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April 17, 2020

■ ■ ■ People Being Attacked Punish Themselves For Childhood Guilt Headaches Caused by Blue Cheese, Chocolates and Her Deepest Fear ... fuck the sunrise!



Album: Funeral



Mama Mia Lyrics:

Mama Mia
Song by Lil Wayne

What's good, brother?
Beat around the bush, I'ma come around with a bush cutter and look for you
These niggas talkin' too much shit
I'm about to find a good plumber
Lot a niggas is some foot soldiers, I'm a foot fungus
You dead brother
I ain't a killer but don't push me, like a red button
The gun headbutt you like "Bang, bang, bang, bang"

'Til your heart stop drummin'
I shoot you while the sun don't shine, it's a hot summer

But fall dawg, and I go all off with this sawed-off
This bitch sound like hard cough
I'm a wizard with the muhfucka like I went to Hogwartz
Cut the hog head and the tail off
I'm the nigga bitches put their spell on

And once it wear off
Then bitch don't touch me like a air ball
Say slime, I done ate slime, money tall like 8'9"

But I'm still starvin' like a skinny model in that lace line, that plate mine
Hooded up like Trayvon,
no FaceTime
I don't FaceTime, with my new thang
New thang clan, like Raekwon, I'm stupid, nigga
Dumb, dead, brazy, cray-cray, blind
But I still see in the dark, nigga
Dark nigga, Akon
I'm on my shit like maggots
And then they grow and they fly


Got real bitches with fake asses

With real views and fake eyes

It's stupid, I'm stupid

I'm out of my coffin, narcotic abuser

No needles, 'cause my pockets balloonin'

Your partners is poodles

Your bears is cubs, your crocodile's toothless



Titty-fuck your baby mama
She breastfeed your child while I do it
I'm stupid
Your crocodile's toothless
Titty-fuck your baby mama
She breastfeed your child while I do it

I looped it
I'm out of my Tunechi, I'm mindin' my Tunechi
I'm shinin' my Uzi
They find 'em, I lose 'em, I'm hidin' out
Hopin' I don't smell like all these fuckin' vaginas I'm douchin'
Droppin' these jewels, it's precious like I'm droppin' my jewelry
I'm out of my Gucci, you not on my Gucci, that's not an exclusive

Designers, excuse me
Massagers masseuse me, oops I mean masseuses massage me
I'm gruesome, I'm grimey
Turn you and lil' mami to tuna salami
You pukin', she vomit, that's beautiful science
That's two in a Mazi', that's who in a Hyundai
You stupid or drowsy? I pewin' in the 'Gatti
Pew, pew and I got 'em
Pew, pew and I got 'em


Lil' Tunechi a shotta, come through with my shottas
Catch you and your thotta, turn a nigga noodle to nada
Find it amusin', it's like it's a movie

This life is a movie, you died in the movie

I write and produce it, I cried as I view it

I'm lyin', I'm goofin', I'm tyin' my nooses

Lightin' my fluids, ignitin' influence, wait

Retire like Ewings, I'm high like I flew

My wife lookin' Jewish, wait

My money look Arabic, blunt lookin' Cuban

My eyes look Korean, the coke look Peruvian, wait

She European and she from Aruba, she from the States

Ass overseas, pussy foreign food, we over ate

We throw them B's up high as the moon, SuWoo in space

I come from Mars, but I act like I'm from the Planet of the Apes

Mansion with a gate, with some nice landscapes

The Atlantic across the way, don't ask me what I make

I'ma be answerin' all day

Got a hammock, I'ma lay with a naked bitch with just a bandana on her face

And I just psstt, took off, errr- and landed on her face

I cannonballed her face

Fuck her to some Diana Rossin' fake

Damn, I lost the faith, don't judge me, I took the stand and fought the case

You can't avoid the Drac', drip Bayless, I'm feelin' Shannon Sharpe today

Big rocks in my mouth, can't remember how many asteroids I ate

Your pastor called today, I told him that your casket on the way

Now pass the phone to bae

I'm bringin' a pole, you dancin' on his grave

He faker than the lashes on his babe

I'm like lashes on a slave

I'm ashin' on his head

He ain't got no credit and his Apple card is dead

What's in your wallet?

Funeral

Source: LyricFind

Songwriters: Daniel Klein / Dwayne Carter / Matt Campfield

Mama Mia lyrics ©

Kobalt Music Publishing Ltd., Warner Chappell Music, Inc

Word generated in Jamaica. A person who doesn't need to be in a crew or run with nobody. Handles business by himself or has people working for him. Deals with drugs, murder, or other forms of illegal money making. Someone needs to be killed they will be, woman, child, or even police.


shotta (plural shottas)
  1. (Jamaican, slang) An armed gangster.
  • 2001, Donna P Hope, Inna di dancehall: popular culture and the politics of identity in Jamaica:
    For example, a shotta from one street in the community had "cut up" another youth from their own avenue.
  • 2005, Vibe (volume 13, number 7, June 2005)
    They go on an ID parade [a police lineup], and nobody identified them as being a shotta, so everything's clear. But we still baffi be careful.
  • 2007, Brian Meeks, Culture, politics, race and diaspora: the thought of Stuart Hall:
    Shottas may act as independent gunmen or may be under the rule of particular dons.

A kufi or kufi cap is a brimless, short, and rounded cap worn by men in many populations in North Africa, East Africa, Western Africa and South Asia. It is also worn by men throughout the African diaspora. It is also commonly called a "topi" or "tupi" among the Indian subcontinent.

We Bet You Can't Rhyme These 10 Words

Molly Pennington, PhD


You'll have to invent new words if you want to rhyme "orange"—or any of these.

