YouTube CEO Susan Wojcicki thought up 100 things about the black community, COVID-19, and creators

Susan Wojcick YouTube 

 

Inside YouTube

Sentences:

1. Several times a year, CEO Susan Wojcicki updates users and creators on YouTube’s priorities.

2. This Letter addresses initiatives to support the Black community, the impact of COVID-19, and how YouTube is working on behalf of creators.

3. In the last few months, we’ve experienced enormous tragedy and loss.

4. As people around the world have felt the devastating impact of the COVID-19 crisis, they’ve dealt with illness, loneliness, unemployment, and juggled added responsibilities with kids at home.

5. And over the past few weeks, we’ve grieved together as the Black community has endured more senseless acts of racial terror and violence.

6. We know that for many, tragedies like these are a persistent reminder of the harm caused by systemic racism.

7. They also compound the toll of the pandemic, which disproportionately impacted Black and Brown communities in the U.S. and abroad.

8. At YouTube, we believe Black lives matter and we all need to do more to dismantle systemic racism.

Sent 2:

1. At YouTube, we believe Black lives matter and we all need to do more to dismantle systemic racism.

2. We join in protest against the murders of George Floyd, Breonna Taylor, Ahmaud Arbery, and so many others before them.

3. The painful events of this year have reminded us of the importance of human connection and the need to continue to strengthen human rights around the world.

4. Our platform has been a place where people come together since YouTube first launched 15 years ago.

5. And in the midst of uncertainty, creators continue to share stories that might not otherwise be heard while also building online communities.

6. We have always been proud that we are a platform that celebrates a broad and diverse set of voices.

7. And we have implemented many policies and product features to protect our communities.

8. But we recognize we need to do more, in particular with the Black community, and that is why we are committing to following actions.

9. We’re committed to doing better as a platform to center and amplify Black voices and perspectives.

10. We’ve taken many steps over the years to help protect diverse communities from hate and harassment across the platform, including Black creators and artists.

11. And last year, we developed more stringent hate speech and harassment policies.

12. Our updated hate speech policy specifically bans videos alleging that a group is superior based on qualities like race, gender, religion, or sexual orientation in order to justify discrimination, segregation or exclusion.

13. As a result of these changes and our ongoing enforcement, last quarter alone we removed over 100,000 videos and 100 million comments for hate and harassment.

14. Building on our work over the past several years, we’re taking this moment to examine how our policies and products are working for everyone — but specifically for the Black community — and close any gaps.

15. And more broadly, we will work to ensure Black users, artists, and creators can share their stories and be protected from hateful, white supremacist, and bullying content.

16. Generations of Black Americans have been waiting for justice in the United States, and we know the effect of inequality is felt around the world.

17. I’m committed to listening — to Black employees at YouTube, to Black creators, to Black artists, to leaders in the Black community, and to Black users who tune in to YouTube every day.

18. There is much work to do to advance racial equity in the long-term, and these efforts will continue in the months and years ahead.

19. Over the past few months, another top priority has been connecting people to trusted information as the coronavirus pandemic spread around the globe.

20. Our teams started by engaging with public health officials in more than 85+ countries so they could make locally relevant information available, which we display on our homepage and in panels that appear on videos and in search results about COVID-19.

21. Collectively, these panels have been shown more than 200 billion times.

22. YouTube also launched a dedicated COVID-19 news shelf, with videos from health authorities and news organizations, in more than 30 countries around the world.

23. We’ve found that when people come to YouTube searching for coronavirus topics, on average 94 percent of the videos they see in the top 10 results come from high authority channels.

24. We think this is important progress, even as we keep working to bring that number higher.

25. In addition to raising up trusted information, we have also been focused on combating harmful medical misinformation.

26. We’re consulting on an ongoing basis with health authorities like the WHO and local organizations like the CDC, the Korean Ministry of Health and Welfare, and India’s Ministry of Health and Family Welfare, as well as expert medical and public health professionals, to design policies based on the latest science.

27. We updated our policies to prohibit content with harmful medical information, for example saying the virus is a hoax or claiming there is a guaranteed cure.

28. To date, we’ve removed over 200,000 videos for violating these policies.

29. We also understand the importance of representing a broad set of voices in the public debate.

30. There are a range of opinions on topics like how governments respond to the crisis, when and how we should reopen economies, and criticism of health authorities and government officials.

