Wayne Cochran: Is the Man What Legends are Made? I Yelling THE Part About Wayne Cochran - Pompadour Style Concerning Almost the Ceiling!

Wayne Cochran
The Way, The Truth, The Amphetamine Hairstyle
[Kicks Ass for the Lord]

During their relatively short career, the brothers, the blue ones, to answer criticism that their blue is not enough, while claiming they are rather a review of former Wayne Cochran, hackwork in blue, Brothers' film Jake, and Elwood, invited to leave their simple FBI-like black suits and the jeans, like Wayne Cochran and the riders. Cochran updated a bottom profile and recently was known preaching on the public access television via cable in Miami, maintaining a great time to be obscure, because even the person untalented who had a recording in which the heat has a worship and a module, where El Cochran, the rhinoceros revised the 'Again in Miami' on top volume.

Wayne and Monica Cochran
The Way, The Truth, The Life
DirecTV-Channel 371 @ 7:30 am EST
thechurchchannel.org

Today the Voice For Jesus Christian Center, Wayne Cochran Ministries is located at 5325 N.W. 159th Street in the beautiful city of Miami, Florida.
The center ministers to people through the spoken Word, records, tapes, books, and television. They are taught the uncompromisable Word of God.

I Yelling THE part about Wayne Cochran. Fund the wee Jesus. He Cherish Jesus To Miami. The Rampage of its ministry. Betting Off a Truck. Habit zeppelin. Cochran Cross. Asphalt inoculating breakdown. Albums for Popes. Scoop grubs of finishing talent at the end of the of the hunting of jazz rock'roll. Composer nominated with the Oscars. The estimable recordings. Braving of Babel. Astraddle Planet. Amphetamine MADMAN. Codeine Coup Combination of cough syrup with amphetamine Knighthood. Greenroom defecate Pitapat. Wayne Cochran Moving Cochran by glance. Cocaine/Novocaine tonsillectomy. Bloodsucking. The mottle was tight. Cocaine to inhale. Cocaine, Maryjane, Cocaine to injections. Alabaster copyright ordered. These arms of of mine. Modeled its act after the testimony, soaked with sweat, the execution of Mr Cocaine Mixed Wits, Bunkhouse Johns, Duo Gold. Almost read, the title destroyed. Connected with drug suppliers to inject a drug during the night. He said that during his traveling orchestra, riders hoped with the higher large amphetamine hairstyle. Wayne Cochran, Pompadour style, concerning almost the ceiling. Cochran was a legend of youth that barnstormed Manon. He tore the cities towards the end like takeoff sinners roll before him. Foundation began the voice of the church of Jesus to Miami. The homeopathic ministry. Wayne Cochran, The poster horse on a Harley prepares to kick certain ass for the lord. Cochran crosses uncatalogued health, including breakdowns and albums, or epees, and its group finishing talent at the end. The white knight of the heart, generous, very moving. Cochran by glance. Cochran began careening, ofttimes The Kiss. Last ballad of the death of teenager, for whom became enormous blow, and was not very probable. cover by the pearl. But Cochran was a man in the middle. He was tight with Otis. Marrying the low one on the sax for dollars, and it modeled its act after the testimony soaked with sweat, the execution of Mr Dynamite, James Brown. Basically Cochran was an interpreter of tapeworm, but it is a tapeworm of killer-like Cocaine conflicts between drug suppliers procession of drugs, out the of history, the lord emerged, deeply sexing its normal manufacture, preaching, hearing of casinos, even cutting its hair, breeding of Depressants, Connected with drug suppliers.
Its role, acting directly on an episode of revealing, short duration, called the duke. Wayne Cochran,
Before the ounce burst. Cochran, almost unidentifiable, had dark hair, mustache, the Pompadour hairstyle, style completely disappeared with drug suppliers.

