. Quezergue (pronounced keh-ZAIRG), now blind, lost his musical archives in the flood following Hurricane Katrina, but he arranged the music for the concert and conducted the band; he also recently released an album, “Music for Children Ages 3 to 103.” During changes, the band played reprises of “It Ain’t My Fault,” with a staccato horn melody bouncing off Hurley Blanchard’s stop-start drumming.

Mr. Quezergue is so well respected in his hometown, where he has been called “the Creole Beethoven,” that the concert assembled major New Orleans figures, including Mac Rebennack (Dr. John), the Dixie Cups, Robert Parker and Jean Knight, who have all been abetted by Mr. Quezergue’s arrangements. Onstage, as on the records, the arrangements were self-effacing showcases that flattered their quirky singers. Ms. Knight thanked him for “looking for this lady with this strange, different voice” to sing what became her major hit, “Mr. Big Stuff.”

Dorothy Moore, from Mississippi, performed with a voice as deep and sultry as it was when she had a hit with Mr. Quezergue’s arrangement of “Misty Blue” in 1976. In its archival way, the Ponderosa Stomp booked Mr. Rebennack to perform songs he wrote in the late 1950s: sly, funny, nearly forgotten New Orleans rockers like “Carry On” and “Lights Out.”

The lineup also included lesser-known New Orleans singers: Tony Owens, a raspy soul shouter who sang bluesy Earl King hits along with his own 1970 R&B hit, “Confessin’ a Feeling,” and Tammy Lynn, whose voice is rawer than it was in the 1960s but who turned her 1971 hit “Mojo Hannah” into a voodoo incantation, with Mr. Rebennack on piano and Zigaboo Modeliste, from the Meters, on drums.

The decorous Alice Tully Hall was not the ideal place for a Ponderosa Stomp. At home in New Orleans, it’s a dance party, not a seated concert. So the music took a little time to thaw the room.

When Mr. Parker sang his 1966 hit “Barefootin’,” which was produced by Mr. Quezergue, there was a touch of uncomfortable honesty when he sang: “Everybody get on your feet/You make me nervous when you’re in your seat.” But the Dixie Cups, the New Orleans girl group, had distributed napkins before the concert, to be waved over the New Orleans second-line parade beat, and they got the audience up and dancing for “Iko Iko,” which they turned into a medley of Mardi Gras songs and “When the Saints Go Marching In.”

After their segment, Rosa Hawkins of the Dixie Cups turned to Mr. Quezergue and said, “Thanks for the hits.”

Music Review - Wardell Quezergue - Honoring a New Orleans and R&B Arranger at Alice Tully Hall - NYTimes.com

AS THE GAY PEOPLE SAY: 'THIS A HOT MESS' via: DICK'S DIANA ROSS WEBSITE

dirty diana

DICK'S DIANA ROSS WEBSITE - LETTERS TO DIANA

DIANA I HAVE BEEN A FAN OF YOURS AND THE SUPREMES SINCE 1962. IM 56 YEARS OLD FROM CHICAGO. WILL BE A DIANA ROSS AND THE SUPREMES FAN TIL I DIE. HOWEVER A TRUE REUNION WE ALL ARE AWAITING FROM YOU, MARY AND CINDY. LETS GIVE IT ONE MORE GOOD TRY OK? FANS ARE AWAITING BEFORE WE ALL GET TOO OLD. SMILE. ALSO MISS ROSS IS A NEW ALBUM COMING OUT SOON? GET ASHFORD AND SIMPSON OR MICHAEL NARADA WALDEN OR NILES RODGERS THIS TIME TO DO IT. ONLY THEY KNOW YOUR MUSIC WHICH WE ALL ENJOY. ITS TIME FOR A HIT ALBUM LIKE THE BOSS MISS ROSS. WE ARE WAITING. THE SHOW NEEDS TO BE REVAMPED ALSO WITH OTHER SONGS AND HITS U HAVE MADE, SUCH AS NO ONE GETS THE PRIZE, THE BOSS, LOVE HANGOVER,

ITS MY TURN, ONCE IN THE MORNING, TUNES FROM THE BABY ITS ME ALBUM. OTHER SUPREMES HITS SUCH AS YOU KEEP ME HANGIN ON, COME SEE ABOUT ME, STOP IN THE NAME OF LOVE, BACK IN MY ARMS AGAIN, NOTHING BUT HEARACHES, I HEAR A SYMPHONY. LADY SINGS THE BLUES STUFF NEEDS TO BE DELETED FROM THE SHOW. OR MAYBE 1 SONG FROM LADY SINGS THE BLUES AND THAT SONG IS GIVE ME A PIGFOOT. THATS WHAT THE FANS WANT. JUST PASSIN IT ALONG FROM WHAT I HAVE HEARD FROM OTHER FANS. DIANA U CAN DO IT. REVAMP YOUR SHOW AND SANG BOSS MISS ROSS SANG
SUPREMELY YOURS, GUS FROM CHICAGO,ILLINOIS