31. We want to ensure these important discussions continue on the platform, even as we work to combat misinformation.

32. Creators also have an important role to play in helping connect people to useful information.

33. Forty high-profile creators have spoken with leading health officials, including Dr.

34. Jaime Sepúlveda’s Spanish-language interviews with creators and Dr.

35. Anthony Fauci’s conversations with Trevor Noah, Dr.

36. Mike, Lilly Singh, Phil DeFranco, Dr.

37. Regina Benjamin and Dr.

38. Georges Benjamin also spoke with Black creators about the impact of COVID-19 on the Black community.

39. These creator interviews have been seen in more than 160 countries and received more than 43 million views.

40. And more than 700 creators and artists joined YouTube’s #withme PSA campaign, encouraging users to stay home and highlighting important messages about how to stop the virus.

41. These public service announcements are reaching people around the world - they’ve received over three billion impressions.

42. Thank you to all of our creators who led the way with this initiative.

43. YouTube has always been a key learning resource, but we are now seeing a record amount of engagement.

44. The average daily views of videos with homeschooling in the title have more than tripled globally in the last three months.

45. As students began learning from home, some of the first events we featured on Learn@Home were live streams hosted by The College Board to help high school students prepare for Advanced Placement tests in May.

46. The response exceeded our expectations - the videos from the first day of live streaming have received more than 700,000 views.

47. And students preparing for AP exams through the daily live streams received unexpected support from Lin-Manuel Miranda, who recently hosted a special edition U.S. History master class.

48. Creators have launched live stream series to help students of all ages stay motivated to learn at home, from Khan Academy to Mark Rober to 3Blue1Brown.

49. And we’ve seen new read-alongs for children, like PBS Kids with Michelle Obama and Dolly Parton’s weekly Goodnight with Dolly.

50. And students are even finding ways to keep up with physical education on YouTube by tuning in to daily shows like PE with Joe or taking a dance break with KIDZ BOP.

51. In our house, kids aren’t just learning online, they’re also virtually celebrating holidays, birthdays, and even hosting sleepovers with their friends.

52. We’re finding new ways to connect, and at YouTube, we’re seeing communities bringing people together online.

53. People are using live streams at a much higher rate, with live watchtime on TV screens up over 250 percent year-over-year on YouTube globally during the height of stay at home measures around the world.

54. Live streams are also helping us capture moments that otherwise would have been lost, like graduation ceremonies.

55. To mark this key milestone, we developed an online #DearClassof2020 commencement headlined by President Barack Obama and featuring Lady Gaga, Dude Perfect, Jackie Aina, The Try Guys, Malala Yousafzai, former Secretary of Defense Robert M.

56. Gates, former Secretary of State Condoleezza Rice, and Google’s own Sundar Pichai.

57. Creators have also stepped in to support global relief efforts, like jacksepticeye’s live stream #HopeFromHome, which raised money for the United Way.

58. Creators in the United Kingdom came together for Stream #WithMe, a live fundraiser benefiting NHS.

59. And artists and creators joined One Love Asia, a concert benefiting UNICEF.

60. To enable the YouTube community to have even more impact, this year we’ve expanded the access to our donate button from 1,500 eligible channels to more than 40,000, allowing more creators to easily engage their audiences on causes they care about.

61. Even during these incredibly difficult times, we’re seeing unprecedented creativity from our creative community.

62. Because creators are experts at filming to suit any style, from high-production to garage studios, they were able to quickly adapt and make content that reflected our new reality, from yoga for stress release to quarantine routines.

63. And artists are bringing fans together online and making YouTube a virtual concert venue.

64. Bands like the Rolling Stones, Radiohead, and the Grateful Dead are releasing live concert footage every week, giving fans something to look forward to while staying at home.

65. Brazilian singer Marília Mendonça hosted a live stream concert on YouTube from her home last month, and the video has been viewed more than 20 million times.

66. We’re also welcoming cultural institutions that are creating or expanding their YouTube channels, giving audiences the chance to tune in to legendary performances from The Bolshoi Theater, weekly releases of Andrew Lloyd Weber musicals on The Shows Must Go On, and Shakespeare plays streamed by The Globe Theatre.

67. And there’s been a rise in new formats for content during quarantine.

68. We’ve seen YouTube’s first virtual fashion show and a streaming global film festival.

69. Gaming creators are also drawing new audiences.

70. Travis Scott leveraged the power of the popular game Fortnite to perform unreleased music to viewers around the globe without ever leaving his house.

