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February 9, 2011

Kingsize (Giantess Realm Tribute)

 

 

Kingsize

(thanks for viewing Dogmeat 3 Million Times TODAY!)

 

or

 

Kingsazj

 

is a Polish socio-political satire, with fantasy elements about life under a repressive regime. The story revolves around the residents of a miniature world (Shuflandia or Szuflandia) in the basement of a building. A priveleged few are allowed to venture out into the larger world of humanity by drinking a secret formula. Those who venture out into the world of "King Size" seldom return, and the rulers struggle to keep the formula secret from their population.

 

 

 

Download now or watch on posterous
Kingsize.mp4 (23114 KB)

The story follows the adventures of a scientist as he escapes into the larger world, and is aided by a young woman whose father was from Shuflandia.

 

King Size

1988 - W podziemiach Instytutu Badań Czwartorzędu istnieje nikomu nie znana kraina zwana Szuflandią. Panuje tu nadszyszkownik Kilkujadek, odpowiednik współczesnego krasnoludka, metodami władzy różniący się jednak zasadniczo od króla Ćwieczka. Kilkujadek z pomocą zaufanej świty trzyma swoich...


W podziemiach Instytutu Badań Czwartorzędu istnieje nikomu nie znana kraina zwana Szuflandią. Panuje tu nadszyszkownik Kilkujadek, odpowiednik współczesnego krasnoludka, metodami władzy różniący się jednak zasadniczo od króla Ćwieczka. Kilkujadek z pomocą zaufanej świty trzyma swoich "kumotrów" za twarz, by przypadkiem żaden z nich nie wykrył tajemnicy kingsajzu. Pod tą tajemniczą nazwą kryje się eliksir, pozwalający krasnoludkowi zyskać rozmiary człowieka i zamieszkać w krain ludzi, obfitującej w wolność, kobiety i inne atrakcje. Przypadek sprawia, że alchemik Adaś samodzielnie uzyskuje "kingsajz". Wypija go, przenosi się do ludzkiego świata i...nie bardzo chce wracać. Tymczasem podwładni Kilkujadka odkrywają tajemnicę domorosłego uczonego.

  • Ile waży koń trojański? Juliusz Machulski
  • Monolith Video, VIDEO CD
  • cena: 9,99 zł (wysyłamy w ciągu: 7 dni)
  • Czerwony czar PRL-U, czyli... życie erotyczne Polaków Juliusz Machulski, Krzysztof Nowak
  • Best Film CO
  • cena: 29,99 zł (wysyłamy w ciągu: 7 dni)
  • Ocena klientów:
    • 3.
    • Girl Guide Juliusz Machulski
    • Galapagos
    • cena: 30,99 zł (wysyłamy w ciągu 24 godz.)
    • Ocena klientów:
      • 4.
      • Ile waży koń trojański? Juliusz Machulski
      • Monolith Video
      • cena: 19,98 zł (wysyłamy w ciągu 24 godz.)
      •  
      thank you to my benefactor

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    Kingsize (thanks for viewing Dogmeat 3 Million Times TODAY!)   or   Kingsazj   is a Polish socio-political satire, with fantasy elements about life under a repressive regime. The story revolves around the residents of a miniature world (Shuflandia or Szuflandia) in the basement of a building. A ...... Read MORE » on Dogmeat

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The standard Lorem Ipsum passage, used since the 1500s

"Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."

Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC

"Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?"

1914 translation by H. Rackham

"But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?"

Section 1.10.33 of "de Finibus Bonorum et Malorum", written by Cicero in 45 BC

"At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat."

1914 translation by H. Rackham

"On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains."

"Neque porro quisquam est qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit..." "There is no one who loves pain itself, who seeks after it and wants to have it, simply because it is pain..." What is Lorem Ipsum? Lorem Ipsum is simply dummy text of the printing and typesetting indust ...... Read MORE » on Dogmeat

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February 8, 2011

Boccaccio70

Anita Le tentazioni del dottor AntonioEkberg

Boccaccio70

Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call girls make the front page of the papers decides to work to prove her independence, but what is she qualified to do?  

