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July 10, 2018

'Star Wars' - 'Wilhelm scream' - Sheb Wooley

'Star Wars' - 'Wilhelm scream' - Sheb Wooley


Wilhelm scream



Sheb Wooley is also credited as the voice actor for the Wilhelm scream, having appeared on a memo as a voice extra for Distant Drums in which he had an acting role.

This was later confirmed by his widow, Linda Dotson-Wooley

The stock recording of the distinctive scream has been used by sound-effects teams in over 300 films, and continues to be used in the latest Indiana Jones sequels and all of the Star Wars films except the “Last Jedi”.

WATCH 3 'Harper Valley PTA Sequels' Jeannie C. Riley 'Return to Harper Valley' Dee Mullins 'The Continuing Story of Harper Valley PTA' Sheb Wooley 'Harper Valley P.T.A. (Later That Same Day)' via Cocaine & Rhinestones - Tyler Mahan Coe

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Harper Valley PTA, Part 2: Jeannie C. Riley

Ask Tom T. Hall to write another “Harper Valley PTA,” a thing he’d been very vocal about his reluctance to do. But, also, he’s a big softie. It’s easy to imagine him having a hard time saying “no” when Jeannie came to him about it in 1984. Tom wrote “Return to Harper Valley” for her. He even made all the lyrics fit Jeannie’s new Christian lifestyle.
We’re back at Harper Valley High because our narrator’s grandchildren go to the school now and she’s bought a ticket to the raffle at a school dance. She’s wearing a dress that’s well below her knees because just about every character from the original song is now on the straight and narrow. But wouldn’t you know it? She spots a man giving a cigarette to a school kid and, it turns out, he’s selling drugs in the parking lot. There’s the drummer of the band doing cocaine and these kids are all getting drunk and taking pills and taking off their clothes. She thinks about going home for her gun but, instead, decides to go home, pray with her Bible and, you guessed it, bring all this up at the next meeting of the Harper Valley PTA.
In short, the song is terrible. Nobody cared, at all, even with Tom joining Jeannie for promo appearances on all the usual TV shows, like Nashville Now. There seems to have been a sense of urgency in the writing, recording and release of the song. Whatever the reason for the rush, and even if fans of the original song had grown to develop more conservative values, there simply wasn’t enough interest in this return to generate airplay or sales figures.
Seven years later, in 1991, Jeannie put out what looks like will be her final formally released single, “Here’s to the Cowboys.” The entire review in Billboard is one sentence long: Riley gives a poignant reading of this tribute to “cowboys” who are committed enough to be domesticated.
As some of you may have seen on Fox News in 2002. Somewhere along the line, she apparently forgot that she worked with the guy who was probably responsible for creating the “Elvis is still alive” rumors because she went on TV and told America that Elvis is still alive. His name is spelled wrong on that gravestone because Elvis was too honest of a man to put his name on a grave that doesn’t have him in it. She knows there are people in Nashville laughing at her and calling her crazy but she doesn’t have anything to lose.




In later years, Tom would always maintain that he never felt interested in trying to duplicate “Harper Valley PTA.” It’s quite likely that is true. But, if it is true, then I’ve got another Shelby Singleton story for you. In 1968, Dee Mullins, Shelby Singleton’s go-to guy for trying to piggyback off a hit or a headline, releases the single, “The Continuing Story of Harper Valley PTA.”



Harper Valley PTA, Part 3: Tom T. Hall

Sole writer, Tom. T. Hall. Or, at least, that’s what you’d believe, if you only saw the label of the single that was released to the public. Look up the copyright info on the song or find a picture of the label for the radio promo 7” and you’ll see two other writers listed, Clark Bentley and Jerri Clark. Considering that “The Continuing Story” is written so poorly that it isn’t even funny, I suspect those writers were brought in to milk every last cent out of this cash cow. Since Tom would have to be listed any way for writing the original, it seems they decided to just make it look like he wrote the second one all by himself, too.

Sheb Wooley aka Ben Colder ~ Harper Valley P.T.A. (Later That Same Day)

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A very funny lil' ditty that became Sheb's last charting Top 40 Single, making it to #24 on the country charts back in November 1968

Linda Gail Lewis Sessionography & Discography, 1960 - 2010 (Including my two records)

Linda Gail Lewis: Sessionography & Discography, 1960 - 2010



Linda Gail Lewis is much more than just the younger sister of Jerry Lee Lewis: a talented singer, songwriter & musician in her own right, she has recorded & toured with such musicians as Van Morrison, James Burton, Billy Bremner, Chas & Dave, Kenneth Lovelace (Jerry's band leader since 1967 & one-time husband of Linda), Travis Wammack, Scotty Moore, Stuart Coleman, Albert Lee, Stephen Ackles & Andy Lee Lang, as well as her brother of course, & her talented daughters MaryJean & Annie.