71. Viewers tuned in live to streams from Flakes Power, Muselk, Avxry, Valkyrae and other gaming creators, with all four experiences garnering 100 million views on YouTube.

72. Thank you to all the creators and organizations who are releasing new content during this time, from tips for working at home to DIY advice from a dad who launched a YouTube channel to answer questions like how to hang a shelf or unclog a drain.

73. Whether your views are in the hundreds or in the millions, you’re making the world a little brighter for someone watching from home.

74. As creators rose to meet the challenges of the pandemic, they also faced obstacles along the way.

75. We know the uncertainty of the past few months has been hard and our team is working to provide support.

76. In March, we adjusted our policy to enable ads for content from creators and news organizations discussing the coronavirus.

77. Given fluctuations with the advertising market, we are encouraging creators to also invest in other forms of monetization to grow and diversify their revenue.

78. Since the beginning of March, we saw over two million viewers support creators by purchasing their first Super Chat, Super Sticker or membership on YouTube.

79. The number of channels earning the majority of their YouTube revenue from memberships and paid digital goods is up 40 percent since January.

80. And with more artists now going live on YouTube, we recently announced that we’ll be extending the availability of Super Chat and Super Stickers to more artist channels.

81. This year we’ve also worked to give creators more control over monetization decisions and to provide transparency with our policies by expanding Self Certification to all creators in the YouTube Partner Program (YPP).

82. With Self-Certification, creators tell us what’s in their video and how it complies with our ad-friendly guidelines.

83. In the past few weeks, you may have heard questions raised about Section 230, a regulation in United States law that allows YouTube to be an open platform while protecting the community from harmful content, like content that incites violence or endangers children.

84. We believe undermining Section 230 would impact our ability to protect our users and would also significantly limit content from a wide range of creators across the political spectrum who have a voice on our platform.

85. Such a change might require online services like YouTube to "over-filter" content, making it more difficult for creators to share breaking news, create learning content, expose injustice, and amplify a diversity of voices and opinions.

86. We'll continue to work on your behalf to explain how eroding 230 would harm the creator ecosystem globally.

87. YouTube creators have long been known for their authenticity, and I appreciate how creators have openly shared how hard it is to create content as we navigate new challenges.

88. It’s important for all of us to make our mental health and wellbeing a top priority.

89. People come to YouTube every day looking for information and resources, and we realize we have a tremendous opportunity to shine a light on various health issues.

90. Over the last few months, we’ve seen a 45 percent increase in views of meditation videos and a growing popularity of mindfulness and wellbeing content.

91. Our teams also recently expanded the tools available to users to help prioritize wellbeing.

92. We’ve added a new bedtime reminder, in addition to our “take a break” option, to help viewers manage their time on YouTube.

93. And through our Get By #WithMe campaign, we’ve partnered with creators to spotlight videos like Why Support Helps with Kati Morton.

94. Creators like Kati are helping educate and reduce the stigma associated with mental health.

95. The past few months have been incredibly challenging, and we still have a long road ahead of us.

96. But even in these difficult circumstances, I’m finding glimmers of hope every day on YouTube - your passion and creativity have been inspiring.

97. Thank you for all the ways you’re coming together to support one another, and for all the ways you’re giving back.

98. You’re reminding us to look for the good, even when so many things about life feel out of order.

99. Thank you for being a part of our community.

100. Whether you’re connecting with people on YouTube across your city or across the world, your voices are coming together to make a difference.

1. By Susan Wojcicki

1. CEO, YouTube

1. Jun.11.2020

Umami from ether Jimmy Page's solo guitar textures kilig to the bones adj. utterly thrilled or thrilling.Quot. 1994 1994 Filipinas (Electronic ed.) 31 Oct. 24 ‘Ay, kilig (shivers) to the bones!’ rending the air © 2020 Music Psych – All rights reserved

