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March 3, 2020

Facebook Rips Down 'Parkinson's Foundation] Ian Dury Pt 1' What would you do? Review requested Your post is in review x 10 Your post goes against our Community Standards on spam to prevent things such as false advertising, fraud and security breaches.

Your post goes against our Community Standards on Maya Angelou spam:

'When someone tells you who they are, BELIEVE THEM!'

 @[56349854459:274: Parkinson's Foundation]

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.@mrjyn TO STOP, TRY, TRASH TELL, #theTRASHapp Doug Meet sent to me his information
TO THE HOUSE, theTRASHapp.
TO TRY TO, theTRASHapp.
TO USE BAiT, theTRASHapp.
TOO, BUT, IT, theTRASHapp.
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UK ONTHISDAY HULLO.
— with Raymond Brady and 14 others.

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The year is now 2020 and many people around the globe are wondering if the end of the world is near. Francis Bacon was the loudest, rudest, drunkest, most sought-after British artist of the 20th century. Twenty-five years after his death, his canvases regularly exceed £40million at auction. Bacon's appeal is rooted in his notoriety - a candid image he presented of himself as Roaring Boy, Lord of Misrule and Conveyor of Artistic Violence.

With blasphemers, disobedient, unthankful, unholy, without natural affection, bakers of falsely accused, incontinent, fierce fears, despisers of that that is good; traitorous, heady, highhanded, low lovers of pleasure, more than lovers of God; gormless purveyors of godlessness, denying the power thereof: from such turn away.

This was true enough, but only part of the truth. He carefully cultivated the facade, protecting the complex and haunted man behind the myth.

In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

Widespread interest in his likes today is happening to our world; the signs of whose end is prevalent: War, famine, natural disasters, incredible and rapid increase in knowledge; poisoning of the air and water, birds of the air and fish of the seas dying in huge numbers.

These are just a few of the signs which you can see

More like this...

Artist Francis Bacon

Francis Bacon | Interview
BROADCAST 1963
29 MINUTES
David Sylvester speaks to Francis Bacon about his work.

Your post goes against our Community Standards on spam

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Arguably, and God knows, Van Morrison (Official) risen, can argue a blue-streak ...
Ask Linda Gail Lewis, unknown, unless 70s niche famous sister singers true Daily Double was your Cat. jam on Jeopardy, the swung, high-end sister, mostly unlike via brother anyone to survive, formatively, years and tell, her story of his nominative determinism (and I give people a hard time about astrology), with one detail of hers added which steels the show, like just adding Mace or Six Spice: her impossibly TWO-TIMES OF EIGHT WHEN HER MARRIED NAME WAS LINDA LOVELACE! at least, pertaining to the Killer's un-self-appellated scaremongering, wholly gotta unshaken goin' slightly undeterred, dire preordaining predicatively, funereal, unboxed, out the in out-box cum 'KILLER,' if you will.
DEAR CECIL HARRELSON,
Thanks for giving your best friend in Ferriday, Jerry Lee Lewis that nickname, Killer.
But, when Harlem Globetrotters name someone Curly, IT'S USUALLY BECAUSE they are BALD!
BUT,
as Maya Angelou says,
'When someone tells you what they are, BELIEVE THEM!'
Signed,
Jaren Gunn Pate and Shawn Michelle Stephens nee Lewis
unsegregated, sound-a-like agnostics, unbridled longings answerable to Chuck Berry's narrator interlocutor, eponymous race music, because there was a fire, racial injustice, sexual revolution, interracial inequalities, qualitative, quantitative protests cultivated by, and closeted for his undeterred, unerring ardor shared by the other hebephiliac in the barn.
WHO'S BARN? MY BARN.
Another lover of young white pussy, fronting asses for backdoor passes, heading -- feet flying in the air.  Hey diddle diddle, playin' his fiddle, glad handed (seen the finger, rhythm fretting reach of those? Like ringin' a bell, bitch), "Brown Eyed Handsome Man"'s question, unblinkingly priced-to-sell during racial revolutions tell both seamlessly rhymed rounding third, heading home, no hotbox en situ from which, Warden, to escape, slides low, three and "o", in a new coffee-colored Cadillac, under that drunk-ass white man and his interracial radar, who probably just rode in while Berry was on top, smashing that creampie from bottom, between two cakes, no uncomplaining top -- ilk, but no cookies, please, and extreme prejudice, just redundant reactionaries --
MC5 meet Chuck Berry, Chuck Berry, kick out some jams, motherfucker -- roll it over, Beethoven,th for him, wi him, and tell Van Morrison the news:

there's a 'Brown Eyed Girl,' in his bed, in perfect attendance, getting up, going to class, studying hardly, hopin' to pass that ass, learning about Marlo [sic] of Venus, who lost both her arms to a brown-eyed handsome, gender-specific person, and his/her ass too, via a wrestlin' match.
at

March 2, 2020

Jerry Lee Lewis — Hernando's Hideaway DEAR CECIL HARRELSON, Thanks for giving your best friend Jerry Lee Lewis, that Killer nickname, but when Harlem Globetrotters nicknamed 'Curly', IT'S BECAUSE HE WAS BALD! Not half-CHIA Memphis 1991 video playlist, pharaonic tribute carved by @mrjyn


Arguably, and God knows, Van Morrison (Official)​ risen, can argue a blue-streak ...

Ask Linda Gail Lewis,​ unknown, unless 70s niche famous sister singers true Daily Double was your Cat. jam on Jeopardy, the swung, high-end sister, mostly unlike via brother anyone to survive, formatively, years and tell, her story of his nominative determinism (and I give people a hard time about astrology), with one detail of hers added which steels the show, like just adding Mace or Six Spice:  her impossibly TWO-TIMES OF EIGHT WHEN HER MARRIED NAME WAS LINDA LOVELACE! at least, pertaining to the Killer's un-self-appellated scaremongering, wholly gotta unshaken goin' slightly undeterred, dire preordaining predicatively, funereal, unboxed, out the in out-box cum 'KILLER,'  if you will. 

DEAR CECIL HARRELSON,

     Thanks for giving your best friend in Ferriday, Jerry Lee Lewis that nickname, Killer. 

But, when Harlem Globetrotters name someone Curly, IT'S USUALLY BECAUSE they are BALD! 

 BUT,
as Maya Angelou says,

'When someone tells you something, BELIEVE THEM!' 

 Signed,

 Jaren Gunn Pate and Shawn Michelle Stephens nee Lewis


unsegregated, sound-a-look-alike agnostics, unbridled longings answerable to Chuck Berry's narrator interlocutor, eponymous; race music because there was a fire, racial injustice, sexual revolution, interracial inequalities qualitative, quantitative, protest cultivated by, and closeted for his undeterred, unerring ardor shared by the other hebephiliac in the barn. 


WHO'S BARN?  MY BARN. 

Another lover of young white pussy, fronting asses for backdoor passes, heading,  feet flying in the air, hey diddle diddle, playin' his fiddle, glad handed (seen the finger, rhythm fretting reach of those? Like ringin' a bell, bitch),  "Brown Eyed Handsome Man"'s question, unblinkingly priced-to-sell during racial revolutions tell, both seamlessly rhymed, rounding third, heading home, no hotbox en situ from which, Warden, to escape, slides low, three and "o", in a new coffee-colored Cadillac, underway, under that drunk-ass white man and his interracial radar, who probably just rode in while Berry was on top, smashing that white creampie wife from   bottom, between those two cakes,  touncomplaining top-- ilk, no cookies, please, and with extreme prejudice,  redundant reactionaries, MC5 meet Chuck Berry, Chuck Berry, kick out some jams, motherfucker, roll it over, Beethoven, for him, with him, and tell Van Morrison the news: there's a 'Brown Eyed Girl,' in his bed, in perfect attendance, getting up, going to class, studying hardly, gettin' that ass,  learning about  Marlo [sic] of Venus, who lost both her arms to a brown-eyed handsome, gender-specific person, and his/her ass too, via a wrestlin' match. 