Wayne Cochran CHURCH Pompadour Ceiling GONE C.C. RIDERS JACO PASTORIOUS

Wayne

Cochran

Wayne and Monica Cochran The Way, the Truth and the Life Today the Voice For Jesus Christian Center and Wayne Cochran Ministries is located at 5325 N.W. 159th Street in the beautiful city of Miami, Florida. The center ministers to people through the spoken Word, records, tapes, books, and television. They are taught the uncompromisable Word of God. 12:00 AM 12:00 AM 12:00 AM 12:00 AM12:00 AM12:00 AM Thu 12:00 AM www.info@voiceforjesus.org

WAYNE COCHRAN The Father's Last Deckhand I Yelling THE part about Wayne Cochran Cocaine to forget. Shelling Wit Party Abort Wayne Cochran. Its Falsification of ones blood. Cochran Director. Hetero regional Top-handled cocaine. Marina Cooking to hangout. Age-Connected Wiry Truck supplier. Maximo RAID accustomed to Leasing. Connected furtively with drug suppliers, the exposure singer when he was legend. Tit-wormed by Mottled Buttery manager. Zombies exposure. Twofers Ended OD, then such Sinners To inject a drug. Fund the wee Jesus. He Cherish Jesus To Miami. The Rampage of its ministry. Piasters with Harlem procure to Hinterlands. Betting Off a Truck. Habit zeppelin. Ass Lore. Cochran Cross. Asphalt inoculating breakdown. Albums for Popes. Scoop grubs of finishing talent at the end of the of the hunting of jazz rock'roll. Composer nominated with the Oscars. Alan Silvester never did receive an integral retrospective up to now. The estimable recordings. Braving of Babel. Republication of Astraddle Planet. Amphetamines MADMAN. Codeine Coup Combination of cough syrup with amphetamine Knighthood. Greenroom defecate the Pitapat. Moving Cochran by glance. Cochran began his malnourishment at the age of the years with ballade, dealt Cocaine for Phony Bushel's, Cocaine to Finale. Cocaine/Novocaine tonsillectomy. Bloodsucking, Not Verdi, probably Code Stud Barrel. But Cochran was man interconnected with drug suppliers. The mottle was tight with similar Georgians. Marrying, he plays the low one. Cocaine to inhale. Cocaine, Maryjane, Cocaine to injections. Alabaster copyright ordered. These arms of of mine, but Phil Walden was sold for dollars. Modeled its act after the testimony, soaked with sweat, the execution of Mr Cocaine Mixed Wits, Bunkhouse Johns, Duo Gold. Almost read, the title destroyed. Connected with drug suppliers to inject a drug during the night. He said that during his traveling orchestra, riders hoped with the higher large amphetamine hairstyle. Pompadour style, concerning almost the ceiling. Connected, withheld, drug suppliers, keeping the exposure. He would raise his arms, striking the panels. Cochran was a legend of youth that barnstormed Midwest, Manon counterinsurgency. He tore the cities towards the end like takeoff sinner roller before him. Foundation began the voice of the church of Jesus to Miami. The homeopathic ministry. The poster horse on a Harley prepares to kick certain ass for the lord. Cochran crosses uncatalogued health, including breakdowns and albums, or epees, and its group finishing talent at the end. The white knight of the heart, generous, very moving. Cochran by glance. Cochran began careening, ofttimes The Kiss. Last ballade of the death of teenager, for whom became enormous blow, and was not very probable. cover by the pearl. But Cochran was a man in the middle. He was tight with Otis. Marrying the low one on the sax for dollars, and it modeled its act after the testimony soaked with sweat, the execution of Mr Dynamite, James Brown. Basically Cochran was an interpreter of tapeworm, but it is a tapeworm of killer-like Cocaine conflicts between drug suppliers procession of drugs, out the of history, the lord emerged, deeply sexing its normal manufacture, preaching, hearing of casinos, even cutting its hair, breeding of Depressants, Connected with drug suppliers. Its role, acting directly on an episode of revealing, short duration, called the duke. Before the ounce burst. Connected with drug suppliers, the gate-off ghetto, wanting to know the destiny of some old ways. Yes, Cochran, an assistance of the types of idiotic days, writing hot-stuffing bluegrass. Cochran, almost unidentifiable, had dark hair, mustache, the Pompadour hairstyle, style completely disappeared with drug suppliers. It had emptied the heart with the road of the life, it was seem on the exposure with Little Cocaine to tomorrow: discuss Cocaine conversion. Its hair back. Again with the amphetamines, now carried drug suppliers, the preserving rich person of Cocaine. Cocaine made dues on the standard Gospel at the same timezone. David Letterman? Suppose that Paul Shaffer must extend the last execution on the question of Letterman... Somebody considering? Still improve, no matter ancestry. Cochran updated a bottom profile and recently was known preaching on the public access television via cable in Miami, maintaining a great time to be obscure, because even the person untalented who had a recording in which the heat has a worship and a module, where El Cochran, the rhinoceros revised the 'Again in Miami' on top volume. Six of their projectiles on the cover, and this volume is devoted to the white singers of heart, and is as much a legacy on vinyl, but for now only the tape remains in the copy. During their relatively short career, the brothers, the blue ones, to answer criticism that their blue is not enough, while claiming they are rather a review of former Wayne Cochran, it hackwork in blue, Brothers' film of old Director, Maury, Jake, and Elwood, invited to leave their simple FBI-like black suits and the jeans, like Wayne Cochran and the riders. Is the man what legends are made?