Hello,
I would like to - if I may - introduce myself....My name is Simon, I'm a 49 year old Englishman living with my partner of 34 years Howard, in Sky Valley California.
Last Christmas we had the joy of having my mother visit us from the UK, now for 87 she is in great shape however she does have dementia, so her short term memory is shot, however her long turn memory is unbelievable.
She reminded me of my 4th birthday, when she asked me what I wanted I began to sing "Baby Love." The next fond memory she told was around 1966 I was watching "The Sounds Of Motown"/Ready, Steady, Go! special, sitting in front of the huge B/W TV under your spell. As the closing credits came up, I found myself (like all little boys) excited!!!! I called out to my mother, she came in I said "Look!", she looked down and smacked me over the head with a wash cloth.
Two years pass and for my birthday once again, my parents take me to see Diana Ross and the Supremes at the Talk Of The Town, throughout the entire performance my Dad keeps telling me to stand up. "I can't!" was all I could say.
The next time I saw you live was in '72 at the Royal Albert Hall. By then I was 12 and able to control my excitement a little better.
As I said I'm now 49, and yes I still get excited (in a different way) every time I get to see you.
You've been with me my whole life, you are the soundtrack to my life and I thank you and I hope this little story from my youth brings a smile to your heart.
I wish you happiness in all you do.
Simon

I am Joshua Russell. I live in Springfield, Ohio USA. All I got to say is I love you Miss Ross, your voice and the way you sing. Keep it up. Your music has helped me through hard times, stress and down times. Everytime I hear your music it helps me. I love you Miss Ross. I cannot wait to see you again in concert. Keep it up girl. You are the Diva.

Dear Miss Ross,
It is hard to fathom that one person can provide such emotion just by being. You are that person for me. I have had some tough losses in my life and through it all, I turned to your music and lyrics. They have helped me through some very dark times and made me a much better person as a result. To this day, and I am 46 now, I turn to you when I am sad, when I am happy, and when I want or need to be reminded just how wonderful life really is.
Thank you Miss Ross for sharing your heart, your soul and your total beauty as a human being with all of us. May God bless you and always keep you in his hand.
Mark Moore
Houston, TX

Dear Diana:
Just a brief note to tell you how much and how long I have cherished you. There is absolutely no one who knows me who doesn't know that as fact. What a lovely thing to have had you on my life's adventure. Your presence, your style, your music has had me transfixed throughout. It has gotten me through so many rough patches, appearances and records something to look forward to and is so interwoven into my life's fabric. It has always been such a positive, loving and exciting love affair with someone so worthy of such. Seeing you live so feels like seeing the dearest of friends, friends since the days of the Latin Casino in New Jersey. It was love at first sight for the ten year old I was. My adoration of you has never dimmed or wavered. You have graced the world, certainly mine, and I am so grateful that yours is the music that has always made my heart dance. While I was at your Houston lecture, I am unable to make "Diana in Dallas." It saddens me that I am not able to be there with the Diana Ross fans but I will be anxiously awaiting the next opportunity to see you. Thank you for every joy that all of us who love you feel. My world would be considerably emptier without you.
Love,
Michael Castaldo
Philadelphia, PA

DIANA you know I still love you. The message in your music has made me the person that I am today, strong, confident and positive even in the most difficult of times. Your music is my mantra.
I've watched you grow as you've watched all us fans grow.
When you made fun of me during a concert; when you held my hand and sang to me; and when you watched as I sat in the front row with many members of my family as you performed on our stage here in Michigan. Many dreams come true. My love and adoration for you came full-circle that night.
And even though I am no longer as "enthusiastic" as I once was, you are still in my heart as you have been the past thirty years.
Take care and keep spreadin' love...
-Rob J. Peters

What Gets Me Hot! 'tracy [sic] lords what gets me hot' | CONSISTENTLY MY BEST LATENITE SEARCH LINK: THANKS, VideoSurf Video Search

"JELL-O Head" by Andrew Salomone

a portrait of Bill Cosby made out of JELL-O shots.

Exhibited at Buoy Gallery on July 12, 2009 (Bill Cosby's Birthday)

NASA - Cheerios - V-8 TV Space Offer 1960 (fucking nicredible)







Cheerios with V-8

Obama Beer Summit - White House Responds to Media

Phil spector tribute - FUCKING INCREBIDLE

"The King Of POP Is Dead" FUCKING INCREDIBLE

written and performed by Harry Watnik July 31, 2009

Animals in Space (uploading a video to YT now with a couple of chimps going up in a rocket)

A Brief History of Animals in Space

Before humans actually went into space, one of the prevailing theories of the perils of space flight was that humans might not be able to survive long periods of weightlessness. For several years, there had been a serious debate among scientists about the effects of prolonged weightlessness. American and Russian scientists utilized animals - mainly monkeys, chimps and dogs - in order to test each country's ability to launch a living organism into space and bring it back alive and unharmed.

