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August 14, 2009

Can anyone help me with info on Lynette ("Squeaky") Fromme - I'm doing auditions for Uni and one of the pieces that I'd like to perform is Fromme's monologue. It is this one...THIS IS FUCKING GOLD


Topic: Can anyone help me with info on Lynette ("Squeaky") Fromme  (Read 3995 times)
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« on: November 08, 2004, 05:21:14 AM »

I'm doing auditions for uni and one of the pieces that I'd like to perform is Fromme's monologue. It is this one:

I was like you once. Lost. Confused.
A piece of shit. Then I met Charlie. . . I was sitting on the beach in Venice. I’d just had a big fight with my daddy about, I don’t know, my eye make-up or the bombing of Cambodia. He said I was a drug addict and a whore and I should get out of his house forever –
I went down to the beach and sat down on the sand and cried. I felt like I was disappearing. Like the whole world was dividing into two parts. Me, and everybody else. And then this guy came down the beach, this dirty-looking little elf. He stopped in front of me and smiled this twinkly devil smile and said, ‘Your daddy kicked you out.’ He knew!
‘Your daddy kicked you out!’ How could he know? My daddy didn’t tell him, so who could’ve?
God. God sent this dirty-looking little elf to save a little girl lost on a beach. He smiled again and touched my hair and off he went. And for a minute I just watched him go. Then I ran and caught his hand, and till they arrested him for stabbing Sharon Tate, I never let it go.

I've looked at the vocal score and listened to the cd. I've also ordered the libretto (I don't know if I'l get it in time) but as far as I know there is no way I'm going to actually see the show performed.

I'd like to know information about how and where this monologue fits into the play, what kind of person Fromme is, how old she was/is at the moment in time this monologue takes place, how she was feeling before, during and after the monologue, how any parts of the monologue affect her, was she close to her father, did Charlie say "Your daddy kicked you out" in a malicious or kind way, etc, etc.

I know little details, like that Charlie is a murderer of some kind, she thinks he's the messiah and i think i read somewhere that the Venice she refers to is in California and not in Europe.

Basically any information that would assist me in performing this monologue will definitely be appreciated. Thanks!


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« Reply #1 on: November 08, 2004, 05:37:10 AM »

Well, for starters, "Charlie" is the infamous Charles Manson and Squeaky was a member of his "Family".  The Manson Family was responsible for the horrific stabbing murders of pregnant actress Sharon Tate (wife of director Roman Polanski) and six others during a killing spree in August of 1969.  Helter Skelter by Vincent Bugliosi is the definite book on the murders and also on the Manson group.  You should definitely read it - it would be very helpful in understanding the relationship between Charles Manson and the members of his cult.

There is also a whole website devoted to Squeaky at http://www.squeakyfromme.org/.  There's also a Charles Manson website at http://www.charliemanson.com/home.htm.

Since our own GypsyDiva is currently performing the role of Sara Jane Moore (who is the other person in the scene from which you're taking your monologue), she can probably give you some further insights.

« Last Edit: November 08, 2004, 05:39:39 AM by mrsmig » Logged
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« Reply #2 on: November 08, 2004, 06:15:30 AM »

After seeing Assassins I became fascinated with the lives of these people. There is a TON of info on Squeaky Fromme online. Just type her name into google, and you'll get websites with old photos, old letters, court transcripts, current photos, all kinds of stuff.

As far as seeing the show, depending on where you live, as Donna mentioned, GypsyDiva is in a production of it and perhaps you could see it.

The show is very weird in its time structure. It doesn't really have a time period, as you'll have figures such as Charles Guitteau, John Wilkes Booth and John Hinckley in scenes together. John Hinckley and Squeaky sing the song "Unworthy of Your Love" together, and their events were a decade apart. So, I believe that all of the characters are at a stand-still at the ages at which they assassinated or attempted to assassinate a president (especially since some of them were not given the chance to get any older after the fact). You can look up that information to see how old Squeaky is at this time.

Hope this helps!


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« Reply #3 on: November 08, 2004, 11:51:08 AM »

I have an article that was written about Fromme in TIME magazine the week of the assassination that might have some useful info in it. I can type that up for you tonight, if you'd like.

I also have a short interview that was done with Squeaky after the assassination where she talks a bit about her exact motive. It's pretty interesting.