...

As film commentary,

art can be obtained from

sufficient lower resolution made of inferior quality, unsuitable as artwork on pirate versions or other uses that would compete with the original artwork.

 

The entire art, a form of product packaging, is the product, meaning and branding intended, and misrepresenting

 

the work, to show the work and know they have found what they are looking for film concerns and films to the public.

 

Use art

not policy

Billboard
  • Punctuation In Title
  • Extramarital Affair
  • Apostrophe In Title
  • Omnibus
  • Shooting Gallery
  • Digit In Title
  • Kitten
  • Surrealism
  • Affair
  • Giant Woman
  • Episodic Structure
  • Hallucination
  • Sex Scandal
  • Italian Comedy
  • Decamerotic
  • Commedia All'italiana
  • Marriage
  • Amusement Park
  • Face Slap
  • Beautiful Woman
  • Giant
  • Anthology
  • Troubled Marriage
  • Directed By Several Directors
  • Secret Marriage
  • A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each, women take charge, but not always happily.

    Boccace_70

    Giacomo Furia 

    Man Winning a Bottle (segment "La riffa") (uncredited)

     
     

    Boccaccio '70

    Anita Ekberg Boccaccio 70

    "Le tentazioni del dottor Antonio"
    http://upload.wikimedia.org/wikipedia/en/8/80/Boccaccio70.jpg

    Boccaccio 70

    dailymotion.com/mrjyn
    - Join Dogmeat
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    Dailymotion Paris triomphe
    vue 1!

     


    Lugo, Ravenna, Emilia-Romagna, Italy
    by
    Male, New orleans, United States
    Registered 23 March 2007
    Online Now
    287 fans, 4 176 favorites, 810 comments
    Dogmeat (mrjyn) Boccaccio '70 (1962)

    Boccaccio '70 (1962)

    The First 3-Act Motion Picture Ever Presented!
    Boccaccio '70

     

     

    Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call girls make the front page of the papers decides to work to prove her independence, but what is she qualified to do? A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each, women take charge, but not always happily.

    Written by
    <jhailey@hotmail.com>

     

    When Mario Monicelli's segment, "Renzo e Luciana", was cut, producer Carlo Ponti offered to finance the Monicelli film as a full-length feature on its own. This was never realized. This segment was apparently cut because Monicelli promised to deliver a "major American star" but failed in this endeavor, thus his film became cast with mostly unknowns. When the film premiered at Cannes, it was jeered by critics and filmmakers after they became informed of the news about Monicelli's unjustly removed segment.
    http://static2.dmcdn.net/static/video/664/436/7634466:jpeg_preview_small.jpg?20100725052951
    Alfredo Rizzo ... Foreman (uncredited)
    Amerigo Santarelli ... Worker (segment "Le tentazioni det dottor Antonio") (uncredited)
    Archie Savage ... Black Tourist (uncredited)
    Alberto Sorrentino ... Worker (segment "Le tentazioni del dottor Antonio") (uncredited)
    Paolo Stoppa ... Lawyer Alcamo (segment "Il lavoro") (uncredited)

    Boccaccio '70 (1962)

    The First 3-Act Motion Picture Ever Presented!
    Boccaccio '70


    Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call girls make the front page of the papers decides to work to prove her independence, but what is she qualified to do? A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each, women take charge, but not always happily.

