Suicide Food
Dinner Fabulous
We have no idea what’s going on. We’ve got the vestige of a pig, done up like a delicious slice of cowboy, in a mustache and hat, with coiled lariat dangling from his… hand… area.
We’ve got the whole thing labeled fabulous, an adjective not traditionally associated with rugged outdoorsy types.
We haven’t been this confused since the strange case of Mort the He-Cow.
Or is that the whole point? As in this sign, ripe with similarly conflicting stereotypes of traditional sexuality, the pork’s sheer, stubborn absurdity is an attempt to overwhelm our sense of reason and order. Pork? Equally at home singing along to a Broadway show and roaming the rolling prairie? Wearing a campy mustache? Brandishing a lasso? Enjoying the masculine solitude of life on the ranch? Proclaiming his fitness for your consumption? Must… resist. Must… retain… sanity.
Luv-a-Duck
Luv-a-Duck, we are told, is “Australia’s Favourite Duck.” The praise does seem to have gone to the bird’s head. The way she lowers her eyes, tilting her bill—oh, she knows how they feel about her. She knows they think she’s something special, all right.
Now, we know and you know what they mean by “love” (pardon us: luv) and “favorite” (sorry: favourite). By the former, they don’t mean “feel profound tenderness toward or affection for.” And by the latter, they don’t mean “most esteemed.” Even a child knows that the Luv-a-Duck corporation means simply that they really like eating the things. They describe the flavo(u)r as “superior,” and remind us that duck “can be reheated and served as a prestige meal.”
But the matter that concerns us here is what the duck thinks. By her bashful pose, it’s clear she knows what form their luv takes. It is that ravening love that craves and devours, the all-consuming love (or, well, the duck-consuming kind, at least) that seeks union of a purely digestive sort. It sees the beloved as nothing more than aliment, a substance to be sacrificed and swallowed. What they love about the duck are precisely (and exclusively) those qualities she can embody only after she’s been destroyed. To which the duck replies, “Luv me as you will. I’m yours.” (Thanks to Dr. Kirsten for the referral.)
Woody’s Bodacious Barbecue
The most bodacious thing about this scene is how family is front and center. The cow, the pig, and the chicken—it’s the whole family of “food” animals, the Brotherhood of the Edible! And here, the whole gang has assembled for their own last supper. The spot they’ve chosen is right off a postcard, with the palm tree, the old prop plane pulling the banner encouraging passerby (passersunder?) to eat dead animals, and the mustachioed chef (Woody?) serving them all. The cow offers a toast (“To death!), they all eat well, and then they’re all well eaten. Good food, good friends, good-bye.
The perfect end to a perfect
daylife.
Bair’s Fried Chicken
It’s a snappy technique, so seamless you might not even be aware of what it’s doing to your brain. Like a roasting pig logo we discussed almost three and a half years ago, this image is up to something.
See how the meaning of fried changes from a state that only deliberate actions performed upon the chicken could bring about to a natural, inevitable result of lounging in the sunshine. It’s a crafty bid to shift focus and responsibility.
You didn’t fry the chicken or cause her to be fried! No, no! Far from it! The chicken is merely basking and drinking gravy (?) and being, you know, gently… fried. By the rays of the life-giving sun! And we wouldn’t want that naturally, passively fried chicken meat to go to waste now, would we? The chicken’s fried carcass is like a gift that nature has bestowed upon us.
Hogback Mtn BBQ Catering
We have to go all the way back to April, 2007 to find an antecedent for this thing, an image as raw and stuffed with casual menace, an image as ripe with hostility for the world. Renouncing every instinct, repudiating every natural impulse, the Hogback Mountain hog revels in a death-loving ecstasy.
He smears himself with barbecue sauce, the better to be cooked and basted. As he slathers it over himself, he smiles, at ease behind his Risky Business Ray-Bans. He might be applying sun screen before a day at the beach for all the concern he feels. One ear flopped over his face in perfect imitation of a teen’s wayward forelock, the hog laughs at himself. At us. At our feeble feelings of pity and disgust. They mean nothing to him. Not a single damned thing.
Skewering Training Center
Who will be the best skewered food item? Will it be the bell pepper for the third year in a row, or will the upstart onion make its mark?