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« Reply #4 on: November 10, 2004, 06:39:04 AM »

Did Squeaky help murder the people, assist the murderers or wasn't a part of the family at the time of the killing spree? Thanks for the name of the book, I'll try to get a hold of it.

Sadly I'm in Australia so I can't get to any of the shows  Cry but one day I plan on seeing it. As I've mentioned, I have listened to the cast recording, and was really drawn into the people and their stories (even though they may not be completely accurate).

If you have the time I would be interested in reading the magazine article and interview.

Thanks for your help guys! It is very useful. If you think of anything else please tell me.  Grin


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« Reply #5 on: November 10, 2004, 09:40:02 AM »

Squeaky did not take active part in the Tate/LaBianca killings, although there is speculation that the Family might have been responsible for other killings and she might have been a part of that.  She was most definitely part of the Manson Family at the time of the murders, and was considered the "alpha female" of the group.


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« Reply #6 on: November 10, 2004, 06:22:44 PM »

I have an article that was written about Fromme in TIME magazine the week of the assassination that might have some useful info in it. I can type that up for you tonight, if you'd like.

I also have a short interview that was done with Squeaky after the assassination where she talks a bit about her exact motive. It's pretty interesting.
Guiteau4Ambassador, I'm giving you karma, just because your screen name rocks so much.


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« Reply #7 on: August 08, 2009, 07:45:19 PM »

Lynette ("Squeaky") Fromme will be released on parole this month. Some of the interesting bits from the article on CNN:

Quote from: CNN
According to the Federal Bureau of Prisons, Fromme, now 60, is set to be released on parole August 16....

In a 1987 interview with CNN affiliate WCHS, Fromme, then housed in West Virginia, recalled the president "had his hands out and was waving ... and he looked like cardboard to me. But at the same time, I had ejected the bullet in my apartment and I used the gun as it was."

She said she knew Ford was in town and near her, "and I said, 'I gotta go and talk to him,' and then I thought, 'That's foolish. He's not going to stop and talk to you.' People have already shown you can lay blood in front of them and they're not, you know, they don't think anything of it. I said, 'Maybe I'll take the gun,' and I thought, 'I have to do this. This is the time.' "

She said it never occurred to her that she could wind up in prison. Asked whether she had any regrets, Fromme said, "No. No, I don't. I feel it was fate." However, she said she thought that her incarceration was "unnecessary" and that she couldn't see herself repeating her offense.

"My argument to the jury was, if she wanted to kill him, she would have shot him," John Virga, a Sacramento attorney appointed to defend Fromme, told CNN on Tuesday. "She'd been around guns. And let's be realistic: We know the Manson family, at least some of them, are killers." ....

 Virga said he told the jury that Fromme assaulted Ford, but did not attempt to assassinate him. If Fromme had killed the president, no one would have listened to her, he said. "She didn't want people to think she was a kook."

And she wasn't, he said, recalling that Fromme was very cooperative during her trial and describing her as "a bright, intelligent young woman" from a middle-class family. "It's just hard to imagine how she got all caught up with Manson," he said.

Fromme wanted to be heard on issues including the environment, he said. "She had certain causes that she wanted to talk about. But first and foremost in her mind was always Manson."

Explaining herself after the attempt, according to the book "Real Life at the White House," Fromme said, "Well, you know, when people treat you like a child and pay no attention to the things you say, you have to do something."

Later days
David

The cast (and their historical counterparts) Sondheim.com - Putting it together since 1994.

Something Just Broke
The bumpy ride to Broadway for Assassins may finally come to a succesful stop with a new home and date for the production recently announced. The previously scheduled Broadway opening in November 2001 was cancelled after the September 11 terrorist attacks. Artistic director of the Roundabout Theatre Company Todd Haimes has suggested that the long running revival of Cabaret would play until fall 2003 leaving the space free for the Broadway premiere of the John Weidman and Stephen Sondheim musical.

The previously announced Broadway cast had included Douglas Sills, Neil Patrick Harris, Denis O'Hare, Raul Esparza, John Dossett and Mario Cantone. Director Joe Mantello is still on board as is the proposed choreographer John Carrafa. The announced Broadway cast took part in a one-day workshop of the show after the September postponement.

Soon after the decision to cancel Sondheim and Weidman released a statement saying, "Assassins is a show which asks audiences to think critically about various aspects of the American experience. In light of Tuesday's murderous assault on our nation and on the most fundamental things in which we all believe, we, the Roundabout, and director Joe Mantello believe this is not an appropriate time to present a show which makes such a demand."