    Lugo, Ravenna, Emilia-Romagna, Italy
    Written by
    1. Boccaccio '70 (1962)

    Boccaccio '70 (1962)

    The First 3-Act Motion Picture Ever Presented!
    Boccaccio '70

    Link this trivia
    xxxxxxxxxxxxxxxxxx
    Boccaccio70
    http://ia.media-imdb.com/images/M/MV5BNjg0ODQ2MDg5NF5BMl5BanBnXkFtZTcwMjY5NjQxMQ@@._V1._SY30_SX23_.jpg
    http://ia.media-imdb.com/images/M/MV5BNjg0ODQ2MDg5NF5BMl5BanBnXkFtZTcwMjY5NjQxMQ@@._V1._SY30_SX23_.jpg
    http://ia.media-imdb.com/images/M/MV5BNjg0ODQ2MDg5NF5BMl5BanBnXkFtZTcwMjY5NjQxMQ@@._V1._SY30_SX23_.jpg
  • The original Italian version had four segments and was 210 minutes long. The segment "Renzo e Luciana" directed by Mario Monicelli was removed in the US version.

  • The original Italian version had four segments, starting with Act 1 "Renzo e Luciana", directed by Mario Monicelli. The total length being over 3 hours (195 min for the four acts plus credits) the producers decided to shorten it for commercial purposes just before the feature went to the Cannes Film Festival in 1962 for the opening screening. Although Mario Monicelli had sued Boccaccio '70 went to be released worldwide without "Renzo e Luciana".

  • http://ia.media-imdb.com/images/M/MV5BNjg0ODQ2MDg5NF5BMl5BanBnXkFtZTcwMjY5NjQxMQ@@._V1._SY30_SX23_.jpg
    http://ia.media-imdb.com/images/M/MV5BNjg0ODQ2MDg5NF5BMl5BanBnXkFtZTcwMjY5NjQxMQ@@._V1._SY30_SX23_.jpg
    http://ia.media-imdb.com/images/M/MV5BNjg0ODQ2MDg5NF5BMl5BanBnXkFtZTcwMjY5NjQxMQ@@._V1._SY30_SX23_.jpg
    xxxxxxxxxxxxxxx
    via whatgetsmehot Boccaccio70

    Federico Fellini's segment, "Le tentazioni del dottor Antonio", was his first work in color. It and Fellini's contribution to L'amore in città (1953) along with his co-directed "Variety Lights" are the "1/2" alluded to in the title of (1963).
    Link this trivia


    Boccaccio '70 (1962) 

    CountryDate
    Italy 22 February 1962 (Milan) (premiere)
    Italy 23 February 1962  
    France 7 May 1962 (Cannes Film Festival)
    USA 26 June 1962  
    West Germany 3 August 1962  
    France 29 August 1962  
    Finland 21 September 1962  
    UK 1963  
    Sweden 25 February 1963  
    Denmark 18 March 1963  
    East Germany 2 July 1965  
    Italy 26 June 1969 (re-release)
    Portugal 2 November 1977  
    France 4 June 2003 (re-release)
    Italy 22 October 2007 (Rome Film Festival)

    Also Known As (AKA)
    Boccaccio '70 Argentina / Poland / Spain / USA
    Boccaccio 70 Finland / Hungary
    Boccace 70 France
    Boccacio 70 Portugal (imdb display title)
    Kreivittären ansiotyö Finland
    Vokkakios '70 Greece (transliterated ISO-LATIN-1 title)

    ------------------------------

    Vittorio De Sica


    Lugo, Ravenna, Emilia-Romagna, Italy
    Written by
    1. Boccace 70
    Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call girls make the front page of the papers decides to work to prove her independence, but what is she qualified to do? A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each, women take charge, but not always happily.
    Boccaccio70 ... ,
    Federico Fellini With: Anita Ekberg, Sophia Loren, Romy Schneider <dailymotion.com/mrjyn> Image associ&eacute;e au film
    Détail de l’Allégorie du triomphe de Vénus d’Il Bronzino (1540-1545)

    Boccace 70 ou les obsessions du docteur Antoine
    Réalisation Federico Fellini
    Luchino Visconti
    Vittorio De Sica
    Acteurs principaux Anita Ekberg
    Romy Schneider
    Sophia Loren
    Scénario Federico Fellini
    Ennio Flaiano
    Tullio Pinelli
    Brunello Rondi
    Goffredo Parise
    Luchino Visconti
    Suso Cecchi d'Amico
    Cesare Zavattini
    Décors Piero Zuffi
    Mario Garbuglia
    Elio Costanzi
    Costumes Coco Chanel
    Photographie Otello Martelli
    Giuseppe Rotunno
    Montage Leo Catozzo
    Mario Serandrei
    Adriana Novelli
    Musique Nino Rota
    Armando Trovajoli
    Production Carlo Ponti
    Antonio Cervi
    (segment "La riffa")
    Mario Monicelli
     