What’s this? Two new competitors have entered the Skewering Training Center*, and they mean business. The chicken and pig have fire in their eyes and steel in their hearts, and—if all goes well—they’ll soon have a giant skewer running through their abdomens. They’re obviously quite pleased with their performance, and well they should be. Never have animals been impaled on a skewer so skillfully, their internal organs so neatly perforated, their peritoneums so thoroughly punctured. Vegetables can’t hope to compete with thinking, feeling, pain-suffering creatures. How could inanimate objects throw themselves onto sharp rods with anything like this kind of style? Look at them smiling, arms upraised in triumph. You can do it, chicken and pig! We believe in you! Years from now, when people think of the joy of being well and truly stabbed clean through, they’ll think of you! (Thanks to Dr. Daniela for the referral and the photo.)
*This is actually what this was (actually) called.
Festival of Cruelty 15: Forcible Testicle Removal
For those of you unfamiliar with our cringe-inducing Festival of Cruelty series (the last official entry was three and a half months ago, but there was also a Festival of Cruelty special report recently), here’s the gist:Suicide food is all about deception. But some meat-promoting imagery is so nakedly honest in its depiction of pure contempt, its expression of such hatred for animals, that we find it almost refreshing. (Almost.) This is stuff that could stand a little camouflage, a little lipstick, a little stagecraft. At least a few bandages to hide the wounds. This isn’t suicide food. It’s murder food. And it’s instructive to dive into the cesspool now and then. What it teaches us, exactly, we have long since forgotten. So! Hold your nose and jump in and try not to drown in our newest, themed Festival of Cruelty.
Huntley (Illinois) Turkey Testicle Festival: As it turns out, some turkeys object to castration. This one clutches his savaged loins. He gapes in wordless horror, as though petitioning Heaven’s vacant throne. But most of all, he advertises an event whose foundation is the consumption of turkeys’ private parts. Do you see what we mean about cruelty? They don’t even bother dressing this up in the same old clichés of subservience, compliance, and victims identifying with their predators. It’s just shock, pain, and anguish.
Olean (Missouri) Jaycees Testicle Festival: We “love” the disdain implicit in this one. “Our volunteers make the difference,” they say as they show us this maimed cow wearing a button that identifies him as one of those volunteers! “No, no,” they proclaim, “that one’s a volunteer. He signed up to have his stuff hacked off! You saw the button, didn’t you?” It’s the most half-hearted disavowal in the history of people caught in the act, the equivalent of “Honest, officer! The dead guy was on the floor when I got there.”
Minnesota Testicle Festival: The call it the home of the Minnesota Tendergroin, because if there’s one thing people like more than eating an animal’s testicles while it watches, it’s making puns while they do it. (You should know that testicle festivals are hotbeds of suspect humor as well as viciousness.) Featured here is a former bull—he’s a steer now—who can only snort in impotent agony. While people laugh at him.
Thirteenth Annual “Calf Fry” Testicle Festival: The newly castrated can also take the stoic cowboy route, hoping to numb the pain with nothing stronger than beer and nicotine. But nothing can soothe the searing sting of degradation. Notice the barren landscape, the single tumbleweed an errant mark on a blank sheet of paper. It all serves to emphasize the castrato’s loneliness. He went from vigorous to victimized just like that, with no one to witness his turmoil but the uncaring sky.
Rock Creek Lodge: More craven snorting. This steer’s got a haunted, hunted look in his eyes. Which is only fitting, seeing as he’s been hunted down and the aftermath of what they’ve done to him will haunt him the rest of his days. Which—let’s look on the bright side—won’t number too many.
Outdoorama Turkey Testicle Festival: Is this turkey warding off the knives? Are his hands thrown up before him in an “Out of my way!” gesture? Either way, there’s no stopping them. There’s no getting between the hungry hordes and the poultry testicles they crave.
Addendum: We have, of course, seen castrated animals before. There was a steer, a turkey, and a different steer from way back. Improbably, it’s a motif that’s been with us through the ages.
Carne de Avestruz
Did you think ostriches were only sex objects? That’s a common misconception. No, they’re also corral-based bon vivants and rugged cowboys. And, as we now know, ostriches are superb athletes!
Like the Brazlian people, Brazilian ostriches enjoy futebol. And like the Brazilian people, Brazilian ostriches are deliciously healthy.