The announced Broadway cast took part in a one-day workshop of the show directed by Joe Mantello after the September postponement.


The cast (and their historical counterparts) as announced for the originally planned November, 2000 production of Assassins include:

 
John Dossett
(Leon Cszolgosz)
   
Alexander Gemignani
(John Hinkckley)
 

 
Denis O'Hare
(Charles Guiteau)
   
Raul Esparza
(Giuseppe Zangara)
 

 
Mario Cantone
(Samuel Byck)
   
Mary Catherine Garrison
(Lynette Fromme)
 

 
Becky Ann Baker
(Sara Jane Moore)
   
Douglas Sills
(John Wilkes Booth)
 

 
Neil Patrick Harris
(Lee Harvey Oswald)
 

-by Sarah Beaumont

Sondheim.com - Putting it together since 1994.

I loathe Broadway Musicals and especially Stephen Sondheim Broadway Musicals, but this may change my mind - via Sondheim.com - Putting it together since 1994

 Assassins

This musical, with a book by John Weidman, explores the history of presidential assassination in America, from John Wilkes Booth to John Hinckley, Jr. Assassins climaxes in a surreal sequence where the assassins convince Lee Harvey Oswald that his act is the only way he will connect -- with them, with history, and with the world.

The song "Something Just Broke" was added for the London productions, and has been included in all subsequent productions, although it has not yet been recorded.


Show Data


Original Production Info:

Opened December 18, 1990
Closed February 16, 1991
Theatre Playwrights Horizons
Ran 73 Performances
Music Stephen Sondheim
Lyrics Stephen Sondheim
Book John Weidman
Based on an idea by Charles S. Gilbert, Jr.
Producer Playwrights Horizons
Director Jerry Zaks
Set Designer Loren Sherman
Costume Designer William Ivey Long
Lighting Designer Paul Gallo
Sound Designer Scott Lehrer
Hair Design Angela Gari
Choreography D.J. Giagni
Musical Direction Paul Gemignani
Orchestrations Michael Starobin
Piano Paul Ford
Drums, Percussion Paul Gemignani
Synthesizers Michael Starobin


Musical Numbers:

  1. Everybody's Got the Right
  2. The Ballad of Booth
  3. How I Saved Roosevelt
  4. Gun Song
  5. The Ballad of Czolgosz
  6. Unworthy of Your Love
  7. The Ballad of Guiteau
  8. Another National Anthem
  9. November 22, 1963
  10. Finale: Everybody's Got the Right


Added Songs:

  1. Something Just Broke


Original Cast:

Proprietor William Parry
Leon Czolgosz Terrence Mann
John Hinckley Greg Germann
Charles Guiteau Jonathan Hadary
Giuseppe Zangara Eddie Korbich
Samuel Byck Lee Wilkof
Lynette Fromme Annie Golden
Sara Jane Moore Debra Monk
John Wilkes Booth Victor Garber
Balladeer Patrick Cassidy
David Herold Marcus Olson
Bartender John Jellison
Bystanders Joy Franz
  Lyn Greene
  John Jellison
  Marcus Olson
  William Parry
Emma Goldman Lyn Greene
Fairgoers Joy Franz
  Lyn Greene
  John Jellison
  Marcus Olson
  William Parry
  Michael Shulman
James Garfield William Parry
James Blaine John Jellison
Hangman Marcus Olson
Warden John Jellison
Billy Michael Shulman
Gerald Ford William Parry
Lee Harvey Oswald Jace Alexander


Original London Production Info:

Opened 1992
Theatre Donmar Warehouse, London
Music Stephen Sondheim
Lyrics Stephen Sondheim
Book John Weidman
Based on an idea by Charles S. Gilbert, Jr.
Director Sam Mendes
Set Designer Anthony Ward
Costume Designer Anthony Ward
Costume Supervisor Christine Rowland
Lighting Designer Paul Pyant
Musical Direction Jeremy Sams
Perf. Musical Director Mark Dorrell
Orchestrations Michael Starobin
Sound Designer John A. Leonard


Original London Cast:

Proprietor Paul Bentley
Leon Czolgosz Jack Ellis
John Hinckley Michael Cantwell
Charles Guiteau Henry Goodman
Giuseppe Zangara Paul Harrhy
Samuel Byck Ciaran Hinds
Lynette Fromme Cathryn Bradshaw
Sara Jane Moore Louise Gold
John Wilkes Booth David Firth
Balladeer Anthony Barclay
David Herold Kevin Walton
Emma Goldman Sue Kelvin
James Garfield Kevin Walton
James Blaine Gareth Snook
Gerald Ford Paul Bentley
Lee Harvey Oswald Gareth Snook


