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Original Dixieland Jass Band - Livery Stable Blues (1917) with hiss reduction.ogg

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Description Original Dixieland Jass Band - Livery Stable Blues (1917) with hiss reduction.ogg

"Livery Stable Blues" by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78RPM, transferred to .ogg from a .mp3 file from The Internet Archive.

Date

26 February 1917(1917-02-26)

Source

The Internet Archive

Author

Original Dixieland Jass Band (performer); Ray Lopez, Alcide Nunez (composers)

Permission
(Reusing this file)
See below.
Other versions
Nuvola apps kolourpaint.png This is a retouched picture, which means that it has been digitally altered from its original version. Modifications: Hiss reduced using noise removal filters based on the tiny bits of silence found in the file. A little more noise reduction was necessary in the last 20 seconds or so, to avoid the strange and much more distracting mechanical artifacts you can get from noise reduction. I then blended this with the original, unmodified file, and tweaked balance between them..

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Media of the day This file was selected as the media of the day for 31 May 2010. It was captioned as followed:
English: The first commercial jazz recording: The Original Dixieland Jass Band's Livery Stable Blues, from 1917.

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[edit] Composition copyright

Public domain
This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1923. See this page for further explanation.
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This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the rule of the shorter term for US works, such as Canada, Mainland China (not Hong Kong or Macao), Germany, Mexico, and Switzerland. The creator and year of publication are essential information and must be provided. See Wikipedia:Public domain and Wikipedia:Copyrights for more details.

[edit] Recording copyright

No copyright on phonographical record United States copyright law does not protect sound recordings fixed before February 15, 1972. Some U.S. states may protect the common law copyright to these recordings, but this principle has so far only been applied regarding copyright in New York. Uploading, downloading, or copying the file in New York State may constitute infringement of copyright. On February 15, 2067, United States copyright law will supersede state law and the recording will enter the Public Domain [1]. (see Capitol Records vs. Naxos).

Recordings of copyrighted musical compositions etc., cannot be freely used, but it is asserted that this sound recording not based on copyrighted material can be considered public domain in the United States generally, except in New York, and in other countries where it has not been separately copyrighted.

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I, Adam Cuerden, release my edits of this file into the public domain. Still, I would ask you credit me if you use this - it's just polite, ya know?

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current00:38, 15 September 2009
Thumbnail for version as of 00:38, 15 September 2009
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3m10s (2.03 MB)Adam Cuerden (talk | contribs) (Upload)

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Baltasar film

THE BUSHWACKER Something Weird Video

BUSHWACKER

“Bushwhacker! It’s a woodsman! A woodsman that’s been cut off from civilization for a couple of years, lives alone up in this brush, starts to talk to himself after a while, gets a little wacky! A little bushwacky! A bushwhacker!”

Yes, The Bushwhacker. On Something Weird’s “Top 10 Want List” since the company began, we’ve finally acquired a good-looking 35mm print of The Bushwhacker and, yup, it’s a nasty one alright….

A goofy-looking guy in a Davy Crocket hat, The Bushwhacker sees an airplane flying over the desert and, apparently hating aviation, shoots the plane out of the sky with two shots from his trusty rifle. Fleeing from the (offscreen) wreckage are stud pilot Dan (FORMAN SHANE of Henry’s Night In and numerous films for Steve Apostolof) and three sexy starlets: Sherry, Maureen, and Dawn (MERCI MONTELLO, Miss “Playboy Playmate December 1972”) who struts around in bright white go-go boots. Undaunted by the ordeal, Dan and Dawn get it on that night while poor Sherry is first fondled by The Bushwhacker, then by horny lesbian Maureen (billed here as “Acee Decee”).

Hiking to a nearby stream the next day, Dan and the girls stop to rest, Sherry starts to skinny dip, and The Bushwhacker quickly carries her away. Dan and the remaining girls search for her for all of about, oh, three minutes or so before Dan and Dawn get nekkid and paw each other once again. By this time, the big bad Bushwhacker has dragged the topless Sherry to a tree where he strings her up and bites her arms and legs like she’s fresh hamburger meat. He also slices her up with a knife. Dan, Dawn, and Maureen eventually discover Sherry’s lifeless body, at which time Maureen climbs on top of her and makes love to her dear dead friend. Yes, she does.

Greedy for more, the Bushwhacker finally shoots Dan and makes off with another of the girls who’s found with one of her boobs cut off….