It’s curious, yet commonplace, this identification with one’s main dish. As though the way to induce consumers to choose this or that dead-animal product, you must first get them to see themselves in the lifeless eyes of the food on the plate. “This ostrich felt a patriotic pride toward my country. He enjoyed the same pastimes that give me pleasure. We’re not so very different, he and I. Now that our connection has been made plain, an undeniable bond, I will experiment and devour him.” Or, we… guess that’s how it goes? And through it all, for his part, the ostrich never stops selling. The intensity, the rah-rah boosterism, the countless hours devoted to training—it’s all part of his plan to pitch his kind as the perfect meat for a hungry Brazil. (Thanks to Dr. Clea for the referral.)
Uncle Dougie’s Barbecue Sauce
Cozying up to Death Chicken, the Devil’s Pecker, breathing the sulphur of his nethercoop, the pig and cow contemplate entering the next (which is to say, the last) stage of life’s journey. The chicken might appear mundane and harmless, with his striped Polo and How’s-everybody-doing demeanor, but take heed: Mefowlstopheles has come for their souls. And before long, as they gaze into his unblinking crimson eyes, they will surrender. They all do in the end. They will give themselves over to him and follow him down, down, down. Past the galleries of the shrieking dead, all the way to the River of Sauce. The river in which they can hope to forget.
Pigheaded BBQ
The pig’s plan is finally bearing fruit. By finding a way to mate with miniature cows and chickens—thereby rendering their offspring blessed with the pig essence so prized (it would seem) by humans—he shares with the rest of creation the joy he has known so intimately. It’s a strange plan, admittedly, and it involves some irksome mutants, but whatever. Here’s to the lovable crackpots who roll up their sleeves (or, in this case, tear them off), and get the job done! We’re not saying the pig is entirely altruistic, either. The wicked way he’s looking at his feckless spawn does give one pause.
Well? What of it? Why shouldn’t he get something in the bargain—in this case, the joy of killing and cooking—when he’s giving so much? He, who made the lowly cows and the dim chickens more palatable, more desirable as living, breathing pre-food. More piglike. Is he not their god? Do they not owe him everything? All the mightiest gifts—theirs!
Barbecue Coach
And here you thought the animals were simply blessed by their creator, endowed with the rich flavor and utter worthlessness that render them fit for nothing but death. Such innocence is almost touching.
No, the animals have to work at this stuff. Sure, some come by it naturally, but for most, it’s crack-of-dawn sweating and wind sprints. Like this chicken. Employing the vigorous whistle-tooting services of a coach, he hopes to be in
fightingdying trim in time for the big event. It’s a lifelong dream, and the dedicated understand that achieving a dream takes hard work and stick-to-it-ive spirit. Lift those knees, bird! You think anyone’s going to want to eat you with drumsticks like that?
Rudolph’s Reindeer Meat
Rudolph—the decent, selfless reindeer beloved by millions of boys and girls—has an important message: “When you order reindeer, you make Santa smile.”
Yes, Santa (Santa Claus, that is) would appreciate it if you’d order reindeer meat. He likes ordering reindeer. Get it? Ordering reindeer? Like, ordering them around? What a country!
And because Rudolph’s such a
doormatgenerous soul, this really is the most important thing he can think to share with you. Not “For the love of God, would someone please rescue me from what has become a nightmare of captivity and the ever-present stench of fear!” but instead “Don’t forget to pick up some dead reindeer on your way home!” Merry Christmas!(Photo by Travis S.)
Addendum: Allow yourself to be haunted by this ghost of Christmas past. And this one, too, while you’re at it.
Landry’s Seafood Restaurants, Inc.
And then there’s this guy. He has certainly settled into his role as seafood with panache. A tawdry, leering panache, to be sure, but have you ever seen a crawfish with more self-confidence? Feet dangling in the ol’ briny, teeth clamped on a cigarette holder worthy of Thurston Howell, suspect mustache winking in the sun, he’s the very model of looking-out-for-number-one-ism. That he expresses his exceptionality by playing the part of foodstuff will discomfit no one familiar with our work.
He will be boiled and cracked apart, his pale flesh dug from his blood-red carapace, and he accepts it all—the attention, the adulation, the respect—as nothing less than his due.
