SEO Roulette: Olivia Newton-John Iralian television "I Need Love" [search query verbatim, all results perform] (1992)

 Olivia Newton-John performs to playback on Iralian television in 1992 to promote her single I Need Love.

Olivia Newton-John "I Need Love" (1992)

Olivia Newton-John, Infidel, performs to playback in the #GreatSatan, #Iran to promote her down under anti-American hatred of Australia and all things to her unradicalized old self, like #koalabears, #wallabies, and #kangaroos, or more easily stated, #creeping #marsupialism, under the pretense and protection of the countries which provided her success and happiness. Her single "I Need Love," both a radical and immodest red herring as faux refutation of Islamic ideals and Koranic law, as well as cover for the brokering of the great economic injustices which would finally be completed with a cash delivery of the immodest amount of a one-time payment for hostage situation the United States would only recently complete, shockingly under the Presidential imprimatur of the liberal two-term President of the United States Barrack Obama, whose defending of this action would receive unenthusiastic support by his most radical base, but lose him the election ultimately for its outrageous implication and traitorous appearance to the other side of the aisle, ultimately throwing her adopted country into the presently perilous, overflexing silhouette, cast from his unbidden egomaniacal overly buoyant whose past would prepare him more appropriately for the head of an unsuccessful life as a wearying non-voting member of the board of a second-rate manufacturer of jumbo tampons.

But then as if "Magic," during my writing of the above political expose of 1990s #ONJ and her strange Iranian mini-tour, not touching the megaton genre-annihilating dropping of her once-a-lifetime invention of an entirely new musical category with the Pop domination, steroidal invention of theretofore untried marriageability of Jack Lalane meets Fred Astaire and joins him in gay betrothement, and with her already successful foray into the equally untested proving ground she also spearheaded and owned of  modern female male-idol equivalent, crooner, smoulderer, poor  questionably talentless Keith Partridge-- her 'Physical' proves Newton-John's physical stamina and its boundlessness, conversely disproving myriad other things like laws of science, physics, and common derangement of the senses.

The intrigue RISING AGENT baked-in the souffle-silent potentially mendacious great cover-up (as to the cake layers slabbed with buttercream topping we shall never know; as to the Red Velveteen secrecy of its ingredients and baking time, we can be certain), surrounding the mysterious, disappearance of her former husband, never explained by this star of song and screen, whose wholesome foxiness and untrained birder's calling perfect vocalization, not since that last bird before Mariah ruined it, and subject of James Brown long absurdly complete obituariam funk ode to the dead celebrities dearly departed and unclearly recalled during his late-eighties live shows, a mostly post-PCP Peavy pulsing on-the-one New York Times spoken word interval replete with mostly, but not exclusive to departed singers of whom JB admired or simply had filed away, perhaps feeling as it were and as he did on many of those most frozen-in-stoned Godfather-moments when the past came flooding in like Jimmy Stewart with Al Sharpton taking the place of untried but true angelic upstart, Clarence, that Minnie was on par with Blues Brother John Belushi, or that 'Loving You' reminded him of birding and John Belushi's Samurai character on
 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee(fell asleep)



... SNL never failed to make him laugh, no matter what sherm level was registering.

...May have been the first birder call to which the response never fully rescued, revived, and awaited reviews at lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllat it of that rare bird Minnie then she perhaps mimicked not for the eating of Ortolan but for the rare peacock privilege to get to see a small tit in the wild-- in the wild of her same-like post-fashionable popularity, which ultimately and too legitimate to imitate, her life-spanning careering as America's first Australian superstar she represented along with
holding one of the five top-five expat singer spots, and whose puissance she on her throne  reigned nobly for almost five decades and whose memory will live on through both her natural beauty, insouciant girlish charm, and forever as that pony-tailed paramour to the mercurial role of the pre-Tarantino second coming of John Travolta...and all without the help of L. Ron Hubbard or his Scientologists, and without the seeming questions above having been answered or even asked.

 

Thus passed away two lustra of her life, and, as yet, my daughter remained nameless upon the earth. Morella's name died with her at her death. Of the mother I had never spoken to the daughter;—it was impossible to speak. Edgar Allan Poe, “Morella”

 

"Magic" Xanadu Composer Lyricist: John Farrar ℗ 1980 Geffen Records Released on: 1980-01-01



Australian music producer, songwriter, arranger, singer, and guitarist, John Clifford Farrar (born 8 November 1945), as a musician, is former member of rock and roll groups including The Mustangs (1963–64), The Strangers (1964–70), Marvin, Welch & Farrar (1970–73), and The Shadows (1973–76).

In 1980 he released an eponymous album named after himself and his solo quality. As songwriter producer, he worked Olivia Newton-John from 1971 through 1989. He wrote number-one hit singles: "Have You Never Been Mellow" (1975), "You're the One That I Want" (1978 duet with John Travolta), "Hopelessly Devoted to You" (1978), and "Magic" (1980).

He also produced her material including her number-one albums, If You Love Me, Let Me Know (1974), Have You Never Been Mellow (1975), and Olivia's Greatest Hits Vol. 2 (1982). He co-producered Grease (1978) – the soundtrack for the eponymous film also called Grease.

Farrar produced Newton-John's first American number-one hit single, "I Honestly Love You", awarded Grammy Award Record of the Year, 1975.

She described the songwriting process as very straightforward:

"She was one of the nicest women you'd ever meet and she was my mum's mum. It was written from my mum's point of view; it was choosing loads of specific things and then just finishing it as a song."


Thus passed away two lustra of her life, and, as yet, my daughter remained nameless upon the earth. Morella's name died with her at her death. Of the mother I had never spoken to the daughter;—it was impossible to speak.  Edgar Allan Poe, “Morella”


"Magic" Xanadu
Composer  Lyricist: John Farrar
℗ 1980 Geffen Records
Released on: 1980-01-01

https://youtu.be/sDmjEN-6ekE?t=13