SEO

August 17, 2011

Dogmeat Subscription 16 Aug 2011 PLUS Facebook

@Font-Face Icon et Le Template French Fou!

 

Posted: 16 Aug 2011 11:40 AM PDT

 

Layout Zoom: Increase | Decrease

Dogmeat's gone @font-face icon French Template Crazy! @Font-Face Icon et Le  Template French Fou!

Lorem ipsum dolor sit amet

 

Quick Tip: Ever Thought About Using @Font-face for Icons?

\Rating:

Quick Tip: Ever Thought About Using @Font-face for Icons?

Wayne Helman on Apr 23rd 2010 with 116 comments
Tutorial Details
  • Technology: CSS
  • Estimated Completion Time: 15 Minutes
  • Difficulty: Beginner

This entry is part 11 of 16 in the CSS3 Mastery Session - Show All
« PreviousNext »

The evolution of Internet technologies never ceases to amaze. Seemingly daily, new concepts and techniques are being thought up by creative and talented people. With modern browsers being adopted at a greater rate, systems like CSS3 are becoming more and more viable for use on projects of all sizes. Clearly, this can be seen by looking at new services sprouting on-line like TypeKit. Conceptually, if we deconstruct a font down to it’s basic elements, we can make use of this technology for things other than type, icons.

 


The Need for Speed

For a short period of time, developers began producing websites with little regard for bandwidth consumption. HTML and CSS where restrictive and Adobe Flash was an open canvas for designers and developers to stuff animations and complex layouts into. This resulted in some extremely bandwidth heavy sites—we all remember a few. Those were the days before the proliferation of mobile smart phones.

With smart phones accessing the Internet more frequently, bandwidth and page load speeds have suddenly returned to the forefront. Thankfully, advances in HTML, CSS, and JavaScript have made that all possible. Central to webpage speed and responsiveness is the number of HTTP requests a page load must make. Modern browsers limit the number of requests to a single server. The W3C HTTP 1.1 specification reads

“A single-user client SHOULD NOT maintain more than 2 connections with any server or proxy. A proxy SHOULD use up to 2*N connections to another server or proxy, where N is the number of simultaneously active users. These guidelines are intended to improve HTTP response times and avoid congestion.”

One technique that has become increasingly popular is the use of CSS sprites. CSS sprites are designed to reduce the number of HTTP requests to the web server by combining many smaller images into a single larger image and defining a block level CSS element to only show a defined portion of the larger image. The technique is simple, but ingenious.


Deconstructing the Font

Fonts at their most basic molecular level are a series of vector glyphs packaged up into a single “glyph archive”.

CSS3 has introduced to the web development world the ability to embed fonts with the @face-face declaration. Without question, this advancement in Internet technologies is one of the most exciting and important stages in our brief history. With developers able to embed fonts of their choice, designers can produce layouts that will render far more consistently from platform to platform bringing the art of interactive layout closer to it’s print cousin.

If we take a closer look at the technology behind a font, we can gain a far better understanding of how they can be used and deployed. Fonts at their most basic molecular level are a series of vector glyphs packaged up into a single “glyph archive”. We can then reference each glyph by its corresponding character code. Theoretically, it’s very similar to the way in which we reference an array in almost any programming language—through a key/value pair.

With this in mind, the glyphs we reference can really be any vector-based single color image. This is nothing new—we’ve all seen Dingbats and Webdings. They are two examples of non-type fonts, that is, a series of vector based images compiled into a single font archive.


Abstracting and Expanding @font-face

With the advent of font embedding and the realization that fonts are essentially a series of simple vector glyphs, I began to experiment on how to use this format to my advantage. Conceptually, if I placed all required icons for a particular site into a custom font, I would then be able to use those icons anywhere on the site with the ability to change size and color, add backgrounds, shadows and rotation, and just about anything else CSS will allow for text. The added advantage being a single CSS sprite-like HTTP request.

To illustrate, I’ve compiled a new font with a few of the great icons from Brightmix.

Sample glyph chart

I’ve used the lower case slots for plain icons, and the uppercase slots for the same icon in a circular treatment.

To use my new Icon Pack, I’ll first have to export my font set as a number of different font files (.eot, .woff, .ttf, .svg) to be compatible with all browsers. The topic of font embedding and file format converting is covered elsewhere, so I will avoid a detailed explanation here. However, the CSS would look something like this.