On June 11, 1948, a V-2 Blossom launched into space from White Sands, New Mexico carrying Albert I, a rhesus monkey. Lack of fanfare and documentation made Albert an unsung hero of animal astronauts. On June 14, 1948, a second V-2 flight carrying a live Air Force Aeromedical Laboratory monkey, Albert II, attained an altitude of 83 miles. The monkey died on impact. On August 31, 1948, another V-2 was launched and carried an unanaesthetized mouse that was photographed in flight and survived impact. On December 12, 1949, the last V-2 monkey flight was launched at White Sands. Albert IV, a rhesus monkey attached to monitoring instruments, was the payload. It was a successful flight, with no ill effects on the monkey until impact, when it died. In May 1950, the last of the five Aeromedical Laboratory V-2 launches (known as the Albert Series) carried a mouse that was photographed in flight and survived impact.

On September 20, 1951, a monkey named Yorick and 11 mice were recovered after an Aerobee missile flight of 236,000 feet at Holloman Air Force Base, New Mexico. Yorick got a fair amount of press as the first monkey to live through a space flight.

On May 22, 1952, two Philippine monkeys, Patricia and Mike, were enclosed in an Aerobee nose section at Holloman Air Force Base. Patricia was placed in a seated position and Mike in a prone position to determine differences in the effects of rapid acceleration. Fired 36 miles up at a speed of 2000 mph, these two monkeys were the first primates to reach such a high altitude. Also on this flight were two white mice, Mildred and Albert. They were inside a slowly rotating drum where they could "float" during the period of weightlessness. The section containing the animals was recovered safely from the upper atmosphere by parachute. Patricia died of natural causes about two years later and Mike died in 1967, both at the National Zoological Park in Washington, DC.

The Soviets kept close tabs on what the U.S. was doing with their V-2 and Aerobee missile projects during the early 1950's. Basing their experiments on American biomedical research, Soviet rocket pioneer Sergei Korolev, his biomedical expert Vladimir Yazdovsky, and a small team used mice, rats and rabbits as one-way passengers for their initial tests. They needed to gather data to design a cabin to carry a human being into space. Eventually they chose small dogs for this phase of testing. Dogs were chosen over monkeys because it was felt that they would be less fidgety in flight. A test with two dogs would allow for more accurate results. They chose females because of the relative ease of controlling waste.

Between 1951 and 1952, the Soviet R-1 series rockets carried nine dogs altogether, with three dogs flying twice. Each flight carried a pair of dogs in hermetically sealed containers that were recovered by parachute. Of these early space-bound hounds, a few have been remembered by name.

On August 15, 1951, Dezik and Tsygan ("Gypsy") were launched. These two were the first canine suborbital astronauts. They were successfully retrieved. In early September 1951, Dezik and Lisa were launched. This second early Russian dog flight was unsuccessful. The dogs died but a data recorder survived. Korolev was devastated by the loss of these dogs. Shortly afterwards, Smelaya ("Bold") and Malyshka ("Little One") were launched. Smelaya ran off the day before the launch. The crew was worried that wolves that lived nearby would eat her. She returned a day later and the test flight resumed successfully. The fourth test launch was a failure, with two dog fatalities. However, in the same month, the fifth test launch of two dogs was successful. On September 15, 1951, the sixth of the two-dog launches occurred. One of the two dogs, Bobik, escaped and a replacement was found near the local canteen. She was a mutt, given the name ZIB, the Russian acronym for "Substitute for Missing Dog Bobik." The two dogs reached 100 kilometers and returned successfully. Other dogs associated with this series of flights included Albina ("Whitey"), Dymka ("Smoky"), Modnista ("Fashionable"), and Kozyavka ("Gnat").

On November 3rd, 1957, Sputnik 2 blasted into Earth orbit with a dog named Laika aboard. Laika, which is Russian for "Husky" or "Barker," had the real name of Kudryavka ("Little Curly"). In the U.S. she was eventually dubbed "Muttnik." Laika was a small, stray mongrel picked up from the street. She was hastily trained and put aboard in a metal carrier under the second Sputnik sphere. There was no time to work out any reentry strategy and Laika expired after a few hours. Sputnik 2 finally burned up in the outer atmosphere in April 1958.

Back in the U.S., on April 23, 1958 a mouse was launched in a Thor-Able "Reentry 1" test as the first launch in the Mouse in Able (MIA) project. It was lost when the rocket was destroyed after launch from Cape Canaveral. The second launch in the series was MIA-2, or Laska, in a Thor-Able "Reentry 2" test on July 9, 1958. Laska endured 60G acceleration and 45 minutes of weightlessness before perishing. Wilkie, the third mouse in the MIA series, was lost at sea after the flight from Cape Canaveral on July 23, 1958. Fourteen mice were lost when the Jupiter rocket they were aboard was destroyed after launch from Cape Canaveral on September 16, 1959.