Jerry Lee Lewis — Hernando's Hideaway Memphis 1991 video playlist, pharaonic tribute carved by Doug Meet







conservatively composed appears Bakley, her allocation slept-on a Wurlitzer, caretakered by a man whose perfect centurion guitar's longevity   so-named him myself, by  session on Mathe's dime, I record Linda, Doug Easley  records us, and shows yonder, voyeur says,

'what, goddess?'

goddess. yes, you about it? 

 

Ah, no meat? 

Liz van den Berg, where are you tonight?


Do you put on a set or pull one
off? 


Are you back in the city? 

 

I got the Porsche because your brother said you wanted it. 

 

It's neon green!


MISS Brook's Rd. luxurious, omelette-colored, sister, motherhumper too,
inherited four-year-old conspiratorial wonder, nigousine black  channel 

35° 13 ′23.


So-called session, Linda records, describes so-called session Mathe booked and so-called I produced.

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somewhere, slogan inspired undoubtedly and command slept house-Wurlitzer

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Tav Falco Panther

Burns Alex Chilton Band dies young agreed-upon outfits blues croon
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bistro. all in my joys tell show departure-from-home room city


Histologists, Witwatersrand, bookshelves republicanism, probably nervous,

nervous, cold, strong, sexually nervous, nervous.


It's neon green! root goddess. yes, what do you like about it? Ah, not

meat? Liz van den Berg, where are you tonight? Do you put on a set of

pull someone else out? Are you back in the city? I fit the Porsche

because your brother said you wanted a. It's neon green!


loyalty produces rock, so-called, from so-called histologists

cold strong sexual nervous with love and devotion—sphinx




Meatwad: Enchiladitos…They make you wanna eat 'em!

Meatwad: Hey, Carl.
Carl: Hey, hey, hey, just the man I wanted to see. I done heard
through the grape vine that someone won a big prize recently.




Meatwad: Yup, I won two tickets to the Super Ball.

Carl: No, it's, it's "Bowl." It's cute that you said that 'cause

you's a frickin' idiot.

[At night, Shake smiles at Meatwad in his room. He grabs a gutter from
behind him and turns his smile into a frown]

Shake: I didn't leave my keys in here. Silly! Uh, this must be the
wrong...PLACE!

[Carl busts in after Shake tries to keep him out]
Carl: Get your meat ass out here and have some fun with me!

Meatwad: Why do you have those oven mitts on?
Shake: I'm not touching you skin-to-skin! I mean, it's extra
padding, it's for your pleasure
Meatwad: I'm not entirely comfortable with the level of asbestos in
these mitts
Shake: Just take deep breaths...breathe it in and die! Give me those
tickets!




Meatwad: Yep, Super Bowls are fun. We got braggin' rights this year.

Number One.

Shake: Who?

Meatwad: Number One.

Shake: Who's Number One?

Meatwad: I don't know.

Shake: You don't know…because you went to a fucking farm, you

fucking imbecile!

[Meatwad leaves]

Shake: Get back here! You cost me my one chance! I GOT FUCKING

DIABETES AND CANCER BECAUSE OF YOU!!!!

Histologists Witwatersrand Bookshelves probable nervous nervous




cold strong sexual nervous nervous




at

Frank "Sugarchile" Robinson Caldonia (What makes your big head so hard?" from movie "No Leave No Love" 1946)


What happened?

Did his voice break?

Did the novelty of an infant boogie virtuoso suddenly lose its appeal when he hit 12? 

Was he really found out to be an adolescent midget in disguise?