To celebrate a remarkable 50 years since Linda’s first recordings, Pierre Pennone & myself have compiled a full sessionography of Linda’s many sessions both issued & unissued over the years, as well as a discography. None of these would’ve been possible without Bo Berglind’s pioneering research in ‘Fire-Ball Mail’ in 1975, Mark Potter’s exhaustive (though several years out of date) discography on Linda Gail Lewis’ official website, ‘Now Dig This’ magazine (particularly issue 283), Clinton Heylin's Van Morrison biography 'Can you feel the silence?', The Jerry Lee Lewis Unofficial Fan Forum, & the various Jerry Lee Lewis fan-club magazines over the years.

Additional thanks to the following for their reminiscences, research, scans & recordings: Stephen Ackles, Peter Molecz, Gunilla Larsson, Piet Versteijnen, Tony Papard, Martin Bates, Per Kallin, Barrie Gamblin, Tony Houlton, MaryJean Ferguson, Daniel White & Thomas Rund. Lastly, this would not be possible without Linda Gail Lewis herself: not only for the music, but for always taking the time to chat to her friends & fans, & answer what are often the most trivial questions about her past.

PART 1 – 1960-1977

Linda's career has very much been in two parts: 1960 - 1977, & 1986 - now. The latter part has been far more interesting (more on that later), but, after an aborted session in 1960, she released a string of singles, two albums (one solo, one with her brother) + various other tracks from 1963 to 1974, & (from 1967 onwards) was often featured as part of Jerry Lee Lewis' concerts, both as a warm-up act & backing vocalist.

1) SUN STUDIO, 639 Madison Avenue. Memphis – 13 Dec. 1960

A Good Golly Miss Molly (Marascalco/Blackwell) - unissued/lost
B Love’s Made A Fool Of Me - unissued/lost

Linda Gail Lewis (vcl) Frankie Jean Lewis (vcl) Jerry Lee Lewis (pno) Roland Janes (l.gtr) Scotty Moore (r.gtr) Jay W. Brown (bs) Stan Kesler (st.gtr –A) James Van Eaton (dms)

2) SUN STUDIO, 639 Madison Avenue, Memphis – 11 Mar. 1963 – Producer : Scotty Moore

001 (U-490) Seasons of My Heart* (G. Jones/Edwards) - Sun 384 Apr.1963 London HAS8323 1967
002 C.C. Rider (Chuck Willis) - Bear BCD16609 2002
003 (U-492) Sittin’ and Thinkin’ (Charlie Rich) - Charly CD Box-1 1989
004 (U-491) Nothin’ Shakin’ (But The Leaves) - CR-300007 Jun.1975

Linda Gail Lewis(vcl duet), *Jerry Lee Lewis (vcl duet/pno) Scotty Moore (l.gtr) George Webb (r.gtr) Morris Tarrant (dms) Luke Wright (t.sax) William Ray Felts(org)

The first ever release to feature Linda Gail Lewis, a duet with her brother Jerry Lee Lewis on George Jones' 'Seasons Of My Heart'.

3) FRED FOSTER’s STUDIO, 7th Avenue, Nashville - 1964

005 (12478) Break Up The Party (Dan Penn/Rick Hall) - ABC 10636 Mar.1965 JukeBox8265101 2005
006 (12479) Small Red Diary (Mar Axton/F. Reeves) - ABC 10636 Mar.1965 JukeBox8265101 2005
Why Do I Cry - unissued
How Much Should I Let My Heart Go - unissued

Linda Gail Lewis(vcl), Jerry Reed (gtr), Harold Bradley (gtr), Bob Moore (bass), Buddy Harman (dms) + unknown (pno) on 12479.

4) RCA STUDIO, 800 Hawkins Street, Nashville – 1 Sept. 1965 – Producer: Shelby Singleton

007 (33632) North To Alaska (T. Franks) - SRS67071 Dec.1965
008 (33638) Baby (You Got What It Takes) (Otis/Stein) - Smash 2006 Oct.1965 Mercury134204(FR) Feb.1969

Linda Gail Lewis(vcl duet), Jerry Lee Lewis (vcl duet, pno), prob. Jerry Kennedy (gtr), prob. Buddy Harman (dms), others unknown

5) Unknown studio, Los Angeles – 1967 – Producer: Bobby Boyd, Arranger: Bill Justis

009 (115868) Jim Dandy (L. Chase) - Columbia 43964 Feb.1967
010 (115869) Who Will Be The Next One (S. Stover) - Columbia 43964 Feb.1967
Until Then - unissued
Love What You Got - unissued

Linda Gail Lewis(vcl), others unknown

6) COLUMBIA STUDIO, 804 16th Ave. South, Nashville – 16 Apr. 1968 – Producer: Jerry Kennedy