  1. @font-face {  
  2.   font-family'IconPack';  
  3.   srcurl('iconpack.eot');  
  4.   srclocal('IconPack'),  
  5.     url('iconpack.woff'format('woff'),  
  6.     url('iconpack.ttf'format('truetype'),  
  7.     url('iconpack.svg#IconPack'format('svg');  
  8. }  
@font-face { font-family: 'IconPack'; src: url('iconpack.eot'); src: local('IconPack'), url('iconpack.woff') format('woff'), url('iconpack.ttf') format('truetype'), url('iconpack.svg#IconPack') format('svg'); }

Once embedded, I now have a complete icon set in vector format to reference. To reference an icon I simply need a style that includes the font-family of “IconPack”.

image alt tag

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Lorem ipsum dolor sit amet

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

  • item 1: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
  • item 2: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
  • item 3: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
  • item 4: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

zuywxvz

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

 

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This posting includes an audio/video/photo media file: Download Now

Dogmeat Page

Posted: 16 Aug 2011 06:38 AM PDT

 

facebook

Hi Gaejang,
Here is this week's summary for your Facebook Pages:

 

** PLEASE DESCRIBE THIS IMAGE **
I quit eating Sparta
1,551 monthly active users** PLEASE DESCRIBE THIS IMAGE **103 since last week
1,122 people like this** PLEASE DESCRIBE THIS IMAGE **2 since last week
18 wall posts or comments this week** PLEASE DESCRIBE THIS IMAGE **8 since last week
320 visits this week** PLEASE DESCRIBE THIS IMAGE **1,868 since last week
** PLEASE DESCRIBE THIS IMAGE **
Dampira Quin (Band)
45 monthly active users** PLEASE DESCRIBE THIS IMAGE **2 since last week
112 people like this** PLEASE DESCRIBE THIS IMAGE **0 since last week
0 wall posts or comments this week** PLEASE DESCRIBE THIS IMAGE **0 since last week
29 visits this week** PLEASE DESCRIBE THIS IMAGE **13 since last week
** PLEASE DESCRIBE THIS IMAGE **
주아란 (Parry Hotter)
72 monthly active users** PLEASE DESCRIBE THIS IMAGE **1 since last week
75 people like this** PLEASE DESCRIBE THIS IMAGE **0 since last week
0 wall posts or comments this week** PLEASE DESCRIBE THIS IMAGE **3 since last week
21 visits this week** PLEASE DESCRIBE THIS IMAGE **4 since last week
** PLEASE DESCRIBE THIS IMAGE **
Dogmeat Page
4,353 monthly active users** PLEASE DESCRIBE THIS IMAGE **138 since last week
67 people like this** PLEASE DESCRIBE THIS IMAGE **0 since last week
3 wall posts or comments this week** PLEASE DESCRIBE THIS IMAGE **3 since last week
58 visits this week** PLEASE DESCRIBE THIS IMAGE **9 since last week

Learn more about how to update via mobile

 

Statistics and management for additional Pages

 

Thanks,
The Facebook Team

 

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This posting includes an audio/video/photo media file: Download Now

@Font-Face Icon et Le Template French Fou!   Posted: 16 Aug 2011 11:40 AM PDT   Layout Zoom: Increase | Decrease Dogmeat's gone @font-face icon French Template Crazy! @Font-Face Icon et Le  Template French Fou! technology philosophy tags territory tools schedule Lorem ipsum dolor sit amet   Tutorial ...»See Ya

alexprager

FOUND! Best html5 SVG Site-links in one place! Thanks Frenchy!

Note for English speaker, there is an English version down below :)

Le 27 mai dernier, j’ai eu la chance de participer à la toute première édition de SudWeb à Nîmes. Partie sur une boutade lors du dernier Paris Web, les organisateurs se sont juste arrachés pour arriver à monter le truc en à peine 6 mois. Bravo à tous, ce fût beau ! Car on peut le dire, pour un coup d’essai, ce fût un coup de maitre. Au delà de la logistique impeccable, l’ensemble du programme des conférences était tout simplement parfait. Mixant à la fois les aspects fonctionnels, techniques et prospectifs, l’équilibre du déroulé m’a complètement estomaqué (ainsi que le respect des horaires, tenus d’une main de fer, couplé à des moments de pause ô combien conviviaux).

Vous n’y étiez pas ? Ce n’est pas grave. D’une part toutes les conférences ont été filmées et devraient être disponibles prochainement et d’autre part, il y aura une autre édition l’année prochaine, viendez-y :)

En ce qui concerne mon nombril, j’ai eu l’occasion d’y donner une conférence sur un sujet qui me tient à cÅ“ur depuis un peu plus d’un an : SVG. Au cours de cette conférence, j’ai montré ce qu’il était possible de faire aujourd’hui avec SVG (qui, rappelons le, est disponible dans tous les navigateurs moderne). Plutôt que de m’attacher aux questions techniques qui tourne autour de cette technologie, j’ai préféré mettre l’accent sur des outils et des résultats concrets. L’idée étant de montrer comment des designers et les développeurs on déjà utilisé SVG et ce qu’il apporte au web design moderne.