Umami, materializing from ether a newly viable humanly pleasurable soothing iteration of the converse equivalent opposite pole which demonstrates an audio mistake, formerly governed, prevented, disturbingly distracting session-stopping, reset, mandated by an engineer, a producer, and a musician or any listener with common sense and a normative reaction to shared human aversions of tolerance and reactions to its overburdening; whose cross-frequencies pushed black needled levels of optimally distinctive parts with varying methodologies of separation from isolation booths to baffles to distance and finally with Les Paul, the method which shaped as significant a milestone in the progression and exponential advancement of audio recording and its suddenly ingenious interdependence and seeming contradictory degree reliant toleration of frequency spikes and naturally occurring electrical scientifically explainable level lines uncrossable without unpleasant sonic disturbances as a result of various wavelength crashing, looping, and many other highly technical but natural laws of nature which account for the prohibitory unwilling orthodoxy to never experiment until accidentally employed with the advent of electrified amplification in the beginning of the 21st century, most famously utilized and forever recognized as with Tesla, Edison, Charlie Christian without which we would have progressed more slowly and with unparalleled profligate curiosity. (144) autonomy and artist based freedom to play parts both live, but now with the option of punching in or technically mining a pristine authentic live recording while avoiding fundamental agreed upon 'technical mistakes,' INCLUDING hot mics, high-frequency, deafening sudden db overhot yelps, roars, fuzzed woofing, trebly whistles and torture employed sickening, dizzying squeals, electrical variances of anti-musical whistles, unmusical, unintentional redlining volume or tone fluctuations, proximate over-amplification without invented sonic Umami controlled and distortion controlled feedback distortion controversial audio pyrotechnics purposeful mistakes and distilled popular Page, and the young session guitarist hit the licks which changed rock 'n roll and fueled a behemoth dirigible flight unstable, unwieldy, and undockable as the music whose flight it inspired he was a young man earning a living as a studio musician in London. (113) 1960s, recording guitar solos and textures for the crème de la crème of British Invasion, then the stars of psychedelic sound say works from 1965 Song above the album The Rolling Stones Now. Le codeblue. La transplantation cardiaque /. Interestingly the onset of the condition was often marked by a change in genre preference, e g from pop to jazz. hippocampus ( ) showed increased regional grey matter in the left posterior hippocampus (a memory area) compared to the non-musicophilic group differences in the dorsolateral prefrontal cortices and anterior cingulate musicophilic posterior parietal cortex, medial orbitofrontal cortex, and frontal pole. neural signature underlie default network mediate direct thought. saliencesto social signals mental states areas associated with musical memory and emotional response. abnormal craving for music towards the “…more abstract hedonic valuation that music represents”. music cognitive reward seeks less from the world Why music high degree of emotional value for musicophilics  relates to obsessive or ritualistic FTLD patients. neural reality to sudden onset music Ay, kilig (shivers) to the bones !s rending the air. beautiful looms charmed crescende equivalent thousand-year-old human one-hundred year ferment, meaty note craving hard wired-unconscious insatiate appreciation like music curious beautiful, pleasure for me, pretty, good to reassess, previously unnoticed, unheard, unremarked, uncriticized, or benignly uncommented. relieve selfish enjoyment of physical, emotional, intellectual, or cognitive desire less-common vicarious experiential desire freely exprestion in bacon nor returns of gold pence wind their beings little to whom we speak, but----- hope all that one gourmand drinking fon pulls the slattern cunt ay beautiful evening. -- ardor --- Yes, it's in me, my dentures even screw up.

obsession and emotion of music musicophilics talk about  © 2020 Music Psych – All rights reserved

© 2020 Music Psychology – All rights reserved

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‘Ay, kilig (shivers) to the bones!’ rending the air.

 13.

oed.com  39521221#eid1203222070

Umami from ether 

  Jimmy Page's rippin' guitar solo  textures

• licks biggest hits Brits rippin’ gits chilled London sound
  

Page descends botanical  blooming snake-charmed crescendo equivalent    wide, fermented, meaty notes

 

an audio mistake, formerly governed, prevented, disturbingly distracting session-stopping, reset, mandated by an engineer, a producer, and a musician or any listener with common sense and a normative reaction to shared human aversions of tolerance and reactions to its overburdening; whose cross-frequencies pushed black needled levels of optimally distinctive parts with varying methodologies of separation from isolation booths to baffles to distance and finally with Les Paul, the method which shaped as significant a milestone in the progression and exponential advancement of audio recording and its suddenly ingenious interdependence and seeming contradictory degree reliant toleration of frequency spikes and naturally occurring electrical scientifically explainable level lines uncrossable without unpleasant sonic disturbances as a result of various wavelength crashing, looping, and many other highly technical but natural laws of nature which account for the prohibitory unwilling orthodoxy to never experiment until accidentally employed with the advent of electrified amplification in the beginning of the 21st century, most famously utilized and forever recognized as with Tesla, Edison, Charlie Christian without which we would have progressed more slowly and with unparalleled profligate curiosity. autonomy and artist based freedom to play parts both live, but now with the option of punching in or technically mining a pristine authentic live recording while avoiding fundamental agreed upon 'technical mistakes,' INCLUDING hot mics