011 (41123) We Live In Two Different Worlds(Fred Rose) - Smash 2220 May 1969 SRS 67104 May 1968 SRS67126 Jul. 1969

Linda Gail Lewis(vcl duet), Jerry lee Lewis (vcl duet, pno), Harold Bradley, Ray Edenton, Jerry Kennedy (gtr), Lloyd Green (steel gtr), Kenneth Lovelace (fiddle), Joseph Zinkan (bass), Jerry Carrigan (dms)

7) COLUMBIA STUDIO, 804 16th Ave. South, Nashville – 1968 – Producer: Jerry Kennedy

012 (43006) Turn Back the Hands of Time (L.G. Lewis) - Smash 2193 Nov.1968 SRS67119 Jun.1969
013 (43007) Good (Glenn Sutton/Billy Sherril) - Smash 2193 Nov.1968 SRS67119 Jun.1969
014 (43008) Then We Said Goodbye(LG Lewis/Harrelson) - Smash 2211 Mar.1969 SRS67119 Jun.1969
015 (43009) T-H-E E-N-D (Glenn Sutton) - Smash 2211 Mar.1969 SRS67119 Jun.1969

Linda Gail Lewis(vcl), Hargus ‘Pig’ Robbins(pno), others unknown

8) COLUMBIA STUDIO, 804 16th Ave. South, Nashville – 18 Feb. 1969 – Producer: Jerry Kennedy

016 (43098) Don't Let Me Cross Over (Penny Jay) - Smash 2220 May 1969 SRS67119/67126 Jun.1969
017 (43099) Southside Soul Society Chapter No. 1 (B.Lindsay) - Smash 2240 Aug.1969 SRS67119 Jun.1969
018 (43100) He's Loved Me Much Too Much(LG Lewis/Harrelson) - Smash2240 Aug.1969 SRS67119 Jun.1969 Mercury 73343 Nov.1972

Linda Gail Lewis(vcl), Jerry Lee Lewis (vcl duet on 43098), Hargus ‘Pig’ Robbins (pno), Fred Carter, Ray Edenton, Jerry Kennedy (gtr), Pete Drake (steel gtr), Kenneth Lovelace (fiddle), Bob Moore (bass), Buddy Harman (dms)

9) COLUMBIA STUDIO, 804 16th Ave. South, Nashville – 1969 – Producer: Jerry Kennedy

019 Paper Roses (J. Torre/F. Spielman) - Mercury 73245 Oct.1971 SRS67119 Jun.1969
020 Send Me The Pillow You Dream On (H.Locklin) - SRS67119 Jun.1969
021 Hey Good Lookin’ (H.Williams) - SRS67119 Jun.1969
022 I Can’t Help It (If I’m Still In Love With You) (H.Williams) - SRS67119 Jun.1969

Linda Gail Lewis(vcl), others unknown




Three sides of Linda's debut solo album 'The Two Sides of Linda Gail Lewis': The front & back covers of the most common 'orange' version & the scarcer 'green' front cover.

10) COLUMBIA STUDIO, 804 16th Ave. South, Nashville – 16 Apr. 1969 – Producer: Jerry Kennedy

023 (43123) Jackson (Billy Ed Wheeler/Gabby Rodgers) - SRS67117/67126 May 1969
024 (45124) Sweet Thang (Nat Stuckey) - SRS67118/67126 May 1969

Linda Gail Lewis(vcl duet), Jerry Lee Lewis (vcl duet, pno), Jerry Kennedy (gtr), Hargus ‘Pig’ Robbins (organ), Kenneth Lovelace (fiddle), others unknown

11) MONUMENT STUDIO, 114 17th Ave. South, Nashville – 13 Jun. 1969 – Producer: Jerry Kennedy

025 (45438) Gotta Travel On (P.Clayton/L. Ehrlich/T.Six) - SRS67126 Jul.1969
026 (45439) Milwaukee Here I Come (L. Fikes) - SRS67126 Jul.1969
027 (45440) Cryin’ Time (Buck Owens) - SRS67126 Jul.1969
028 (45441) Roll Over Beethoven (Chuck Berry) - Smash 2254 Dec.1969 SRS67126 Jul.1969
029 (45442) Secret Places (LG Lewis/Harrelson/Lovelace) - Smash 2254 Dec.1969 SRS67126 Jul.1969
030 (45443) Don’t Take It Out On Me(LG Lewis/Lovelace) - SRS67126 Jul.1969
031 (45434) Earth Up Above* (D. Murray) - SRS67126 Jul.1969

Linda Gail Lewis(vcl duet), Jerry Lee Lewis (vcl duet, pno), Harold Bradley, Jerry Kennedy (gtr), Bob Moore (bass), Buddy Harman (drums), Hargus ‘Pig’ Robbins (organ), Kenneth Lovelace (fiddle)


Jerry & Linda's one & only duet album. Note the advertisement for 'The Two Sides Of Linda Gail Lewis' which features another variation of the album sleeve, though this was only for advertising purposes & was never actually issued in this form.