Frank "Sugarchile" Robinson 

Caldonia






Once the hits had dried up and he was released from his Capitol Records contract, there were one or two more reports in the trade papers of the day - he was reported in August 1954 as playing The Blue Note in Chicago with modern jazzer Gerry Mulligan (!) - and then nothing!




Summary:

  1. Last year it was announced that a 62 year-old 👵 had been rediscovered living in Detroit, where he has worked mainly outside music for almost 50 years (although he is rumoured to be the same Frank Robinson who co-owned the obscure Detroit-based soul label, Lando Records, in the 1960s) and was brought out of retirement to pound the ivories once again at a music festival which celebrated pre-Motown music from the Motor City. (148)

  2. Frank "Sugarchile" Robinson - Caldonia From movie "No Leave No Love" 1946 

    SUGAR CHILE ROBINSON (By Dave Penny) 

    Born Frank Robinson, 1940, Detroit, Michigan


    The history of 20th century entertainment is littered with child prodigies; from Shirley Temple in the 1930s, Toni Harper in the 1940s and Frankie Lymon in the 1950s.

Best words:

  1. ears (19)

  2. canonical (15)

  3. Robinson (14)

  4. love (10)

  5. sugar (8)

  6. chili (8)

  7. boogie (7)

  8. child (5)

  9. frank (5)

  10. been (4)

  11. talent (4)

  12. head (4)

  13. records (4)

  14. first (4)

  15. months (4)

  16. time (4)

  17. detritus (4)

  18. baby (4)

  19. music (3)

  20. makes (3)

  21. last (3)

  22. 1952 (3)

  23. leave (3)

  24. career (3)

  25. Christmas (3)

  26. history (3)

  27. playing (3)

  28. Basie (3)

  29. august (3)

  30. year (3)

  31. great (3)

  32. made (3)

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  34. Frankie (3)

  35. living (2)

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  38. criterion (2)

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  40. numbers (2)

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  46. misspugsley41216 (2)

  47. capitol (2)

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  61. 1951 (2)

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  76. 1950 (2)

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  87. children (2)

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  89. family (2)

Keyword highlighting:
  • Once the hits had dried up and he was released from his Capitol Records contract, there were one or two more reports in the trade papers of the day - he was reported in August 1954 as playing The Blue Note in Chicago with modern jazzer Gerry Mulligan (!) - and then nothing!

    Last year it was announced that a 62 year-old "Sugar Chile" Robinson had been rediscovered living in Detroit, where he has worked mainly outside music for almost 50 years (although he is rumoured to be the same Frank Robinson who co-owned the obscure Detroit-based soul label, Lando Records, in the 1960s) , and was brought out of retirement to pound the ivories once again at a music festival which celebrated pre-Motown music from the Motor City.
  • Frank "Sugarchile" Robinson - Caldonia From movie "No Leave No Love" 1946 SUGAR CHILE ROBINSON (By Dave Penny) Born Frank Robinson, 1940, Detroit, Michigan The history of 20th century entertainment is littered with child prodigies; from Shirley Temple in the 1930s, Toni Harper in the 1940s and Frankie Lymon in the 1950s.
Sentences:

  1. Frank "Sugarchile" Robinson 

    Caldonia  "No Leave No Love" 1946  

    SUGAR CHILE ROBINSON 1940, Detroit, Michigan  


  2. On the whole, although precociously talented, child entertainers were usually saddled with inferior, childish material that, while perhaps cute at the time, were usually novelty acts that grew tiresome pretty quickly.Some couldn't handle the swift drop in popularity and turned to drink or drugs, while others retired gracefully and concentrated their energies in other directions. 

    One such was that tiny bundle of Detroit dynamite, "Sugar Chile" Robinson.


    Born Frankie Robinson, the youngest of six children, in Detroit in 1940, "Sugar Chile" began pounding on the family piano as a toddler - he reputedly banged out a recognizable version of Erskine Hawkins' Tuxedo Junction at the age of two - and by 1945 he had been "discovered" by pianist and bandleader Frankie Carle.