Original London Added Songs:

  1. Something Just Broke


Recordings:

  1. Original Cast Recording, 1991 (RCA Victor 60737-2-RC)


Secondary performance rights handled by Music Theatre International


Articles:

  1. Something Just Broke
  2. On Directing Assassins
  3. The Assassination of America
  4. Opening Doors: The Art of the Opening Number
  5. Passassinations
  6. Sondheim the Politician
  7. Sondheim's Societal Struggle


Discuss this show in Sondheim.com's community forum: Finishing the Chat... ››

Sondheim.com - Putting it together since 1994.

Lynette 'Squeaky' Fromme - Stephen Sondheim - Assassins (musical) - http://en.wikipedia.org/wiki/Assassins_(musical)

Assassins is a musical with music and lyrics by Stephen Sondheim and book by John Weidman, based on an idea by Charles Gilbert, Jr. It uses the premise of a murderous carnival game to produce a revue-style portrayal of men and women who attempted (successfully or otherwise) to assassinate Presidents of the United States. The music varies to reflect the popular music of the eras depicted.

The musical first opened Off-Broadway in 1990, and the 2004 Broadway production won five 2004 Tony Awards.

History and productions

As a panelist at producer Stuart Ostrow's Musical Theater Lab, Sondheim read a script by playwright Charles Gilbert. Sondheim and his long-time collaborator John Weidman asked Gilbert for permission to use his idea.[1]

Assassins opened off-Broadway at Playwrights Horizons on December 18, 1990 with seventy-three performances under Jerry Zaks' direction. The cast included Victor Garber, Terrence Mann, Patrick Cassidy, Debra Monk, Greg Germann, and Annie Golden. The run sold out.

On October 29, 1992, Assassins opened in London at the Donmar Warehouse with a cast that included Henry Goodman as Charles Guiteau and Louise Gold as Sara Jane Moore. The show ran for 76 performances, closing on January 9, 1993.[2]

Roundabout Theater Company's Broadway production, directed by Joe Mantello, was originally scheduled for 2001 but was postponed to April 22, 2004 because the content was sensitive in light of the events on September 11, 2001.[3][4] After 101 performances at Studio 54, Assassins closed on July 18, 2004. Neil Patrick Harris starred in the roles of The Balladeer and Lee Harvey Oswald, with Marc Kudisch in an extended role as The Proprietor. Michael Cerveris played John Wilkes Booth, for which he received a Tony Award. The 2004 production was noted for a coup de théâtre: the Zapruder film of the death of John F. Kennedy projected onto Lee Harvey Oswald's t-shirt. [5]

Other professional productions have included a 2006 production at Crucible Theatre, Sheffield and a 2008 production which ran from January 23 to February 2, 2008, at the Landor Theatre, London, UK.[6][7] The South African premiere opened in December 2008 as the innaugural production of the NewSpace Theatre in Cape Town. This production was directed by Fred Abrahamse with a South African cast including Marcel Meyer as John Wilkes Booth, Riaan Norval as Lee Harvey Oswald, David Dennis as Charles J. Guiteau and Anthea Thompson as Sara Jane Moore. [8][9]

[edit] Versions

The three versions (original, London and Broadway) were not identical, as roles were combined, and the song "Something Just Broke" was new to the London production.[10] In 1991, Theatre Communications Group published the libretto, which did not feature "Something Just Broke".

[edit] Characters

Fictional
  • The Proprietor - gun salesman who provides the characters with their weapons at the beginning of the show - Bass or Baritone
  • The Balladeer - narrator who provides the stories of the assassins - Tenor
  • Ensemble - crowd members, chorus, etc.
Real life