Korpiklaani - Wooden Pints

Korpiklaani - Wooden Pints
Video sent by elsaesser

Clip from finnish band Korpiklaani. Song "Wooden Pints" extract from album "Spirit Of The Forest" recorded in 2003.

Paradisio:'Magic' Sunglasses and Blonde Shepard Girl + Bathing Beauties (1940s B&W + Color Inserts)

'Paradisio'
'Magic' Sunglasses

Carol Burnett Show: Snow White[ Ruth Buzzi as the Fairy Godmother] I'VE ALWAYS HAD A THING FOR SNOW WHITE'S DRESS

Funny skit from the Carol Burnett Show, one of my favorites. Features Ruth Buzzi as the fairy godmother.

JERRY LEE LEWIS: 'Sulle strade della California': 'Collision Course' ['POLICE STORY' (Italian Dub) Season 1, Ep. 6 (Nov. 15, 1973)]

JERRY LEE LEWIS: Sulle strade della California [1973 Pt. 1]
Uploaded by mrjyn

JERRY LEE LEWIS: Sulle strade della California [1973 Pt. 2]
Uploaded by mrjyn - Full seasons and entire episodes online.

JERRY LEE LEWIS
Sulle strade della California
[1973 Pt. 1]

*Jerry Lee Lewis makes his dramatic television acting debut on Joseph Wambaugh's “Police Story” [NBC], starring as 'Bates.' This is the Italian-dubbed "Sulle strade della California" [On the roads of California].

Season 1 Episode 6: "Police Story" Collision Course (1973) A veteran (Hugh O'Brian) objects to riding with a woman officer (Sue Ane Langdon). With Jerry Lee Lewis Episode 'Collision Course' aired the week of Nov. 15, 1973. Cast: Joy Bang ... Rape Victim Linda Chandler ... Police Woman Rosemary DeCamp ... Grocery Owner Murray Hamilton ... Watch Com. Bert Holland ... Jean's Father Sue Ane Langdon ... Jean Culhane Jerry Lee Lewis ... Bates Hugh O'Brian ... Vincent LaSorda Dean Stockwell ... Ott Gregory Walcott ... Driver

Police Story

USA

1973 - 1978

Telefilm

inglese

One of the more realistic police series ever owes its success in designing Joseph Wambaugh, a policeman in Los Angeles author of many novels of gender (among other things, new centurions). The serial won a pair of Emmy Awards in 1976, tells true stories of plausible or what can happen every day in the life on the road of the police: the relationships with families, informants, criminals, colleagues. In every episode is out a story without a cast or a fixed interpreter. Particular attention, rather than the scene of action, is given to the psychological profiles of the protagonists, displayed even in their weaknesses and pine. Production there KALLIS Stanley, David Gerber, Christopher Morgan, Liam O'Brien and Carl Pingitore. Production in the cast include the presence of police officer Gene Roddenberry, creator already Star Trek (1966). Among the directors of the series stands out the director's chair for John Badham, then director of The Saturday Night Fever (1977). Jerry Goldsmith and Richard Markowitz sign the soundtrack, the first author is also the theme music.

Joseph Wambaugh

David Gerber

25 settembre 1973

28 maggio 1978

NBC

*The week of November 15, 1973, for Jerry Lee Lewis was one of the worst of his life. On November 2, 1954, Jane Mitchum gave birth to Jerry Lee Lewis' son, Jerry Lee Lewis Jr., and on November 13, 1973 [same week that this episode of 'Police Story' aired], his beloved son, and drummer in his current touring band, at the age of 19 [two days before his 20th birthday, while making his way back to the family ranch, Nesbit, Ms.], died in the jeep his father had given him as a present.