  3. Within a year arty fore was asked to play a White House

    President Harry Truman, had guested with Lionel Hampton's Orchestra and even appeared performing the title song in the 1946 MGM romantic comedy film "No Leave, No Love".

  4. It was not until July 1949, however, that he made his first records for the Capitol label, when, in the consummate company of jazz veterans Leonard Bibbs on bass and drummer Zutty Singleton, Robinson took his first two releases into the Billboard R&B chart in late 1949;


    Numbers Boogie made it to number four, while Caldonia (What Makes Your Big Head So Hard) only reached number 14.


    His subsequent national tour broke box-office records wheresoever and it is claimed that his appearance at Chicago's Regal Theatre remains the biggest one-week attraction of the theatre's entire history, easily beating the jazz royalty of the day like Count Basie and Duke Ellington.


  6. Robinson toured with Basie in 1950 and made a celebrated musical short with the Basie Sextet and Billie Holiday in Hollywood in August to showcase his hits.

  7. The Christmas season of 1950 witnessed Sugar Chile's first European release and Christmas Boogie c/w Rudolph The Red-Nosed Reindeer


    sold well enough to spark a European tour in 1951, including rave reviews for his spot at the London Palladium.


    He was a big hit on US radio and TV all through 1951 and then, while still in his pre-teens, Robinson's career was suddenly over; his last single release was issued in August 1952, shortly followed by a 10" compilation LP of boogie woogie that featured many of his 1952 recordings.


    Apart from a few radio transcriptions and film soundtracks, "Sugar Chile" Robinson's complete recording career - a period of just under three years - has been reissued in its entirety on one 2003 CD compilation, "Chronological Classics 1949-52".

     If he really was only nine years old at the time, the performances from his first session such as Vooey, Vooey Vay, Caldonia and Numbers Boogie were quite astonishing.

    As with other child stars, like Toni Harper, Robinson was frequently burdened with immature material, but even nursery rhyme knock-offs such as Sticks And Stones, Christmas Boogie and (Rock-A-Bye) Baby Blues were transformed into entertaining performances with hip and clever touches.

  8. The youngster acquitted himself as a pianist exceptionally well on the few instrumentals, particularly Lazy Boy's Boogie, and for variety he occasionally switched to organ or Celeste on later sessions.

  9. Once the hits had dried up and he was released from his Capitol Records contract, there were one or two more reports in the trade papers of the day - he was reported in August 1954 as playing The Blue Note in Chicago with modern jazzer Gerry Mulligan (!) - and then nothing!

     


    Last year it was announced that a 62 year-old "Sugar Chile" Robinson had been rediscovered living in Detroit, where he has worked mainly outside music for almost 50 years (although he is rumoured to be the same Frank Robinson who co-owned the obscure Detroit-based soul label, Lando Records, in the 1960s), and was brought out of retirement to pound the ivories once again at a music festival which celebrated pre-Motown music from the Motor City.

  10. The internet has been strangely silent since, so I am unsure whether the festivity l even took place.

    Does anybody know? CD: The Chronological Sugar Chile Robinson, 1949-1952 (Classics 2003 24 tracks).

  11. Caldonia (Bonus Track)

     'Sugar Chile' Robinson 


    Caldonia Writer Fleecy Moore 

  12. In 1952, he told his dad he didn't want to neglect his education.

  13. Subsequently, he earned degrees in History and Psychology.

  14.  He was sooooooooo cute! It's great how his life turned out later, finishing his academic studies and going into psychology.

  15. Many child prodigies are not lucky when they become adults because they are either considered washed-up or they develop issues from being exploited as children.

  16. He must have come from a very supportive family.

  17.  After watching this video, there is only ONE conclusion that can be drawn: this black child prodigy has more talent on his fingertip than Justin Bieber's entire blip of a career (you can quote that).

