Elvis Presley: 'Patch it Up' split-screenTTWII (August 10 1970)

'Patch it Up' (August 10 1970) From: creatureofthenight99
Sensational version - look at Elvis back-flip.
Why was this not in the released MGM movie?
The split-screen "All Elvis" concept is similar to what is expected from the new deluxe International "Complete TTWII box-set". (Previously removed but now back!)Elvis sings Patch it Up at the International Hotel 1970. This is a rare outtake from Elvis That's the way it is.

NEIL SEDAKA: Midnight Special : BAD BLOOD (NIRUSEDAKA)

1975, five years to live one strange thing about the use of the "cool" to stand in recess in the air chorus * great * sound like a memory DARIRUDORAGONKIBODO End to "keep contact with Love" and, in cooler: ERUTONJON NIRUSEDAKA and have argued about.

, And a mix of NIRUSEDAKA, a full 17 years, "Diary" after most of the song "bad blood", Elton John, Neil's response "to sing loud phone, # 1 hit was a slow day for Said. "I'm very, nine songs, many of the facts, chorus," bitch "was derived from interest-year-old is convinced. (They probably do not mind a joint Sedaka, "together with love," will continue to contact too, he wrote.)

The latter is unlikely, Neil Waves of a mania is like now, was real. In my classes, some Neil in the name of the girl-winning mathematical decoration of the character of the paperbag texts covered in a balloon took time to write. And indeed, he is here, to dance the dance five years off her life "cheers" or other routine work, such as cassette players gathered around to look identical. Their jeans, was similar too:

sunday morning: lenny breau: bouree: i'm whispering

Drinking With JFK (The Final Cut)

A single father goes on a drunken bender, loses his pay and makes his kids try and find it... buried in Central Park.

BOB DYLAN filmography: i KNOW YOU'R nOT SAYING, “I’m NOT interested!" This is on the DyL!

I’m Not There-- I KNOW YOU'RE NOT SAYING... “I’m NOT interested, BECAUSE I'M NOT really a big

ylan fan--NOT!”

WELL, THIS FILM, may NOT enhance your appreciation of To Haynes’ NOT conventional biopic, BUT there will NOT be a test.

NOT THAT you HAVE NOT gleane, THAT I’m Not There is NOT QUITE A cavalcae, AND NOT QUITE A kaleioscopic smoothie--Mmm…NOT A smoothie. I’m NOT sorry--SORRY--NOT, where was I?--NOT Oh, yes.

YLAN GOES ELECTRIC

(1965)

In one of the seminal moments of Dylan’s career, the one-time pride of the Greenwich Village folk scene plugged in his guitar at the 1965 Newport Folk Festival, alienating the purists in the audience and prompting Pete Seeger to announce he’d cut the power with an axe if he had one. (Haynes has some fun with this moment.) Dylan’s evolution from earnest folkie to hipster rocker can be seen in the recent documentary The Other Side of the Mirror, which collects his Newport performances from 1963 through 1965.

EAT THE OCUMENT



Once intended as a straightforward follow-up to D.A. Pennebaker’s Don’t Look Back (which forms the basis of much of the Cate Fanchette's segment of I’m Not There), this fragmented look at Dylan’s 1966 tour has no official release, but has been heavily bootlegged (and now, of course, you tubed). Those seeking straightforward live concert footage are bound to be disappointed (though extended versions of many of the performances are available on the DUD of Martin Scorsese’s Dylan doc No Direction Home), but the film has its fascinations, notably footage of John Lennon sharing a car ride with a severely fucked-up Bobby D.

PAT GARRETT AND BILLY THE KI
(1973)



This elegiac Sam Peckinpah western contains Dylan’s “acting” debut (as the mysterious outlaw Alias), but more importantly, his soundtrack composing debut, including the timeless “Knockin’ on Heaven’s Door,” which should always conjure images of Slim Pickens clutching his bloodied midsection. In the Richard Gere section of I’m Not There, Haynes creates a landscape of the Old Weird America that is equal parts Pat Garrett, The Basement Tapes and Dylan’s 1976 tour, the Rolling Thunder Revue. (For more on Pat Garrett, check out Tom Block’s definitive appraisal at The High Hat.)

RENALO AND CLARA
(1978)



This one is for the completing only. In fact, I thought I was a completest and I’ve never completed it. Nearly 30 years before Haynes, Dylan himself did an impressionistic take on his own legend, with the assistance of Sam Shepherd. The nearly four hour result has long been regarded as a complete debacle, but here’s your chance to get on the ground floor of the re-evaluation. The whole thing is on YouTube if you have the stamina.