Évidemment, même si j’ai oublié de le préciser pendant la conférence, je n’ai pas pu m’empêcher de réaliser mes slides en SVG, les voici (cliquez sur l’image pour lui donner le focus et utilisez les flèches de direction pour passer d’un slide à l’autre) :

A noter que je cite tous les sites suivant :

Outils

  • http://code.google.com/p/svgweb
  • http://raphaeljs.com : Vous devriez tous avoir cette bibliothèque dans votre trousse à outils si vous voulez réaliser du SVG tout en étant compatible avec les vieux IE.
  • http://www.highcharts.com : LA bibliothèque pour faire des graphiques de données sans vous casser la tête.
  • http://mbostock.github.com/d3/ : D3.js est une bibliothèque qui vous permet de mapper des données au seins de graphiques vectoriels en SVG. C’est un pont technique idéal entre les développeurs qui doivent manipuler ces données et les designers qui doivent les mettre en scène.

Références

  • http://www.thenounproject.com : Projet mettant à disposition des icones libres de droit au format SVG. Indispensable pour réaliser de la signalétique. A noter que toutes les icones proposées sont composées d’un seul est unique chemin SVG ce qui en fait une base travail extrêmement propre et malléable pour les Web designers.
  • http://www.bifter.co.uk : Web comics humoristique intégralement réalisé en SVG.
  • http://opendata.zeit.de/pisa-wohlstands-vergleich/visualisierung.php : Le journal allemand Zeit propose une visualisation de données démographiques intégralement réalisée en SVG
  • http://www.nissanusa.com/leaf-electric-car/index : Dans la série “Non, ce n’est pas du Flash” Nissan USA fait une magnifique utilisation de SVG pour proposer une navigation non linéaire des caractéristiques de sa nouvelle voiture électrique. A noter que RaphaelJS est utilisé pour assurer la compatibilité avec IE6, 7 et 8 (et oui).
  • http://rickardsund.com : Je n’ai pas de mot assez fort pour exprimer l’adoration que j’ai pour ce site. Pour moi, Il représente la quintessence du Web design moderne. D’un coté un design épuré à l’extrême qui sert parfaitement son propos. Il est l’Å“uvre de Hugo Ahlberg qui a un lourd passif de designer Flash, ce qui lui a permis de s’extraire des contraintes (artificielles) du design web traditionnel. D’un autre coté, il est intégré à la perfection en utilisant exclusivement des standards Web : HTML5 (à noter en particulier la magnifique utilisation de l’API History), CSS3, JS (Du “mouse gesture” de toute beauté) et bien sur du SVG (par petites touches mais indispensables). Ce travail formidable a été réalisé par Daniel Mahal et Daniel Connor qui font là une démonstration d’excellence de ce que devrais toujours être une intégration aux standards, en particulier la maitrise de la dégradation élégante qui est quasi parfaite : Ce site fonctionne dans IE6 ! Vous DEVEZ regarder la source de ce site et vous en inspirer.

Pour conclure, je n’ai plus qu’une chose à dire : Longue vie à SudWeb, vivement l’année prochaine :)

On May 27th, I got the chance to attend the very first SudWeb event in Nîmes, France. Starting on a joke during the last Paris Web event, the people behind SudWeb make it possible in just 6 months. Thanks dudes that was awesome! We can say it, for a first run that was a master piece. Beyond the perfect logistic, the program was just great. Talks were amazingly well balanced between functional, technical and prospective subjects (and the schedule was perfectly mastered with good time to talk and network with people).

You wasn’t their ? Don’t worry. First, all the talks were camcorded and should be available soon. Second, there will be another edition next year, attend it ;)

On my own, I had the opportunity to give a talk about one of my favorite subject for a year now : SVG. During this talk, I show off what is it possible to make with SVG today (which, as a reminder, is available in all modern browsers). Instead of talking about technical stuffs, I focused on tools and practical results. The idea was to demonstrate how designers and developers had used SVG and what that technology brings to modern Web design.

Of course, even if I forgot to mention it during my talk, I felt oblige to made my slides with SVG. Here there are (see above, click on the image to give it the focus then use the arrow keys to switch between the slides).