[edit] Notable Cast and characters

Role Original Off-Broadway
Playwrights Horizons
London Premiere
Donmar Warehouse
Broadway Premiere
Studio 54
The Proprietor William Parry Paul Bentley Marc Kudisch
Leon Czolgosz Terrence Mann Jack Ellis James Stacy Barbour
John Hinckley Greg Germann Michael Cantwell Alexander Gemignani
Charles Guiteau Jonathan Hadary Henry Goodman Denis O'Hare
Giuseppe Zangara Eddie Korbich Paul Harrhy Jeffrey Kuhn
Samuel Byck Lee Wilkof Ciaran Hinds Mario Cantone
Lynette (Squeaky) Fromme Annie Golden Catheryn Bradshaw Mary Catherine Garrison
Sara Jane Moore Debra Monk Louise Gold Becky Ann Baker
John Wilkes Booth Victor Garber David Firth Michael Cerveris
The Balladeer Patrick Cassidy Anthony Barclay Neil Patrick Harris
David Herold Marcus Olson Kevin Walton Brandon Wardell
Emma Goldman Lyn Greene Sue Kelvin Anne L. Nathan
Lee Harvey Oswald Jace Alexander Gareth Snook Neil Patrick Harris

[edit] Synopsis

Assassins opens in a fairground shooting gallery where, amid flashing lights, human figures trundle past on a conveyor belt. One by one, a collection of misfits enter the stage, where the Proprietor of the game entices them to play, promising that their problems will be solved by killing a President. ("Everybody’s Got the Right"). Leon Czolgosz, John Hinckley, Charles Guiteau, Giuseppe Zangara, Samuel Byck, Lynette "Squeaky" Fromme, and Sara Jane Moore are given their guns one by one. John Wilkes Booth enters last. The Proprietor introduces him to the others as their pioneer and begins distributing ammunition. The assassins take aim as "Hail to the Chief" heralds Abraham Lincoln's offstage arrival. Booth excuses himself, a shot rings out and Booth shouts, "Sic semper tyrannis!"

In Scene 2, the Balladeer tells John Wilkes Booth's story ("The Ballad of Booth"). Booth is writing his rationale for murder in his diary but the Balladeer interjects that Booth's motives really had more to do with his personal problems. When Booth is wounded by a pursuing Union soldier he throws the Balladeer his diary so that he can tell his story to the world. The Balladeer reads out Booth’s self-justifications as Booth commits suicide. The Balladeer concludes that Booth was a madman whose legacy was butchery and treason and that in trying to destroy Lincoln, Booth elevated him to legend.

In Scene 3, Booth, Czolgosz, Hinckley, Zangara and Guiteau gather in a bar. Byck enters, asks if Richard Nixon has been seen around the bar, and leaves when he receives a negative answer. Guiteau toasts to the American Dream, telling of his ambition to become Ambassador to France. Zangara complains about his stomach pains, and Booth suggests fixing them by shooting the President. Hinckley accidentally breaks a beer bottle and Czolgosz flies into a rage, describing the horrors he sees in the bottle factory he works in, and how many men die or are injured just to make a bottle like the one Hinckley has just broken. Booth urges him to take control of his fate, and to break a bottle himself. But Czolgosz cannot.

Scene 4 opens with a radio report that Zangara has tried to assassinate Franklin D. Roosevelt. Five Bystanders are interviewed in turn, telling the audience their personal versions of the event; each is convinced that he or she personally saved the President ("How I Saved Roosevelt"). From an electric chair Zangara sings his refusal to be afraid and that he hadn't cared who he killed as long as it was one of the men who control the money. Peeved that as an "American Nothing" he has no photographers at his execution, Zangara is electrocuted.

In Scene 5, American anarchist leader Emma Goldman gives a lecture from offstage as Leon Czolgosz listens, enraptured. He introduces himself to her and declares his love. She tells him to redirect his passion to the fight for social justice. She protests at his offer to carry her bag saying, "They make us servants, Leon. We do not make servants of each other," but he insists.

In Scene 6, Fromme and Moore meet on a park bench. Fromme smokes a joint and speaks of mass murderer Charles Manson, remembering how they met and declaring herself his lover and slave. Juggling her purse, a can of Tab and a bucket of Kentucky Fried Chicken, Moore claims she is an informant for the FBI (or used to be), has been a CPA, and had five husbands and three children. They connect over their shared hatred of their fathers, and, using Colonel Sanders as a graven image, they give the bucket of chicken the evil eye then shoot it to pieces. Fromme declares that Manson will emerge as king of a new order and make her his queen and Moore realizes that she had known Manson in High School and the scene ends as the women scream in delight over their memories of the charismatic killer.


Czolgosz appears in Scene 7, reflecting on how many men die in the mines, the iron mills and the steel forge just to make a gun. Booth, Guiteau and Moore enter one by one and join him in a barbershop quartet in which they point out one gun's power to change the world ("Gun Song"). Czolgosz decides his gun will claim one more victim: the President.