Strade della California è una serie televisiva statunitense di genere poliziesco, trasmessa dalla

NBC dal 1973 al 1978.

Il telefilm, di taglio decisamente realista, narrava storie quotidiane e verosimili della vita di poliziotti: dai rapporti con le famiglie e con i colleghi e gli informatori, alla caccia ai criminali. Ogni puntata era autoconclusiva e senza interpreti di ruolo o personaggi principali: particolare, questo, caratteristico ed inusuale nelle serie televisive, che di norma puntano sul cast fisso e al rapporto di fedeltà personaggio-spettatore.

Uno dei motivi del successo della serie risiede nell'ideazione dell'autore Joseph Wambaugh, vero poliziotto che firmò diversi romanzi (I nuovi centurioni e I chierichetti, ad esempio, entrambi portati sullo schermo) e diede pertanto alla serie (che si avvale di alcune regie di buon mestiere e alla musica di Jerry Goldsmith e Richard Markowitz) un'impronta veritiera che conquistò il pubblico statunitense.

Una delle serie poliziesche più realistiche di sempre deve il suo successo all’ideatore Joseph Wambaugh, un poliziotto di Los Angeles autore di molti romanzi di genere (tra gli altri, I nuovi centurioni).

Il serial premiato con una coppia di Emmy Awards nel 1976 racconta storie vere o verosimili di quello che può accadere ogni giorno nella vita on the road dei poliziotti: i rapporti con le famiglie, gli informatori, i delinquenti, i colleghi. In ogni puntata viene esaurita una storia, senza un cast o un interprete fissi. Particolare attenzione, più che alle scene d’azione, viene riservata ai profili psicologici dei protagonisti, mostrati anche nelle loro fasi di debolezza e struggimento.

Alla produzione si susseguono Stanley Kallis, David Gerber, Christopher Morgan, Liam O’Brien e Carl Pingitore. Nel cast produttivo si segnala la presenza dell’ex poliziotto Gene Roddenberry, già ideatore di Star Trek (1966). Tra i registi della serie spicca la macchina da presa di John Badham, in seguito alla regia de La febbre del sabato sera (1977). Jerry Goldsmith e Richard Markowitz firmano la colonna sonora; il primo è pure autore del tema musicale.

Tra le guest-stars si notano le presenze di

Jerry Lee Lewis
Don Johnson
Cheryl Ladd
George Maharis
Martin Milner
Sal Mineo
Don Most
Tony Musante
Smokey Robinson
Kurt Russell
William Shatner
Robert Stack
Sylvester Stallone
e
Jan-Michael Vincent

Due personaggi di spicco hanno dato vita a una coppia di spin-off:

Pepper Anderson agente speciale (1974) e Joe Forrester (1975).

click here for 1973 newspaper review

Bonny Bakley Estonian Videos Robert Blake Makes Fist

Image of Erin Carlson

1.	free printable mothers day cards
2.	parade.com/logic
3.	happy mothers day poems
4.	Laos manumits
5.	space mothers day comments
6.	sermon spice
7.	hip
8.	how to make french toast
9.	la's manumits con mariachi
10.	Erin cracker

Gladys Love Smith Presley

50 years left this earth.
Elvis would have wanted us to remember.
May she forever rest in peace!

yari kah !!

matrona gift coe pra ke mama sa mothers dai

Mother's Day

Muttertag

Fête des Mères

Dzień Matki

Festa della mamma

Moederdag

Dia das Mães

Día de la Madre

День матери

Mors dag

母亲节

Morsdag

母の日

a struggling mother労RI around, and express appreciation for my mother. In Japan and the United States is celebrated on the first Sunday of February, its origin is in the world is a different date. Spain is the second month in a Sunday, for example, in Sweden Northern Europe on Sunday to win the last five months母の日（ははのひ）は、日頃の母の苦労を労り、母への感謝を表す日。日本やアメリカでは5月の第2日曜日に祝うが、その起源は世界中で様々であり日付も異なる。例えばスペインでは5月第1日曜日、北欧スウェーデンでは5月の最後の日曜日に当たる。Mother's Day (Mother's Day)