01-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Month

Poets must be really bummed out that no word rhymes with "month." It seems like the word "month" would come in handy for love poems that you need to write early in your relationship. As in, "I've dated you for almost a month/ Hanging out with you is lots of funth." That's just not romantic. If poetry's not your thing, try out some Valentine's jokes instead.
02-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Silver

No wonder gold is worth more! Everything rhymes with it! Old, bold, told, sold. However, it's impossible to rhyme the word silver. Robert Frost penned his famous poem "Nothing Gold Can Stay" back in 1923. It starts like this: "Nature's first green is gold, /Her hardest hue to hold." Imagine if he'd tried it this way instead:" Nature's first green is silver/ Her hardest hue to de-lil-ver." See why poets prefer the word gold?
03-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Bulb

Bulb is such an excellent word, it's hard to believe it's doesn't have any word that rhymes with it. What is a poet supposed to use when they want to convey a great idea? "Above your head, a flashing bulb/ Great idea! You're no schlub." Except maybe you are, because "bulb" and "schlub" don't rhyme. No need for poetry when you have 17 light bulb jokes to make you sound smart.
04-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Wolf

Chances are, you're not going to need to come up with a rhyme for the word "wolf." "Golf" is not going to work and neither will "Ralph." If you really need to go for it, be like Duran Duran in their '80s hit "Hungry like the Wolf." Rhyme everything except the title and chorus! Look at how these rock star lyricists fake you out with almost-rhymes: "Burning the ground I break from the crowd" and "mouth is alive with juices like wine" and "strut on a line it's discord and rhyme." They left "wolf" alone. No rhymes needed!
05-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Walrus

Remember how the famous Beatles song "I am the Walrus" gets so trippy? Nothing rhymes with "walrus." Especially, "I am the egg man." If you're writing an ode to the ocean or any maritime love songs, go ahead and mention whales, fish, sharks, and seals. Plenty of rhyming choices there. Toss in some "goo goo g'joob"s. It worked for the Beatles! Check out these magical quotes from master lyricist Paul McCartney.
06-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Rhythm

Ever wonder why they call it "Rhythm and Blues," instead of "Blues and Rhythm?" Probably because nothing rhymes with rhythm, but so much rhymes with blues. Including lots of "oohs" if you're singing. It's pretty unfair that we don't have any words to rhyme with "rhythm" since you should have a strong sense of rhythm if you're writing poetry or song lyrics. Let's face it, they usually rhyme.
07-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Husband

One of the most important words ever rhymes with "wife." The word "life." (Also "strife.") But nothing rhymes with husband. What is going on with that, Cupid? "Roses are red, glad we're wed./ I love my husband/He's my dustbin . . . bunion . . . cummerbund." This is why we can't talk in verse in real life. Skip the poetry and get some sleep. Here are some ways that shut-eye makes for a happy marriage.
08-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Woman

Shakespeare is a virtuoso of the English Language. In part because he always came up with a work-around for the fact that nothing rhymes with woman. Why aren't there any rhymes for woman? How did Shakespeare make it through all those love sonnets and romances without a rhyme for woman? It's not a surprise that he decided to compare his woman to a "summer's day?" And carry on about the "darling buds of May." It would have been tragedy to begin with: "This summer's day is like my woman/ Darling May buds are spicy as cumin." Ugh! Here's 21 everyday phrases invented by Shakespeare.
09-Nothing-Rhymes-with-Orange—and-10-More-Words.-Bet-You-Can't-Guess-ThemNicole Fornabaio/Rd.com, shutterstock

Purple

There are plenty of words that almost rhyme with "purple," but nothing takes the cake exactly. If you need to rhyme "purple" try "turtle." As in: "Roses are red, violets are purple. Stems are green and so is my turtle." Yikes. Better stick with blue violets or lilac. "Violets are lilac and so is my love shack." See? Plenty of other options. Check out these fun facts about purple and other colors.

flocabulary.com Interesting Words That Rhyme - Flocabulary 3 minutes Hip-Hop is more than words that rhyme... Hip-hop is more than words that rhyme and rhyming words. Hip-hop is poetry, and the poets of hip-hop are constantly pushing the boundaries of what can rhyme. Rappers aren't the only ones to use slant rhyme, but lots of rappers have taken slant rhyme to new heights. Teachers can check out our slant rhyme lesson plan, while all you rappers out there can use what's below as inspiration. Rhyming with Famous People Barack Obama — Nostradamus, taco lasagna, not your mama, stop the drama Britney Spears - sing me cheers, rickety stairs P Diddy - he's silly, cheesily, we really Ashlee Simpson — wacky ish son, mad we whipped ‘em, one size fits ‘em Colonel Sanders — infernal chambers, herbal dandruff Pope Benedict the 16th - I scope derelicts who bring beef, I know heavyweights who fix teeth 50 Cent - nifty pants, hippy-man, sixty cent Napoleon Bonaparte - grab hold of him in the dark, my flow is thinner than art Barry Bonds - hairy palms, scary psalms, married moms A List of Interesting Words that Rhyme (to use in your raps or whatever) tuna fish - ludicrous - doin' this spaghetti - Serengeti - ever ready incomplete - sink and weep - toilet seat back street - track meet - that's neat! - half beat dictionary - pictionary - fiction's scary esophagus - preposterous - sarcophagus Ninja Turtles - jumpin' hurdles - flippin' gerbils satchel - at you (atchoo) - achoo! (sneeze) international hostel - supernatural nostril - fantastical raw wool the tightest flow on the planet - the righteous don't panic - the whitest known granite Oil of Olay - spoil the day - foiled and played egg yolks in your eyes - dead folks say goodbye - you choked on your lines lackluster - just clutter - colonel mustard worldwide stage - real tight cage - just got paid rhyming words - flying herds - mining for turds Houston Texas - who's goin' test this - goose for breakfast IHOP - hi-tops - why not - my doc - flip flop - I bought - cyclops - eye sock(et) - cry a lot waffle House - awful blouse Doritos - more meat yo Batman - flat plan - back hand - fat tan Magical Mystery Tour - mad you'll hit me your bore - battle your sister for pork major fail - save your mail - play the scale - filleted the snail The Week in Rap - he's cheap and fat, please meet my dad, you're sweet in plaid