In Scene 8, we see Czolgosz at the 1901 Pan American Exposition watching William McKinley shake visitors' hands in the Temple of Music Pavilion. The Balladeer sings "The Ballad of Czolgosz" as Czolgosz joins the receiving line. When Czolgosz reaches McKinley he shoots him.

In Scene 9 Samuel Byck sits on a park bench in a dirty Santa suit with a picket sign and a shopping bag. He talks into a tape recorder, preparing a message to Leonard Bernstein telling Bernstein he can save the world by writing more love songs. Then he accuses Bernstein of ignoring him, just like the other celebrities.

In Scene 10, Squeaky Fromme and John Hinckley sit together in Hinckley's rumpus room exchanging reflections about their love objects, Charles Manson and Jodie Foster. Fromme mocks Hinckley for being in love with a woman he's never met and he orders her out. After she goes, he sings ("Unworthy of Your Love"). Fromme returns to join him, singing of her love for Manson. Hinckley shoots at a photograph of Ronald Reagan projected on the wall but the picture keeps reappearing. Fromme mocks Hinckley, quoting Reagan's famous quips about the assassination, as Hinckley fires and fires, missing each time.

In Scene 11 Charles Guiteau flirts with Sarah Jane Moore, giving her marksmanship tips before trying to kiss her. When she rebuffs him he goes to meet James Garfield at the train station. Guiteau asks to be made Ambassador to France, and when he is rebuffed, shoots the President.

Immediately following, Scene 12 shows Guiteau at the foot of the gallows singing a poem, written that morning, that he calls "I Am Going To The Lordy". The Balladeer describes his trial and execution ("The Ballad of Guiteau") as Guiteau cheerfully cakewalks up the stairs to the gallows, optimistically singing of heaven. Guiteau is hanged.

In Scene 13 Squeaky Fromme and Sara Jane Moore prepare to assassinate Gerald Ford. Moore has brought along her nine-year-old son and her dog. The President enters and attempts to help Moore collect her dropped bullets; she fails to assassinate him. Next Fromme tries, but her gun fails to go off. Moore resorts to throwing her bullets at him.

In Scene 14, Samuel Byck is on his way to the airport to hijack a plane, which he plans to crash dive into the White House. He records a message addressed to Richard Nixon, complaining about contemporary American life and announces that killing a President is the only solution.

In Scene 15 crowd noises supply a wordless lamentation for the victims of the assassins as the assassins reiterate their motives, and demand their prizes. The Balladeer tells them that their actions didn't solve their problems or the country's and that if they want their prizes they must follow the American Dream. The assassins realize that they will never get their prizes and unite with "Another National Anthem", which grows louder and louder as they force the Balladeer offstage, a song to be sung by all Americans dispossessed by the dream.

In Scene 16, Lee Harvey Oswald appears, preparing to kill himself in a storeroom on the sixth floor of the Texas School Book Depository. Booth interrupts him and convinces him to murder John F. Kennedy instead. Summoning the other assassins from the shadows, Booth tells Oswald that by joining them he will become part of the American experience, but Oswald refuses. Booth tells him that in the future, when Hinckley’s room is searched, Oswald's biographies will be found. Summoning the voices of Arthur Bremer, Sirhan Sirhan and James Earl Ray, Booth tells Oswald that the key to the future is in his hands. Oswald tries to leave, but Zangara addresses him passionately in Italian, a speech translated by the other assassins, imploring him to act so their own acts can come alive again. He has power. He can close the New York Stock Exchange, cause worldwide grief, inspire, finally, passion about a man the world has never cared about. As the assassins sing, imploring Oswald to act, he crouches at the window and shoots ("November 22, 1963").

Scene 17 was not included in the original, but added to the London production by Sondheim and Weidman. In this scene, six Americans recount how they remember where they were and what they were doing when they heard Presidents Kennedy, Garfield, McKinley, and Lincoln had been shot ("Something Just Broke").

In Scene 18, the assassins reappear, now with Oswald in their ranks. They restate their motto ("Everybody's Got the Right" (reprise)) and fire their guns at the audience.