Enuff Z' Nuff - Mother's Eyes

日曜日 地久節 父の日 ガーベラ 国民の祝日に関する法律 カーネーション スペイン 四旬節 友情 在籍者 (学習者) こどもの日 ラトビア語 敬老の日 春分 エストニア語 シンボル 香淳皇后 ノルウェー語 復活祭 母親 ウェストバージニア州 デンマーク語 セルビア・モンテネグロ フィンランド語 ハンガリー語 マケドニア共和国 バーレーン スウェーデン語 バラ ポーランド語 記念日 皇后 イギリス ボスニア・ヘルツェゴビナ イエメン クウェート ヨルダン オランダ語 アルメニア パレスチナ

Mother's Day, Happy

jon spencer blues explosion: live at the french tv

Jon Spencer Blues Explosion - Dang

Classic Sesame Street - Octopus's Garden [I miss my octopuss]

STEPPENWOLF: Sookie Sookie [PLAYBOY AFTER DARK 1968]

THAT'S SOME OBSCENE CHORUS

Jerry Lee Lewis - Hadacohl Boogie [Wembley, 1985: James Burton, Bob Moore - 'Hadda Call it Somethin']

i think it's a letter off but you should google hadacol, you'll be amazed

Little Richard - Lucille 1990 [nice 16ths, li'l]

Jeannie C. Riley: "Harper Valley P.T.A." [ya think, this is the first country fetish video?]

This is a vintage live performance by Jeannie C. Riley of her hit song, "Harper Valley P.T.A.", written by Tom T. Hall. Riley was born in 1945 in Anson, Texas. This song immediately became a giant...

Mickey Newbury - An American Trilogy

Mickey Newbury's songs (encompassing a wide variety of musical genres) have been recorded by hundreds, but he's most remembered for his creation of this song, "An American Trilogy". It's a medley that's since been recorded by many (including symphony orchestras), but most notably by Elvis Presley.

Mickey was born Milton Sim Newbury, Jr. in Houston, Texas. He wrote many songs recorded by artists such as Johnny Cash, Roy Orbison, Tennessee Ernie Ford, Bill Monroe, Hank Snow, Ray Charles, Jerry Lee Lewis, Tammy Wynette, Ray Price, Don Gibson, Brenda Lee, Charlie Rich, Sammi Smith, Joan Baez, Tom Jones, Willie Nelson, Waylon Jennings, John Denver, Kenny Rogers, BB King, Linda Ronstadt, and Bobby "Blue" Bland, and many others.

Marlon Brando: 'Burn' + 'Mermaids of Tiburon' + 'HAUNTED WORLD of ED WOOD, Jr.' [Behind The Scenes of 'Orgy of The Dead']

Marlon Brando
'Burn'

Marlon Brando in Burn!

You can't have everything, at least not in one format. While I was working on a piece about Marlon Brando ("Orpheus Ascending") for the Sept/Oct issue of FILM COMMENT, I bought (for $6.95 via Amazon ) a VHS copy of Gillo Pontecorvo's Burn! issued in 1991 by MGM/UA and currently out of print. The color is faded, the image not letterboxed. Nevertheless, it is an invaluable relic of one of Brando's most complicated performances. The VHS is the American version, which was regarded as "butchered" by both the director and the star (who managed to agree on little else). UA eliminated 20 minutes from Pontecorvo's cut (which was released in Europe under the title Queimada), thus undermining the sweep of the action and rendering the film's attempt to map the historic cycles of white colonialist oppression and black insurgency fairly incoherent.

Through October 7, Film Forum is screening a restored print of the uncut Italian version of Burn! (A DVD release of the restored version will likely follow.) In all respects save one, this Burn! is preferable to the out-of print VHS. For the first-time, American audiences will be able to appreciate Pontecorvo's blending of cinematic romanticism with an analysis of black revolutionary struggle which is part Marx and part Franz Fanon. Unlike The Battle of Algiers, which made use of a cinema vérité style to tell the story of an actual liberation struggle, Burn! is a political allegory, styled like a costume action-adventure picture. The setting is a fictional sugar cane-producing Caribbean Island named Queimada. In the original script, this fictive island was part of the Spanish empire, which would have been a more accurate historical conceit, since Spain, rather than Portugal, was the dominant European power in the Caribbean. But since Portugal accounts for a considerably smaller share of international box-office receipts than Spain, the producers did the economically expedient thing by making the Portuguese the bad guys.

