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May 13, 2010

Punk Planet Movement France

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planet punk.mp4 (15076 KB)


  • Planète punk

    Punk Planet Report on the punk movement in France. A mix of stories, and pictures of young punks in their French squats on a daily basis and during concerts. Extracts of emissions "Suburban Rock": The group "mouse tatters", and "Children of Rock. Interview On JAXHS singer "Suicide Truck"1986

 
  • Reportage sur le mouvement punk en France. Alternance de témoignages, et d'images de jeunes punks français dans leurs squatts, au quotidien et pendant des concerts. Extraits des émissions "Banlieue rock" : Le groupe "la souris déglinguée" et "les enfants du Rock". Interview de D'JAXHS chanteur des "Camionneurs du Suicide"

 
 
  • Video Thumb

    *Salopes Secouer étrangleurs Seins Slinky Sans Shirts

    5:19 Added 20 hours ago
    *YOU HAVE NO IDEA HOW HAPPY THIS MAKES ME. AT 4AM I FOUND IT AND WROTE THIS REALLY LONG DESCRIPTION DEDICATING IT TO ALL OF YOU, ETC., THEN THIRTY SECONDS AFTER IT HAD UPLOADED AND RIGHT AFTER I'D PRESSED SAVED IT GOT RIPPED DOWN AND I WAS SENT A NASTY NOTE. SO I TRIED IT FROM MY OTHER HOME...SAME THING. I DON'T KNOW HOW this got through on Posterous but I'm not complaining. Needless to say I can't say who it is or why it's my NEW FAVORITE VIDEO! BUT TRUST ME.

    *Salopes Secouer étrangleurs Seins Slinky Sans Shirts
    http://www.facebook.com/video/video.php?v=118547321512407
    six chiennes secouer seins slinky étrangleurs louche salaciously sur scène sans shirts ... Damn! * Je courus à la maison de France avec le MP4 scellée autour de ma cuisse ... et personne n'a repéré à la douane! Je ne peux évidemment pas que ce soit puttin à YouTube (vous savez!), Mais il est difficile il ya de la merde et vous EXCLUSIF! C'est précisément ce que le DRX. commandé pour moi de toute façon, mais je pense que si je connais des gens (du moins certains d'entre vous), il ira bien avec votre toux * matin * * * tousse café.

    **This has gotta be for Andrea Minton...and she better not complain because she's on vacation in Italy.
    6 minutes ago ·

    *Salopes Secouer étrangleurs Seins Slinky Sans Shirts
    http://post.ly/fhBE


I AM ON A ROLLL! Scored a BUNCH of new EXCLUSIVES (NOT ON YOUTUBE, I CHECKED) OVER in France-in-this afterglow-this afternoon (my night): This is one of the funniest PUNK Videos (juxtapositions) you ever will see. Tell your punk friends! http://post.ly/fkP5

 Afrikabok Senegal-France (videos), Limbs Andthings (videos), Jeanne Martian (videos), Steven Fonseca (videos), Matt Hamlin (videos), Kenny Johnson (videos), Michael Smith (videos), Lovely Maruska (videos), Curtis Cohn (videos), Barbara Stinson, Mark Culbertson (videos), Lenny Smith (videos), Dampira Quin (videos), Jennifer Keller, Julián Correa Gómez (videos), Lenore Herb (videos), Felacity Dickman (videos), Dean Chambers (videos), YouWeird Tube (videos), Taquila Mockingbird (videos), Vmr Recordings (videos), Steven Truesdale (videos), Hans J. Eichinger (videos), Rusty Spur (videos), Cam Paterson (videos) and Shaun Art Wanker Gleason (videos)

from Dogmeat

Daft Punk Animation

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Daft Punk Animation.mp4 (6665 KB)


  • [Les succès en techno, rap, R&B]
 