Addendum: Or maybe he’s a lobster?
Addendum 2: An earlier Landry’s crustacean, this one exhibiting none of the moneyed importance of the current crawfish. Or lobster or whatever.
January 15, 2011
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L’insatiable Samantha
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Disney - David Icke's Official Forums
View Full Version : Disney
dark knight18-07-2008, 09:50 PMenjoy
mariag29-07-2008, 11:48 AMenjoy
http://nwomirror.tripod.com/13bloodlines.htmlThis might give you an idea why Disney was Created and why disney is still going strong .
And this
http://www.jesus-is-savior.com/Evils%20in%20America/Hellivision/waltdisney.htmHere are the FACTS about the Walt Disney Company that you should know.
CHILDREN'S ANIMATED MOVIES
FACT:
In "The Little Mermaid," a scene depicts a priest becoming noticeably aroused while presiding over a wedding. [Editor's Note: This could be the priest's knees. Please check it out for yourself]. Also, a castle spire on the jacket art for the video resembles a phallus.
FACT:
In "Pocahontas," Disney censured out the historical fact that the heroine in the story converted from paganism to Christianity.
FACT:
Actors Ernie Sabella and Nathan Lane said in a New York Times interview that the characters they played (Timon, the meerkat, and Pumbaa, the wart hog) in THE LION KING are "the first homosexual Disney characters ever to come to the screen...."
-NY Times, 6/12/94OTHER MOVIES
FACT:
Disney signed Martin Scorsese, the director of "The Last Temptation of Christ," to a 4-year contract. -Daily Variety, 1/30/96
FACT:
Disney hired Victor Salva, a convicted child molester, to direct its movie POWDER. When Salva's victim, Nathan Winters (now 20), publicized the hiring, some of the police officers who investigated the 1987 molestation were incredulous that Salva was working again as a movie director. "It just blows me away," said Officer Gary Primavera. He has serious signs of being a pedophile. One Disney official, John Dreyer, refused to respond to Winter's demand that Disney fire Salva, saying, "What's the point other than you want to make headlines?" That's compassion for you. -Washington Times, 10/25/95
FACT:
Disney considers buying RIPE, a movie about the deflowering of 14-year-old twins. -Newsweek 2/12/96
FACT:
Disney hired Kevin Smith to produce two movies:
(1) "Dogma" attacks Christianity by asserting that Christian beliefs are little more than Christian mythology.
(2) "Chasing Amy" is an account of a man's pursuit of a lesbian - Daily Variety, 11/3/95
FACT:
Mark Gill, the president of Disney-owned Miramax (the company which released the anti-Catholic movie "Priest"), admitted that his company thrives on racy, often violent promotion for its movies. PRIEST is a pro-homosexual movie which depicts five Catholic priests as perverts and blames their perversion on Church teachings. One priest is a homosexual; a second an adulterer; a third an alcoholic; a fourth demented; and the fifth just plain mean and vicious. The film is blatantly anti-Christian - Daily Variety 9/13/95, -The Advocate, 4/4/95, 4/18/95; Family Issues Alert, 3/30/95
FACT:
PULP FICTION (Miramax) is a seedy, hyper-violent movie starring John Travolta. It had an NC-17 rating before editing gave it an R rating - Entertainment Weekly, 6/10/94; Daily Variety, 6/15/94
FACT:
Disney-owned Miramax released the homosexual movie, "Lie Down With Dogs." -Daily Variety, 5/16/95
FACT:
Diane Disney Miller, Walt's daughter, publicly condemned the Disney company's involvement with Oliver Stone's historically inaccurate movie, "Nixon." In a letter Miller wrote to the Nixon family, she said, "I am ashamed that the Walt Disney Company - the company my father created - is associated with this disturbing distortion of history." Not surprisingly, Disney officials refused to comment on the letter - USA Today 12/20/95; Daily Variety, 12/20/95; Commercial Appeal, 12/21/95
FACT:
COLOUR OF NIGHT (Hollywood Pictures) shows co-stars Bruce Willis and Jane March entwined in numerous sex scenes featuring full frontal nudity - Entertainment Weekly, 6/10/94; Daily Variety, 6/15/94
FACT:
THE ADVOCATE (Miramax) is filled with nudity, the movie was rated NC-17 (formerly the X rating) but on appeal (and after cutting out a 12-second sex scene) it was given an R - Daily Variety, 8/17/94
FACT:
CLERKS (Miramax), a black and white film about New Jersey convenience store clerks, was originally rated NC-17 because graphic and sexually explicit language is woven throughout the film. On appeal, it was given an R-rating - Daily Variety, 10/12/94