Summary:


  1. Agency Warns 14 I Died 15 Pleurisy 16 Deserted Island 17 Are Turning Us 18 A Good Night’s Sleep 19 Fatties 20 Dies In Fire 21 Light Bulb Eater 22 Socket Wrench 23 Be Taller 24 Wild Killer 25 Be Doubted 26 How To Be A 27 Be A Locksmith 28 People They 29 Her Deepest Fear 30 Ugly Veins 31 Fast Airmail 32 Kites 33 To End Up 34 Worthless Finish 35 “Pork” Are their feelings commensur- ate with those that are represented On the screen or described in fiction? Do they respond with the proper tingle to nudity on the Stage — which would surely not be suspiciously naked! Weil, not stark naked— but Dark shadow of House of Pleasure birth and death. (108)

  2. no longer lushy plushy dreams with the piano wire SYSTEMS PROCEDURES WRITER What I am saying is that it is a good deal harder to separate the FORM AND FUNCTION A Real Toad Restores Her Sight If you prefer artificial flowers or plants to the real flowers and plants, you probably in Yimona zeroed in on these Blind Trees Blind sleep Ta-Rum, Ta-Rum LIFE AND DEATH MAKES IT HAPPEN A bit of comment £ “Lethargy,” he said, “is the one disease which threatens to do us in. (70)

  3. Armless, Legless Girl CEMETERY REFUSES TO REFUND MONEY Poet Eating Big Dinner Standardization of Screw Threads S Electronic Device Automatic Flagpole Raises and Lowers MIDGET TOOL Canter of Mouth PILLS THAT STOP without fat, grease water or softeners Can Detour Death's Rampage Scientist’s Pills To Make Us Smarter Are Working Nixon, an anti-pill man who won’t even take aspirin unless it is absolutely necessary, told Clark "thanks a lot, but no thanks.” Mental Illness really is. (69)

  4. FOUND OBJECTS Sleep Well, 1 Ta-Rum, Ta-Rum 2 Centerless Grinder 3 A Mechanical Dummy 4 Even Oceans 5 Excess Phlegm 6 Covering Earth 7 Velveeta 8 Bare Bottom 9 Drive Increases 1 0 Armless, Legless Girl 11 Poet 12 Pills That Stop 13 Govt. (66)


Best words:
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  14. plastic (4)
  15. elevators (4)
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  18. door (4)
  19. good (4)
  20. heart (4)
  21. lives (3)
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  24. drive (3)
  25. ugly (3)
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  28. brain (3)
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Keyword highlighting:
  • Agency Warns 14 I Died 15 Pleurisy 16 Deserted Island 17 Are Turning Us 18 A Good Night’s Sleep 19 Fatties 20 Dies In Fire 21 Light Bulb Eater 22 Socket Wrench 23 Be Taller 24 Wild Killer 25 Be Doubted 26 How To Be A 27 Be A Locksmith 28 People They 29 Her Deepest Fear 30 Ugly Veins 31 Fast Airmail 32 Kites 33 To End Up 34 Worthless Finish 35 “Pork” Are their feelings commensur- ate with those that are represented On the screen or described in fiction? Do they respond with the proper tingle to nudity on the Stage — which would surely not be suspiciously naked! Weil, not stark naked— but Dark shadow of House of Pleasure birth and death.
  • no longer lushy plushy dreams with the piano wire SYSTEMS PROCEDURES WRITER What I am saying is that it is a good deal harder to separate the FORM AND FUNCTION A Real Toad Restores Her Sight If you prefer artificial flowers or plants to the real flowers and plants, you probably in Yimona zeroed in on these Blind Trees Blind sleep Ta-Rum, Ta-Rum LIFE AND DEATH MAKES IT HAPPEN A bit of comment £ “Lethargy,” he said, “is the one disease which threatens to do us in.
  • Armless, Legless Girl CEMETERY REFUSES TO REFUND MONEY Poet Eating Big Dinner Standardization of Screw Threads S Electronic Device Automatic Flagpole Raises and Lowers MIDGET TOOL Canter of Mouth PILLS THAT STOP without fat, grease water or softeners Can Detour Death's Rampage Scientist’s Pills To Make Us Smarter Are Working Nixon, an anti-pill man who won’t even take aspirin unless it is absolutely necessary, told Clark "thanks a lot, but no thanks.” Mental Illness really is.
  • FOUND OBJECTS Sleep Well, 1 Ta-Rum, Ta-Rum 2 Centerless Grinder 3 A Mechanical Dummy 4 Even Oceans 5 Excess Phlegm 6 Covering Earth 7 Velveeta 8 Bare Bottom 9 Drive Increases 1 0 Armless, Legless Girl 11 Poet 12 Pills That Stop 13 Govt.
Sentences:


  1. Full text of "Found Objects" #elvispresley #elvisley, #elvesley, #elvey, #elsley, #elvissley, #elvresley, #elvley, #eley, #elviley, #elesley, #elresley, #elley #prelvis, #mrjyn found objects john m.
  2. bennett SPECIAL FREE SUPPLEMENT new rivers press found objects john m.
  3. bennett new rivers press w copyright © 1973 by john m.
  4. bennett library of congress catalog card number: 73-76237 isbn: 0-912284-45-5 all rights reserved distributed in england by philip spender 69 randolph avenue london, w9, england in the united states and elsewhere by serendipity books 1790 shattuck avenue berkeley, California 94709 this book was manufactured in the united states of america at the print center, inc., 194 state st.
  5. , brooklyn, n.
  6. y.
  7. for new rivers press, p.o. box 578, cathedral station, new york, n.
  8. y.
  9. 10025 in a first edition of 400 copies, of which 30 have been signed and numbered by the author.
  10. FOUND OBJECTS Sleep Well, 1 Ta-Rum, Ta-Rum 2 Centerless Grinder 3 A Mechanical Dummy 4 Even Oceans 5 Excess Phlegm 6 Covering Earth 7 Velveeta 8 Bare Bottom 9 Drive Increases 1 0 Armless, Legless Girl 11 Poet 12 Pills That Stop 13 Govt.
  11. Agency Warns 14 I Died 15 Pleurisy 16 Deserted Island 17 Are Turning Us 18 A Good Night’s Sleep 19 Fatties 20 Dies In Fire 21 Light Bulb Eater 22 Socket Wrench 23 Be Taller 24 Wild Killer 25 Be Doubted 26 How To Be A 27 Be A Locksmith 28 People They 29 Her Deepest Fear 30 Ugly Veins 31 Fast Airmail 32 Kites 33 To End Up 34 Worthless Finish 35 “Pork” Are their feelings commensur- ate with those that are represented On the screen or described in fiction? Do they respond with the proper tingle to nudity on the Stage — which would surely not be suspiciously naked! Weil, not stark naked— but Dark shadow of House of Pleasure birth and death.
  12. including a fountain in the living room, a heart-shaped pool, heart-shaped bathtub in the master bath, heart- shaped fireplace in the master bed- room.
  13. The edges of the suitcases left deep im- pressions in her flesh.
  14. no longer lushy plushy dreams with the piano wire SYSTEMS PROCEDURES WRITER What I am saying is that it is a good deal harder to separate the FORM AND FUNCTION A Real Toad Restores Her Sight If you prefer artificial flowers or plants to the real flowers and plants, you probably in Yimona zeroed in on these Blind Trees Blind sleep Ta-Rum, Ta-Rum LIFE AND DEATH MAKES IT HAPPEN A bit of comment £ “Lethargy,” he said, “is the one disease which threatens to do us in.
  15. It is the disease, ac- cording to history, which is most surely fatal.” He defined lethargy as THOSE SAGGING BOOBIES III SB £ If ever I were to wox poetic, I might write Wee this- — rlor, on open fire — ond Tip.
  16. Try It Again Legs And Lives By the Highway It Began With A Vision CEHTERLESS GRINDER A coast 1 1 1 deep ocean Oil on the Troubled Coast of dream The majestic rock-ribbed dream into a nightmare MORE OF INANE LONG-WINDED DRlVEL “What the hell are you yelling about?” he mut' tered, staring up at the sun with his eyes closed and covered with wrap- around Spanish sunglass' es.
  17. I hit the brakes and aimed the Great Red Shark toward the shoul' der of the highway.
  18. No palm treed GOSH, EVERYTHING IS SO QUIET All.
  19. YOU CAN HEAR ARE THE CROWS.
  20. A Mechanical Dummy suffers from an acute attack of fullness in her mouth, and the sound of his shallow breathing.
  21. “Once more she tried to pull away and once more she was held in place.
  22. Anger welled inside her.
  23. She took the restraining hand from her head, grasped the pink prong and just as it started to ooze translucent milk.
  24. a rather foul-smelling discharge at the lower end of my spine.
  25. There is a small opening in the skin.
  26. inside the cramped suitcases Still Waiting inserts needle in head of patient explosions, earth- quakes, airplanes, con- struction machinery, locomotives, or even a malfunctioning air-con- ditioning system.
  27. The show, as one critic put it, will make them more pert and firm and succulent.
  28. Do you seem to suffer a lot of unnecessary, non-erganic physical ailments - like hemorrhoids, heart palpitations, heartburn, headaches, and a lot of other things that don’t even begin with an h? When you do get mad, do you sometimes get mad enough to “kill”? trichinosis of the brain And when he gets off, his buddies put some pills in him and he acts like an idiot until he falls asleep like a baby.
  29. “Susan rose unsteadily, rubbing the ooze of semen in her hands as though it were lotion.
  30. Then, have a cold, unemotional personality I tried hot applied- Even Oceans Sleep well.
  31. you sleep at 3 o’clock in the morning, with bug-eyed truckers so high on Bennies they can’t feed the pinball machines fast enough.
  32. Coming Apart Then I concentrated on the clicks.
  33. At that moment a whole new world was brought before me.
  34. 1 felt a deep warmth.
  35. I felt a very heavy feeling of sinking into the bed.
  36. Danger Found In Some Elevators “I went up the back stairs and found 14 rooms no one knew existed.
  37. “All the rooms were fur- nished and most of them even had the beds made up, ready for visitors.
  38. Every- thing was covered by a thick misty harbor to catch a glimpse of nirvana too.
  39. We built our dream LOOK.
  40. of Excess Phlegm cold water wells up from the Ocean depths, and in such areas of upwelling the agitated surface is seething coughing Washing Your Car the white plastic bleach jugs, the plastic cups, the wbiskjr bottles, the doU carcasses which float forever.
  41. OVERHEAD Hit-Run Driver In Your Own Car Blowing past a Greyhound on a straightaway, was able to maintain an erection for a good long time, but I wasn’t able to ejaculate.
  42. sink beneath the surface to feed on A Pontiac brake drum, discarded in a desert ravine, panic attacks, fear of heights, fear of crowds, fear of riding in cars, and claustro- phobia.
  43. Glass! Under Gloss! rich rich rich rich lips.
  44. Petroleum jelly in the AIR COVERING EARTH AND PROBABLY NEVER WILL.
  45. She May Be Wrinkled Behind the Makeup — TH€ BODY SO FT€Me And soft wet lips made the picture com- plete.
  46. Gc6 .
  47. .
  48. .
  49. It Smells New Device STATUS LABELS STILL ATTACHED “Streaked remnants of yesterday’s mascara accentuated the curve of her prominent cheekbones,” he writes.
  50. claims that many women run away from their husbands simply because they can’t face the sexual failing in their marriage.
  51. Just open them up and see what Secret Cockfights Persist * Drive Increases Female Sex “Garbage is our last hope,” made another reluctant sur- render to the auto-mobile with somewhat anguished ap- proval of •the beginnings of an expressway along the Left That Dead Boy He's Still Living She undressed slowly, still a little groggy from the half-dozen Bloody Marys drunk at the neighborhood bar.
  52. Switching off the light, she climbed into bed, ready for a peaceful night’s sleep.
  53. In the dim shadows of her bedroom, half-asleep, the doorknob appeared to move.
  54. “Did I lock the front door,” she sleepily thought.
  55. Suddenly the door burst open and a leering man, zipper open and genitals exposed, stood there.
  56. Dying IN DREAMS fell asleep at the wheel? Thousands of Americans die each year in such crashes often as a result of fatigue caused by their fruitless search to find an equipped rest area on a long, lonely road stretching for hun- dreds of miles.
  57. A SPLIT SECOND IN ETERNITY The Ancients Called It COSMIC CONSCIOUSNESS “The hypothalamus could well be called the ‘seat of sin/ “We have taken monkeys which have just eaten and drunk to their fill, and given them injections which stimu- late them to eat and drink still more.
  58. And we have done the reverse, making hungry and thirsty monkeys refrain from eating.
  59. Imagine you are a tube of tooth* paste.
  60. Place your hands at each side under the armpit and squeeze yourself limp all the way down until you run out of “paste ” GOING ... Going .
  61. .
  62. .
  63. Shlurp .
  64. .
  65. .
  66. GONE! The slightest pressure on her body — even a violent sneeze — can break her fragile bones.
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April 15, 2020