Note that I use all the following web sites as examples:

Tools

References

  • http://www.thenounproject.com : That project collect visual symbol and make them available in SVG. Note that all the symbols are made of one single SVG path. That make them highly usable as a work basis for Web designers.
  • http://www.bifter.co.uk : A humorous Web comics build with SVG.
  • http://opendata.zeit.de/pisa-wohlstands-vergleich/visualisierung.php : The dutch newspaper Zeit had a demographic data representation driven by SVG.
  • http://www.nissanusa.com/leaf-electric-car/index : Ok, so “This is NOT Flash”. This is a great SVG work made by Nissan USA to build a non-linear navigation system. Take care about the library behind the scene, it’s RaphaelJS. This means that it works properly even with IE6, 7 and 8 (crazy!).
  • http://rickardsund.com : I do not have strong enough words to express my love for this web site. To me, it’s the best of modern Web design. On the one hand, the simplistic design suits its subject perfectly. It has been made by Hugo Ahlberg who has extensive skills in Flash design. Those skills give him the ability to overcome the classic HTML web design. On the other hand, This Web site is perfectly develop with Web standards only : HTML5 (with a noticeable use of the History API), CSS3, JS (awesome mouse gesture) and, of course, some small (but essential) touches of SVG. This amazing work has been done by Daniel Mahal and Daniel Connor who demonstrate what a Web standards front-end development should always be. They especially mastered the graceful degradation: This site works perfectly with IE6 ! You SHOULD look at the source and use it as an inspiration.

To conclude, there is one thing left : Live long SudWeb, I strongly hope for the next edition :)

Note for English speaker, there is an English version down below Le 27 mai dernier, j’ai eu la chance de participer à la toute première édition de SudWeb à Nîmes. Partie sur une boutade lors du dernier Paris Web, les organisateurs se sont juste arrachés pour arriver à monter le truc en à peine 6 moi ...»See Ya

Canvas prototype

Check out this website I found at labs.apt.no

Check out this website I found at labs.apt.no ...»See Ya

Incredible 'FLEXI' Gradient YouTube Embed BUTTON! (Except the part Posterous will fuck up)

Getting FLEXI with Gradient Scanner Video Embed BUTTONS!

Getting FLEXI with Gradient Scanner Video Embed BUTTONS! (Except the part Posterous will fuck up)

To see the real example, always check What Gets Me Hot!

Desperate_dogmeat_typodermic_on_signum_art
Dog_jan2011_twitter_dog_ad
Dogmeat_and_eric_meyer_invented_css_dont_forget_howcome_have_you_seen_it
Dogmeat_and_tbl_invented_the_internet_have_you_seen_it

Getting FLEXI with Gradient Scanner Video Embed BUTTONS! Getting FLEXI with Gradient Scanner Video Embed BUTTONS! (Except the part Posterous will fuck up) To see the real example, always check What Gets Me Hot! ...»See Ya

August 16, 2011

@Font-Face Icon et Le Template French Fou!

Layout Zoom: Increase | Decrease

Dogmeat's gone @font-face icon French Template Crazy! @Font-Face Icon et Le  Template French Fou!

Lorem ipsum dolor sit amet

 

Quick Tip: Ever Thought About Using @Font-face for Icons?

\Rating:

Quick Tip: Ever Thought About Using @Font-face for Icons?

Wayne Helman on Apr 23rd 2010 with 116 comments
Tutorial Details
  • Technology: CSS
  • Estimated Completion Time: 15 Minutes
  • Difficulty: Beginner
This entry is part 11 of 16 in the CSS3 Mastery Session - Show All
« PreviousNext »

The evolution of Internet technologies never ceases to amaze. Seemingly daily, new concepts and techniques are being thought up by creative and talented people. With modern browsers being adopted at a greater rate, systems like CSS3 are becoming more and more viable for use on projects of all sizes. Clearly, this can be seen by looking at new services sprouting on-line like TypeKit. Conceptually, if we deconstruct a font down to it’s basic elements, we can make use of this technology for things other than type, icons.

 


The Need for Speed

For a short period of time, developers began producing websites with little regard for bandwidth consumption. HTML and CSS where restrictive and Adobe Flash was an open canvas for designers and developers to stuff animations and complex layouts into. This resulted in some extremely bandwidth heavy sites—we all remember a few. Those were the days before the proliferation of mobile smart phones.

With smart phones accessing the Internet more frequently, bandwidth and page load speeds have suddenly returned to the forefront. Thankfully, advances in HTML, CSS, and JavaScript have made that all possible. Central to webpage speed and responsiveness is the number of HTTP requests a page load must make. Modern browsers limit the number of requests to a single server. The W3C HTTP 1.1 specification reads

“A single-user client SHOULD NOT maintain more than 2 connections with any server or proxy. A proxy SHOULD use up to 2*N connections to another server or proxy, where N is the number of simultaneously active users. These guidelines are intended to improve HTTP response times and avoid congestion.”