FACT:
KIDS (Miramax) was described by Variety magazine as "one of the most controversial American movies ever made." According to Newsweek, "the film follows a number of barely pubescent looking boys and girls around New York City as they smoke pot, bait gays, beat a black man and engage in graphic sex." Under pressure Miramax formed an independent company to market and distribute the pornographic movie - Daily Variety, 1/27/95; Newsweek, 2/20/95; Wall Street Journal, 3/30/95; Associated Press, 6/29/95
FACT:
CHICKS IN WHITE SATIN (Hollywood Pictures) is a film about a lesbian couple who decide on a semi-traditional "commitment celebration." - Glamour, 8/9/9
FACT:
JEFFERSON IN PARIS (Disney backed) spreads the smear (initiated by his political rivals, but discounted by historians) that Thomas Jefferson fathered children by a 13-year-old slave girl - Insight, 12/5/94
FACT:
In the 1994 Disney movie THE SANTA CLAUSE, the number of an actual phone sex line appears in the film aimed at children and families. -Associated Press, 5/1/96
TELEVISION, CHILDREN AND FAMILY VALUES
FACT:
Disney recently bought Capital Cities/ABC for $19 billion. On March 19, ABC aired a "Dana Carvey Show" program which featured jokes and laughter about alcohol abuse and cocaine addiction. The same show had a skit called "Under Five on Comedy Central" in which children made crude jokes and resorted to name-calling. Also on the show, Carvey portrayed George Washington using cocaine and Ben Franklin in bed with another man. The same program had a cartoon skit entitled "The Ambiguously Gay Duo" in which two Superman-style heroes are homosexual lovers and drive a super car shaped like male genitalia. Finally, a "Celebrity Bloopers" spoof featured 17 uses of the F-word (bleeped out, of course; but its intent was clear). What more can our children and families expect from ABC?
FACT:
Disney dropped its 17 year-old "Glory and Pageantry of Christmas" display (one of Disney's few concessions to the fact that Christmas is Christian) near Disney World in Orlando, Florida, and replaced it with "Tropical Santa." Elements of the new festival include, "Santa Claus, tree lighting and caroling with tropical elements such as Caribbean and Jazz renditions of Christmas music, a musical stage show with 'Tropical Santa,' street performers for kids, a lighted parade and a holiday sing-a-long and fireworks finale."
PEOPLE, POLICIES AND THE HOMOSEXUAL AGENDA
FACT:
In June, 1996, Disney helped promote the 6th annual "Gay and Lesbian Day at Walt Disney World." Disney has allowed the homosexual organisers to portray Mickey Mouse and Donald Duck as homosexual lovers; and Minnie Mouse and Daisy Duck as lesbians.
FACT:
Disney has extended company health benefits to live-in partners of homosexual employees (the policy does not cover unmarried heterosexual couples who live together) - The Orlando Sentinel, 10/7/95; USA Today, 10/19/95; Daily Variety, 10/9/95
FACT:
Disney president Michael Eisner is quoted as saying he thinks 40% of Disney's 63,000 employees are homosexual.
FACT:
Disney has the largest gay and lesbian employee organisation in the entertainment industry.
FACT:
Disney helped underwrite the 1993 Hollywood benefit for the National Gay and Lesbian Task Force - The Press Enterprise, 12/28/93
FACT:
Disney advertised in Out, a homosexual magazine - Out, 2/94
FACT:
Tom Shumacher, Disney VP of feature animation, is an open homosexual who takes his "husband" to executive retreats. In an interview with the homosexual publication The Advocate, Shumacher said: "There are a lot of gay people (at Disney) at every level. It is a very supportive environment." - Human Events, 8/12/94; The Advocate 6/25/94
FACT:
Disney hired avowed lesbian Lauren Lloyd for the specific purpose of developing female and lesbian movies. OUT magazine, a homosexual publication, praised Disney: "Like it or not, lesbians are not yet chic entertainment attractions for a lot of America. With Lloyd and Disney on our side, though, anything s possible." - Out, 11/94
notthisshitagain09-08-2008, 04:26 AMBtw, dunno if anyone else has noticed it.. but you know how sometimes when a Disney movie/tv show/whatever is about to start, Tinkerbell waves her magic wand, like if she was casting magic on the person watching the tv.. I wonder if this is a sign of "you're under my spell"? As in, "I'm gonna mind control you"?