12) MERCURY STUDIO, 1512 Hawkins St., Nashville – 1970 – Producer: Jerry Kennedy

032 (45533) My Heart Was The Last One To Know (Kristofferson/Silverstein) - Smash 2261 Apr.1970
033 (45534) Louisiana (L.G. Lewis/Harrelson/Lovelace) - Mercury 73316 Aug.1972
034 (45536) Gather ‘Round Children (L.G. Lewis/Harrelson) - Smash 2261 Apr.1970

Linda Gail Lewis(vcl), Hargus ‘Pig’ Robbins (pno), others unknown

13) LIVE AT THE INTERNATIONAL HOTEL, Las Vegas – 22nd-23rd May 1970 – Producers: Jerry Kennedy, Roy Dea

035 I’m Movin’ On* (Hank Snow) - BFX15228 1986
036 Jackson* (Billy Ed Wheeler/Gabby Rodgers) - BFX15228 1986
037 (47117) When You Wore A Tulip* (P.Wenrich/J. Mahoney) - SR 61278 Aug.1970
038 Got You On My Mind Again* (version 1) (Stan Kessler) - BFX15228 1986
039 (47118) Take These Chains From My Heart (version 1) (Hy Heath/Fred Rose) - SR 61278 Aug.1970 040
What’d I Say* (Ray Charles) - BFX15228 1986
Down The Line* - unissued
I Wish You Love (version 1) - unissued
I Wish You Love (version 2) - unissued
Johnny B. Goode - unissued
Silver Threads & Golden Needles (version 1) - unissued
Silver Threads & Golden Needles (version 2) - unissued
Got You On My Mind Again* (version 2) - unissued
Got You On My Mind Again* (version 3) - unissued
Got You On My Mind Again* (version 4) - unissued
Take These Chains From My Heart (version 2) - unissued
Roll Over Beethoven* - unissued

Linda Gail Lewis (vcl), Jerry Lee Lewis (vcl duet*, pno), Ken Lovelace (gtr, fiddle), Buck Hutcheson (gtr), Ed Debruhl (bass), Ned Davis (steel gtr), Morris Tarrant (drums), Jerry Lee Lewis Jr (tambourine)

14) MERCURY STUDIO, 1512 Hawkins St., Nashville – 16 Jul. 1970 – Producer: Jerry Kennedy

041 (47131) What Is Love (LG Lewis/Harrelson) - Mercury 73113 Oct.1970
(47132) Lovin’ Up A Storm (Black/Arnold) - unissued
042 (47133) Before The Snow Flies (version 1) - Mercury 73113 Oct.1970
Before The Snow Flies (version 2) - unissued
Before The Snow Flies (version 3) - unissued

Linda Gail Lewis(vcl), Jerry Lee Lewis (acoustic gtr & vcl on 47133), Harold Bradley, Ray Edenton, Buck Hutcheson, Jerry ‘Chip Young’ Stembridge (gtr), Ned Davies (steel gtr), Bob Moore (bass), Buddy Harman (drums), Hargus ‘Pig’ Robbins (pno), Kenneth Lovelace (fiddle)

15) MERCURY STUDIO, 1512 Hawkins St., Nashville – 5-6 Oct. 1970 – Producer: Jerry Kennedy

043 (47191) Cheater Pretend (Bill Taylor/LaVerne Thomas) - Bear BFX15228 1986
044 (47193) Handwriting On The Wall (N. Hopson) - Mercury 73303 Jul.1972 Mercury (UK) 6338 496 1975
045 (47200) I Know That Jesus Will Be There (L.G. Lewis/Harrelson) - SR 61318 Jan.1971

Linda Gail Lewis(vcl duet), Jerry Lee Lewis (vcl duet, pno), Harold Bradley, Ray Edenton, Buck Hutcheson, Jerry ‘Chip Young’ Stembridge (gtr), Ned Davies

Jerry & Linda's most successful single, reaching number 9 on the Billboard Country Charts in the summer of 1969.

