...testosterone-uterine confusion set in space the
likes not seen then since that early ACC prequel preordinal
psychic-futurity, 2001, whose Hal was no hammerhead, but could creep out
a crowd just by sheer monotony and as Elvis learned, the narcotic spell
of 'Also Sprach Zarathustra,' hitting four tones more magiscule than
whomever, but never, nien, did it for its co-creators, Strauss and
Nietzsche, somehow from after which this piece famously comes and comes
to be equally named (extremely competently), 'Thus spoke Zarathustra,'
would most certainly, too-Teutonic to disagree, be inspiration for one
of Elvis's Jewish guys, the one conducting the orchestra, no less than
Elvis's 'Sable on Rye'-guy, Maestro Joe Guerico whose life's work was
for Elvis and for Elvis was Joe's easy comprehension that sartorial
majesty, purples and golds, Edwardian collars and greatcoats not for
show, for the potentate whose shit they fit: equal to the majestic
misty castles whose spires rose out of that ever green Black Forrest,
where another Royal figure cut a swath slightly more insane, His German
King, Highness , in his arched arbor.
This
tribute, though posthumously puissant, was for not one, but both Kings
(*I will spare you the long Jungian grandiosity I considered of these
two Kings, their two tributes written to them and of them.)
And
it will never be an invention too weak for its subject, or its perfect
subject's achievement, a never-too-weak, fully Vegas Hilton
Orchestration, fully inappropriate and unprecedented, preshow encore
(Joycean epiphany before the first chapter begins).
And
then there was that, and more than that there could not be, but less
would not have been enough; thanks to a bizarrely pantsuited Jewish
hipster, whose gold dangled as freely down his hairy open shirt, but
whose beard gave him an oddly right-on vibe of something between a big
time bandman, Lenny Bruce, and an Orchard Street haberdasher, but whose
hip-city swagger saw him wield that baton like a joint where he put the
first purpled goosebumps up and under those miniskirts at matinee,
forget nights, night after night, until Elvis sidestepped out, out
through that crashing clashing collision that could only meant he was
there, where he made them and those goosebumps go for the softest flesh
where they'd stay.
Also sprach Zarathustra AND Thus Spoke Zarathustra or Thus Spake Zarathustra)...article is about the musical work Richard Strauss, 1894. For Nietzsche after which this piece is named, see Thus Spoke Zarathustra.
For other uses, see Also sprach Zarathustra (disambiguation).
Also sprach Zarathustra, Op. 30 (German: About this soundlisten), Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel of the same name.
The composer conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts half an hour.
The initial fanfare – titled "Sunrise" in the composer's program notes – became well known after its use in Stanley Kubrick's 1968 film 2001: A Space Odyssey.
.@firefox sends #AdolphHitler #AleisterCrowley [maybe @Windows or ] to #accessibility way into my #video which becomes 'first known use of #PlusOne' 1977
Merriam-Webster.com ask, @t https://www.merriam-webster.com/dictionary/plus-one
14 January 2020
⸮ [I wrote about 1979's Alien sequel, the 1986 timorously titular Debutante Bal with a presumably ofay chaperone, plus-une pour Le Crillon Bal Debutante, (yes, it really was given the name) "Aliens" [recte malmonikered] (eponymous ⸮ formulaic,
№ 1st < № 2nd, scatological, supervenient and ponderous, pluralized, superordinal and 7-years-too-late for recovering from a long bout of amnesia...forget it).
Directed by James Cameron,
https://visualguidanceltd.blogspot.com/2020/01/aliens-recte-malmonikered-alien-sequel.html
'Aliens,' I now judge his least equal worst sequel by name, existence, told for love, money, franchise, or 'the rule of three'...
but i said it better last night...
"...the word I'd used to describe 'Aliens,' the word for a color for which I can never not get no satisfaction choosing, but one I chose, laid down, and which word magically transformed into a telescope of white and gold, which then turned into an objets d'art, in an exhibit in Toronto, just today.