  18. Just saying.

  19.  Calldonia! Caldonia! WHAT MAKE YO' BIG HEAD SO HARD!


    Oh my goodness! I use to hear my Dad sing those words out every now and then when I was a little girl.

  20. Dad passed away last year at 89 years of age and I never asked him where those words came from

  21. now I know.

  22. (Big smile) After seeing this is living proof that some people are so gifted straight from God this talent don't come from no where what a doll God love him.

  23. Brilliant just brilliant he's playing with fingers arms and fists

  24. People could study and practice all their lives and not play like that.

  25. Great.

  26.  "Not now. LATER."

    Is it just me or was that kind of, I don't know, menacing?

    He came to the UK in 53 (?) - my Mam and Dad went to see him - I've got the programmer upstairs.

      wow the kid was actually playing!

    now whenever a kid plays an instrument or sings in a movie, its never really them.

  27. this was nice and refreshing, and that boys got talent! 

  28. This is one of the coolest damn things I think I've ever seen.

  29.  I love this kind of stuff!!! The old days.

  30. They will never be repeated.

  31. Remember Remember

    I love how he uses his fist sometimes xD And then his elbow!


    "Mama didn't know what Caldonia was put'n down!" omg! I love that!


    amazing lol, he cant even reach some keys and has to roll his hand lmao


    this little man stole my heart!


    Walkin’ with my baby, she’s got great big feet, She long lean and lanky and ain’t had nothin’ to eat! But she’s my baby and I love her just the same, Crazy about that woman ’cause Caldonia is her name.

  32. Caldonia! Caldonia!


    What makes your big head so hard?


    Huh! I love you, love you just the same,


    I’ll always love you baby ’cause Caldonia is your name.

  33. You know, My momma told me to leave Caldonia alone; That’s what she told me, no kiddin’! That’s what she said! She said, “Son, keep away from that woman, she ain’t no good, don’t bother with her!” But momma didn’t know what Caldonia was puttin’ down! So I’m goin’ down to Caldonia’s house, and ask her just one more time! Caldonia! Caldonia! What makes your big head so hard? Now! 58 C Howard C Howard 4 years ago Genius.

at

March 1, 2020

MEET @theTRASHapp G.O.A.T. Leap Year Banquet FEB. 29 2020 theTRASHapp/mrjyn #dougmeet

    5-wd strings: 2773

    Repeated phrases: 157 (5.66 %)

    Words involved:

    1635 / 2893 words (56.52%)





    G.O.A.T. DEBATE CLASS OD MEET, theTRASHapp

RECD.