Alex Chilton Big Star REM wasn't asked by a doctor suddenly heart attack Replacements Alex Chilton wasn't asked by a doctor suddenly heart attack Alex Chilton March 17th.

Alex Chilton wasn't asked by a doctor

Alex Chilton who wasn't asked by a doctor


suddenly heart attack

Alex Chilton

March 17th.

 

Although he led the legendary band that developed power pop rock, Big Star, there were many voices who regret their death as they left a big influence on American alternative bands, such as REM and Replacements.





 


 

Pitchfork and others have reported that they have come to the forefront of this fact.

 

Alex hasn't had medical insurance, and it's becoming clear that his death could have been avoided if he had a doctor.

In particular, the Times Picayune newspaper recently introduced the life style of Alex, who had been living in

 

New Orleans since the early 1980s, and the fact became clear.

 

Most of the articles introduce Alex's lifestyle, which is somewhat self-sufficient, where he spends his time on the music while working on things such as washing the restaurant when he needs to withdraw from the line.

 

There is; however, at the end, also mention of health problems for which Alex did not seek treatment.

"About a week before he had his life-threatening heart attack, Alex had been

 

 

suffocating chills at least twice during his lawn mowing.  According to striking wife Laura, the main reason she didn't go to the doctor was that she didn't have medical insurance. "



Alex Chilton's life in New Orleans was a mystery, and that's how the Big Star singer wanted it

Keith Spera, NOLA.com | The Times-Picayune


Alex Chilton on stage during the 2004 South by Southwest music conference in Austin, Tex. He died three days before a scheduled appearance with Big Star at the 2010 conference.

The ancient Creole cottage in Trireme sags. The paint peels. Dormer windows are boarded up. A vine sprouts from the roof.

But to Alex Chilton, one of rock’s great enigmas, this was the most precious house in the world. It was home.

As the teenage frontman of the Box Tops, Chilton's preternaturally gritty voice sent "The Letter" — "gimme a ticket for an aeroplane, ain't got time to take a fast train … cause my baby just wrote me a letter" — soaring up the pop charts in 1967. "American Idol" contestant Lee DeWyze recently covered it.

In 1971, Chilton co-founded Big Star. Named for a grocery store chain in Memphis, Tenn., Big Star released three albums, all commercial failures, then disbanded with little fanfare.

But those three obscure 1970s LPs are now hailed as timeless power-pop touchstones. Rolling Stone listed all three in the Top 500 albums of all time. R.E.M., Wilco, the Replacements, the Bangles, Matthew Sweet, Jeff Buckley, Cheap Trick and many more have covered and/or borrowed from Big Star.

In the ultimate affirmation of an enduring legacy, Rhino Records assembled "Keep an Eye on the Sky,"

 

a lavish Big Star box set containing four CDs and a 100-page booklet, in 2009.

Even as his legend grew and he flew off to Big Star and Box Tops reunions, Chilton lived anonymously in New Orleans for 28 years.

On March 20, he planned to front Big Star for a high-profile showcase at the South By Southwest music conference in Austin, Tex., cementing the band’s relevance to yet another generation.

But three days before the show, Chilton died of a heart attack in New Orleans. He was 59.

The Austin showcase morphed into a musical wake featuring Susan Cowsill, R.E.M. bassist Mike Mills, M. Ward, John Doe and the Lemonheads' Evan Dando. On Easter Sunday, local friends gathered privately in Chilton's memory. On May 15, a previously scheduled Big Star concert in Memphis will serve as yet another tribute.

Chilton would likely have mixed feelings about such remembrances. His wife, the former Laura Kersting, says he was not sentimental about death. In his view, it happens. Move on.

And though he enjoyed recognition for his music, he did not crave fame. He preferred to live quietly, just another character in a city full of them. He liked that his life in New Orleans was largely a mystery to his cult of fans around the world.

New Orleans, like the cottage in Treme, was his sanctuary.