One technique that has become increasingly popular is the use of CSS sprites. CSS sprites are designed to reduce the number of HTTP requests to the web server by combining many smaller images into a single larger image and defining a block level CSS element to only show a defined portion of the larger image. The technique is simple, but ingenious.


Deconstructing the Font

Fonts at their most basic molecular level are a series of vector glyphs packaged up into a single “glyph archive”.

CSS3 has introduced to the web development world the ability to embed fonts with the @face-face declaration. Without question, this advancement in Internet technologies is one of the most exciting and important stages in our brief history. With developers able to embed fonts of their choice, designers can produce layouts that will render far more consistently from platform to platform bringing the art of interactive layout closer to it’s print cousin.

If we take a closer look at the technology behind a font, we can gain a far better understanding of how they can be used and deployed. Fonts at their most basic molecular level are a series of vector glyphs packaged up into a single “glyph archive”. We can then reference each glyph by its corresponding character code. Theoretically, it’s very similar to the way in which we reference an array in almost any programming language—through a key/value pair.

With this in mind, the glyphs we reference can really be any vector-based single color image. This is nothing new—we’ve all seen Dingbats and Webdings. They are two examples of non-type fonts, that is, a series of vector based images compiled into a single font archive.


Abstracting and Expanding @font-face

With the advent of font embedding and the realization that fonts are essentially a series of simple vector glyphs, I began to experiment on how to use this format to my advantage. Conceptually, if I placed all required icons for a particular site into a custom font, I would then be able to use those icons anywhere on the site with the ability to change size and color, add backgrounds, shadows and rotation, and just about anything else CSS will allow for text. The added advantage being a single CSS sprite-like HTTP request.

To illustrate, I’ve compiled a new font with a few of the great icons from Brightmix.

Sample glyph chart

I’ve used the lower case slots for plain icons, and the uppercase slots for the same icon in a circular treatment.

To use my new Icon Pack, I’ll first have to export my font set as a number of different font files (.eot, .woff, .ttf, .svg) to be compatible with all browsers. The topic of font embedding and file format converting is covered elsewhere, so I will avoid a detailed explanation here. However, the CSS would look something like this.

  1. @font-face {  
  2.   font-family'IconPack';  
  3.   srcurl('iconpack.eot');  
  4.   srclocal('IconPack'),  
  5.     url('iconpack.woff'format('woff'),  
  6.     url('iconpack.ttf'format('truetype'),  
  7.     url('iconpack.svg#IconPack'format('svg');  
  8. }  
@font-face { font-family: 'IconPack'; src: url('iconpack.eot'); src: local('IconPack'), url('iconpack.woff') format('woff'), url('iconpack.ttf') format('truetype'), url('iconpack.svg#IconPack') format('svg'); }

Once embedded, I now have a complete icon set in vector format to reference. To reference an icon I simply need a style that includes the font-family of “IconPack”.

image alt tag

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Lorem ipsum dolor sit amet

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

  • item 1: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
  • item 2: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
  • item 3: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
  • item 4: Lorem ipsum dolor sit amet, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

zuywxvz

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Layout Zoom: Increase | Decrease Dogmeat's gone @font-face icon French Template Crazy! @Font-Face Icon et Le  Template French Fou! technology philosophy tags territory tools schedule Lorem ipsum dolor sit amet   Tutorials \ HTML & CSS \ Rating: 1 2 3 4 5 Quick Tip: Ever Thought About Using @Font-fac ...»See Ya

August 15, 2011

My little Facebook Dogmeat Page

Since Jan 2008, some CSS modules instead of in the first column of a table.propdef. These rules handle both. As of Jan 2008, http://www.w3.org/Style/spec-mark-up still only documents  
facebook  
Hi Gaejang,
Here is this week's Facebook Insights summary for your website:
whatgetsmehot.posterous.com
Site Engagement
5
Total Actions
** PLEASE DESCRIBE THIS IMAGE **
96x
Distribution on Facebook
478
Total Impressions
** PLEASE DESCRIBE THIS IMAGE **
0.84%
Referral Traffic to Site
4
Total Clicks
View Insights
Thanks,
The Facebook Team
** PLEASE DESCRIBE THIS IMAGE **