Here's an excerpt from my this morning, tonight: a 35-year-old film review turns into what turns out to be a maelstrom of my mind:
"...First-of-its-kind, never-to-be-outdone horror, action, arty (All that Jazz), comedic (Tootsie), Cameron would revive the great sci-fi femme role with balls and big guns to shrink Arnold S's in this
.................
...featuring the Giger-perfect multi-useful prop-Alien whose bitumen sleek impression comes first and best from Giger's Enzo Ferrari-attention to detail and depth which makes his epidermis as luxe as Enzo's calf's leather is lilting, but instead of the color of peanut butter, it's a ruminant Stephen Hawkings Albert Einstein badinage on the inside folded black hole after dinner over tepid deathless sips of Lavazza, its stilling, starless patina, inscintilate mal-hued, guilty en absentia, insensate, where no lights reflect, they absorb...
'Black is the badge of hell, / The hue of dungeons, and the suit of night.' -- Shakespeare
The maw Hitchcock never saw and only Lynch would touch later (but whose black magick gleam to match that in his eye, Phillip Anger would come closest in his Candy Apple polished neon bloody Carbon Monoxide Snow White red depths only morticians and funeral director's know, and only when their decedent has succumbed from the 'dead red' bright, pearlecent sheen, a lurid lipstick lascivious, clangorous hued fire engine coruscating Toro to all but the most color-impaired or unprepared bulls, whose sword makes them see red."
mrjyn
under those miniskirts at matinee, forget nights, night after night, until Elvis sidestepped out, out through that crashing clashing collision that could only meant he was there, where he made them and those goosebumps go for the softest flesh where they'd stay
3
'In-Scintilate' brass, glass beads, crystal & standard glass. [I wrote about 1979's Alien sequel, the 1986 timorously titular Debutante Bal with a presumably chaperone or ofay plus one for Le Crillon, (yes, it really was given the name) "Aliens" [recte malmonikered] (eponymous ⸮ formulaic, № 1st < № 2nd, scatological, supervenient and ponderously pluralized superordinal and 7-year-too-late franchisee who either lost his way or suffered a long bout of temporary amnesia, forget it).
Directed by James Cameron, 'Aliens,' I now quickly judge, be the least equal worst sequel by name, by existence, ever told for love or money...
but i said it better last night...
And then the word I'd used to describe the Alien, the word for a color I can not get no satisfaction ever choosing finally, but the one I thought up, decided on, and laid down, magically transformed into a telescope, and one of white and gold, which then turned into an objet d'art in an exhibit in a gallerist's space in Toronto just today.
Here's an excerpt from my word salad this morning:
"...First-of-its-kind, never-to-be-outdone horror, action, arty (All that Jazz), comedic (Tootsie), Cameron would revive the great sci-fi femme role with balls and big guns to shrink Arnold S's in this testosterone-uterine confusion set in space the likes not seen then since that early ACC prequel preordinal futurity, 2001, whose Hal was no hammerhead, but could creep out a crowd just by sheer monotony and as Elvis learned, the narcotic spell of 'Also Sprach Zarathustra' hitting all the tones better, more magiscule than whomever Spieldberg's guy was, but not better than #JoeGuerico, whose life's work for Elvis, at least, will always be the inspired treatment he was called to compose and did along with full Las Vegas Hilton Orchestra, and then there was no other tune more than that, thanks to a bizarrely pantsuited Jewish hipster whose gold fell just as freely down his hairy chest, but whose beard gave him an oddly right vibe of something between a Vegas bandman and an Orchard Street haberdasher, but whose hip city swagger saw him wield a baton like a joint and put the first gooseflesh under the miniskirts of the night, night after night, until Elvis came out and made em stay.
