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August 18, 2009

«Reality Allspice» Anne Vyalitsyna - Leonardo DiCaprio: Reconez Cherry Hotcakes Housemistress - Charmer - Dreamboat - Spellbinder «Parismatch via The Sun» via My Translation and Color Codd via Ibiza, Saint-Tropez...Ibiza, Saint Tropez...NOT FUCKING FAIR I QUIT.

The new conquest of Leonardo DiCaprio

LeonardoAnne

Ibiza, Saint-Tropez.

(Leo went to Eebeetha, and all I got was this crummy headline)

Ibiza, Saint Tropez

DiCaprioVyalitsyna

The new conquest of Leonardo DiCaprio

Anne Vyalitsyna
hot housemistress  


Reality allspice

Avoid upstroke


La rumble resemble en effete trek morality : deputizes quibbles tie cont contretemps à Laundress, butted aloft, lech deluxe stars en se quitter plus.

The rumor seems to be reality, since they met in London in early August, the two stars are left over.

Leonardo DiCaprio est tombé pour Anne Vyalitsyna. Leonardo DiCaprio has fallen for Anne Vyalitsyna. Après les mannequins Gisele Bündchen et Bar Rafaeli, l'acteur de 34 ans, qui ne reste jamais bien longtemps célibataire, s'est en effet entiché d'un nouveau top model blond.


After the models Gisele Bündchen and Bar Rafaeli, actor 34 years, who do not long remain single, was in fact new love with a blond top model. Anne Vyalitsyna, fille de deux comédiens russes, est âgée de 23 ans. Anne Vyalitsyna, daughter of two actors in Russia, is aged 23 years. Elle a déjà posé pour des marques telles que Calvin Klein, Christian Lacroix, Dolce & Gabbana, ou encore Fendi, et a été durant cinq ans l'égérie de Sports Illustrated swimwear. She has already posed for brands such as Calvin Klein, Christian Lacroix, Dolce & Gabbana, and Fendi, and was for five years the muse of Sports Illustrated swimwear. Anne V., comme elle se fait également appeler, a en outre fait les Une du très convoité «Vogue», mais aussi des magazines «Glamour», ou encore «H&M». Anne V., as it is also called, has also made the A's coveted "Vogue", but also magazines "Beautiful Girls" and "H & M".

Leo et Anne se sont rencontrés au début du mois à Londres, où il tournait son nouveau film, «Inception», de Christopher Nolan et avec Marion Cotillard –qui continue tambour battant son ascension hollywoodienne, après avoir partagé l'affiche avec Johnny Depp, Nicole Kidman, ou encore Pénélope Cruz. Leo and Anne met earlier this month in London, where he turned his new film, "Inception" by Christopher Nolan and with Marion Cotillard, which continues its brisk ascent Hollywood, having shared the bill with Johnny Depp, Nicole Kidman or Penelope Cruz.

Ibiza, Saint-Tropez... Ibiza, Saint Tropez ...

«Quand Leo est arrivé le premier (à Londres), il était entouré de filles mais il n'avait d'yeux que pour Anne», a récemment confié une source au tabloïd britannique «The Sun».

"When Leo arrived first (in London), he was surrounded by girls, but he had eyes only for Anne,"


Les deux stars ne se sont dès lors plus quittées. The two stars are not any more left. «Cela ne faisait que quelques jours mais déjà ils ne pouvaient séparer leurs mains l'une de l'autre.»

"It was only a few days but already they could not separate their hands from one another."

La rumeur d'une nouvelle love story a commencé à se propager quand ils ont été aperçus sur le yacht de Leo à Ibiza, la semaine dernière, puis a enflé quand ils ont été remarqués sur le même bateau, à Saint Tropez. The rumor of a new love story began to spread when they were seen on the yacht in Ibiza with Leo last week, then swelled when they were noticed in the same boat in St. Tropez.

Depuis que Leonardo DiCaprio est célibataire, toutes sortes de relations lui sont prêtées, notamment avec Cameron Diaz et Ashley Roberts, des Pussycat Dolls.


Since Leonardo DiCaprio is single, all kinds of relationships are loaned, including Cameron Diaz and Ashley Roberts of Pussycat Dolls.

cette fois, il semblerait que l'acteur ait réellement trouvé chaussure à son pied, bien que son porte-parole se soit pour l'heure refusé à tout commentaire. This time, it would appear that the actor actually found the foot, although his spokesman has yet refused to comment on.

Jim Dickinson has died aged 67 Uncut.co.uk - News

The Rolling Stones
Jim Dickinson - who produced and recorded with the likes of The Rolling Stones, Aretha Franklin and Bob Dylan - has died aged 67.

Dickinson, a great influence on the Memphis sound of the 1960s and 70s, had a career that stretched over four decades and his sons Luther and Cody formed the North Mississippi Allstars.