Gordo, a squirrel monkey, was catapulted 600 miles high in a Jupiter rocket, also on December 13, 1958, one year after the Soviets launched Laika. Gordo's capsule was never found in the Atlantic Ocean. He died on splashdown when a flotation mechanism failed, but Navy doctors said signals on his respiration and heartbeat proved humans could withstand a similar trip.

Able, an American-born rhesus monkey, and Baker, a South American squirrel monkey, followed on May 28, 1959, aboard an Army Jupiter missile. Launched in the nose cone, the two animals were carried to a 300-mile altitude, and both were recovered unharmed. However, Able died June 1 on the operating table from effects of anesthesia, as doctors were about to remove an electrode from under her skin. Baker died of kidney failure in 1984 at age 27.

Four black mice were launched on June 3, 1959, on Discoverer 3, part of the Corona program of U.S. spy satellites, which was launched from Vandenberg Air Force Base on a Thor Agena A rocket. This was the only Discoverer flight with an animal payload. The mice died when the Agena upper stage fired downward, driving the vehicle into the Pacific Ocean. The first try at launch was scrubbed after the telemetry indicated no sign of activity in the capsule and the first crew of four black mice was found dead. The mouse cages had been sprayed with krylon to cover rough edges, and the mice had found the krylon tastier than their formula and overdosed on it. The second try at launch with a backup mouse crew was halted when the humidity sensor in the capsule indicated 100-percent humidity. The capsule was opened up and it was discovered that the sensor was located underneath one of the mouse cages; it was unable to distinguish the difference between water and mouse urine. After the sensor was dried out, the launch proceeded.

Sam, a rhesus monkey, was one of the most well known monkeys of the space program. His name was an acronym for the U.S. Air Force S chool of A viation M edicine at Brooks Air Force Base, Texas. He was launched on December 4, 1959, housed in a cylindrical capsule within the Mercury spacecraft atop a Little Joe rocket in order to test the launch escape system (LES). Approximately one minute into the flight, traveling at a speed of 3685 mph, the Mercury capsule aborted from the Little Joe launch vehicle. After attaining an altitude of 51 miles, the spacecraft landed safely in the Atlantic Ocean. Sam was recovered, several hours later, with no ill effects from his journey. He was later returned to the colony in which he trained, where he died in November 1982 and his remains were cremated.

Miss Sam, another rhesus monkey and Sam's mate, was launched on January 21, 1960, for another test of the LES. The Mercury capsule attained a velocity of 1800 mph and an altitude of 9 miles. After landing in the Atlantic Ocean 10.8 miles downrange from the launch site, Miss Sam was also retrieved in overall good condition. She was also returned to her training colony until her death on an unknown date.

In the Soviet Union, meanwhile, testing was also taking place on more dogs. On July 28, 1960, Bars ("Panther" or "Lynx") and Lisichka ("Little Fox") were launched on a Korabl Sputnik, a prototype of the Vostok manned spacecraft. The booster exploded on launch, killing the two dogs. On August 19, 1960, Belka ("Squirrel") and Strelka ("Little Arrow") were launched on Sputnik 5 or Korabl Sputnik 2, along with a gray rabbit, 40 mice, 2 rats, and 15 flasks of fruit flies and plants. Strelka later gave birth to a litter of six puppies one of which was given to JFK as a gift for his children. Pchelka ("Little Bee") and Muska ("Little Fly") were launched onboard Sputnik 6 or Korabl Sputnik 3 on December 1, 1960 along with mice, insects, and plants. The capsule and animals burned up on re-entry. On December 22, 1960, soviet scientists attempted to launch Damka ("Little Lady") and Krasavka ("Beauty") on a Korabl Sputnik. However, the upper rocket stage failed and the launch was aborted. The dogs were safely recovered after their unplanned suborbital flight. On March 9, 1961, another Russian dog, Chernushka ("Blackie") was launched on Sputnik 9 or Korabl Sputnik 4. Chernushka was accompanied into space with a dummy cosmonaut, some mice, and a guinea pig. Zvezdochka ("Little Star") was launched onboard Sputnik 10 or Korabl Sputnik 5 on March 25, 1961.The dog went up with simulated cosmonaut "Ivan Ivanovich" and successfully tested the spacecraft's structure and systems.