[edit] Song list

  • "Everybody's Got the Right" — Proprietor and all assassins except Lee Harvey Oswald
  • "The Ballad of Booth" — Balladeer and John Wilkes Booth
  • "How I Saved Roosevelt" — Giuseppe Zangara and Ensemble
  • "Gun Song" — Leon Czolgosz, Booth, Charles Guiteau and Sara Jane Moore
  • "The Ballad of Czolgosz" — Balladeer and Ensemble
  • "Unworthy of Your Love" — John Hinckley and Lynette "Squeaky" Fromme
  • "The Ballad of Guiteau" — Guiteau and Balladeer
  • "Another National Anthem" — Proprietor+, Balladeer and assassins except Oswald
  • "November 22, 1963" - Assassins and Oswald
  • "Something Just Broke" — Ensemble++
  • "Everybody's Got the Right" (Reprise) — Assassins

+Some productions opt not to include the Proprietor, but to have Byck sing his lines, as in the case of the original off-Broadway production. ++Added for the 1992 London production

[edit] Cultural impact

By developing the characters of historic assassins out of the slim biographical information found in the daily news, Assassins prompts us to consider their motivation. "(Sondheim) confronts pain in order to cauterize the decay and heal the sicknesses which lurk at the core of our society". Departing from the humanism of his previous musical Into the Woods, Sondheim suggests that political murderers are a product of the American political culture (Joanne Gordon).[12]

Historian and commentator Sarah Vowell introduced her 2005 analysis of the Lincoln, McKinley and Garfield murders, Assassination Vacation, with a journey from New York City into New England to attend a performance of Assassins, the musical prompting her writing of the book (Vowell 2005).

[edit] Awards and nominations

Tony Award
  • Best Revival of a Musical (WINNER)
  • Best Featured Actor in a Musical (Michael Cerveris) (WINNER)
  • Best Lighting Design (Peggy Eisenhauer and Jules Fisher) (WINNER)
  • Best Direction of a Musical (Joe Mantello) (WINNER)
  • Best Orchestration (Michael Starobin) (WINNER)
  • Best Featured Actor in a Musical (Denis O'Hare) (nominated)
  • Best Scenic Design (nominated)
Drama Desk Award
  • Outstanding Revival of a Musical (WINNER)
  • Outstanding Director of a Musical (nominated)
  • Outstanding Orchestrations (nominated)
  • Outstanding Set Design of a Musical (nominated)
  • Outstanding Lighting Design (nominated)
  • Outstanding Sound Design (nominated)
  • Outstanding Featured Actor in a Musical (Marc Kudisch) (nominated)

[edit] Recordings

Recordings of both the Off-Broadway production and the 2004 revival are commercially available[13]. The Off-Broadway version omits 'Something Just Broke', which was added to the show for the subsequent London production.

[edit] References

  1. ^ Michael Cerveris (2008). "Story of Assassins". Amazing Journey. http://www.amazing-journey.com/assassins_story.htm. Retrieved on 2008-08-09. 
  2. ^ Michael H. Hutchins (2008). "Assassins". The Steven Sondheim Reference Guide. http://www.sondheimguide.com/assassins.html#London. Retrieved on 2008-08-09. 
  3. ^ Ernio Hernandez (22 April 2004). "The Shots Heard Round the World: Musical Assassins Opens on Broadway". Playbill. http://www.playbill.com/news/article/85711.html. Retrieved on 2008-08-09. 
  4. ^ Sarah Beaumont (14 December 2003). "Something Just Broke". Sondheim.com. http://www.sondheim.com/news/something_just_broke.html. Retrieved on 2008-08-09. 
  5. ^ Christopher Rawson (23 May 2004). " ". Pittsburgh Post-Gazette: pp. p G-3. 
  6. ^ Giorgetti, Sandra."Assassins",The British Theatre Guide, review, 2008
  7. ^ "Assassins - Landor Theatre",Indie London listing, date unk
  8. ^ Meersman, Brent. [1]
  9. ^ Henry, Zane. [2]
  10. ^ "Assassins". Sondheim.com. 2008. http://www.sondheim.com/shows/assassins. Retrieved on 2008-08-09. 
  11. ^ Zangara was, however, the successful assassin of Chicago mayor Cermak.
  12. ^ Gordon, Joanne (1990). Art Isn't Easy: The Theater of Stephen Sondheim (First edition ed.). New York: DaCapo Press, Inc. pp. 318, 337. ISBN 0306804689. 
  13. ^ The Off-Broadway production is audio CD ASIN: B000003F3N and the revival is ASIN: B0002B161Y.

[edit] Further reading

[edit] External links