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October 26, 2009

"Well, he was a man named Elvis Presley and Ive never heard of him, but I'll say one thing, he's different"

http://www.elvispresleymusic.com.au/pictures/img/elvis/harold_loyd.jpghttp://www.elvispresleymusic.com.au/pictures/img/elvis/harold_loyd.jpghttp://www.elvispresleymusic.com.au/pictures/img/elvis/harold_loyd.jpghttp://www.elvispresleymusic.com.au/pictures/img/elvis/harold_loyd.jpghttp://www.elvispresleymusic.com.au/pictures/img/elvis/harold_loyd.jpghttp://www.elvispresleymusic.com.au/pictures/img/elvis/harold_loyd.jpg

  1. Fifty years ago today Sikeston first caught a glimpse of an up and
    coming 20-year-old Elvis Presley when he performed at the Sikeston
    Armory.

  2. Tickets were only $1 for adults and 50 cents for children.

  3. Approximately 100 people turned out to see Presley on Jan. 21, 1955.

  4. In 1954 Presley began his singing career with Sun Records label in Memphis.

  5. When Presley first performed in Sikeston, no one really knew who Presley was, according to Earl Wade of Blodgett.

  6. Even Wade admitted he didn't know Presley when he met him.

  7. "I was in the National Guard (in Sikeston) and I was helping set up chairs at the armory," Wade recalled.

  8. During this time Wade was interrupted by a young man trying to get into the front door of the Armory.

  9. "Lloyd Johnson and I had the door shut and he was rattling the door and said he had to go to the bathroom.

  10. So we showed him."

  11. Later the same young man returned carrying a Piggly Wiggly sack with something pink and silky hanging out.

  12. "I thought it was a pink, silky dress, but he said it was suit he got from Beale Street," Wade said.

  13. The young man proceeded to ask where the dressing room was, Wade explained.

  14. "I told him where it was and said but that's for Elvis Presley.

  15. He said, ‘I am Elvis Presley,'" Wade laughed.

  16. Byron "Barney" Caldwell of Sikeston was also working for the National Guard when Presley visited.

  17. "I rented a piano for $15 for him so he didn't have to rent one," Caldwell said about the first visit.

  18. "I watched him perform and it was a small crowd.

  19. I didn't think too much about it."

  20. Wade remembered a few parents not being impressed by some of Presley's moves.

  21. "Some of the mothers took their daughters out when he started doing the
    hoochy-coochy stuff," said Wade, referring to Presley's then detested —
    and unheard of — gyrating moves.

  22. Caldwell called Presley a regular fellow.

  23. "It was just people weren't familiar with the type of twisting and hadn't come around yet.

  24. He probably did more of that on ‘The Ed Sullivan Show,'" said Caldwell, now 78.

  25. When Presley returned later that year on Sept. 7, attendance topped
    1,100 at the Armory, with some even turned away at the door.

  26. Johnny Cash also appeared with Presley both times.

  27. This time Presley was dressed a little better and arrived in a pink Cadillac, Wade said.

  28. His parents, Gladys and Vernon Presley, were also along.

  29. "He went from rags to riches in a hurry," Wade said.

  30. A then 20-year-old Chris Tyrone from Portageville was fortunate enough to witness one of Presley's visits.

  31. She said she learned of Presley's visit from an advertisement in the local newspaper.

  32. "I just remember I was just thrilled to see him," recalled Tyrone, now of Sikeston.

  33. "He was just starting out.

  34. Presley rocked the Armory with tunes like "That's All Right, Mama" and "Blue Moon of Kentucky."

  35. "He's just a young kid full of energy and didn't have an ounce of fat on him.

  36. I remember he couldn't be still.

  37. He was always jumping or jerking, and his hands were always sweaty.

  38. I remember shaking his hand and feeling wetness.

  39. I ll never forget it," Wade said.

  40. As time goes by it's definitely difficult to remember exact details
    about Presley's visits, but there are some memories that will never
    fade, Wade noted.