On January 31, 1961, Ham, whose name was an acronym for H olloman A ero M ed, became the first chimpanzee in space, aboard the Mercury Redstone rocket on a sub-orbital flight very similar to Alan Shepard's. Ham was brought from the French Camaroons, West Africa, where he was born July 1957, to Holloman Air Force Base in New Mexico in 1959. The original flight plan called for an altitude of 115 miles and speeds ranging up to 4400 mph. However, due to technical problems, the spacecraft carrying Ham reached an altitude of 157 miles and a speed of 5857 mph and landed 422 miles downrange rather than the anticipated 290 miles. Ham performed well during his flight and splashed down in the Atlantic Ocean 60 miles from the recovery ship. He experienced a total of 6.6 minutes of weightlessness during a 16.5-minute flight. A post-flight medical examination found Ham to be slightly fatigued and dehydrated, but in good shape otherwise. Ham's mission paved the way for the successful launch of America's first human astronaut, Alan B. Shepard, Jr., on May 5, 1961. Upon the completion of a thorough medical examination, Ham was placed on display at the Washington Zoo in 1963 where he lived alone until September 25, 1980. He then was moved to the North Carolina Zoological Park in Asheboro. Upon his death on January 17, 1983, Ham's body was preserved and loaned by the Smithsonian Institution to the International Space Hall of Fame in Alamogordo, New Mexico.

Goliath, a one-and-a-half-pound squirrel monkey, was launched in an Air Force Atlas E rocket on November 10, 1961. The SPURT (Small Primate Unrestrained Test) monkey was killed when the rocket was destroyed 35 seconds after launch from Cape Canaveral.

Enos became the first chimp to orbit the earth on November 29, 1961, aboard a Mercury Atlas rocket. Although the mission plan originally called for three orbits, due to a malfunctioning thruster and other technical difficulties, flight controllers were forced to terminate Enos' flight after two orbits. Enos landed in the recovery area and was picked up 75 minutes after splashdown. He was found to be in good overall condition and both he and the Mercury spacecraft performed well. His mission concluded the testing for a human orbital flight, achieved by John Glenn on February 20, 1962. Enos died at Holloman Air Force Base of a non-space related case of dysentery 11 months after his flight.

On October 18, 1963, French scientists launched the first cat into space on a Veronique AGI sounding rocket No. 47. The cat, named Felix, was successfully retrieved after a parachute descent, but a second feline flight on October 24 ran into difficulties that prevented recovery.

Back in the Soviet Union, the dogs Veterok ("Breeze") and Ugoyok ("Little Piece Of Coal") were launched aboard Kosmos 110 by the Soviet Union on February 22, 1966. The flight was an evaluation of prolonged effects during space travel of radiation from the Van Allen Belts on animals. Twenty-one days in space still stand as a canine record and was only surpassed by humans in June 1974 with the flight of Skylab 2.

The year 1968 saw the U.S.S.R. turn once again to the animal kingdom for the first passengers of their new, manned moon ship. The first successful Zond ("probe") launch was on September 15, 1968, when Zond 5 was launched. A biological payload of turtles, wine flies, mealworms, plants, seeds, bacteria, and other living matter was included in the flight. On September 18, 1968, the spacecraft flew around the Moon. On September 21, 1968, the reentry capsule entered the earth's atmosphere, braked aerodynamically, and deployed parachutes at 7 km. The capsule splashed down in the Indian Ocean and was successfully recovered, but a failure of the reentry guidance system subjected the biological specimens to a ballistic 20G reentry. Zond 6 was launched on a lunar flyby mission on November 10, 1968. The spacecraft carried a biological payload similar to Zond 5. Zond 6 flew around the Moon on November 14, 1968. Unfortunately, the spacecraft lost a gasket on the return flight resulting in the loss of cabin atmosphere and destruction of the biological specimens.

From 1966 to 1969, the U.S. launched three missions in the Biosatellite series. A total of six flights were planned. The first mission in the Biosatellite series, Biosatellite I, was launched on December 14, 1966, from Cape Kennedy by a Delta rocket. The scientific payload, consisting of 13 select biology and radiation experiments, was exposed to microgravity during 45 hours of Earth-orbital flight. Experimental biology packages on the spacecraft contained a variety of specimens, including insects, frog eggs, microorganisms, and plants. Reentry into the Earth's atmosphere was not achieved because the retrorocket failed to ignite and the biosatellite was never recovered. Although not all the mission objectives were accomplished, the Biosatellite I experience provided technical confidence in the program because of excellent performance in most other areas.

Improvements were made in hardware, prelaunch tests, and procedures before Biosatellite II was launched on September 7, 1967 from Cape Kennedy. The planned three-day mission was recalled early because of the threat of a tropical storm in the recovery area, and because of a communication problem between the spacecraft and the tracking systems. It carried a biological payload similar to Biosatellite I. The primary objective of the Biosatellite II mission was to determine if organisms were more, or less, sensitive to ionizing radiation in microgravity than on Earth. To study this question, an artificial source of radiation (Strontium 85) was supplied to a group of experiments mounted in the forward part of the spacecraft.

The last spacecraft in the series, Biosatellite III, was launched on June 28, 1969. On board was a single, male, pig-tailed monkey (Macaca nemestrina) named Bonnie, weighing 6 kg, for a planned 30-day mission. The mission objective was to investigate the effect of space flight on brain states, behavioral performance, cardiovascular status, fluid and electrolyte balance, and metabolic state. However, after just under nine days in orbit, the mission was terminated because of the subject's deteriorating health. Bonnie died eight hours after he was recovered due to a heart attack brought about by dehydration.