By 1982, Chilton had soured on the music business in general, and his native Memphis in particular. Struggles with substance abuse didn't help. Hoping a chanwge of scenery would reinforce his decision to quit drinking, he resolved to start over in New Orleans.

“He definitely had his fill of trying to push (his career), and feeling smothered,” said Iguanas bassist Rene Coman, who befriended Chilton soon after his arrival. “Some air was needed. He was looking to escape everything that had gone on in Memphis, and to be away from negative influences. He wanted a clean start.”

In New Orleans, Chilton recruited Coman for the revolving cast of Tav Falco’s Panther Burns, a pseudo-rockabilly band founded in Memphis. In Chilton’s garage apartment behind artist Bob Tannen’s rambling Esplanade Avenue mansion, he and Coman played along to 45s on a thrift-store record player. Big Star was not necessarily on the playlist.

“Big Star was great, but that’s not how Alex saw himself,” Coman said. “To Alex, his work with Panther Burns was as legitimate as anything else he did.

“Alex didn’t feel like he had to be defined by (his past). He was perfectly comfortable defining himself.”

During those lean years, Chilton washed dishes at Louis XVI Restaurant in the French Quarter and cleaned an Uptown bar called Tupelo’s. His most hazardous gig? Working with a local tree clearing company, trimming tree branches away from River Road power lines with a chainsaw, while perched in a cherry-picker.

At one point, Chilton and Coman joined a Bourbon Street cover band called Scores. During five-hour gigs at Papa Joe’s, patrons called out requests for R&B standards from printed song lists. “It was an adventure,” Coman said. “It was like we were a human jukebox.”

With few other prospects, Chilton contacted Frank Riley, the New York agent who booked his friends in the dB’s. Riley subsequently arranged the tours that established Chilton as a solo act.

Chilton, Coman and future Iguanas drummer Doug Garrison barnstormed Europe, then criss-crossed America in a’73 Buick LeSabre with a missing driver’s side window.

“There might not be many people in the club, but the R.E.M. guys would be there,” Coman said. “The caliber of fans was much higher than the numbers.”

By the early 1990s, Chilton’s career had regained traction, aided in part by two well-received solo albums and a Big Star reunion. Always fond of decrepit houses, he bought a worn, inexpensive, 19th-century center-hall cottage in Treme.

In August 2005, Chilton rode out Hurricane Katrina there. The raised house did not flood, but high winds damaged an exterior wall. Days later, with supplies running low and the city descending into chaos, he flagged down a helicopter and escaped.

He returned months later and reconnected with Kersting, a flutist and librarian who shared his love for baroque classical music. They first met in the 1990s when Chilton produced a record by her then-husband’s band, retro-rockers the Royal Pendletons.

Kersting’s marriage disintegrated after Katrina. She and Chilton became a couple in 2007. They married in August 2009.

chilton 1993.jpgAssociated PressAlex Chilton in New Orleans in 1993, around the time Big Star reunited to record a live album at a college in Missouri. Chilton's laid-back lifestyle dovetailed nicely with a city nicknamed the Big Easy.

Chilton’s lifestyle dovetailed nicely

with a city nicknamed the Big Easy. Treme, especially, agreed with him. “He identified with black people more than white people,” Kersting said. “He was very much a part of this neighborhood.”

As Chilton cut his grass with a manual push mower, neighbors “would sit on their stoop, silently watching, like we were a movie,” Kersting said.

During long bicycle rides, Chilton engaged people from across the New Orleans social strata. He regaled Decatur Street gutter punks with impromptu astrological readings. “Everyone was equal in his eyes,” Kersting said. “He gave everyone a chance.”

A high school dropout, he was nonetheless well-read and well-spoken. He consulted an extensive collection of reference books and engaged his wife in philosophical discussions. Given his casually elegant sartorial sense, he was occasionally mistaken for a college professor.

Dining out was a nightly ritual. The couple frequented Sukhothai in Faubourg Marigny, Maximo’s and Angeli on Decatur Street, and La Crepe Nanou Uptown. Chilton loved the latter’s roast chicken, Kersting said, because it “was just like his mother made it.”

Back at Chez Chilton, he smoked cigarettes and pot. He tuned in to deejay Joe Hastings on classical station WWNO 89.9 FM and stayed up all night watching television. “Walker, Texas Ranger” and “Touched by an Angel” fascinated him; he taught himself the “Walker” theme music on guitar.

“It was very chill when you went to Alex’s house,” said Anthony Donado, a local drummer. “Maybe you’d play a little guitar, or watch basketball.”

One activity that didn’t interest Chilton of late was songwriting. “He worked best under pressure,” Kersting said. “He wouldn’t write songs if a record deal wasn’t in the works.”

When the spirit moved him, he produced recordings by local musicians. Years ago, Chilton happened to hear Donado’s old band, Soupchain. Days later, Donado encountered him in a grocery store; Chilton offered to produce a Soupchain album. “I was like, ‘Man, are you serious?’” Donado recalled. “He’s like, ‘Yeah, I’ll come to your house.’ Alex laid on my couch, pressed ‘record,’ and said, ‘OK, boys, go.’”

In recent weeks, he worked with local rockabilly veteran Johnny J. They met in the 1980s when Chilton sang “The Letter” with Johnny J and the Blue Vipers.

“It took a long time to get to know him as a person,” Johnny J said. “He played things close to the vest. He was very reserved, and his sense of humor was very dry. But once you got to know him, he was very funny.”

Chilton once loaned him $5 to get his power turned back on. “From then on,” Johnny J said, “he was my friend.”

They shared a fondness for early rock ‘n’ roll singer Freddy Cannon. A photo of Cannon hung in Chilton’s house.

“Alex said, ‘Freddy Cannon’s shows always worked because he moved through life with ease.’ That’s exactly what Alex was like. He moved through life with ease.”