    (segment "Renzo e Luciana")
    Luchino Visconti
     
    (segment "Il lavoro")

    Marisa Solinas ... Luciana (segment "Renzo e Luciana")
    Germano Gilioli ... Renzo (segment "Renzo e Luciana")

    Anita Ekberg ...
    Peppino De Filippo ... Dr. Antonio Mazzuolo (segment "Le tentazioni del dottor Antonio")
    Romy Schneider ... Pupe (segment "Il lavoro")

    Tomas Milian ... Conte Ottavio (segment "Il lavoro") (as Thomas Milian)
    Romolo Valli ... Lawyer Zacchi (segment "Il lavoro")

    Sophia Loren ... Zoe (segment "La riffa")
    Luigi Giuliani ... Gaetano (segment "La riffa")
    Alfio Vita ... Cuspet (segment "La riffa")
    rest of cast listed alphabetically:
    Antonio Acqua ... Commendatore La Pappa (segment "Le tentazioni del dottor Antonio") (uncredited)
    Nando Angelini ...
    Anita Le tentazioni del dottor Antonio Ekberg Boccaccio70 Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives ...... Read MORE » on Dogmeat

    Jules_Verne

    ...... Read MORE » on Dogmeat

    much more excited about valentine's day in 10

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    Feb 14, 2010 ... PM Feb 4th from web OddeeBlog Another 10 Far-out Valentine's Gifts: Valentine's Day is coming.Are you looking for the . ...
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    Jan 21, 2011 ... Valentine... ...Aldridge...do... get... Valentine... Valent...what... get... Valent...Aldridge while... is ... whatgetsmehot.blogspot.com/. ...
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    [by Aldridge, Richard Valentine]. [1971.] 23, Let us rejoice, the Fight is won. An Easter carol for S.A.T.B. (unaccompanied). ...
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    Pubic hair style Valentine (happy valentine's to the ladies) - Dogmeat Pubic hair style Valentine (happy valentine's to the ladies) · Share on Posterous · Surprise_Me · Edit · Delete; Autopost. via commons.wikimedia.org ... whatgetsmehot.posterous.com whatgetsmehot.posterous.com/pubic-hair-style-val ...... Read MORE » on Dogmeat

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    6 responses Summary ☠ soba soba soba ☠ ☠ ☠2 ☠ ☠ Section title Loading... ☠2 1 ☠ ☠ via spreadsheets.google.com ...... Read MORE » on Dogmeat

    Any Human Heart - artofthetitle.com

    Any Human Heart

    Any Human Heart

    "Never say you know the last word about any human heart." - Henry James

    Huge Designs' opening title sequence for the UK's Channel 4 television adaptation of William Boyd's novel Any Human Heart casts widening threads of light and shadow to frame an Everyman's journey through infinite sadness and celebrity.

    Paul McDonnell at Huge Designs:

    "We were initially briefed by the director Michael Samuels. They were looking for a title sequence that would encapsulate the journey of one man from birth to grave in 40 seconds but without being too literal. One thing we had to keep in mind was the fact that our character couldn't be recognised as any of the three actors who played Logan Mountstuart in different stages of his life. Hence having the stylized silhouette of a man seemed to be the perfect solution

    The execution of the animation itself mainly took place on our studio rooftop. We filmed myself performing the various sequences. These were then rotoscoped and then stitched together. A few of the sequences described are his birth, rise to literary fame, traveling to the city, his time in the gallery, and finally his death. Finally the sequence went off to the composer Dan Jones who put the icing on the cake with his evocative music."