16) ARDENT STUDIO, Memphis – 22 Jul. 1971 – Producer: Jud Phillips

046 (48552) Working Girl (L.G. Lewis/Harrelson) - Mercury 73245 Oct.1971
Storm Before The Calm - unissued
Carryin’ On - unissued

Linda Gail Lewis (vcl), Buddy Church, Sandy Rhodes (gtr), Ed Debruhl (bass), Larry Estes (drums), unknown (pno)

17) MERCURY STUDIO, 1512 Hawkins St., Nashville – 31 May 1972 – Producer: Roy Dea

047 (49814) Smile Somebody Loves You (T. Austin) - Mercury 73316 Aug.1972 JukeBox8265101 2005
048 (49815) Me And Jesus* (Tom T. Hall) - Mercury 73303 Jul.1972 Mercury (UK) 6338 496 1975
049 (49816) Ivory Tower (Snow) - Mercury 73343 Nov.1972 JukeBox8265101 2005

Linda Gail Lewis(vcl), Jerry Lee Lewis (*vcl duet, *pno), Harold Bradley, Ray Edenton, Jerry Kennedy, Jerry ‘Chip Young’ Stembridge (gtr), Pete Drake (steel gtr), Bob Moore (bass), Jerry Carrigan (drums), Hargus ‘Pig’ Robbins (pno, organ on 49815), Kenneth Lovelace (fiddle)

18) SAM PHILLIPS STUDIO, Madison Avenue, Memphis – Dec. 1973 – Producer: Charlie Chalmers

050 (51185) I Wanna Be A Sensuous Woman (LG Lewis/Worthington) - Mercury 73463 Jan.1974
051 (51186) I Should Not Have Fallen In Love With You (LG Lewis/Worthington) - Mercury 73463 Jan.1974

Linda Gail Lewis (vcl) others unknown

19) Unknown studio – 1974 – Producer: unknown

The Joy And Love You Bring (a.k.a. Love Of All Seasons) - unissued
(When You Need) A Lover And A Friend - unissued

Unknown sessions in the 1960’s (source: Mark Potter)

I'm Redeemed (Duet with Jimmy Swaggart) - unissued 1965
Take It Slow - unissued 1966
Distant Drums - unissued 1969
Pledging My Love - (duet with Jerry Lee) unissued 1960's

Despite the "Smash" label & the superb sound, this 2005 CD appears to be a bootleg. Nevertheless it's the best place to find much of Linda's early solo material.

Another bootleg, this includes the few remaining early solo recordings that are missing from 'The Early Sides of Linda Gail Lewis', as well as duets & live TV performances.


PART 2 – 1986-2010

In 1977 (following a European tour with her brother) Linda Gail Lewis decided to retire from public life to concentrate on raising a family; it wasn't until nine years later in the spring of 1986 when she returned, initially to resume touring with her brother. This lasted until the summer of 1987 when she quit due to (alledged) disagreements between her & Jerry's (then) wife Kerrie. This is when Linda decided to re-invent herself: she'd known how to bang out a few chords on the piano for years (& indeed played piano during her warm-up sets on the 1977 European tour), but now she started learning how to play boogie-inpired rock & roll like her brother, & did so remarkably quickly, as by 1988 she was on the road playing this style, & a couple of years later back in the studio making full-length albums, something she's done with great regularity ever since. This all culminated in a lenthy tour with Shakin' Stevens in 1999, & then a duet album & world tour with Van Morrison in 2000 / 2001, bringing her some of the widest exposure of her career. Sadly the latter partnership ended in acrimony, but she's continued recording & performing in a wide variety of styles, including 50s rock & roll, country, pop, soul, bluegrass, rock & even modern 'dance' music.

20) Unknown studio – 1986 – Producer: unknown

I'll Take the Memories - unissued
Ain't We Got Love - unissued
You're Playing with a Heartache - unissued
Sweet Lover - unissued

Linda Gail Lewis(vcl), others unknown

21) LIVE AT ROLLING STONE CLUB, MILANO, ITALY – 7 April 1987

052 Rollin’ In My Sweet Baby’s Arms (duet with Ken Lovelace) - Green Line 3307 1987
053 Jackson * - Green Line 3307 1987

Linda Gail Lewis(vcl), Jerry Lee Lewis (*vcl duet, *pno), Ken Lovelace (gtr), Moetta Stewart (keyboard), Danny Harrison (drums), Joel Shumaker (gtr), Duke Faglier (bass)



The 1987 vinyl & 1988 CD editions of 'Live in Italy', which featured her final official recording with Jerry Lee Lewis.

22) Unknown studio – 1987 – Producer: probably Maury O’Rourk
054 Oh Boy - Rose175 1987

Linda Gail Lewis(vcl), band OFB with Maury O’Rourk (duet vcl)

Released on 10" vinyl in 1987 & on CD the following year, this featured Linda's first issued studio recording in 13 years.

