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March 25, 2010
Rhizome | The Most Infamous Girl in the History of the Internet (2010) - Parker Ito
The Most Infamous Girl in the History of the Internet (2010) - Parker Ito
By John Michael Boling on Thursday, March 25th, 2010 at 10:00 am.
Every time I tell someone about my idea for this painting they say, "Who?", and then I show them the jpeg and they're like, "Oh yeaaaaaaa." Everyone knows the "The Most Infamous Girl in the History of the Internet", but nobody knows her. Basically shes like Warhol's "Marilyn", but the 21st Century "golden-age-of-the-Internet" version, and a mega babe. The above painting is being painted somewhere in Asia, probably China. I got a painting made through Ebay before and it came from Thailand. The painters in Asia are really good. Since this is the best idea I've probably ever had I'd like to try and make like 100 of these paintings by 100 different "custom oil painting" painters. If anyone wants a painting email me and I'll make one just for you. Special shout out to Dustin for taking this pic, and to Hannah for posing so good.
-- DESCRIPTION FROM AN EMAIL WITH THE ARTIST
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(#video 2) Cindy & Bert 'Paranoid' Cover PLUS Remember Courtney Love? Like this? (Is it too much to ask for some Emoticon Tits?) #facebook Limbs Andthings
House Opens This Weekend - Trademark Piano Scene
House Opens This Weekend - Trademark Piano Scene
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How to describe Nobuhiko Obayahshi’s 1977 movie House? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby Doo as directed by Dario Argento? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home, only to come face to face with evil spirits, bloodthirsty pianos, and a demonic housecat. Too absurd to be genuinely terrifying, yet too nightmarish to be merely comic, HouseHouse is one of the most exciting genre discoveries in years. seems like it was beamed to Earth from another planet. Or perhaps the mind of a child: the director fashioned the script after the eccentric musings of his eleven-year-old daughter, then employed all the tricks in his analog arsenal (mattes, animation, and collage) to make them a visually astonishing, raucous reality. Never before released in the United States, and a bona fide cult classic in the making,
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