 

high-frequency, deafening sudden db overhot yelps, roars, fuzzed woofing, trebly whistles and torture employed sickening, dizzying squeals, electrical variances of anti-musical whistles, unmusical, unintentional redlining volume or tone fluctuations, proximate over-amplification without invented sonic Umami controlled and distortion controlled feedback distortion controversial audio pyrotechnics purposeful mistakes and distilled popular Page, and the young session guitarist hit the licks which changed rock 'n roll and fueled a behemoth dirigible flight

unstable, unwieldy, and undockable as the music whose flight it inspired he was a young man earning a living as a studio musician in London. 1960s, recording guitar solos and textures

• 
  

  hopefully relieving the seemingly selfish but specifically desirable  bacon mouth night of ardor, turn the breasts gold and little ear  not speak

materializing from ether Before Led Zeppelin

  Jimmy Page was a bona fide guitar god

rippin' guitar solos and chilling texture  licks 

botanically blooming snake-charmed crescendo, distinct  fermented, meaty  notes craving human, hard-wired  unconscious  desire  consumed insatiate finally satisfy sense  whose renewal changed the world and its appreciation by a wider public.

 

Producer: Andrew Long Oldham.

I like the music wars 

curiously beautiful, a pleasure for me, pretty, good to reassess, previously unnoticed, unheard, unremarked, uncriticized, or benignly uncommented it.

 

 

Yes, it's in me, my dentures, even screw up.

They tell me the panther is buying a scorpion round for Panther

work:

1. I wrote.

 

2. I have recorded a cassette.

 

3. I have made two CDs.

 

4. I made a video (VHS).

 

5. I did a Pepsi ad with a soccer player.

6. I died at the age of 65 from kidney carcinoma.

Last tweet:

"Remember this. You gave me everything. Thank you for your resistance."

most important:

I am Argentine.

 

I was an actor.

 

I was a cumbia singer.

 

I was the author of 'El son de cuca'.

 

I was a student of Theology and Geology in Córdoba.

 

I became an actor, and then a musician.

 

I knew both Gladys 'la bomba' and Gilda, fat cumbia dancer.

 

What is my name?

 

¿Qué celebridad española muerta soy?

Mi

3. (They)

• IGTV Instagram for Facebook Exclusive Video Provider

• Already on YOUR Page from Posts HERE •

• God Made Riffs In His Image •

• •

• • • or on your Page HERE • • •

 

• Living in:

   

  Switzerland: Pontresina (+40 km) Graubünden; Champagne (+40 km) Vaud, France: Ille (+40 km) Languedoc-Roussillon; Castres (+40 km) Midi-Pyrénées; Coudekerque-Branche (+40 km) Nord-Pas-de-Calais, Italy: Emilia-Romagna; Milan (+40 km) Lombardia, Lebanon: Zefta (+40 km) Nabatieh Governorate, Mexico: Mexico City (+40 km) Distrito Federal or South Africa: Soweto (+40 km) Gauteng,

   

  Interests:

   

  Country music, Heavy metal music, Jazz music, Pop music, Rock music, Pizza, Tablet computers, Smartphones, Televisions or Mobile phones

   

  Age: 13-31,

   

  Gender: Female

   

   

Blessed with tequoniam we came to the alliance.

 

I heard about you, you have the gods, and his knowledge and wisdom are found in you.

 

I will return to you, so that it is more than that of the last of you?

 

Ahh. 

 

easy flow, molest me.  

 

To me, My treat he's glad you sew 

 

I grant it to you, I will add unto thy servants twisted by the word of the Island and of Bela

 

however, the question  put among  Jeans Outlet.

 

woof?

 

net anxiety

 

  reality?

 

And the Blue hat at that, spinning.

 

Know've end?




 

• ''It's not my responsibility to answer to those people,'' he said in a recent interview, referring to people who have began to question the substantive nature of his recent efforts in the music business. ''This is a private business,'' he said with a confident smile.

Here is another one I bought blind.

I'm in a thrift store for battered women, digging through the records and checking out the chicks (no no no no no give me a god damn break.

It was just too horrible of a joke to pass up).

I find this little thing in a tattered cover.

Look at the cover and see two guys sitting in a car.