After the manned lunar landing of Apollo 11, the role of animals was limited to the status of "biological payload." The range of species broadened to include rabbits, turtles, insects, spiders, fish, jellyfish, amoebae, and algae. Although they were still used in tests dealing with long-range health effects in space, tissue development, and mating in a zero-g environment, etc., animals no longer made the front pages. One exception to this was one of the last Apollo flights, Skylab 3, which launched on July 28, 1973. On board were Anita and Arabella, two common Cross spiders. Tests were set up to record the spiders' successful attempts to spin webs in space.

From 1973 to 1996, Russia, or its predecessor, the Soviet Union, launched a series of life sciences satellites called Bion. Research partners have included Austria, Bulgaria, Canada, China, the Commonwealth of Independent States, Czechoslovakia, East Germany, the European Space Agency, France, Germany, Hungary, Lithuania, Poland, Romania, Ukraine, and the United States. The Bion spacecraft is a modified Vostok type and is launched on a Soyuz rocket from the Plesetsk Kosmodrome in northern Russia.

Bion missions are typically put under the Kosmos umbrella name, used for a variety of different satellites including spy satellites. The first Bion launch was Kosmos 605 launched on October 31, 1973. The satellite carried tortoises, rats, insects, and fungi on a 22-day mission. Other missions have also carried plants, mold, quail eggs, fish, newts, frogs, cells, and seeds.

Starting with Bion 6 (Kosmos 1514), these missions have carried pairs of monkeys. Bion 6/Kosmos 1514 was launched December 14, 1983, and carried the monkeys Abrek and Bion on a five-day flight. Bion 7/Kosmos 1667 was launched July 10, 1985 and carried the monkeys Verny ("Faithful") and Gordy ("Proud") on a seven-day flight. Bion 8/Kosmos 1887 was launched September 29, 1987, and carried the monkeys Yerosha ("Drowsy") and Dryoma ("Shaggy") on a 13-day flight. Yerosha partially freed himself from his restraints and explored his orbital cage during the mission. On reentry, Bion 8 missed its touchdown point by 1850 miles, resulting in the death of several fish on board due to the frigid weather. Bion 9/Kosmos 2044 was launched September 15, 1989, and carried the monkeys Zhakonya and Zabiyaka ("Troublemaker") on a 14-day flight. Temperature problems onboard resulted in the loss of ant and earthworm experiments.

Bion 10/Kosmos 2229 was launched December 29, 1992, and carried the monkeys Krosh ("Tiny") and Ivasha on a 12-day flight. Bion 10 was recovered two days early due to thermal control problems that resulted in unacceptably high onboard temperatures. Seven of fifteen tadpoles onboard died as a result of the high temperatures. Both monkeys were treated for dehydration and recovered. One monkey also suffered weight loss when he went without food for three days. Bion 11 was launched December 24, 1996, and carried the monkeys Lapik and Multik ("Cartoon") on a 14-day flight. Tragically, Multik died the day after the capsule recovery during his post-landing medical operation and checkup. Multik's death raised new questions regarding the ethics of using animals for research. NASA has dropped out of participation in a planned Bion 12 mission.

From 1983 to the present day, the Space Shuttle has flown over two dozen Spacelab experimental packages in its payload bay. Life-science Spacelab missions have included experiments involving the human astronauts as well as the animals and insects carried on these missions. STS-51-B (Spacelab-3) launched April 29, 1985. STS-61-A (Spacelab-D1) launched October 30, 1985. STS-40 (Spacelab Life Sciences 1 SLS-1) launched June 5, 1991. STS-42 (International Microgravity Laboratory-1 IML-1) launched January 22, 1992. STS-47 (Spacelab-J), a joint venture between NASA and the National Space Development Agency of Japan (NASDA) launched September 12, 1992. STS-65 (IML-2) launched July 8, 1994. A biological payload record was set on April 17, 1998, when over two thousand creatures joined the seven-member crew of the shuttle Columbia (STS-90) for a sixteen-day mission of intensive neurological testing (NEUROLAB).

Over the past 50 years, American and Soviet scientists have utilized the animal world for testing. Despite losses, these animals have taught the scientists a tremendous amount more than could have been learned without them. Without animal testing in the early days of the human space program, the Soviet and American programs could have suffered great losses of human life. These animals performed a service to their respective countries that no human could or would have performed. They gave their lives and/or their service in the name of technological advancement, paving the way for humanity's many forays into space.