  41. "I overheard him (Presley) say he didn't drink, didn't smoke and his biggest weakness is women," Wade said.

  42. Caldwell's most memorable moment of Presley's visit was when he left after his first performance.

  43. "The first time he was here in an older car that didn't run good and he parked it behind the Armory," Caldwell said.

  44. "When he left, some of the fellows had to push him to get him started,
    and I remember him turning back and waving to us as he drove out of
    town."

  45. Wade remembers Presley, who was a relative to Floyd and Mary Eta
    Presley of Sikeston (Presley's grandfather, .D Presley, was the brother
    of Floyd Presley), as a happy go lucky and a good looking kid, he said.

  46. "I could tell he was going somewhere.

  47. The younger generation liked Elvis and he would cut up a lot during his shows.

  48. He was kind of a clown," Wade said.

  49. That September was the last time Presley performed in Sikeston.

  50. In late 1955, his recording contract was sold to RCA Victor.

  51. By 1956, he was an international sensation.

  52. But Wade didn't let the opportunity pass him by.

  53. Right before Presley left the second time, Wade captured a photo of Elvis in front of his Cadillac.

  54. Caldwell recalled returning home to his wife following one of the Presley's performances.

  55. She had asked him who performed that night at the Armory.

  56. Caldwell told his wife: "Well, he was a man named Elvis Presley and Ive never heard of him, but I ll say one thing, he's different.

  57. We're transitioning into something different, and I m not sure what it is — only time will tell."

  58. Photos and information about Presley's appearances in Sikeston can be found in "Did Elvis Sing in Your Hometown?"


ANABlog: L. Ron, Lover of Ascots

ANABlog: L. Ron, Lover of Ascots


L. Ron, Lover of Ascots

Nothing says 'Follow Me' like good neckwear:

Part I


Part II


Part III

319: And the Call Was Coming from the Basement This American Life

This American Life


10.31.2008



Originally aired 10.27.2006


















30-second Promo
Full Episode
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319: And the Call Was Coming from the Basement



For
Halloween, scary stories that are all true. Kidnappings, zombie
raccoons, haunted houses—real haunted houses!—and things that go
"EEEEK!!!" in the night. Plus, a new story by David Sedaris, in which
he walks among the dead.

Prologue.

Host Ira Glass and
Albert Donnay read a true ghost story that appeared in a medical
journal in 1921. After a "Mrs H" and her family moved into an old
rambling house, strange apparitions started appearing...until her
brother-in-law figured out the real cause of the ghostly presences. (6
minutes)

Act One. The Hills Have Eyes.

Some of the scariest stories happen when fluffy, innocent creatures turn murderously evil. This American Life producer Alex Blumberg tells one such story, about a raccoon gone bad. (11 minutes)

Song: "Evil," 45 Grave


Act Two. The Hitcher.

Writer
Bill Eville and his brother are picked up late at night on the side of
the road...and not taken to their destination. (9 minutes)

Act Three. And the Call Was Coming from...the Listeners!

Weeks
ago, we set up a special 800 number for listeners to call with their
true-life scary stories. Over five hundred people called. We hear a
sample. The scariest stories we got all had one thing in common. (9
minutes)

Act Four. Graveyard Shift.

One Halloween,
David Sedaris decided to skip all the fake monsters and ghosts and
zombies and visit the real thing: dead people. In a morgue. (14 minutes)

Song: "The Boogie Monster," Gnarls Barkley

Mr. Jyn Be Trippin'


P C L
Audio / Visual findings on a more or less regular basis. Some of the most frequent categories:

Friday, May 18, 2007

Mr. Jyn Be Trippin'



The Perfect American

I was looking for an image From The Silencers (it's on this week) and I found some images at this site. Later, when checking my Technorati stats, I discovered that this guy favorite d me.....spooky! So I went back for a second look.... and fell into the vortex of his mind. This is a special experience if only for it'sobsessiveness and pathological imperfection. It's broad and deep and weird and to put it in his words: craunchy. KNSFW

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