...featuring the Giger-perfect multi-useful prop-Alien whose bitumen sleek impression comes first and best from Giger's Enzo Ferrari-attention to detail and depth which makes his epidermis as luxe as Enzo's calf's leather is lilting, but instead of the color of peanut butter, it's a ruminant Stephen Hawkings Albert Einstein badinage on the inside folded black hole after dinner over tepid deathless sips of Lavazza, its stilling, starless patina, inscintilate hued in absentia where no light reflects but absorbs itself...
'Black is the badge of hell, / The hue of dungeons, and the suit of night.'
maw Hitchcock never saw and only Lynch would touch later (but whose black magick gleem to match that in his eye, Phillip Anger would come closest in his Candy Apple polished, neon-blood CO2 Snow White-red depth, only morticians and funeral director's know, and only when the decedent has succumbed from the 'dead red' so bright; its pearlescent sheen luridly lascivious, clangorous, coruscating Toro sees the most impaired, or unprepared for matadors and bulls whose swords make them red, then forever black, then just dead."
mrjyn
i felt weird. here's what they said in 1911:
... vaporous, nubiferous, muggy. smoky, fumid, murky, dirty. Semitransparent , milkiness, opalesce. ...
Roget's International Thesaurus - Page 121 -
Christopher Orlando Sylvester Mawson - 1911 - English language.
... vaporous, nubiferous, muggy. smoky, fumid, murky, dirty. 427. Semitransparency. _ N. semitransparency, opalescence, milkiness, 353. V. opalesce. 428. Color ...
coal black ebony India jet jet-black midnight onyx pitch sable white color [WS] Thesaurus:black (adjective) Thesaurus:dark colour “431
614 bytes (38 words) - 13:03, 6 December 2017
Thesaurus:black
atramentous black black as a dog's guts black as coal black as Newgate's knocker black as night black as the ace of spades black as thunder coal black ebon inky
2 KB (93 words) - 22:58, 9 March 2019
Thesaurus:color
blee color colour hue shade tincture tint black [WS] white red green blue yellow orange brown pink purple violet scarlet magenta coffee [WS] Category:Colors
926 bytes (42 words) - 13:04, 6 December 2017
Thesaurus:person of color
minority (US) nonwhite (uncommon) person of color (politically correct) African-American Afro-American black [WS] brownie coon (offensive) darkey (offensive)
1 KB (78 words) - 08:51, 17 November 2017
Thesaurus:dark colour
wine [WS] Thesaurus:black (adjective) Thesaurus:black color (noun) “dark” in Roget's Thesaurus, T. Y. Crowell Co., 1911. “428. color” in Roget's Thesaurus
1 KB (90 words) - 00:34, 7 August 2018
Thesaurus:colored (section Sense: having a color)
multicolored [WS] tinted [WS] — black [WS] blue brown gray green orange purple red white yellow “428. color” in Roget's Thesaurus, T. Y. Crowell
σκοτεινός ιππότης
[common]
skoteinós ippótis dark knight
Similar Words
λανθασμένος adjective, noun
[uncommon]
lanthasménos wrong, mistaken
αμαρτωλός adjective, noun
[uncommon]
amartolós sinful, sinner, trespasser, peccant, peccable
ιερόσυλος adjective
[uncommon]
ierósylos sacrilegious
ανήθικος adjective
[uncommon]
aní̱thikos immoral, bawdy, profligate, obscene, nonmoral
άθρησκος adjective
[uncommon]
áthriskos irreligious, unreligious
ανίερος adjective
[uncommon]
aníeros unholy, unhallowed, sacrilegious
άδικος adjective
[uncommon]
ádikos unfair, unjust, unrighteous, wrong, wrongful
άνομος adjective
[uncommon]
ánomos lawless, nefarious, illegal, iniquitous
ασεβής adjective
[uncommon]
asevís irreverent, ungodly, impious, blasphemous, regardless
κακός adjective
[uncommon]
kakós bad, evil, ill, wicked, mischievous