shenoma09-08-2008, 04:32 AMThe drawers love to sneak things in, just for a laugh. It is an evil company never the less.
mariag09-08-2008, 10:53 AM
Walt Disney was a 33° Freemason and an illuminist. Behind all those cartoons, magazines, movies etc., is a hidden agenda to mess up our children's minds. Disney's production over the years is filled with Masonic symbolism, occult over- and undertones, mind control and indoctrination. He is preparing our younger generations for the New World Order, and introduce them to sorcery (black magic) as being a "cool thing" . Read more about it in the above Springmeier article, it is amazing reading. Children who have disappeared at Disneyland and never been found again were kidnapped by the Disney Organization and sacrificed, or used as mind controlled slaves, although their disappearances have been blamed on crazy visitors who supposedly have used the children for sexual perversions. On rare occasions this may have been the case, but otherwise, the truth is closer to home - Disney's home.
Mickey Mouse Monopoly takes a close and critical look at the world these films create and the stories they tell about race, gender and class and reaches disturbing conclusions about the values propagated under the guise of innocence and fun. This daring new video insightfully analyzes Disney's cultural pedagogy, examines its corporate power, and explores its vast influence on our global culture. Including interviews with cultural critics, media scholars, child psychologists, kindergarten teachers, multicultural educators, college students and children, Mickey Mouse Monopoly will provoke audiences to confront comfortable assumptions about an American institution that is virtually synonymous with childhood pleasure.
lakkimakki18-08-2008, 02:26 PMyeah check this out , this is new movie cower;
is this normal ?
Camp Rock is a Disney Channel original movie about a rockin’- teen summer camp- that’s highly appealing to tweens and young teens despite the movie’s failure to favorably compare with truly great Disney Channel movies like High School Musical. Joe Jonas (of the Jonas Brothers stars as Shane Gray, a member of the rock band Connect 3, who is compelled to serve as an instructor at Camp Rock in order to counteract his increasingly negative public image.
http://www.imdb.com/title/tt1055366/
camp rock ? camp c@#$ ! ;)
scones8625-08-2008, 12:02 AMHey, lakkimakki, I love to uncover hidden meanings in Disney productions too, but for friggin' sake, THAT'S the head of a guitar, hence "Camp Rock". There's a great difference between being curiosly suspicious and stupidly paranoid...
krakhead25-08-2008, 12:13 AMHere are the FACTS about the Walt Disney Company that you should know.CHILDREN'S ANIMATED MOVIES
FACT:
In "The Little Mermaid," a scene depicts a priest becoming noticeably aroused while presiding over a wedding. [Editor's Note: This could be the priest's knees. Please check it out for yourself]. Also, a castle spire on the jacket art for the video resembles a phallus.
FACT:
In "Pocahontas," Disney censured out the historical fact that the heroine in the story converted from paganism to Christianity.
FACT:
Actors Ernie Sabella and Nathan Lane said in a New York Times interview that the characters they played (Timon, the meerkat, and Pumbaa, the wart hog) in THE LION KING are "the first homosexual Disney characters ever to come to the screen...."
-NY Times, 6/12/94OTHER MOVIES
FACT:
Disney signed Martin Scorsese, the director of "The Last Temptation of Christ," to a 4-year contract. -Daily Variety, 1/30/96
FACT:
Disney hired Victor Salva, a convicted child molester, to direct its movie POWDER. When Salva's victim, Nathan Winters (now 20), publicized the hiring, some of the police officers who investigated the 1987 molestation were incredulous that Salva was working again as a movie director. "It just blows me away," said Officer Gary Primavera. He has serious signs of being a pedophile. One Disney official, John Dreyer, refused to respond to Winter's demand that Disney fire Salva, saying, "What's the point other than you want to make headlines?" That's compassion for you. -Washington Times, 10/25/95
FACT:
Disney considers buying RIPE, a movie about the deflowering of 14-year-old twins. -Newsweek 2/12/96
FACT:
Disney hired Kevin Smith to produce two movies:
(1) "Dogma" attacks Christianity by asserting that Christian beliefs are little more than Christian mythology.