For more information on animal visitors to outer space, you may be interested in the following sites:

Tara Gray, Author, 1998
Steven J. Dick, NASA Chief Historian
Steve Garber, NASA History Web Curator
Site design by NASA HQ Printing & Design
For further information email histinfo@hq.nasa.gov
August 2, 2004

Animals in Space

lucky numbers |Marcus du Sautoy| guardian.co.uk

LONG THOUGHT LOST DISCOVERED: Florence Nightingale [sound recording] : greetings to the dear old comrades of Balaclava

Title Florence Nightingale [sound recording] : greetings to the dear old comrades of Balaclava
Imprint [S.l.] : 1890
LOCATION SHELFMARK STATUS COMMENTS
 REQUEST Moving image and sound collections  1576A  - MANUAL REQUEST
Phys. Desc. 1 CD (2.16 min.)
Note The transfer from the original cylinder was made on 18 March, 2004.
Summary This CD is a copy made from the original brown wax cylinder featuring the voice of Florence Nightingale recorded on 30 July, 1890. There are two recitations, the second has slightly altered wording to the first.
Author, Etc. Nightingale, Florence, 1820-1910.
Genre/Tech Sound recordings.
System No. .b15907405
Wellcome Library Catalogue - search results for 'b1590740'

Rojak and Cocktail: Iranians Revolt on Twitter, Facebook & YouTube

Iranians Revolt on Twitter, Facebook & YouTube





One young man was killed by militia at Shadmehr st, Azadi St. in Tehran election rally.


"Iran Elections," "Iranians," "Tehran" and "Mousavi" (also spelled "Moussavi") were the trending topics on Twitter for a whole day on Tuesday, June 16. When four out of ten trending topics are all about the same issue, you know the world is focused. This blog is testimony to how the social media tools of Twitter, Facebook and YouTube can help fight back censorship in the 21st Century.

According to NY Times article, it was noted that Twitter was aware of the power of its service in this regard. Acknowledging its role on the global stage, the San Francisco-based company said on Monday June 15 that it was delaying a planned shutdown for maintenance for a day, citing “the role Twitter was currently playing as an important communication tool in Iran."

In a subsequent NY Times article, a 27-year-old State Department official, Jared Cohen apparently e-mailed Twitter with a request: to delay scheduled maintenance of its global network, which would have cut off service while Iranians were using Twitter to swap information and inform the outside world, The request, made to a Twitter co-founder, Jack Dorsey, is yet another new-media milestone: the recognition by the United States government that an Internet blogging service that did not exist four years ago has the potential to change history in an ancient Islamic country.

Mr. Cohen, a Stanford University graduate who is the youngest member of the State Department’s policy planning staff, has been working with Twitter, YouTube, Facebook and other services to harness their reach for diplomatic initiatives in Iraq and elsewhere

Many members (Tweeps) have changed their user photos (avatars) to green, and/or included images from Iran, such as green paint dipped fingers making the peace sign. Green is traditionally considered a symbolic color of Islam, but has also come to represent the movement against Iran’s election results.

Facts that show that the social networks of Twitter, Facebook and YouTube sit in the epicenter of this maelstrom is evidenced by the 100s of web sites, profiles, tweets and fan pages that emerged this week. Mr. Moussavi’s fan group on Facebook alone has swelled to over 50,000 members, an exponential increase since election day a week earlier.

ranians continued to report that they could not send text messages. However according to Jonathan Zittrain, a professor at Harvard Law School and an online expert said that Twitter was particularly resilient to censorship because it had so many ways for its posts to originate — from a phone, a Web browser or specialized applications — and so many outlets for those posts to appear.

Iranian authorities have imposed severe restrictions on foreign news organisations trying to cover protests in Tehran following the recent elections, but the Iranian protesters are transferring video to their mobile phones and cameras and uploading it to YouTube, as evidenced here...




The video and social networking websites of Twitter, Facebook and YouTube have helped break this important story and expose it in real time on the Internet. While Iran does have the ability to shut down some of its major news outlets, it is incapable of terminating cell phone transmissions. About 60 percent of Iran's 70-million population are under 30 years old and the country has some 20 million web users.

In an era where censorship and Big Brother still try to hold their controlling grip on its citizens in countries like Iran and China (see my previous blog on "Social Networks in China"), it's gratifying to see how social networks can be used effectively to fight back this oppression.

Perhaps Ezra Gottheil, an analyst at Technology Business Research summed it up best when he said: “I think this is Twitter’s finest hour...this has made our world smaller and more personal in a time of great chaos, when a government is trying to stop communication.
Rojak and Cocktail: Iranians Revolt on Twitter, Facebook & YouTube

Virtual Sambor Prei Kuk, Cambodia » Screenshots

Images from Virtual Sambor Prei Kuk

View of the market Bird-eye view of the market The market and temple Bird-eye view of the temple

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Bird-eye view of the temple View of the shrine Worship of the Liṅga in the shrine

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Entry to the shrine Maṇḍala Initiation Ancillary shrine The lotus pond

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Brahmanical fire-sacrifices Bathing rituals in the pool

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk

Sambor Prei Kuk
Virtual Sambor Prei Kuk, Cambodia » Screenshots

Virtual Sambor Prei Kuk, Cambodia

Digital Modeling of Tangible and Intangible Cultural Heritage

Virtual Sambor Prei KukThe Virtual Reconstruction Project of the centeral temple at Sambor Prei Kuk, in Cambodia, is an attempt to apply 21st century technology to 7th century cultural heritage.