text-space-collapse 'collapse' This value Since Jan 2008, some CSS modules useinstead of in the first column of a table.propdef. These rules handle both. As of Jan 2008, http://www.w3.org/Style/spec-mark-up still only documents text-space-collapse 'collapse' This value directs user agents to collapse sequences of white space into a single character (or in some cases, no character). 'preserve' This value prevents user agents from collapsing sequences of white space. Line feeds are preserved as forced line breaks. 'preserve-breaks' This value collapses white space as for 'collapse', but preserves line feeds as forced line breaks. 'discard' This value directs user agents to "discard" all white space in the element. 'trim-inner' For block containers this value directs UAs to discard all whitespace at the beginning of the element up to and including the last line feed before the first non-white-space character in the element as well as to discard all white space at the end of the element starting with the first line feed after the last non-white-space character in the element. For other elements this value directs UAs to discard all whitespace at the beginning and end of the element. 'consume-before' This value directs the UA to collapse all collapsible whitespace immediately before the start of the element. 'consume-after' This value directs the UA to collapse all collapsible whitespace immediately after the end of the element. 8. Alignment and Justification 8.1. Text Alignment: the 'text-align' property Name: text-align Value: [ start | ]? [ start | end | left | right | center | justify | match-parent ] Initial: start Applies to: block containers Inherited: yes Percentages: N/A Media: visual Computed value: specified value, except for 'match-parent' (see prose) This property describes how inline contents of a block are horizontally aligned if the contents do not completely fill the line box. Values have the following meanings: ( http://www.w3.org/ ) start The inline contents are aligned to the start edge of the line box. end The inline contents are aligned to the end edge of the line box. left The inline contents are aligned to the left edge of the line box. In vertical text, 'left' aligns to the edge of the line box that would be the start edge for left-to-right text. right The inline contents are aligned to the right edge of the line box. In vertical text, 'right' aligns to the edge of the line box that would be the end edge for left-to-right text. center The inline contents are centered within the line box. justify The text is justified according to the method specified by the 'text-justify' property. The string must be a single character; otherwise the declaration must be ignored. When applied to a table cell, specifies the alignment character around which the cell's contents will align. See below for further details. match-parent This value behaves the same as 'inherit' except that an inherited 'start' or 'end' keyword is calculated against its parent's 'direction' value and results in a computed value of either 'left' or 'right'. If two keywords are given in combination, then the first value specifies the alignment of the first line and any line immediately after a forced line break; and the second value specifies the alignment of any remaining lines. A block of text is a stack of line boxes. In the case of 'start', 'end', 'left', 'right' and 'center', this property specifies how the inline-level boxes within each line box align with respect to the start and end sides of the line box: alignment is not with respect to the viewport or containing block. In the case of 'justify', the UA may stretch or shrink any inline boxes by adjusting their text in addition to shifting their positions. (See also 'text-justify', 'letter-spacing', and 'word-spacing'.) If an element's white space is set to be collapsible, then the UA is not required to adjust its text for the purpose of justification and may instead treat the text as having no expansion opportunities. If the UA chooses to adjust the text, then it must ensure that tab stops continue to line up as required by the white space processing rules. 3.2. Tab Character Size: the 'tab-size' property Name: tab-size Value: | Initial: 8 Applies to: block containers Inherited: yes Percentages: N/A Media: visual Computed value: specified value This property determines the measure of the tab character (U+0009) when rendered. Integers represent the measure in space characters (U+0020). Negative integers are not allowed. 3.3. The White Space Processing Rules White space processing affects only spaces (U+0020), tabs (U+0009), and (post-normalization) line feeds (U+00A0). For each inline (including anonymous inlines) within an inline formatting context, white space characters are handled as follows, ignoring bidi formatting characters as if they were not there: If 'text-space-collapse' is set to 'collapse' or 'preserve-breaks', white space characters are considered collapsible and are processed by performing the following steps: All spaces and tabs immediately preceding or following a line feed character are removed. If 'text-space-collapse' is not 'preserve-breaks', line feed characters are transformed for rendering according to the line feed transformation rules. Every tab is converted to a space (U+0020). Any space immediately following another collapsible space -even one outside the boundary of the inline-is removed. However, if removing this space would eliminate a line breaking opportunity in the text, that opportunity is still considered to exist. A collapsible space immediately preceding an element with 'consume-before' is removed. Such removed spaces do not indicate a line breaking opportunity in the text. Any collapsible spaces after the end of an element with 'consume-after' are removed. Such removed spaces do not indicate a line breaking opportunity in the text. If 'text-space-collapse' is set to 'preserve', any sequence of spaces unbroken by an element boundary is treated as a sequence of non-breaking spaces. However, a line breaking opportunity exists at the end of the sequence. If 'text-space-collapse' is set to 'discard', the first white space character in every white space sequence is converted to a zero width non-joiner (U+200C) and the rest of the sequence is removed. Then, the entire block is rendered. Inlines are laid out, taking bidi reordering into account, and wrapping as specified by the 'text-wrap' property. As each line is laid out, A sequence of collapsible spaces at the beginning of a line is removed. Each tab is rendered as a horizontal shift that lines up the start edge of the next glyph with the next tab stop. Tab stops occur at points that are multiples of the width of a space (U+0020) rendered in the block's font from the block's starting content edge. How many spaces is given by the 'tab-size' property. A sequence of collapsible spaces at the end of a line is removed. If spaces or tabs at the end of a line are non-collapsible but have 'text-wrap' set to 'normal' or 'avoid' the UA may visually collapse their character advance widths. White space that was not removed during the white space processing steps is called preserved white space. 3.3.1. Example of bidirectionality with white space collapsing Consider the following markup fragment, taking special note of spaces (with varied backgrounds and borders for emphasis and identification): A B C where the element represents a left-to-right embedding and the element represents a right-to-left embedding. If the 'text-space-collapse' property is set to 'collapse', the above processing model would result in the following: The space before the B ( ) would collapse with the space after the A ( ). The space before the C ( ) would collapse with the space after the B ( ). This would leave two spaces, one after the A in the left-to-right embedding level, and one after the B in the right-to-left embedding level. This is then ordered according to the Unicode bidirectional algorithm, with the end result being: A BC Note that there are two spaces between A and B, and none between B and C. This is best avoided by putting spaces outside the element instead of just inside the opening and closing tags and, where practical, by relying on implicit bidirectionality instead of explicit embedding levels. **************** CSS Text Level 3 **************** --------------------------- Editor's Draft 29 July 2011 --------------------------- This version A B C **************** CSS Text Level 3 **************** --------------------------- Editor's Draft 29 July 2011 --------------------------- This version A B C New Lines Spaces and Tabs Text Wrapping normal Collapse Collapse Wrap pre Preserve Preserve No wrap nowrap Collapse Collapse No wrap pre-wrap Preserve Preserve Wrap pre-line Preserve Collapse Wrap New Lines Spaces and Tabs Text Wrapping normal Collapse Collapse Wrap pre Preserve Preserve No wrap nowrap Collapse Collapse No wrap pre-wrap Preserve Preserve Wrap pre-line Preserve Collapse Wrap