  • Daft Punk and animation The success techno, rap, R & B] Reportage. Presentation of the biggest hits of 2001 in the "techno-rap-R & B: DAFT PUNK, Chantal Goya, Bob Sinclar, SAINT GERMAIN, compilation of trendy bars, SNOOP DOG, MC Solaar, FUNKY FAMILY Akhenaten, MATT . Comment on excerpts of music videos and pictures for illustration interspersed by interviews with Nicolas MOLLE, Music Info Hebdo journalist, Pierre-Alexandre VERTADIER, marketing manager Emi, Karim Thiam, chief SMALL project, and Roberto CIURLEO, Director NRJ programs. [Les succès en techno, rap, R&B] Reportage. Présentation des plus grands succès de l'année 2001 dans la catégorie "techno-rap-R&B" : DAFT PUNK, Chantal GOYA, Bob SINCLAR, SAINT GERMAIN, compilation de bars branchés, SNOOP DOG, MC SOLAAR, FUNKY FAMILY, AKHENATON, MATT. Commentaire sur extraits de vidéoclips et images d'illustration entrecoupé 31/12/2001

from Dogmeat

Punk Rock ClitandreComédie Française

http://imagesource5d.allposters.com/watermarker/16-1633-22GGD00Z.jpg?ch=894&cw=670

  • "Clitandre" rock et punk


    "Clitandre" rock and punk/"Clitandre" rock et punk

    At the French Comedy, Muriel MAYETTE staged in a version "punk rock" a piece of CROW, "Clitandre. Excerpts from the play interspersed with interviews of Eric and Anne Kessler RUF interpreters and Muriel MAYETTE.

    A la Comédie Française, Muriel MAYETTE met en scène dans une version "rock et punk" une pièce de CORNEILLE, "Clitandre". Extraits de la pièce en alternance avec les interviews d'Eric RUF et Anne KESSLER les interprètes et de Muriel MAYETTE.


    13/12/1996


    About the Adaptation
    by Tim Mooney

    Moliere did not hesitate to indulge his humor wherever he found it. And while his "The School for Wives" might have pointed the way towards the woman's movement, his "The Feminine Savants" (also known as "The Learned Ladies") would argue the opposite side. Here we find Philaminte and her female confidantes clearly overreaching the limits of their wit and expecting the world to cater to the whim of their wisdom. In the course of doing such, she endangers the future of her daughter, Henriette, by attempting to marry her off to a flattering, dull pedant whom she imagines to be a philosopher, leaving Henriette's true love, Clitandre, out in the cold. In the course of doing so, she usurps the then-customary right of the husband to determine the daughter's spouse, and it is clear that, on this occasion at least, Moliere has sided with the patriarchy.

    I chose to translate the title in a manner that is actually closer to Moliere's orignial, "La Femme Savants," as the sarcasm Moliere clearly intended in the title picks up some less-flattering echoes of another much-used phrase.

    In this scene, Belise, one of the feminine savants and Henriette's aunt, is approached by Clitandre, who wants to enlist her support in his petition for Henriette's hand. In it, Moliere explores one of his favorite themes: the power of ignorance when the ignorant is determined to remain in such a state.

    The Feminine Savants (The Learned Ladies)
    Act One, Scene Four
    CLITANDRE, BELISE

    CLITANDRE
    Madame, allow a lover, if you would
    To take this chance to try to win some good,
    For I must tell you of my love, and how -

    BELISE
    Oh, sir! You mustn't tell me all this now!
    If you have joined the ranks of all my swain,
    Just tell me with your eyes, but don't explain!
    Your eyes alone must be heart's emissary,
    And coarse displays are hardly necessary,
    Yes, love me, pine and burn; that is expected,
    But don't allow me know how you're affected.
    As long as you keep how you feel inside
    Then I don't need to censor you or chide,
    But if you speak of love, so free and wild,
    Then from my sight you'll need to be exiled!

    CLITANDRE
    My passions, Ma'am, are naught to worry of
    It's Henriette's the object of my love,
    And I am asking, here, for your support,
    In winning her as I should pay my court.

    BELISE
    Oh, that's a tricky dodge, and very witty!
    I don't believe I've heard a turn so pretty!
    He spoke a different name, while she well knew it, see;
    That strikes me as the height of ingenuity!

    CLITANDRE
    Madame, I did not mean to speak with wit,
    But rather, tell you true my sense of it,
    By all the grace a man might hope to get,
    I am in love and loved by Henriette.
    It's Henriette that I do so desire,
    And marriage with her to which I aspire,
    And in establishment of this connection,
    I only ask you favor my affection.

    BELISE
    I spy the art behind your elocution
    And see your clever trick of substitution,
    I'll speak with you, here, in this selfsame code,
    And answer you within your witty mode,
    Your "Henriette" does not desire a mate,
    And those who sue for her are doomed to wait.