Sambor Prei Kuk (SPK) provides the earliest record of Khmer temples, predating better known (and better preserved) Angkor Wat by several centuries. Hence, the study of SPK is crucial for understanding the Khmer, pre-Angkorian tradition; and the subsequent development of temple cities such as Angkor Wat in Cambodia.

As befitting an important cultural heritage site, SPK has been studied by archeologists and other scholars for many years. Their work has provided much knowledge of the culture and the period, especially about the eastern expansion of Hinduism along the trade routes from its Indic origins into Southeast Asia—one of the great cultural assimilations in human history. From the fifth century until the sixteenth century, this diasporic interaction created a unique blend of canonical, local, and borrowed cultural and artistic traditions, which can be seen today in the remains of the many temple complexes along the Pacific Rim.

Much of that important work has, so far, remained the exclusive province of researchers, hidden from the general public who might justifiably find it interesting. The advent of immersive, interactive, Web-enabled, Multi User Virtual Environments (MUVEs) has provided us with the opportunity to tell the story of SPK in a way that can help visitors experience this remarkable cultural heritage as it was in the 7th century AD.

MUVEs are a new media vehicle that has the ability to communicate cultural heritage experience in a way that is a cross between filmmaking, video games, and architectural design. Unlike a film, it allows the observer to be an active participant in the experience. Unlike video games, its objective is to teach, rather than entertain. And unlike architectural design, it models—in addition to the built environment—also the people who inhabited the site, and their rituals.

But this technology is relatively new, with a short history, devoid of a comprehensive theory, and short on useful precedents to guide the development of virtual cultural heritage experiences. It certainly is a technology of illusion, creating an intangible reality. It freely borrows architectural principles, but can only be experienced through the proxy of avatars. Most importantly (and perhaps disturbingly), it requires filling in of missing details—architectural, social, ritualistic, and others—to create a ‘complete’ experience. Many of these details are based on conjecture and interpretation, informed by thorough research, as explained elsewhere in this web site. Therefore, we do not claim absolute historical accuracy: instead, we have tried to provide an experience that will convey, as best we can, the sense of ‘being’ at Sambor Prei Kuk in the 7th century AD.

New media reconstructions of historically significant sites, artifacts, and activities bring new opportunities to the practice of preservation and the communication of cultural heritage. Visual verisimilitude, coupled with non-linear storytelling, immersion, and interactivity, affect each aspect of the practice. But their critical implications are not limited to the technical aspects of representation. Rather, new media have the power to transform the practice of cultural heritage preservation and communication wholesale, possibly affecting the meaning of the heritage itself.

The relationship between a representational technologies and the cultural heritage they communicate is as ancient as civilization itself. It can be traced back to cave drawings from the upper Paleolithic age, some 40,000 years ago, which supposedly were used to help bring hunts to successful conclusion. The oral epics of Homer and others were used as a social instrument to communicate cultural heritage from one generation to another, only to be replaced by written versions in the form of scrolls, and later by codices, each of which exerted its own influence through the process of remediation: while oral renditions allowed for variations due to the skills of the bard, written forms codified the story, creating an ‘official’ version. The invention of photography early in the 19th century had a particularly strong impact on the representation of cultural heritage. The impact was even more profound with the invention of cinema—a medium able to capture the passage of time itself. The advent of digital game technology—the new medium of remediation—has the potential to affect cultural heritage in even more profound ways than before.

Like the Native American Ghost Dance of the 1890s, which was purported to invoke the return of dead warriors and restore a peaceful past before the advent of white settlers of the American Western plains, new media is a technology that has the power to create world-altering experiences of places and times that are no longer accessible. In many ways they can halt, even reverse the inexorable march of history. But rather than a spiritual belief, new media creates a tangible, shareable, participatory experience. It is an imagined, intangible experience, but a real one nonetheless. The image of history it communicates is mediated both through technology itself, and through the authors and technicians who render it. The image is comprised of a collection of methods, habits, organizations, knowledge, and a culture of preservation. The authors and technicians who wield the storytelling power may know how something is done, but are only now discovering the values implicit in their particular way of rendering the narrative.

We invite the viewers’ comments and suggestions on how successful this approach has been, and their opinion on how it might be used in the service of cultural heritage preservation and communication.

This project has been made possible through the sponsorship of the University of California Pacific Rim Research Program, by the contributions of colleagues at UC Berkeley, Claremont McKenna College, Waseda and Tokyo Universities in Japan, and Deakin University in Australia. We thank them all, as well as Garage Games who allowed us to use their Torque Game Engine to implement the project.

Yehuda E. Kalay, PhD
Professor of Architecture
University of California, Berkeley
Virtual Sambor Prei Kuk, Cambodia