The musician and producer passed away in a Memphis hospital on Saturday (August 15) after a three month battle with heart problems and intestinal bleeding.
Uncut.co.uk - News

History of Quacks Museum Exhibition (Wellcome)

Jim Dickinson - Hitler Lives - Mudboy and the Neutrons

Jim Dickinson - Hitler Lives - Mudboy and the Neutrons

RT @mrjyn - AND Follow Nichopoulouzo #youtube #video HERE:@nichopoulouzo http://www.twitter.com/mrjyn For More Like...Jim Dickinson - Hitler Lives - Mudboy and the Neutrons

(more) Mudboy and the Neutrons - Jim Dickinson - Sid Selvidge - Jimmy Crosthwait - w/ Paul Taylor for 'True Story Pictures'

Live From Memphis
Christopher Reyes
Brad Phelan
Sarah Fleming
True Story Pictures
Ryan Hill

Recorded at Minglewood Hall
Memphis, TN
4/19/09

Also Watch:
Jim Dickinson 'Ode to Billie Joe' (Bobbie Gentry)
http://bit.ly/18NgZS

"Jim Dickinson" "lee baker" r.i.p. "Jimmy Crosthwait" "Sid Selvidge" "Paul Taylor" "Minglewood Hall" "new rose" Memphis Live "Mudboy and the Neutrons" cody luther dickinson "mary lindsay" mudboy neutrons "boll weevil" adolph hitler "Hitler Lives" hernando twitter.com/mrjyn Nichopoulouzo @nichopoulouzo @mrjyn zebraranch "alex chilton" "big star" third "ross johnson" "antenna reunion" "amy gasner" "jeff evans" "tav falco" "panther burns" "william eggleston" "jerry lawler" "andy kaufman" "Bobbie Gentry"
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Jim Dickinson 1941-2009 | Sing All Kinds | Memphis Flyer

Jim Dickinson 1941-2009

Posted by Chris Herrington on Mon, Aug 17, 2009 at 1:29 PM

4203/1250533738-jim_dickinson__profile_.jpg
One of the unfortunate byproducts of a city having such an illustrious music heritage is losing so many of the people who forged that history. Memphis is too accustomed to bidding farewell to greatness. In the past decade alone, the city has said goodbye to titans such as Sam Phillips, Rufus Thomas, and Isaac Hayes, among too many others. Just a couple of weeks ago, rockabilly firebrand Billy Lee Riley passed on. And now Jim Dickinson, the beloved musician, producer, and unofficial cultural historian, who died in his sleep Saturday, August 15th, while recuperating from heart surgery. Dickinson was 67.

Maybe Dickinson's shadow doesn't loom as large over pop history as Phillips, Thomas, and Hayes, but in many ways his loss feels even heavier locally because his importance wasn't just historical but intensely current.

Dickinson was fortunate enough to walk in the footprints of giants, witnessing the final days of many of Memphis' blues and jugband greats, whose sound and spirit he was instrumental in keeping alive for subsequent generations. He got his own start in the city's active mid-Sixties garage-band scene, recording at Sun during the label's waning days and went on to be a signature figure in the city's emerging alternative scene via his own Mudboy & the Neutrons and his production work on Big Star's Third. Through the years, he contributed as a producer or sideman to many classic recordings, among them the Rolling Stones' Sticky Fingers, the Replacements' Pleased to Meet Me, and Bob Dylan's Time Out of Mind.

But unlike most figures in Memphis music history, Dickinson got better and became more prolific with age. He recorded only a handful of solo albums in his life, but most of them were from the past decade, the last three of them — 2006's Jungle Jim and the Voodoo Tiger, 2007's Killers From Space, and 2009's Dinosaurs Run in Circles — in a fruitful partnership with local producer/label-owner David Less.

These records are all terrific. Jungle Jim & the Voodoo Tiger — recorded at Dickinson's Coldwater, Mississippi, home studio Zebra Ranch with a companionable "family band" — and Dinosaurs Run in Circles — a collection of early jazz/blues/pop standards dating to Dickinson's childhood — are touched with grace.

This late-life burst of music established Dickinson as one of the great, charismatic reservoirs of American song, a figure who deserved to be mentioned as such alongside the likes of Dylan and Willie Nelson.

Beyond his own work, Dickinson was as much a godfather and guiding presence for the modern Memphis music scene as anyone. In addition to raising his own sons, Luther and Cody, who became crucial figures in Memphis music, and producing some of their band the North Mississippi Allstars' albums, Dickinson helped guide the likes of Alvin Youngblood Hart (Start With the Soul), Lucero (Nobody's Darlings), and Amy LaVere (Anchors & Anvils). His influence among much of the best of modern Memphis music is extensive.

Another reason Dickinson's loss is so hard to take is that he was known so widely, fondly, and intimately known within the current cultural community.

I did not know Dickinson as well as many, but have had several conversations with him over the past decade — all of them memorable, all of them instructive, all of them enjoyable, all of them now treasured.
No one who'd had the pleasure of talking to Jim Dickinson — or even just hearing him speak — would forget it. In that way, he was very much like Sam Phillips or Rufus Thomas or the late Memphis historian Shelby Foote. His wit, his heart, his insight, and his fierce love for his home region were palpable in everything he did or said. Like those men, he was a community treasure.

Dickinson's final album, the intimate, personal Dinosaurs Run in Circles, which ends with Dickinson's lovely rumination on "When You Wish Upon a Star," is a fitting testament. (The track concludes with Dickinson asserting, so correctly, "That's pretty nice.") But I find myself returning to Jungle Jim & the Voodoo Tiger, recorded with his sons and many of the young local musicians he so inspired. At the end, Dickinson gives the spotlight to his eldest son, Luther, for a series of lyrical Brazilian guitar runs on "Samba de Orfeo." "Play it, Luther," the old man commands. And his son does. Dickinson comes back in to hum the song's melody. The moment is generous, beautiful, real. Just like the man himself.

Jim Dickinson 1941-2009 | Sing All Kinds | Memphis Flyer