    CLITANDRE
    Enough, Madame! It seems you're fully bound
    To turn each thing I say here upside-down!

    BELISE
    Oh, Sir! Have you not had enough of games?
    You think your eyes can hide your heart's fond flames?
    Suffice that I'm content, here, with the art
    Which manages to shroud devoted heart.
    If you are humble in this, and not proud,
    Your kind of worship may well be allowed.
    As long as you are pure in your petition,
    You may approach my shrine with my permission.

    CLITANDRE
    But -

    BELISE
    No. I really ought to go. Yes. Good.
    I've spoken more, here, really, than I should.

    CLITANDRE
    You're wrong -

    BELISE
    Don't talk like I'm a goddess, see,
    When you go on, it hurts my modesty.

    CLITANDRE
    I'm damned if it is you that I adore!

    BELISE
    No, silent, please. I can't hear any more. (SHE exits.)

    CLITANDRE
    The devil take her fantasies and visions!
    Has any truth received more stark revisions?
    I didn't think such foolishness existed!
    I'll seek support from someone not so twisted.

    About the Adaptation | Excerpt | Timothy Mooney Bio | Home | Order Free Copy

    About Timothy Mooney

    head/BigSmile.jpg Tim Mooney has worked in, with and around the theatre for almost thirty years, as an actor, director and playwright, and everything in-between.

    Tim received his bachelor’s degree from Southern Illinois University, and a master of fine arts degree from the University of Nebraska-Lincoln. He went on to internships with the Alabama Shakespeare Festival, the Milwaukee Repertory Theatre and the Seattle Rep, where he was assistant director to John Dillon and Daniel Sullivan, respectively.

    Tim taught acting and stage movement for two years with Northern Illinois University, before creating “The Script Review,” a newsletter that reviewed some 700 plays in manuscript form over the course of seven years, distributed to Literary Managers and Directors all over the United States. As a director, Tim’s production of “Secret Obscenities” was one of five winners at the Bailiwick Directors’ Festival in Chicago.

    From there, Tim stepped in as Artistic Director of the Stage Two Theatre Company, where he produced nearly fifty plays in five years, most of them original works.

    When Stage Two turned to the classics, Tim adapted his own sparkling rhymed, iambic-pentameter versions of the plays of Moliere creating fifteen new Moliere plays in seven years. Stage Two produced “Tartuffe,” “The Miser,” “The Schemings of Scapin,” “The Misanthrope,” “The Doctor in Spite of Himself” and “Sganarelle,” and companies around the world picked up on these plays too, with productions all across the United States, as well as Canada and even India. U.S. venues included the Pasadena Shakespeare Festival, M.I.T., Wayne State University and Universities of Colorado, Michigan, Wisconsin, Nebraska, Ohio and many more.

    Tim’s writing work brought him full circle, back in front of the footlights as a performer, playing the lead role in many of the works he had written. (In fact, all of the roles in which he now found himself cast were the parts that Moliere himself had originated!) This was to give Tim the impetus for a one-man show, “Moliere Than Thou” (Best Adapted Work, San Francisco Fringe Fest). The play serves as a quick introduction to some of Moliere’s greatest works and speeches, and has been seen all over the U.S. and Canada. It has given tens of thousands of students their first exposure to Moliere, and along the way Tim has taught thousands of students in his workshops, introducing the concepts further developed in his upcoming text, “Acting at the Speed of Life,” as well as his collection of Moliere Monologues.

    Most recently, Tim has further refined the art of the one-person show, creating a one-man Sci-Fi Thriller, “Criteria,” (Artistic Picks Finalist, Seattle Fringe Fest), as well as “Karaoke Knights” a “One Man Rock Opera.”

    Tim continues to write new versions of the plays of Moliere, novels, short stories, songs, children’s stories and screenplays.

from Dogmeat

Stranglers Early London Roxy

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stranglers punk.mp4 (16362 KB)


  • Punk rock

    Punk Report from the UK with the current punk rock. A mix of images of concerts at the Roxy Club in London and interviews with Jean-Jacques Burnel, The Stranglers singer, and a sociologist.  Reportage au Royaume Uni présentant le courant punk-rock. Alternance d'images de concerts au Roxy Club à Londres et d'interviews de Jean-Jacques Burnel, chanteur des Stranglers, et d'un sociologue.


from Dogmeat