Look at the back, two guys are still sitting in a car, and they have kinda long hair, and there is a little state of Louisiana circled below.

Label says 1982.

Record is beat to shit.

Awww what the hell.

At the very worst it will be a bad spend of a buck.

I walk to the counter, lay my dollar down and tell the girl, "There's more where that came from..." and slither out the door.

I go home and slap this puppy on the turntable.

Oh my god! Distorted guitar and stand up bass, no drums and it is a raw, smoking rockabilly tune worthy of Cramps/Hasil worship.

Second song is a slow one and damn it if this couldn't be the Gibson Brothers.

Look at the label again.

1982.

Shit, this predates the Gibs by five or so years.

Flip it over and weirdness crawls out of the groove.

Some kinda reverb flooded, bell soaked creepiness about the Atlanta Child Murders oozes out of the speakers! Now I am really excited.

Really really excited.

And the ep ends with some kinda Modern Lovers meets the Only Ones meets Alex "Flies on Sherbert" Chilton power popper.

Artist: Our Favorite Band Title: Pink Cadillac Format: 7" Sleeve Condition: GOOD Vinyl Condition: VG+ Color of Vinyl: BLACK Label: Praxis Records Year: 1981 praxis-001 TRACK LIST: SIDE A.

1.

Pink Cadillac 2.

When am I Gonna Win? + SIDE B 1.

Praeceps Lascivus (Atlanta) 2.

Saturday Nights And Sundy Mornings Cassette 12 Songs 1.

Lost And Lonely 2.

Exile On Main Street 3.

Leavin' Louisiana 4.

Saturday Nights...sunday Mornings Co, W/ Michael Stipe, Jason Ringenberg, Doug Easley, Etc.

Saturday Nights...sunday Mornings Lp + Cdr Copy: Ex Co, W/ Michael Stipe, Jason Ringenberg, Doug Easley, Etc.

What would shock Kafka is the real-life nightmare that he had imagined and deftly written, whose story excerpted here finds another man not born in Kafka's day who like his protagonist Gregor, wakes to find, not that he has metamorphosed into 'vermin,' but that his metamorphosis has done triple-duty and has  transformed him from a Man to a Possum to a Duck to an Old Man, and on top of this, he has one epic cocaine habit to support,  not through toiling away  as a scrivener, but through an endless night of  lonesome highways which deposit his disoriented brain with an IQ of 80 at one squalid honky-tonks after another with his band, where every night he sings the same songs, all sentimental, but some nights with preternatural perspicuity, as luckily, his bass player 'feeds him the lyrics'  directly into his ear during the performances --  his adoring audience, attention on him, seems immune to what some would be a sign of early onset alzheimers or a severe frontal cortex insult from a serious head injury, but if he has been hit by anything, it is just the 'Love Bug,' or a couple of grams of Nashville's finest cocaine to aid him through the arduous journeys similar to another tribe whose stamina is aided by the plant and its magical alkaloids, the Peruvian Indians who never 'stop' ingesting it in its pristine form of mascerating the leaves from the coca tree, packing a wad between cheek and gums like a baseball player and his chaw and then letting it sooth and ameliorate everything that Machu Pichu has to offer at heights far above what any other humans would find tolerable to stand still, and would be carted away should their livelihood involve hard toiling in the thin air on the cloud dwarfing mountain they call their farmland.

His lush mezzo-soprano buttery lows are base for twangy highs which escape in high-pitched yelps contraposed with the bottom cleft origin of their rocketing, orotund bottom and disintegration in pleasing effervescent eructation, similar to certain NASA spacecrafts, or  that which emanates from asylums, a cacophonous wreck of spastic hiccoughs and ululating bleats and bahs,  enjoined by  choral padding and unscored chaotic blats, glottal tics whose  turgid  excrescence one might find entertaining in private, or reading from the published letters of certain rough speaking authors, published exactly as the model described (in perverse dirty talk, but only as James Joyce to his 'come receptacle,' Nora create); excremental, florid movements defying peristalsis, and 98% of the population of Ireland, with the exception of the personage of -- and God, I know it's true -- scion of great PC Computer Virus Killer magnate turned lambing toilet bowl receptacle, John  McAfee, whose father (Grandfather?) was surely very likely bumping into Joyce at the time, whose son now bumped with a Belizian girlfriend surfeit -- only few might have afforded the opportunity to reject, this filthy oral contract, in which many states in America, the instructions alone would still violate some of the outlier 19th Century Blue Laws on the books as Class 'C' Felonies.  He took pleasure in blocking the performance of this coprophagic play, including  actor  marks and prop-ready hammocks, only requiring the 'actors' in a rarely necessary demonstration of 'The Method,' which Dustin Hoffman is famously remembered in an anecdote Sir Larry lived off of on the Late Night Talk Show circuit of the 1970's, as related by the same Laurence Olivier, of the absurd and treacherous senior greatest classic actors of all-time greatly enjoying a rare chance for him to trivialize and scoff at one of the very 'hot' acting methods then practiced by many US celebrity actors, and also here in their scenes together for "Marathon Man":  where regarding Hoffman's breathless entrance due to having sprinted before a scene which required him to 'act' winded, Larry had remarked something to the effect of him 'just acting' instead -- to bulk, or not to bulk with fiber, that was the question at Chez McAfee Finca en el Belize, just don't call old  Mac late for dinner.