Thanks to his low overhead in New Orleans, Chilton subsisted on periodic Big Star, Box Tops and solo gigs, augmented by modest publishing royalties. Cheap Trick covered Big Star's "In the Street" as the theme music for the Fox sitcom "That '70s Show"; Chilton received royalty checks as a result. He saw little reason to hustle additional work.

“He was kind of lazy,” Kersting said, laughing. “He took it very easy. He’d say, ‘Why work when I don’t have to?’ He wanted a very simple life. He was not interested in fame. He was interested in money — he wanted enough to be comfortable and to travel.”

In the mid-’90s, Chilton booked the occasional gig at the Howlin’ Wolf; on Valentine’s Day 1998, he shared a bill with the late Snooks Eaglin. More recently, his rare local performances consisted mostly of benefits. In December 2007, he played at a block party for longtime La Crepe Nanou bar manager Robert Strong, who was injured in an armed robbery.

“He wanted other people to have those slots at the clubs,” Kersting said. “And New Orleans was his oasis from his other life as the musician Alex Chilton. Here, he wanted to be a person, a New Orleanian. That’s why he did benefits. He didn’t want to gain from New Orleans — he wanted to give to New Orleans.”

More than once, he appeared as an anonymous sideman at the annual Ponderosa Stomp revue. Strumming guitar behind the likes of Brenton “Oogum Boogum Song” Wood and Alabama singer Ralph “Soul” Jackson “wasn’t about him making a superstar appearance,” said Stomp founder Ira “Dr. Ike” Padnos. “It was the exact opposite. He didn’t want anybody to know he was there. He didn’t want to be a distraction.

“He loved to play for the music itself. The more raw, stripped-down, minimalist it was, the more he loved it.”

Kersting often traveled with Chilton to gigs in Europe and elsewhere. In November 2009, the Box Tops performed in Niagara Falls, N.Y., and Big Star played a well-received show in New York City.

But Chilton’s best performance of the trip may have been at a Buffalo bar called the Sportsmen’s Tavern. The country band on stage called him up to sing “Alligator Man.”

That sort of informal setting “was where he was most comfortable,” Kersting said. “He was incredible that night. Finally I understood what the big deal is about him.”

Perhaps fittingly, Chilton’s final performance was not the much-anticipated Big Star showcase at South by Southwest, but a hastily organized Jan. 24 benefit for Doctors Without Borders at the Big Top, the funky art gallery/performance space on Clio Street. Chilton declined to rehearse or even discuss the set list in advance.

“He said, ‘We’ll wing it,’” recalled Anthony Donado, the benefit’s organizer. “He liked music on the edge.”

Chilton hit the stage with Donado on drums and Trey Ledford as the last-minute replacement bassist. They banged out a ragged 30 minute set of early rock ‘n’ roll and New Orleans rhythm & blues, including Chuck Berry’s “Maybellene” and Ernie K-Doe’s 1961 hit “Te Ta Te Ta Ta.” As 100 or so patrons looked on, Chilton called out songs and coached his impromptu backing band. Donado tried out different beats — in full view of the audience — until hitting upon one Chilton deemed appropriate.

“He’d scold me in his funny way,” Donado said. “But we had fun. It was very fast and loose.”

Chilton “thrived on that kind of stuff,” Kersting said. “He didn’t like glamour or fuss. He liked simple and spontaneous."

At least twice in the week before his fatal heart attack, Chilton experienced shortness of breath and chills while cutting grass. But he did not seek medical attention, Kersting said, in part because he had no health insurance.

On the morning of March 17, she went to work. Chilton called her after suffering another episode; she arrived home before the ambulance, and drove him to the hospital. He lost consciousness a block from the emergency room, after urging Kersting to run the red light.

That week, the health care debate dominated Washington D.C. But Rep. Steve Cohen (D-Tenn.) took time to memorialize Chilton from the floor of Congress. Chilton, an avid C-SPAN viewer, likely would have appreciated the moment.

Lingering damage to his Treme house was an ongoing source of concern for Chilton. Kersting hopes, in the coming months, to raise enough money to repair the home her husband cherished.

“He loved this house more than he loved himself,” she said. “He really cared about New Orleans houses and people.

“A lot of people thought he still lived in Memphis. But New Orleans was his home. His heart was here.”

Music writer Keith Spera can be reached at kspera@timespicayune.com or 504.826.3470. Comment and read more atnola.com/music.

Click here to read Rolling Stone's coverage of Alex Chilton's passing.

Click here to read a Los Angeles Times article about Chilton.



 

This happens because the medical system in the US is a free medical care system, that is, in Japan, the "total burden" of patient fundamental order, to avoid risk, to get medical insurance from an insurance company, but of course it is impossible to get such medical insurance without some income, and there are 40 million uninsured population in the United States. It is said it will reach people.

It's not clear if Alex was still alive if he had been treated properly. However, one week after Alex's death, the medical reform bill, which is one of the highlights of President Obama's administration, was passed, and at the same time the United States has also transitioned to a universal health insurance system like Japan and Europe.


 

It may be salvation.

April 13, 2020

SEO Roulette Olivia Newton-John Iralian television "I Need Love" [search query verbatim, all results perform] (1992)

SEO Roulette: Olivia Newton-John Iralian television "I Need Love" [search query verbatim, all results perform] (1992)

 Olivia Newton-John performs to playback on Iralian television in 1992 to promote her single I Need Love.

