I like the music wars.  andrew loog oldham

Jimmy Page was a factual instrument god, he was however a young upstart  studio musician in London.





Over the course of the Sixties, he’d record ripping solos and lure de rime First, State British Invasion licks, largest hits per quid.

 

the sound.

 tracks whingeing   downward, loping in -- one per session. 

Super Botanica, snake-charmed, poco a poco, cresc. crescende blooming

 

コガネガレイ

 

the distinction of thousand-year-old Japaneseコガネガレイsole, one-hundred years within the West, theirs uniquely fermented with meaty notes of desire

...human reverberation.

hard-wired, pre-conscious, left insatiable

as food UNDER glass, HISTORICAL PRESENTATION, ANACHRONISTIC AND MYSTERIOUS, modified provocatively

Umami from ether,  gratifying mistake, session-stopping reset,             mandates  hearers shared aversion of overburdening, cross-frequencies,  red-needled,

 

optimal   isolation

 

baffle dance with Les Paul

 

 exponential advancement in sound and  ingenious contradictory  frequency spikes and                                       electric  levels, uncrushable,  not unpleasant sonic  wavelength       looping  laws of nature, prohibitive exp                                                                                  nutriments               electrified amplification  twenty-first century most magnificently,        used, and forever recognized, like Tesla, Edison --

Charlie Christian profligate autonomy and freedom  plays live how  he mined pristine recording  avoiding 'technical mista                                                                                                                                                                                                                                                                                                                                                                             kes,' hot mic, high-frequency, thunder dB -- overshot yelps, roars,  hairy woofing   whistles, torturous to imagine the shell-shocked boys back from War.

vile, dizzying squeals, variances of unmusical, unintentional, redlining, vo                                                                                                                                                                                                                                                                                                                                                                      lume and tone flux proximate over-amp; not sonic Umami, controlled distortion and feedback, audio pyro purposeful mistakes, distilled well-liked Page, the young session player hit licks that modified rock 'n' roll and fueled a behemoth dirigible flight, unstable, unwieldy, and unshockable, the music playing as she burst galvanized the young man in London recording guitar solo textures for Diamond crème British celebs, say works from 1965 on top of the album, The Rolling Stones currently.