23)


Linda's first album in 22 years & the first to feature her playing piano as well as singing (it was also her final album to be released on vinyl, as well as CD).
EASLEY RECORDING STUDIO, Memphis – 1990 – Producer: Maury O’Rourk

I Can Help (Billy Swan) - Rose238 Dec.1990
056 We Were Both Wrong 5B. Murray) - Rose238 Dec.1990
057 Cry One More Time (Wolf Dustman) - Rose238 Dec.1990
058 They Called It Rock (N. Lowe/D. Edmunds) - Rose238 Dec.1990
059 Clean Cut Kid (Bob Dylan) - Rose238 Dec.1990
060 A.I On The Jukebox (D. Edmunds/W. Birch) - Rose238 Dec.1990
061 Suddenly Single (Butch Hornsby) - Rose238 Dec.1990
062 Tongue and Cheek (D. Gillespie) - Rose238 Dec.1990
063 I Feel So Bad (Tample/Johnson) - Rose238 Dec.1990
064 Las Vegas (duet with Maury O’Rourk) (with faked audience overdub) - Rose238 Dec.1990

Linda Gail Lewis (vcl, pno), Buddy Church, Doug Easley, Alex Greene, Maury O’Rourk (gtr), James Eddie Campbell (lap steel, dobro, gtr), Ray Gann (bass), Fred Norman, Doug Garrison (drums), Alex Greene (organ), Jim Spake (sax), Mary Jean McCall (harmony vcl)


dear peter checksfield, 
thank you so much for getting my two contributions to LGL's discography correct.

i brought linda out of retirement with a telephone book and a phone call, and we sang the duet on Oh,Boy! for Patrick Mathe's remarkable New Rose Records(however, my guitar player, Donald Spicer, produced that track).  It was a rush.

Then some months later, I negotiated a new contract with New Rose, and cut International Affair with the best players in Memphis and for the second time with Doug Easley's guidance and guitar virtuosity, all the while staying at her apt. with three kids, an Elvis impersonator husband, and late nights gigging at Hernando's Hideaway till 6AM), which you are quite right in remarking is her first time to record piano--not to mention really cut loose with some raw rock vocals by some of the greatest songwriter legends in the world.

if you have time, read Robert Christgau's review in the Village Voice.

That record and vote of confidence changed her entire career, and even though we no longer speak, i think she secretly likes International Affair the best.

this was a lot of work, and i'm happy to see it for the first time in 2018.


p.s. it's also very good to continue to see peter checksfield wherever Lewises may roam.

cheers,

M.

July 9, 2018

David Allan Coe 50 Best Songs by his son - Tyler Mahan Coe

The 50 Best Songs by David Allan Coe


old photo of David Allan Coe wearing leather jacket and big belt buckle

I have no delusions that this post will create such waves as my post on what happened to the David Allan Coe band. However, this blog was not initiated as a theater of war. Baby Black Widows is to be a compendium of things I consider important in life. I felt it would be naive of myself to expect to be able to have such a public outlet without first discussing the situation with my father. I'm hoping that this post can serve as a segue toward this site's intended purpose, as well as clarify some things about my feelings toward my father.

On the 8th, I expressed my dismay at so many DAC shows having been derailed by his complaining at not having received the recognition he felt he deserved. Let me be clear, he DOES deserve that recognition. David Allan Coe has done some amazing things in his career. Earlier in the year, in response to all those superficial "Best David Allan Coe Songs" lists made by the kind of people who listen to Greatest Hits albums, I posted a list on Facebook of my Top Fifty DAC Songs. I'm going to post that again here, using the extra space to offer added commentary.

First though, some unsolicited advice for any who hope to pursue a career in music:

Do it because you have to do it or you will go crazy. Do not concern yourself with criticism or acclaim. You will receive both if you are creating anything worthwhile. Concern yourself with being worthwhile. Be worthy.

[I originally made a YouTube playlist for this post but the songs keep being removed due to copyrights stuff. Now they're linked to the albums on Amazon. Get these songs in your life. You'll thank me. Even though they are technically bootlegs, the Bear Family compilation records are the absolute best CD reproductions for fans: liner notes, song lyrics, bonus tracks, etc.]


Top Fifty David Allan Coe Songs


These are my 50 favorite songs by my father. In other words, this is a personal list. I'm not trying to objectively qualify these songs or anything so foolish as that. These are the songs that I would be most likely to sit around and listen to in my room alone:


50. "Actions Speak Louder Than Words" - I guess this was his advice for me and I guess I took it. I've never been one for much sitting around thinking or talking when I could be doing.

49. "A Country Boy (Who Rolled the Rock Away)" - Nobody sings about Hank better than DAC sings about Hank.

48. "Looking in the Mirror" - The first of several "cheating" songs on this list. You'll hear DAC go on and on about how he's the greatest writer of drinking songs in the world. Whether or not that's true, I find myself more impressed with his commentary on relationships. Whether narrating from the outside or singing from the perspective of cheater, cheated, man or woman, he pulls the reality of those situations right into focus.

47. "Rose Knows" - See? Another relationship gone wrong song. This one is interesting because it sets up another common lyrical theme, which is that of the person who has committed a wrongful act, knows it was wrong, may or may not be remorseful, knows they will be caught but does not take action to alter their course.