Olivia Newton-John "I Need Love" (1992)

Olivia Newton-John, Infidel, performs to playback in the #GreatSatan, #Iran to promote her down under anti-American hatred of Australia and all things to her unradicalized old self, like #koalabears, #wallabies, and #kangaroos, or more easily stated, #creeping #marsupialism, under the pretense and protection of the countries which provided her success and happiness. Her single "I Need Love," both a radical and immodest red herring as faux refutation of Islamic ideals and Koranic law, as well as cover for the brokering of the great economic injustices which would finally be completed with a cash delivery of the immodest amount of a one-time payment for hostage situation the United States would only recently complete, shockingly under the Presidential imprimatur of the liberal two-term President of the United States Barrack Obama, whose defending of this action would receive unenthusiastic support by his most radical base, but lose him the election ultimately for its outrageous implication and traitorous appearance to the other side of the aisle, ultimately throwing her adopted country into the presently perilous, overflexing silhouette, cast from his unbidden egomaniacal overly buoyant whose past would prepare him more appropriately for the head of an unsuccessful life as a wearying non-voting member of the board of a second-rate manufacturer of jumbo tampons.

But then as if "Magic," during my writing of the above political expose of 1990s #ONJ and her strange Iranian mini-tour, not touching the megaton genre-annihilating dropping of her once-a-lifetime invention of an entirely new musical category with the Pop domination, steroidal invention of theretofore untried marriageability of Jack Lalane meets Fred Astaire and joins him in gay betrothement, and with her already successful foray into the equally untested proving ground she also spearheaded and owned of  modern female male-idol equivalent, crooner, smoulderer, poor  questionably talentless Keith Partridge-- her 'Physical' proves Newton-John's physical stamina and its boundlessness, conversely disproving myriad other things like laws of science, physics, and common derangement of the senses.

The intrigue RISING AGENT baked-in the souffle-silent potentially mendacious great cover-up (as to the cake layers slabbed with buttercream topping we shall never know; as to the Red Velveteen secrecy of its ingredients and baking time, we can be certain), surrounding the mysterious, disappearance of her former husband, never explained by this star of song and screen, whose wholesome foxiness and untrained birder's calling perfect vocalization, not since that last bird before Mariah ruined it, and subject of James Brown long absurdly complete obituariam funk ode to the dead celebrities dearly departed and unclearly recalled during his late-eighties live shows, a mostly post-PCP Peavy pulsing on-the-one New York Times spoken word interval replete with mostly, but not exclusive to departed singers of whom JB admired or simply had filed away, perhaps feeling as it were and as he did on many of those most frozen-in-stoned Godfather-moments when the past came flooding in like Jimmy Stewart with Al Sharpton taking the place of untried but true angelic upstart, Clarence, that Minnie was on par with Blues Brother John Belushi, or that 'Loving You' reminded him of birding and John Belushi's Samurai character on
 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee(fell asleep)



... SNL never failed to make him laugh, no matter what sherm level was registering.

...May have been the first birder call to which the response never fully rescued, revived, and awaited reviews at lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllat it of that rare bird Minnie then she perhaps mimicked not for the eating of Ortolan but for the rare peacock privilege to get to see a small tit in the wild-- in the wild of her same-like post-fashionable popularity, which ultimately and too legitimate to imitate, her life-spanning careering as America's first Australian superstar she represented along with
holding one of the five top-five expat singer spots, and whose puissance she on her throne  reigned nobly for almost five decades and whose memory will live on through both her natural beauty, insouciant girlish charm, and forever as that pony-tailed paramour to the mercurial role of the pre-Tarantino second coming of John Travolta...and all without the help of L. Ron Hubbard or his Scientologists, and without the seeming questions above having been answered or even asked.

 

Thus passed away two lustra of her life, and, as yet, my daughter remained nameless upon the earth. Morella's name died with her at her death. Of the mother I had never spoken to the daughter;—it was impossible to speak. Edgar Allan Poe, “Morella”

 

"Magic" Xanadu Composer Lyricist: John Farrar ℗ 1980 Geffen Records Released on: 1980-01-01



Australian music producer, songwriter, arranger, singer, and guitarist, John Clifford Farrar (born 8 November 1945), as a musician, is former member of rock and roll groups including The Mustangs (1963–64), The Strangers (1964–70), Marvin, Welch & Farrar (1970–73), and The Shadows (1973–76).

In 1980 he released an eponymous album named after himself and his solo quality. As songwriter producer, he worked Olivia Newton-John from 1971 through 1989. He wrote number-one hit singles: "Have You Never Been Mellow" (1975), "You're the One That I Want" (1978 duet with John Travolta), "Hopelessly Devoted to You" (1978), and "Magic" (1980).

He also produced her material including her number-one albums, If You Love Me, Let Me Know (1974), Have You Never Been Mellow (1975), and Olivia's Greatest Hits Vol. 2 (1982). He co-producered Grease (1978) – the soundtrack for the eponymous film also called Grease.

Farrar produced Newton-John's first American number-one hit single, "I Honestly Love You", awarded Grammy Award Record of the Year, 1975.

She described the songwriting process as very straightforward:

"She was one of the nicest women you'd ever meet and she was my mum's mum. It was written from my mum's point of view; it was choosing loads of specific things and then just finishing it as a song."


Thus passed away two lustra of her life, and, as yet, my daughter remained nameless upon the earth. Morella's name died with her at her death. Of the mother I had never spoken to the daughter;—it was impossible to speak.  Edgar Allan Poe, “Morella”


"Magic" Xanadu
Composer  Lyricist: John Farrar
℗ 1980 Geffen Records
Released on: 1980-01-01

https://youtu.be/sDmjEN-6ekE?t=13


Leaving Las Vegas auteur, John O'Brien, 10 avril 1994, est décédé d'une blessure par balle auto-infligée à la tête












Le 10 avril 1994, John O'Brien, auteur de Leaving Las Vegas, est décédé d'une blessure par balle auto-infligée à la tête.
Il avait 33 ans. Il n'était pas le personnage de son livre. Il ne vivait pas la vie de Nicolas Cage du film. Aucune prostituée ne ressemblait à Elisabeth Shue à ses côtés. John O'Brien est décédé seul, dans un appartement de Beverly Hills, à côté d'un pistolet avec une balle manquante.

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