THETRASHAPP G.O.A.T.
FEB. 29 2020

    IN G.O.A.T. DEBATE, theTRASHapp.
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MRJYN
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FEB. 29 2020
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MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
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MRJYN
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THETRASHAPP G.O.A.T.
FEB. 29 2020
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MRJYN
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THETRASHAPP G.O.A.T.
FEB. 29 2020
    PM UTAHNA FAITH, theTRASHapp.
    PROBLEM FOR I, theTRASHapp.
    PROVE THIS mrjyn.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    PUSH mrjyn AWAY, theTRASHapp.
    RAGE LETTER FROM, theTRASHapp.
    READ THING FROM, theTRASHapp.
    SAY TO YOU, theTRASHapp.
    SINCE THE FIRST, theTRASHapp.
    SO MANY TIME, theTRASHapp.
    STM WED OCTOBER, theTRASHapp.
    STOP CALL I, theTRASHapp.
    STOP READ THING, theTRASHapp.
    STOP TRY AND, theTRASHapp.
    STOP WRITE TO, theTRASHapp.
    STORY OCTOBER DEFAULT, theTRASHapp.
    TALK TO YOU, theTRASHapp.
    TECHNIQUE THIS BE, theTRASHapp.
    TECHNIQUE TO PROVE, theTRASHapp.
    TELEPHONE CALL BE, theTRASHapp.
    TELL mrjyn YOU, theTRASHapp.
    TELL YOU THIS, theTRASHapp.
    THE FACT THIS, theTRASHapp.
    THE FIRST TIME.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    THING FROM YOU, theTRASHapp.
    THIS BE MANIPULATE, theTRASHapp.
    THIS BE VERY, theTRASHapp.
    THIS mrjyn BE.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    THIS mrjyn HAVE.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    THIS RAGE LETTER, theTRASHapp.
    THIS TYPE OF, theTRASHapp.
    THIS YOU HAVE, theTRASHapp.
    THREAD WED OCTOBER, theTRASHapp.
    THU OCTOBER AT.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    THU OCTOBER PM.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    TIME mrjyn GET, theTRASHapp.
    TO ASK YOU, theTRASHapp.
    TO BLAME I, theTRASHapp.
    TO DOUG MEET.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    TO EXPLAIN BUT, theTRASHapp.
    TO GET YOU, theTRASHapp.
    TO HEAR I, theTRASHapp.
    TO mrjyn AND, theTRASHapp.
    TO mrjyn THIS, theTRASHapp.
    TO PROVE THIS.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    TO STOP TRY, theTRASHapp.
    TO TELL YOU, theTRASHapp.
    TO THE HOUSE, theTRASHapp.
    TO TRY TO, theTRASHapp.
    TO USE DEBATE, theTRASHapp.
    TOO BUT IT, theTRASHapp.
    TRY AND STOP, theTRASHapp.
    TRY AND TRY, theTRASHapp.
    TRY mrjyn HAVE, theTRASHapp.
    TRY TO ASK, theTRASHapp.
    TRY TO BLAME, theTRASHapp.
    TRY TO EXPLAIN, theTRASHapp.
    TRY TO GET, theTRASHapp.
    TRY TO TELL, theTRASHapp.
    TRY TO USE, theTRASHapp.
    TYPE OF DEBATE, theTRASHapp.
    UK ONTHISDAY HULLO.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    UPSET BOTH OF, theTRASHapp.
    USE DEBATE TECHNIQUE, theTRASHapp.
    USE MANY TECHNIQUE, theTRASHapp.
    UTAHNA FAITH TO
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    UTAHNA FAITH WRITE, theTRASHapp.
    VERY PAIN FOR, theTRASHapp.
    WE BE NOT, theTRASHapp.
    WE COMMUNICATE PROBLEM, theTRASHapp.
    WE STOP CALL, theTRASHapp.
    WED OCTOBER BE   10
    WHAT HAVE TO, theTRASHapp.
    WHAT mrjyn BE, theTRASHapp.
    WHEN mrjyn TELL, theTRASHapp.
    WHEN YOU BE, theTRASHapp.
    WILL LEAVE MUCH, theTRASHapp.
    WON’T HEAR mrjyn.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    WOULD NOT LET, theTRASHapp.
    WRITE >> I, theTRASHapp.
    WRITE TO mrjyn   4
    WRONG WE BE, theTRASHapp.
    YES MAURY MEAN, theTRASHapp.
    YOU BE NOT, theTRASHapp.
    YOU CONTINUE TO, theTRASHapp.
    YOU DO NOT, theTRASHapp.
    YOU DON’T BELIEVE, theTRASHapp.
    YOU FAIL TO, theTRASHapp.
    YOU HAVE ASSUME, theTRASHapp.
    YOU HAVE NO, theTRASHapp.
    YOU mrjyn HAVE.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    YOU LASH OUT, theTRASHapp.
    YOU NEAR INCESSANT, theTRASHapp.
    YOU TO HEAR, theTRASHapp.
    YOU TRY TO, theTRASHapp.
    YOU WANT TO   5
    YOU WON’T HEAR.
MRJYN
RECD.
THETRASHAPP G.O.A.T.
FEB. 29 2020
    YOU WOULD NOT, theTRASHapp.
    YOU WRITE I, theTRASHapp.
    YOU YOU NEAR, theTRASHapp.
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