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Since Jan 2008, some CSS modules useinstead of in the first column of a table.propdef. These rules handle both. As of Jan 2008, http://www.w3.org/Style/spec-mark-up still only documents

text-space-collapse 'collapse' This value directs user agents to collapse sequences of white space into a single character (or in some cases, no character). 'preserve' This value prevents user agents from collapsing sequences of white space. Line feeds are preserved as forced line breaks. 'preserve-breaks' This value collapses white space as for 'collapse', but preserves line feeds as forced line breaks. 'discard' This value directs user agents to "discard" all white space in the element. 'trim-inner' For block containers this value directs UAs to discard all whitespace at the beginning of the element up to and including the last line feed before the first non-white-space character in the element as well as to discard all white space at the end of the element starting with the first line feed after the last non-white-space character in the element. For other elements this value directs UAs to discard all whitespace at the beginning and end of the element. 'consume-before' This value directs the UA to collapse all collapsible whitespace immediately before the start of the element. 'consume-after' This value directs the UA to collapse all collapsible whitespace immediately after the end of the element. 8. Alignment and Justification 8.1. Text Alignment: the 'text-align' property Name: text-align Value: [ start | ]? [ start | end | left | right | center | justify | match-parent ] Initial: start Applies to: block containers Inherited: yes Percentages: N/A Media: visual Computed value: specified value, except for 'match-parent' (see prose) This property describes how inline contents of a block are horizontally aligned if the contents do not completely fill the line box. Values have the following meanings: W3C