46. "A Sense of Humor" - Dad used to beat A LOT of asses... He tells a story about beating up a karate instructor, who then sued my father because "nobody wants to learn karate from a guy who got beat up by a hillbilly," which, in the story, prompted my father to beat him up again in the courtroom. Doubt that's true. Good story, though.

45. "Living on the Run" - The sound of the slide guitar in this is crazy. I sometimes find myself daydreaming about different cool production tricks to try when recording music. This song gave me the idea of doubling a slide guitar part with a kazoo. Still haven't tried that one...

44. "O Bury Me Not on the Lone Prairie/Motherless Child" - This is so pure, which is particular because the production of these King Records sessions is not my favorite. 

43. "River" - If you're already familiar with this song and want to gain a new appreciation for it, watch Heartworn Highways, where my father goes to perform for the inmates at Tennessee State Prison. Singing a song about being in prison to men in prison put a fire into that performance.

42. "Free Born Ramblin' Man" - My father was almost a hippie. If he'd liked psychotropic drugs, it would have been a sure thing.

41. "Yesterday's Wine" - Stellar harmonies...

40. "So Tired of Honkytonk Angels & Wine" - This is particularly great because he wrote it at the beginning of his career and it's such a world-weary sentiment. Guess he didn't have much of a childhood...

39. "Tanya Montana" - Tanya's song got a better melody/steel part than mine. I'll never forgive her. Trivia: this is the only song for which my father ever made an official music video.

38. "A Satisfied Mind" - I'm pretty sure I like this recording of this song better than any other one. Actually, I could say the same thing of almost the entire Texas Moon album. 

37. "Wild Irish Rose" - There are a lot of stories about Pop Coe getting drunk and beating his wives and children, so this song is probably true. It's not pleasant but it happens. You can get down about it or sing about it.

36. "Cold Turkey" - I realize this song could sound goofy to some but it is FUNK AS HELL. "OOH baby" Imagine Clarence Carter doing this song.

35. "Love Is a Never Ending War" - This is one of the first songs that was really interesting to me as a child. I have a distinct memory of watching the band run through this song over and over in soundcheck one day until the keyboard player figured out the part he should play after the first line in the chorus. I think the first time it happens in the album version is around the 2:15 point. 4 year-old me thought that part was awesome.

34. "Ride 'Em Cowboy" - An absolute pleasure to perform live. The imagery of the lyrics is so vivid. This really tells a story and makes something that's actually pretty stupid (rodeos) seem heroic and tragic.

33. "Lovin' You Comes So Natural" - Smooth hi-hat work. Very cool rhythm.

32. "What Can I Do" - It's all about that "could it be you?" stop.

31. "Southern Star" - How this wasn't a number one single I will never understand. Epitome of the era.

30. "Whiskey and Women" - The music sounds tough and swaggering, which makes it all the more effective when you realize the lyrics are about a guy who is suffering a pretty serious bout of anguish at the hands of a failed relationship.

29. "Revenge" - This is a very detailed story-song, which I usually don't like. The opening line is so strong that it carries the rest of the song, really. 

28. "Funeral Parlor Blues" - I'm always a fan of my father doing atypical things. His first album, Penitentiary Blues, betrays that he never really wanted to be a "country" artist. He came to Nashville with R&B ambitions that didn't pan out.