As we learn in the opening scene, Queimada (which means "burn" in Portuguese) has had a history of conflagration. In the 17th century, the Portuguese put down an uprising of the indigenous population by killing almost everyone and reducing the cane fields to scorched earth. They then rebuilt the labor force with slaves imported from Africa. By the mid-19th century (the point at which Pontecorvo's narrative begins), a slave revolt is brewing. The British see an opportunity to send the Portuguese packing and gain control of the island. Enter Marlon Brando in plantation whites and creams as Sir William Walker, the 19th-century English equivalent of a CIA operative. Walker has been sent by the British government to fan the flames of the insurrection and simultaneously to whisper encouraging words to members of the mixed-race middle-class so that when the Portuguese are routed, they will be ready to seize the reins of power. Not real power, of course, because it is British wealth to which this puppet regime will be permanently indebted.

All this comes to pass in the first half of the film in scenes that are sometimes overly schematic but just as often thrilling. Here, as in The Battle of Algiers, Pontecorvo is masterful at conjoining camera movement and the choreography of large groups of people so that the screen becomes charged with collective desire. Ennio Morricone's score, similar in its insistence and repetitiveness to the one he composed for The Battle of Algiers, employs the choral harmonies and modalities of Gregorian chants with a syncopated beat that has you just about leaping out of your seat when the victorious slave army, ragtag and radiant, comes dancing and prancing on the backs of plumed horses to claim the prize for their hard-won, bloody rebellion. The prize, of course, will not be theirs. The fork-tongued Walker will convince José Dolores (Evaristo Márquez), the rebel general he has mentored, that he's gone as far as he can go - that blacks cannot govern themselves or trade on the world market. "Who will buy your sugar, José?" he asks, even as the British have imposed a boycott on the island. Part I ends in compromise. Dolores is persuaded to lay down his weapons and take his army back to the cane fields. No longer slaves, they will be paid for their work, and in addition, there will be schools and hospitals - and you know the rest of that line.

Twelve years pass in a few seconds of black screen. The second half of the film is the mirror inverse of the first. Walker is sent back to Queimada to put down the insurgency he once fomented. The British have treated their freed workers no better than the Portuguese did their slaves. Dolores and his men have once again taken up arms and are fighting the government troops from hideouts in the mountains. When he refuses to negotiate with Walker, it's all-out war. As in the 17th century, the island is torched so that the fires of revolution will not spread throughout the Caribbean and beyond. Rather than the triumphant march that climaxed Part I, Pontecorvo gives us an equally riveting set piece, but this time of prolonged horror. Dolores's followers are smoked out of the burning brush. As they are forced into the open, they are slaughtered one by one as Walker watches through his spyglass.

Burn! is such an ambitious film and parts of it are so inspiring that one can't help forgiving its unresolved contradictions, the largest of which is the attempt to fit a dialectical reading of history into the form of an action drama with the opposing forces of colonizer and colonized embodied in the two leading characters. Brando often remarked that he was proudest of his work in Burn!, and certainly it's his performance that makes the film more than just a series of visually spectacular set pieces, and riveting from beginning to end. In terms of Brando's career, one can look at Burn! as a match with Reflections in a Golden Eye, which was made just two years earlier. In both films, Brando plays a member of the ruling elite who is eaten up by self-loathing and fights desperately against his attraction to another man. Reflection is specifically about repressed homosexuality. In Burn!, sexual desire is an undercurrent of the power game between Walker and Dolores.

Brando plants the notion right at the start when we see him looking at Queimada from a boat arriving in the harbor and fingering a lavender scarf flung casually around his throat. Brando knew how to communicate entire subtexts through a prop and the way he handled it. You can bet he didn't choose lavender because it was a pretty color. There is, however, a behind-the-scenes story: Pontecorvo, who was reputed to be highly superstitious, felt about lavender the way John Ashcroft feels about calico cats - that they are signs of the devil. Brando was at war with Pontecorvo throughout the production, and he may have chosen to make that bit of lavender silk the focus of the film's opening shot just to spite him. Nevertheless, a suggestion has been planted in the viewer's mind, and it's reinforced in the scenes that follow where we begin to see that Walker conducts his power games as he would a seduction. Walker seduces Dolores into becoming an outlaw and then the general of an insurgent army; having gotten what he wants, he subsequently abandons him. When he comes back and tries the game a second time, Dolores has become his own man and will have none of it.