start The inline contents are aligned to the start edge of the line box. end The inline contents are aligned to the end edge of the line box. left The inline contents are aligned to the left edge of the line box. In vertical text, 'left' aligns to the edge of the line box that would be the start edge for left-to-right text. right The inline contents are aligned to the right edge of the line box. In vertical text, 'right' aligns to the edge of the line box that would be the end edge for left-to-right text. center The inline contents are centered within the line box. justify The text is justified according to the method specified by the 'text-justify' property. The string must be a single character; otherwise the declaration must be ignored. When applied to a table cell, specifies the alignment character around which the cell's contents will align. See below for further details. match-parent This value behaves the same as 'inherit' except that an inherited 'start' or 'end' keyword is calculated against its parent's 'direction' value and results in a computed value of either 'left' or 'right'. If two keywords are given in combination, then the first value specifies the alignment of the first line and any line immediately after a forced line break; and the second value specifies the alignment of any remaining lines. A block of text is a stack of line boxes. In the case of 'start', 'end', 'left', 'right' and 'center', this property specifies how the inline-level boxes within each line box align with respect to the start and end sides of the line box: alignment is not with respect to the viewport or containing block. In the case of 'justify', the UA may stretch or shrink any inline boxes by adjusting their text in addition to shifting their positions. (See also 'text-justify', 'letter-spacing', and 'word-spacing'.) If an element's white space is set to be collapsible, then the UA is not required to adjust its text for the purpose of justification and may instead treat the text as having no expansion opportunities. If the UA chooses to adjust the text, then it must ensure that tab stops continue to line up as required by the white space processing rules. 3.2. Tab Character Size: the 'tab-size' property Name: tab-size Value: | Initial: 8 Applies to: block containers Inherited: yes Percentages: N/A Media: visual Computed value: specified value This property determines the measure of the tab character (U+0009) when rendered. Integers represent the measure in space characters (U+0020). Negative integers are not allowed. 3.3. The White Space Processing Rules White space processing affects only spaces (U+0020), tabs (U+0009), and (post-normalization) line feeds (U+00A0). For each inline (including anonymous inlines) within an inline formatting context, white space characters are handled as follows, ignoring bidi formatting characters as if they were not there: If 'text-space-collapse' is set to 'collapse' or 'preserve-breaks', white space characters are considered collapsible and are processed by performing the following steps: All spaces and tabs immediately preceding or following a line feed character are removed. If 'text-space-collapse' is not 'preserve-breaks', line feed characters are transformed for rendering according to the line feed transformation rules. Every tab is converted to a space (U+0020). Any space immediately following another collapsible space -even one outside the boundary of the inline-is removed. However, if removing this space would eliminate a line breaking opportunity in the text, that opportunity is still considered to exist. A collapsible space immediately preceding an element with 'consume-before' is removed. Such removed spaces do not indicate a line breaking opportunity in the text. Any collapsible spaces after the end of an element with 'consume-after' are removed. Such removed spaces do not indicate a line breaking opportunity in the text. If 'text-space-collapse' is set to 'preserve', any sequence of spaces unbroken by an element boundary is treated as a sequence of non-breaking spaces. However, a line breaking opportunity exists at the end of the sequence. If 'text-space-collapse' is set to 'discard', the first white space character in every white space sequence is converted to a zero width non-joiner (U+200C) and the rest of the sequence is removed. Then, the entire block is rendered. Inlines are laid out, taking bidi reordering into account, and wrapping as specified by the 'text-wrap' property. As each line is laid out, A sequence of collapsible spaces at the beginning of a line is removed. Each tab is rendered as a horizontal shift that lines up the start edge of the next glyph with the next tab stop. Tab stops occur at points that are multiples of the width of a space (U+0020) rendered in the block's font from the block's starting content edge. How many spaces is given by the 'tab-size' property. A sequence of collapsible spaces at the end of a line is removed. If spaces or tabs at the end of a line are non-collapsible but have 'text-wrap' set to 'normal' or 'avoid' the UA may visually collapse their character advance widths. White space that was not removed during the white space processing steps is called preserved white space. 3.3.1. Example of bidirectionality with white space collapsing Consider the following markup fragment, taking special note of spaces (with varied backgrounds and borders for emphasis and identification): A B C where the element represents a left-to-right embedding and the element represents a right-to-left embedding. If the 'text-space-collapse' property is set to 'collapse', the above processing model would result in the following: The space before the B ( ) would collapse with the space after the A ( ). The space before the C ( ) would collapse with the space after the B ( ). This would leave two spaces, one after the A in the left-to-right embedding level, and one after the B in the right-to-left embedding level. This is then ordered according to the Unicode bidirectional algorithm, with the end result being: A BC Note that there are two spaces between A and B, and none between B and C. This is best avoided by putting spaces outside the element instead of just inside the opening and closing tags and, where practical, by relying on implicit bidirectionality instead of explicit embedding levels.

CSS Text Level 3

Editor's Draft 29 July 2011

This version
A B C

CSS Text Level 3

Editor's Draft 29 July 2011

This version
A B C
  New Lines Spaces and Tabs Text Wrapping
normal Collapse Collapse Wrap
pre Preserve Preserve No wrap
nowrap Collapse Collapse No wrap
pre-wrap Preserve Preserve Wrap
pre-line Preserve Collapse Wrap
  New Lines Spaces and Tabs Text Wrapping
normal Collapse Collapse Wrap
pre Preserve Preserve No wrap
nowrap Collapse Collapse No wrap
pre-wrap Preserve Preserve Wrap
pre-line Preserve Collapse Wrap

96x 0.84% Thanks, The Facebook Team text-space-collapse 'collapse' This value Since Jan 2008, some CSS modules useinstead of in the first column of a table.propdef. These rules handle both. As of Jan 2008, http://www.w3.org/Style/spec-mark-up still only documents text-space-collapse 'collapse' This ...»See Ya