Director BYRON MABE, of course, helmed films for Dave Friedman such as A Smell of Honey, She Freak, and Space Thing. He also starred in Friedman and Frost’s seminal roughie The Defilers. But as Friedman learned with The Adult Version of Jekyll & Hide (which Mabe also produced), by the late sixties, skinflick audiences didn’t like their sex mixed with gore. And exhibitors didn’t like The Bushwhacker in particular. “No one would play it,” recalls Friedman. “It was a ‘red flag’ right from the get-go. The Pussycat chain immediately turned it down.” As a result, the distribution rights were split between two small indies, Falcon Films (“13 Western states”) and Chancellor Films (“Eastern U.S. and world wide”), and shown in lower-end grindhouses with a print run that must’ve been less than ten.

But one of those prints has finally surfaced and this Holy Grail of Cinematic Degeneracy can now run amok in your very own living room. Brainless sex and violence, The Bushwhacker is the perfect film for any pervert. -- Frank Henenlotter

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Product Details

SKU: 38009
Weight: 0.25 lbs
Format: DVD-R
Year: 1968
Color: Color
Starring: Merci Montello
Co-starring: Foreman Shane
Other cast: Ronnie Runningboard
Directed by: Byron Mabe ("B. Ron Elliott")

Price: $10.00

 

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ALL AMERICAN WOMAN "What’s wrong?" "Men. Me. I don’t know... Men."

ALL AMERICAN WOMAN
"What’s wrong?"

"Men. Me. I don’t know... Men."

This edgy Q&A comes just before the big climax of The All-American Woman. Meaning, it comes just before Jean McCarey’s big climax for she is The All-American Woman, writer-director MARK HAGGARD’s ultra-neurotic, borderline frigid, borderline nympho, fantasy-ridden, gender-confused, crypto-lesbian, quasi-incestuous, rabidly masturbatory, and as-American-as-apple-pie young lady who’s about to get laid by "a real man" for the first time in her life!

It just so happens that said man is her brother-in-law, Frank Sullivan (STEVE BENNETT), whose wife, Maggie (LINDA WEEKS), Jean’s older sister, happens to be more than borderline frigid and is suffering from a permanent bedtime "headache". Jean herself (MARILYN JAMES) is a top west-coast fashion model (with a bony type of beauty and an auburn bouffant hairdo) who’s had ample opportunity to have relationships with other men but "just never had the luck". Indeed, we witness one such hard-luck affair with a smooth-talking fashion retailer named Raff (WARD EGAN) out at his beach house.

But while Jean is just "too good, sweet, and desirable" not to be getting laid now and then, no man (until brother-in-law Frank) has been able to transport her romantically to the Victorian "fantasy world full of candlelight and waltzes" in which she lives. According to her California shrink, Jean’s "a victim of her own psychosexual infantilism". His advice? She should "shave her pubic hair, put oil all over her body, and wear slave bracelets!"

So Jean dresses up as a man, imitates Humphrey Bogart, gives her groin a therapeutic haircut, and allows niece Debbie (ROBBIE MAYHEW) to powder and lick her bald mons. This is highly therapeutic for Debbie as well because her boyfriend Gary (ROBERT PRESTWOOD) can’t stop "acting like a gorilla" whenever the two smoke a doobie and make out on the living room couch.

"Are men so emotionally retarded?" Debbie asks her aunt. "Maybe we all are," answers Jean. Which just about sums up the whole cast of characters in this moody sexploitation soaper -- a followup to Haggard’s classic The All-American Girl -- produced by MANUEL S. CONDE, and featuring music by J.S. BACH and ERIK SATIE. And if you’ve never seen an All-American Woman masturbate with an All-American dildo to "Sleepers, Awake" or "Gymnopedies 1 and 2", you have a real treat in store for you here!

From the 35mm stars-stripes-and-screwed negative.

-- Don the Deviate, American Moralia

3360 views

Product Details

SKU: 3590
Weight: 0.25 lbs
Format: DVD-R
Year: 1973
Color: Color
Starring: Marilyn James
Co-starring: Steve Bennett
Other cast: Robbie Mayhew
Directed by: Mark Haggard
Produced by: Manuel Conde

Price: $10.00

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Dennis Hopper Liz Hurley Samson and Delilah (Nic Roeg)

limbsandthings1 — May 30, 2010 — http://whatgetsmehot.posterous.com/de... + http://youtube.com/watch?v=Cv6Ey_gOcew this is another unpublished film clip of Dennis Hopper and good friend, Dean Stockwell 1976

 

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