    Storyboards 1 (Click to Enlarge)

    Storyboards 2 (Click to Enlarge)

    Artwork stills (Click to Enlarge)

    Quantum of Solace

    "It's time to get out." - James Bond

    What stifles creativity? Tedious third party rudeness, fear of appearing the fool, fear of failure (stigmatizing mistakes), fear of authority, fear of bucking the team or the trend?

    MK12, the title and motion graphic designers for director Marc Forster's 2008 entry in the James Bond franchise, Quantum of Solace, englobes 007 with women in the dunes and the persistence of arid visions; a zoetrope in free fall and sandy contrails of a bullet on its way. Taking the title design reins from names like Binder, Brownjohn, and Kleinman, MK12 - billing itself as a "full-service lateral hyperthreaded tactical design and research bureau" - seems to have attained a self-fulfilling creative kinship that flies in the face of what author Bruce Sterling describes as the flux of "Hollywood film ad-hocracies."

    To make a movie, Sterling says:

    You're pitchforking a bunch of freelancers together, exposing some film, using the movie as the billboard to sell the ancillary rights, and after the thing gets slotted to video, everybody just vanishes.

    To take the idea further, Joel Kotkin, author of a landmark 1995 article in Inc. magazine entitled, "Why Every Business Will Be Like Show Business," writes:

    Hollywood has mutated from an industry of classic huge, vertically integrated corporations into the world's best example of a network economy. Eventually, every knowledge-intensive industry will end up in the same flattened, atomized state. Hollywood just has gotten there first.

    Ben Radatz, MK12 creative director is part of something different:

    The studio as an entity is definitely greater than the sum of its parts. It's casual, because everyone is unpretentious, anti-hierarchical and open-minded. Yet it's also personal, because I believe most of us are introverts. And more importantly, we are all friends first.


    So MK12 is a collective that capitalizes on true collaborative creativity realized (or not) by and with the hands of friends. Why is this alternative not the well-practiced norm from the damn beginning? What progressive, Vandermeerish planes of warped Gothicism would we be exploring? Even as we take solace in the knowledge that we will have a crack at it in this lifetime, the underbelly's nibblet tugs are ever-feeding with the awareness that we might've been there sooner.

    Read the rest of this entry »

    Days of Heaven

    "You know how people are. You tell 'em somethin', they start talkin'." - Linda

    Firing a mix of critical thought and mesmerizing immersion, Dan Perri's title design for Terrence Malick's Days of Heaven combines street level photojournalism and credit-to-character inferences drawing the curious eye at will, the ears aswoon with "Carnival of the Animals - The Aquarium" by Camille Saint-Saens. You are nowhere if not here, with these people, in the Gilded Age of American history.

    And then the last shot of the [opening title sequence] subtlety shifts us from photos [and] into the world of the film. In a masterful move, the [last] shot perfectly replicates the same look of the previous images, but...it is one of the actors, Linda Manz (in a photograph taken by Edie Baskin.) It's through her perspective that we will take this journey so it is fitting that she is the one who bridges the gap from the [opening] credits into the first shot of the film.

    Commentary excerpts from the 2007 Criterion Collection DVD:

    Dianne Crittenden, Casting Director: "Terry...has a vision that I'm not sure everyone else who is working with him sees [but] he sees it and he gets it."

    Billy Weber, Editor: "We used to get complaints...that the music at the opening of the picture, which is by Camille Saint-Saens, was not by Ennio Morricone who composed the music for the movie."

    Patricia Norris, Costume Design: "I've never seen the pictures used at the front of the movie. They are different periods though, if you really want to be analytical about it [however this is more about] a feeling you want to capture; right or wrong it's [about] this feeling of poverty and hard life."

    Any Human Heart Any Human Heart "Never say you know the last word about any human heart." - Henry James Huge Designs' opening title sequence for the UK's Channel 4 television adaptation of William Boyd's novel Any Human Heart casts widening threads of light and shadow to frame an Everyman's journey ...... Read MORE » on Dogmeat