And so Walker has to bring him to his knees by killing his followers. But at the last moment, he can't bring himself to kill the opponent he has been so obsessed with. If Dolores dies, he will not only become a martyr for the cause of freedom, he will escape Walker's power. One of the most amazing moments in Brando's performance comes when Walker is preparing himself for a last ditch effort to persuade Dolores to escape hanging by going into exile. Walker is aware that he has already lost the game, and as he tries to pull himself together to confront Dolores, he notices his own belly - a belly that he has most carefully concealed beneath tight pants and jackets buttoned - he knows how power is invested in the presentation of self. It's this belly, now bulging out in the open, that signals his loss of control over his own and Dolores's destiny. And then he makes the most extraordinary decision. Rather than trying to conceal the betrayal of the flesh, he lets it show, perhaps because he has nothing to lose but more likely because he seizes on letting it all hang out - as they were wont to say in 1968 - as the only manipulative strategy left in his arsenal.

Brando's greatness rests in his ability to invest his body and his gaze with multiple layers of meaning. His voice was part of that physical apparatus. Walker is vocally one of Brando's most risky and inspired constructs - the English accent plummy to the point of self-mockery (or mockery of the privilege it signifies), its whispery tone oddly intimate as if the person he is talking to is the only person special enough to understand what he's saying. The great deficiency in the restored version of Burn! is that all the actors' voices - Brando's included - have been dubbed into Italian. Which is why I suggest that in addition to going to the Film Forum you get hold of one of those few remaining VHS copies.

Mermaids of Tiburon

Underwater Adventure

The Haunted World
of
ED WOOD Jr.

 

Paula & Raiford's Disco MEMPHIS 14th South Second

Paula & Raiford's Disco

14 South Second
MEMPHIS, TN

Looking For Colonel Parker Doc. 1/5 [NPS - Het uur van de wolf]

Andreas Cornelis van Kuijk was not even twenty years old when he left Holland for America as a stowaway. He had no education, no money and knowledge of English. Twenty-five years later, he was the celebrated and feared manager of the King of Rock and Roll, Elvis Presley, and known to the world as Colonel Tom Parker.
Despite Parker's dubious life and despite the accusation that profited shamelessly from Elvis and took no steps to prevent his downfall, In LOOKING FOR COLONEL PARKER, Constant Meijers came to the conclusion, after a journey right across the United States, that the name Colonel Parker can rightly be mentioned in the same breath as that of the King of Rock'n Roll. The succes of the gifted singer Elvis is inextricably linked to the gifted salesman that Parker still was even after Elvis' death.

script and director: Constant Meijers
producer: Pieter van Huystee

First aired on Dutch Television (NPS, Het uur van de wolf) January 18th 1999.

Interviews this part:
- Loanna Miller (Colonel Parker's wife)
- Marie Gort - van Kuijk (Colonel Parker's sister)
- Larry Davis (carnival director)

Elvis Presley - Making Of Jailhouse Rock (documentary) 2/2

The Scene That Stole Jailhouse Rock

Documentary 2007.

Interviews:
- Peter Guralnick (author)
- Joe Levy (editor, Rolling Stone Magazine)
- Steve Pond (author)
- Robert Relyea (director)
- George Klein (Elvis friend)
- Jerry Leiber (songwriter)
- Mike Stoller (songwriter)
- Russ Tamblyn (actor/dancer)
- Harry Kubernik (author)
- Bill Rock (host, Elvis radio)

Elvis Presley - Making Of Jailhouse Rock (documentary) 1/2

The Scene That Stole Jailhouse Rock

Documentary 2007.

Interviews:
- Peter Guralnick (author)
- Joe Levy (editor, Rolling Stone Magazine)
- Steve Pond (author)
- Robert Relyea (director)
- George Klein (Elvis friend)
- Jerry Leiber (songwriter)
- Mike Stoller (songwriter)
- Russ Tamblyn (actor/dancer)
- Harry Kubernik (author)
- Bill Rock (host, Elvis radio)

Elvis Presley - Behind The Gates Of Graceland (documentary)

Very rare documentary probably from the early eighties.
An inside look on Elvis's home Gracland.
Tour-guide are a young Jerry Schilling and Joe Esposito.

This footage is available on the 2-Disc Special Edition of "This Is Elvis".

Girls dancing in Kliptown

South African Tourism 2010 Football TV Advert

South African Tourism 2010 Football TV Advert