(2) "Chasing Amy" is an account of a man's pursuit of a lesbian - Daily Variety, 11/3/95
FACT:
Mark Gill, the president of Disney-owned Miramax (the company which released the anti-Catholic movie "Priest"), admitted that his company thrives on racy, often violent promotion for its movies. PRIEST is a pro-homosexual movie which depicts five Catholic priests as perverts and blames their perversion on Church teachings. One priest is a homosexual; a second an adulterer; a third an alcoholic; a fourth demented; and the fifth just plain mean and vicious. The film is blatantly anti-Christian - Daily Variety 9/13/95, -The Advocate, 4/4/95, 4/18/95; Family Issues Alert, 3/30/95
FACT:
PULP FICTION (Miramax) is a seedy, hyper-violent movie starring John Travolta. It had an NC-17 rating before editing gave it an R rating - Entertainment Weekly, 6/10/94; Daily Variety, 6/15/94
FACT:
Disney-owned Miramax released the homosexual movie, "Lie Down With Dogs." -Daily Variety, 5/16/95
FACT:
Diane Disney Miller, Walt's daughter, publicly condemned the Disney company's involvement with Oliver Stone's historically inaccurate movie, "Nixon." In a letter Miller wrote to the Nixon family, she said, "I am ashamed that the Walt Disney Company - the company my father created - is associated with this disturbing distortion of history." Not surprisingly, Disney officials refused to comment on the letter - USA Today 12/20/95; Daily Variety, 12/20/95; Commercial Appeal, 12/21/95
FACT:
COLOUR OF NIGHT (Hollywood Pictures) shows co-stars Bruce Willis and Jane March entwined in numerous sex scenes featuring full frontal nudity - Entertainment Weekly, 6/10/94; Daily Variety, 6/15/94
FACT:
THE ADVOCATE (Miramax) is filled with nudity, the movie was rated NC-17 (formerly the X rating) but on appeal (and after cutting out a 12-second sex scene) it was given an R - Daily Variety, 8/17/94
FACT:
CLERKS (Miramax), a black and white film about New Jersey convenience store clerks, was originally rated NC-17 because graphic and sexually explicit language is woven throughout the film. On appeal, it was given an R-rating - Daily Variety, 10/12/94
FACT:
KIDS (Miramax) was described by Variety magazine as "one of the most controversial American movies ever made." According to Newsweek, "the film follows a number of barely pubescent looking boys and girls around New York City as they smoke pot, bait gays, beat a black man and engage in graphic sex." Under pressure Miramax formed an independent company to market and distribute the pornographic movie - Daily Variety, 1/27/95; Newsweek, 2/20/95; Wall Street Journal, 3/30/95; Associated Press, 6/29/95
FACT:
CHICKS IN WHITE SATIN (Hollywood Pictures) is a film about a lesbian couple who decide on a semi-traditional "commitment celebration." - Glamour, 8/9/9
FACT:
JEFFERSON IN PARIS (Disney backed) spreads the smear (initiated by his political rivals, but discounted by historians) that Thomas Jefferson fathered children by a 13-year-old slave girl - Insight, 12/5/94
FACT:
In the 1994 Disney movie THE SANTA CLAUSE, the number of an actual phone sex line appears in the film aimed at children and families. -Associated Press, 5/1/96
TELEVISION, CHILDREN AND FAMILY VALUES
FACT:
Disney recently bought Capital Cities/ABC for $19 billion. On March 19, ABC aired a "Dana Carvey Show" program which featured jokes and laughter about alcohol abuse and cocaine addiction. The same show had a skit called "Under Five on Comedy Central" in which children made crude jokes and resorted to name-calling. Also on the show, Carvey portrayed George Washington using cocaine and Ben Franklin in bed with another man. The same program had a cartoon skit entitled "The Ambiguously Gay Duo" in which two Superman-style heroes are homosexual lovers and drive a super car shaped like male genitalia. Finally, a "Celebrity Bloopers" spoof featured 17 uses of the F-word (bleeped out, of course; but its intent was clear). What more can our children and families expect from ABC?
