On Sat, May 14, 2011 at 10:13 AM,
Dogmeat wroteHello,
--
I
'm the rebel who eventually convinced FB to let YOU ' Like Dog meat posts containing the formerly offensive contraction for the words 'Who Are' in the title.
i t was a long hard fight, but eventually justice prevailed, and now anyone can use the word 'Who're' in a sentence on Facebook and ALL SOCIAL NETWORKsthanks for coming to
Dogmeat
May 27, 2011
i love the little bubbles...don't you?
Le Taxi Driver « tu parles à moi » (doublage en français)
Le Taxi Driver (doublage en francais)
«tu parles à moi »
THIS IS WHAT I WAS SAYING TO MYSELF DURING THE FIRST FEW SECONDS OF PREVIEWING THIS TROUVAILLE (THIS MORNING):
'PLEASE BE IN FRENCH,
«S'IL VOUS PLAÎT ETRE EN FRANÇAIS »,
PLEASE BE IN FRENCH
«S'IL VOUS PLAÎT ETRE EN FRANÇAIS »
and then after i knew it was in french:
PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE, PLEASE INCLUDE THE 'YOU TALKIN' TO ME' SCENE...
AND THEN MY LIFE WAS PRETTY WELL TAKEN CARE OF FOR THE NEXT FEW DAYS...
BECAUSE ALL OF THE ABOVE QUESTIONS PARLEZED WERE ANSWERED AVEC UN GRANDE 'OUI'!!!
i'd be willing to bet good money that at some point soon you will be seeing this 'ORIGINATED' by Marc Edwards (scumbag, no-brained, exclusive intellectual property thief of this very channel)!
until then, enjoy it on Dogmeat, where it was come by naturally and symptomatically of our own personal digital hoarding/internet addiction and not through the back-alley peregrinations of an ex-punk rocking sleaxeball, PLUS, the ugliest human being on the face of planet earth.
NOW READ THIS!
"YOU TALKING TO ME?"
YES, AS A MATTER OF FACT, I AM. AND IF YOU CAN STEAL THIS ONE WITH SUCH A SUPER GRAND FABULOSO PRE-PLAGIARIZING MAGNA-CUM-LOUDER CARTE, MORE POWER TO YOU, AND MAYBE I'LL GIVE YOU A COUPLE POINTS FOR GROWING BALLS... 
tu me parles? tu me parles?
Le chauffeur de taxi (doublage en francais)
C'est ce que je disais à moi-même durant les premières secondes de visionner CE trouvaille (ce matin): «S'IL VOUS PLAÎT ETRE EN FRANÇAIS », S'IL VOUS PLAÎT ETRE EN FRANÇAIS, S'IL VOUS PLAÎT S'IL VOUS PLAÎT ETRE EN FRANÇAIS ETRE EN FRANÇAIS S'IL VOUS PLAÎT ETRE EN FRANÇAIS S'IL VOUS PLAÎT ETRE EN FRANÇAIS et puis après je savais que c'était en français: S'IL VOUS PLAÎT INCLURE LES «tu parles à moi » SCENE, S'IL VOUS PLAÎT INCLURE LES "tu parles SCENE« à moi », S'IL VOUS PLAÎT INCLUENT 'Vous me réponds «SCENE, S'IL VOUS PLAÎT INCLURE LES« tu parles à moi »SCENE, S'IL VOUS PLAÎT INCLURE LES « tu parles à moi »SCENE ... Et puis ma vie a été très bien pris en charge POUR LES PROCHAINS JOURS ... PARCE QUE TOUTES LES QUESTIONS CI-DESSUS PARLEZED ont répondu «OUI» GRANDE AVEC Nations Unies! Je serais prêt à parier beaucoup d'argent à un certain moment dès que vous verrez ce 'est issue »par Marc Edwards (minable, sans cervelle, le voleur à la propriété intellectuelle exclusive de ce canal très)! jusque-là, profitez-en sur Dogmeat, où il était venu naturellement et par les symptômes de notre propre panneau numériques personnels de dépendance à Internet / et non par les pérégrinations contre-allée d'un ex-punk à bascule sleaxeball, PLUS, le plus laid de l'homme étant sur la face de la planète Terre.Désormais, ce texte! "tu me parles?" OUI, DANS LE CADRE DE FAIT, JE SUIS. Et si vous pouvez voler ce ONE UN TEL SUPER GRAND MAGNA Fabuloso-PRE-plagiat CUM-FORT CARTE, tant mieux pour vous et peut-être que je vais vous donner un POINTS COUPLE POUR BALLES DE CROISSANCE ... Le chauffeur de taxi (Doublage en Francais) Le Taxi Driver (Doublage en Francais)
Le Taxi Driver
(Doublage en Francais)
Le Taxi Driver
(Doublage en Francais)
MOST Dog Meat (mrjyn) VIDEO-VIEWS Dailymotion
Hey LoOK!