27. "Take It Easy Rider" - I love Guy Clark. I love Larry Jon Wilson.
26. "Under Rachel's Wings" - You can't touch this melody. It just evolves and evolves.
25. "Southern Man" - This is so weird and good and, honestly, somehow even more compelling than Neil Young's recording.
24. "Now I Lay Me Down to Cheat" - "...awwwww, but it crossed his...." DAC would throw a recitation into every song if he didn't have anyone there to talk him out of it.
23. "Ride Me Down Easy" - So many nights singing this on the bus, headed to the next town... That fiddle doesn't quit. This is, to me, a perfect example of my father hearing a great song, taking it and putting it in his pocket and saying, "That's mine now."
22. "Ice Cold Love" - I have seen people say this is the WORST David Allan Coe song. I don't get that at all. This song is amazing. Look at the album cover (Rough Rider). Okay, now imagine THAT DUDE going into a professional recording studio with a Casio keyboard and telling the session musicians they can sit this one out because he's got it all covered.
21 & 20. "Human Emotions"/"(She Finally Crossed Over) Love's Cheating Line" - These are one musical moment and flow together on the LP seamlessly. It's perfect. You can hear the Ray Charles influence so clearly. The melody of "she packed up her suitcase" gets stuck in my head on a regular basis. I would like to dedicate the second song to my horrible ex-girlfriend who (yeah, did cheat on me but also) said my father isn't a very good singer and mostly "just kind of talks." I broke up with her a couple days after she said that. And...
19. "I'm Gonna Hurt Her on the Radio" - This is the fantasy. She breaks your heart and you become rich and famous and she can't escape it.
18. "Honey Don't" - Rebel Son does a great cover of this live. I don't have any idea what all of the stuff about being a roadie for the devil is supposed to mean.
17. "Piece of Wood and Steel" - I still have trouble keeping this song and #14 apart because we'd always work them into a medley for the live show. I'm not a fan of the Marty Robbins background vocals on this recording but man is this song tough. When you're ten years deep into the life of a constantly touring musician, it's the only thing you can see, the only thing that matters. Your relationships fall away and you're left stripped down to one thing: your instrument. All you are is a guitar.
16. "Just to Prove My Love for You" - Pure novelty but done exactly right.
15. "I Hate Love" - This is a tough one to perform when it's the truth. There was a particularly rough period when I was extremely heartbroken and would end up sobbing during every show. This song was the one that did it most nights. Waylon & Willie add some flavor to this recording.
14. "She Used to Love Me a Lot" - The story here is actually pretty cruel. The narrator sees a woman who used to think he hung the moon and decides to see if he can get back in there for a night. Keep in mind we'd medley this with "Piece of Wood & Steel," so the narrator could be viewed as having sociopathic tendencies.
13. "Why You Been Gone So Long" - I love this recording but I gotta take this opportunity to let fellow Mickey Newbury fans know that Saint Cecilia Knows put together this Mickey box set that you absolutely must own. I hope to eventually write a piece dedicated to it. In the meantime, get it on Amazon (Drag City reissue): An American Trilogy
12. "Another Pretty Country Song" - I heard that this was the only song played at the funeral for the members of Lynyrd Skynyrd who died in that plane crash. I have no way of knowing if that's true but the song is a great debunker of how glamourous life on "the road" is supposed to be. Your family gets neglected and almost nobody knows who you are as a person but, hey, sweet jewelry.
11. "Rough Rider" - These lyrics are amazing. Guy walks into a bar thinking he's the man and the barmaid lets him know he's just a man.
10. "Would You Lay With Me (In a Field of Stone)" - Written as wedding vows for my uncle's wedding. Jumpstarted Tanya Tucker's career when she was just a teenager. You might know that stuff but you probably don't know that Townes Van Zandt was convinced my father stole this melody from his song, "If I Needed You." The beginning of the melody (and only the beginning) is very close, I'll give him that. But my father always maintained that Townes was actually the one who stole the melody but (being a notorious blackout drunk) mistakenly thought it was the other way around. Both songs were written and performed publicly around the same time, so there's no real way to know who got to it first. And I love Townes' music but there's no question this is the better song.
09. "Ghost of Hank Williams" - Nobody sings about Hank better than DAC sings about Hank. Nobody.
08. "Got You On My Mind" - Back to the Texas Moon album again. These sad blues-y songs work so well with his deep voice. He can hum and that's all it takes. Side note: from playing Jimmy Reed's "Honest I Do" so much live, I always think it's on Texas Moon. The sad truth is that my father never recorded his version of it.
07. "Until Hell Freezes Over" - It's mostly tears from here on, boys and girls. If you haven't heard Living on the Edge, be very careful here. The album can absolutely destroy you if love hasn't panned out well in your life. Trivia: Bonnie "Prince" Billy recorded a cover of a different song from the album. I don't really like it but I don't really like any of his music - no offense.
06. "If This Is Just a Game" - Another shapeshifting melody. The keyboard parts are perfect.
05. "Crazy Mary" - Saddest narrative in any song I've heard in my life. I tracked down the folk singer who wrote the song and his version is nothing like this. The violin on this track is massive. This is one for a rainy day.
04. "A Sad Country Song" - This song is more about sad country songs than it is a sad country song itself but I like post-modern stuff.
03. "You Take My Breath Away" - Crippling, for very personal reasons and it wouldn't be fair to other people still living for me to explain.
02. "Spotlight" - This is the pinnacle of songs written about the life of a performing artist. Everything that nobody ever says and that Bob Dylan started trying to say to the media in the mid-'60s is right here, laid out in plain English. It's all just a matter of perspective.

01. "Pledging My Love" - Seriously, please, do not listen to this if you are having a hard time with a significant other. The intro about Johnny Ace committing suicide directly after recording his version of this song isn't exactly true and neither is it true that Johnny died playing Russian Roulette. But, hey, they didn't have the Internet when my father heard the story. His version of it, though, is what I've known for most of my life and certainly affects my reaction to the song. It haunts me, the idea of a man writing these words and then killing himself because it rings so true, even though it isn't at all.

Thank you for your time. Are there any questions?

-TMC