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October 7, 2018

Country Opera - The Legend Of Johnny Brown PLUS Merle Haggard and Dick Clark's Rarely Seen 1968 Film "Killer's Three" PLUS Kay Adams Discography


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This item is a Mono LP featuring the Opera titled:

Country Opera - The Legend Of Johnny Brown - The World Premiere Of A New Adventure In Country Music
 Tower Records - -5045(Mono - Promo Issue - 1966)

This issue is a Promo and on the cover the word "FREE" has been cut along the top right corner in the form of small holes.

This LP features what is likely the 1st attempt at mixing Country Music into an Opera.

4 Stars are featured:
Jerry Naylor as Johnny Brown
Kay Adams as Mary Lou
Ray Sanders as Sheriff Tom
Alice Rene as Jezebel Jones

Titles Featured:

Side #1)
Johnny Brown
Hey There(Pretty Girl)
Cottonwood Tree
The Wedding Song
Cabin Of Love
River Of Love
Sheriff Tom
Jezebel Jones

Side #2)
Where Did The Good Times Go
Temptation Leads Me
You Taught Me Everything I Know
River Boat Town
I Cried (Until I Can't Cry No More)
Paying The Rent
Drinkin' And Thinkin
Together In Death

Remembering Edward Monroe “Eddie” Miller (December 10, 1919 – April 11, 1977) was an American songwriter, in the country music genre.

He was born in Camargo, Oklahoma and worked as a locomotive engineer before becoming a songwriter. Although he never went beyond high school, he taught songwriting at the University of Tennessee.

He was the founder of the Country and Western Music Academy in Hollywood, as well as a co-founder of the Nashville Songwriters Association International (of which he served as the first president and also another term in the presidency).

He received Performance Awards from Broadcast Music, Inc. for “There She Goes” (1954), for “Thanks a Lot” (1964), and “Release Me” (1954, 1962, 1967, 1968, 1969, 1971, 1972, and 1973, as well as a Most Performed Song award in 1968 and a Pop & Country Performance Award in 1974). His publisher, Four Star Publishing, gave him platinum records for “Release Me” and “There She Goes.” The Oklahoma Music Association awarded him the All Time Great Songwriter’s Award.

Eddie wrote a country opera, “The Legend of Johnny Brown,” and a gospel opera, “It Was Jesus.”

“Legend of Johnny Brown” was a concept project that may have been years ahead of its time.

It was released on Tower Records. This project featured Kay Adams as Mary Lou, Ray Sanders as Sheriff Tom, Alice Rene as Jezebel Jones and Jerry Naylor as Johnny Brown.

Eddie Miller pitched this project to Capitol Records, with a demo version he had already recorded with Alice Rene performing all of the female vocals.

Eddie Miller actually wanted Alice Rene for the Mary Lou character but, Capitol Records went with Kay Adams.

Eddie Miller pressed the label to use Alice Rene and secured her the part of Jezebel Jones. The irony is, that the only recorded version Kay Adams had to learn this music, were the original demos previously recorded by Alice Rene.
He died in Nashville, Tennessee at age 57.



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"KILLERS THREE" - MERLE HAGGARD - ORIGINAL SOUNDTRACK

Two backwoods North Carolinians from Ramseur (Robert Walker, Jr., and Dick Clark, go on a killing spree.






Discography - Albums



Kay Adams & Dick Curless "A Devil Like Me Needs An Angel Like You" (Tower, 1966) (LP)


Kay Adams "Wheels And Tears" (Tower, 1966/Sundazed, 2004)
A great set of mid-1960s, West Coast-flavored trucker songs... Adams, a sassy singer who sounded a bit like Loretta Lynn, had a sizeable hit with the novelty song "Little Pink Mack," and they naturally tried to follow it up with similar material, like "Six Days Awaiting," an answer song to Dave Dudley's wildly popular "Six Days On The Road." That didn't work quite as well, but the rest of this album is still a lot of fun -- it's pure, glorious Bakersfield twang, and definitely worth checking out if you like the cool old stuff. Adams even pays homage to a West Coast foremother, Rose Maddox with a fine version of "Big, Big Day Tomorrow," a great old weeper that Rose recorded a few years earlier. Folks looking for lost gems in country's past would be well advised to snap this tasty reissue up now, while you still have the chance!

Kay Adams/Various Artists "Country Opera: The Legend Of Johnny Brown" (Tower, 1966) (LP)
(Produced by Eddie Miller) 

 
This ambitious album was conceived of as a country operetta, with songs and a libretto written by songsmith Eddie Miller (best known for writing the classic "Release Me," among other hits of the '50s and '60s.) 

Although the short narrations that start many tracks get in the way of the songs, this is still a pretty enjoyable album, with good performances and a perhaps overly-expository libretto. Although it has been performed on stage, I think it was mainly intended as a story to be heard on the hi-fi, and it certainly works in that regard, with solid, workmanlike accompaniment and good vocal performances throughout. 

The main attracting is probably the underrated Kay Adams, who sings in a Loretta Lynn style, as well as second-stringers Ray Sanders and Jerry Naylor (a guy who wouldn't hit the charts on his own until 1975, nearly a decade later!) as well as Alice Rene, who plays "the other woman" but is otherwise a total unknown. 

This is worth a spin, particularly for Kay Adams fans (and there are a few out there!)


Kay Adams "Alcohol And Tears" (Tower, 1967) (LP) 

 


Kay Adams/Various Artists "Killers Three" (Soundtrack) (Tower, 1968) 

 
This was a soundtrack album for a cheapo crimesploitation B-movie written by and starring American Bandstand host Dick Clark. 

Also in the cast was songwriter Merle Haggard, who appears on the soundtrack along with Bonnie Owens, Dick Curless and Kay Adams, who contributes three songs: "Gonna Have A Good Time," and "Love Me Now And Forever," and "Maybe You'll Appreciate Me Someday."

Kay Adams "Made For Love" (Frontline Records, 1978) (LP)


Texas-born Kay Adams was one of the more underrated singers of the Bakersfield Sound... Adams made a splash in '65 with her Top 30 hit, "Little Pink Mack," which is credited as the first trucker song recorded by a gal, but even with this early hit and subsequent acclaim as a hot new artist, Adams failed to chart again and basically fell off the radar by the end of the decade. She was a rock-solid singer, though, and her handful of albums from the '60s are cult faves that remain, sadly, long out of print. Here's a quick look at her work.
Links

  • Wikipedia: Kay Adams
  • thanks to all the wonderful researchers and writers who provided original content and research for this out-of-control rocket ship of a post