it's @mrjyn most viewed @Dailymotion # 160,000 Banned from #YouTube TOO! video BRASSY BUS GROPE http://t.co/QSrX8uM
via dailymotion.com
Performances Surgeries
The Performances/Surgeries 
Orlan with her entourage in the operating room/theatre Carnal Art is not against cosmetic surgery but, rather against the conventions carried by it and their subsequent inscription, within female flesh in particular, but also male. Carnal Art is feminist, that is necessary. It is interested not only in cosmetic surgery, but also advanced techniques in medicine and biology that question the status of the body and the ethical questions posed by them.
T he operating room, entirely redesigned, becomes Orlan's artist studio from which comes the works of art (blood-drawings, reliquaries containing Orlan's flesh, shroud, photos, videos, films, etc.). The operating room is Orlan's atelier. And what a surreal theatre it is. Each of her "performances" is carefully choreographed. Famous designers, such as Paco Rabanne and Issey Miyake, have designed costumes for Orlan to wear during the surgeries. Poetry is read and music is played while she lies on the operating table fully conscious of the events taking place (only local anesthetic is used). Each surgery has been captured on video (and fed to live international audiences via satellite link-ups!), and exhibited in a number of galleries in Europe and the .S., as well as at the Sydney Bicentenial (December 1993) in Australia
She calls it Carnal Art. Unlike 'Body Art', Carnal Art does not desire pain as a means of redemption, or to attain purification. Carnal Art does not wish to acheive a final 'plastic' result, but rather seeks to modify the body, and engage in public debate. Says Orlan: "'My work is not a stand against cosmetic surgery, but against the standards of beauty, against the dictates of a dominant ideology that impresses itself more and more on feminine . . . flesh'" (O'Bryan). It's also a stand against nature. Through her art, Orlan seeks to link the interior self with the exterior self. She takes physiognomy to its extreme. 
This surgical montage recalls the practices of the ancient Greek artist, Zeuxis, and Leonardo da Vinci, in which the artists extrapolated the most ideal features of several different models and morphed them into one. But Orlan has taken these methods to a different level. Her operations are not cosmetic; she has had no facelifts or liposuction. Far from an ideal identity, the result seems to be none at all. Her performances are transmitted live via satellite in many museums while Orlan is answering questions from the public during the surgery.
The artist puts into question the actual state of the body and the possible genetic manipulations. Her body has become the product of a public debate both online and off. During the seventh surgery in New York, Orlan asked the surgeon to put on her temples implants which are normally used to make the cheekbones more prominent, and so, Orlan is now wearing two bumps on the temples.
"I can observe my own body cut open, without suffering!... I see myself all the way down to my entrails; a new mirror stage. "I can see to the heart of my lover; his splendid design has nothing to do with sickly sentimentalities"- Darling, I love your spleen; I love your liver; I adore your pancreas, and the line of your femur excites me." (Orlan from Carnal Art Manifesto)
English 114EM: Women Writers, 1650-1760
The End?
Orlan after surgery in 1995.
Carnal Art affirms the independance of the artist, in the sense that it fights against a prioris and diktats; that is why it is engages society and the media (where it is seen as scandalous because it goes against received ideas) and will go as far as the judicial system.
One of the main points that make Orlan a feminist artist is that there is a long tradition of the surgical exploration and unveiling of the female body, and it is loaded within the discourse of male dominance, not only of the gaze, but also of erotic penetration. It is linked to a history of unveiling which Orlan willingly submits to and actively engages in. (Goode, 1997)
This page has been explicitly designed for educational purposes and images should not be reproduced.
LIBERTANGO
LIBERTANGO
1° Version
On distingue bien dans cette version, les deux lignes mélodiques de Libertango, la première à l'accordéon, la seconde au vibraphone.
2° Version : Version Originale d'Astor PIAZZOLLA
Libertango fut repris par Grace Jones, dans Libertango, il y a deux ligne mélodiques, c'est la deuxième qu'exploite Grace Jones.
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