When time to assume the position of diacritic's marking letters pronounciation and such, so his 'u' under the umlaut was just about right, arms gesturing up for support and maw fully open for its umlaut to rain down all good lovin', etc.

'to sup from under whingeing bed no siesta's movement above ... it must be love.'

coprolalic interjections of the most obscene and irrational juxtaposition, neither contextually intelligible, more vile and lascivious taboo,  titillation, provocative unseemliness, and purposeful indoctrination whose reaction the poor dullards, not too few beatings from shocked, censorious street mobs, if they, poor epileptics, were ever let out of the house -- had they one, at all.

Neither ruled by reason, anger, nor provoked by a motive whose only possible understanding would begin to explain the necessity of the outbursts in surprise, subject matter, and volubility, especially should one find oneself within the normal distance one allows for polite cohabitation and social gathering; but except for those two cases, and in the fact that those cases had nothing at all to do with what was heard, and only one other which could be responsible in polite supposition as to the calls, that of the duty to communicate danger or warning.

relief exists for a few seconds before he is captured in one or more of a volley of reprises and encores.

😈 🐍 🌸 🌸

George Jones (now Dee-Doodle Duck, now DD Old Man) had never once yet been ill.

Dee-Doodle Duckweed?" That gentle voice! George Jones was shocked when DD heard his own voice answerin', it could hardly be recognized as DD voice DD had had before.

His father went back to his breakfast, but his sister whispered:

 

"George Jones open DD door, I beg of you."

 

George Jones , however, had no thought of openin' DD door, and instead congratulated himself for his cautious habit, acquired from his travellin', of lockin' all doors at night even when DD was a ho.

George Jones had wanted to give a full answer and explain everythin', but in DD circumstances contented himself with sayin': "Yes, mother, yes, thank-you, I'm gettin' up now." DD change in George Jones 's voice probably could not be noticed outside through DD wooden door, as his mother was satisfied with this explanation and shuffled away.

And even if DD did catch DD train DD would not avoid his boss's anger as DD office assistant would have been there to see DD five o'clock train go, DD would have put in his report about George Jones 's not bein' there long Dee-Doodle-ago.

Dee-Doodle Duckthin' that can't be done in bed", George Jones said to himself, "so don't keep tryin' to do it".

Dee-Doodle Duckmbers of DD family aware that George Jones , against their expectations was still at ho.

From DD room on his right, George Jones 's sister whispered to him to let him know: "George Jones , DD chief clerk is here." "Yes, I know", said George Jones to himself; but without darin' to raise his voice loud enough for his sister to hear him.

"George Jones , George Jones ", DD called, "what's wrong?" And after a short while DD called again with a warnin' deepness in his voice: "George Jones ! George Jones !" At DD other side door his sister ca.

And what's more, would DD have been entirely wrong in this case? George Jones did in fact, apart from excessive sleepiness after sleepin' for so long, feel completely well and even felt much hungrier than usual.

George Jones only needed to hear DD visitor's first words of greetin' and DD knew who it was - DD chief clerk himself.

Dee-Doodle-plaintively: "George Jones ? Aren't you well? Do you need anythin'?" George Jones answered to both sides: "I'm ready, now", makin' an effort to remove all DD strangeness from his voice by enunciation' very carefully and puttin' long pauses between each, individual word.

His fall was softened a little by DD carpet, and George Jones 's back was also more elastic than DD had thought, which made DD sound muffled and not too noticeable.

What Gets Me Hot.