FACT:
Disney dropped its 17 year-old "Glory and Pageantry of Christmas" display (one of Disney's few concessions to the fact that Christmas is Christian) near Disney World in Orlando, Florida, and replaced it with "Tropical Santa." Elements of the new festival include, "Santa Claus, tree lighting and caroling with tropical elements such as Caribbean and Jazz renditions of Christmas music, a musical stage show with 'Tropical Santa,' street performers for kids, a lighted parade and a holiday sing-a-long and fireworks finale."
PEOPLE, POLICIES AND THE HOMOSEXUAL AGENDA
FACT:
In June, 1996, Disney helped promote the 6th annual "Gay and Lesbian Day at Walt Disney World." Disney has allowed the homosexual organisers to portray Mickey Mouse and Donald Duck as homosexual lovers; and Minnie Mouse and Daisy Duck as lesbians.
FACT:
Disney has extended company health benefits to live-in partners of homosexual employees (the policy does not cover unmarried heterosexual couples who live together) - The Orlando Sentinel, 10/7/95; USA Today, 10/19/95; Daily Variety, 10/9/95
FACT:
Disney president Michael Eisner is quoted as saying he thinks 40% of Disney's 63,000 employees are homosexual.
FACT:
Disney has the largest gay and lesbian employee organisation in the entertainment industry.
FACT:
Disney helped underwrite the 1993 Hollywood benefit for the National Gay and Lesbian Task Force - The Press Enterprise, 12/28/93
FACT:
Disney advertised in Out, a homosexual magazine - Out, 2/94
FACT:
Tom Shumacher, Disney VP of feature animation, is an open homosexual who takes his "husband" to executive retreats. In an interview with the homosexual publication The Advocate, Shumacher said: "There are a lot of gay people (at Disney) at every level. It is a very supportive environment." - Human Events, 8/12/94; The Advocate 6/25/94
FACT:
Disney hired avowed lesbian Lauren Lloyd for the specific purpose of developing female and lesbian movies. OUT magazine, a homosexual publication, praised Disney: "Like it or not, lesbians are not yet chic entertainment attractions for a lot of America. With Lloyd and Disney on our side, though, anything s possible." - Out, 11/94
It would appear that you have to be a Christian to be upset by most of this. e.g. "PULP FICTION (Miramax) is a seedy, hyper-violent movie starring John Travolta. It had an NC-17 rating before editing gave it an R rating - Entertainment Weekly, 6/10/94; Daily Variety, 6/15/94" - yeah, and?
And as for the Rock Camp 'cock' - have you ever seen a guitar? Think it may say more about you than it does Disney!
FFS!
moonshine26-08-2008, 01:33 AMDisney and the dark manipulation of the young mind
smurf26-08-2008, 04:20 AMIt all seemed so harmless... =(
Seriously, the movies can't be THAT bad. I mean, I grew up on them as a kid and look at me now; I'm posting on a David Icke site.
moonshine27-08-2008, 03:22 AMTalking animals are the essence of evil.:D
chattanova27-08-2008, 03:55 PMDid Adolf Hitler draw Disney characters?The director of a Norwegian museum claimed yesterday to have discovered cartoons drawn by Adolf Hitler during the Second World War.
William Hakvaag, the director of a war museum in northern Norway, said he found the drawings hidden in a painting signed "A. Hitler" that he bought at an auction in Germany.
The Snow White characters Bashful and Doc, which the museum director William Hakvaag
believes were drawn by Hitler, along with a sketch of PinocchioHe found coloured cartoons of the characters Bashful and Doc from the 1937 Disney film Snow White and the Seven Dwarfs, which were signed A.H., and an unsigned sketch of Pinocchio as he appeared in the 1940 Disney film.
Hitler tried to make a living as an artist before his rise to power. While there was no independent confirmation yesterday that the drawings were the work of the Nazi leader, Hitler is known to have owned a copy of Snow White, the classic animated adaptation of a German fairy tale, and to have viewed it in his private cinema.
Mr Hakvaag, who said he had performed tests on the paintings which suggested that they dated from 1940, said: "I am 100 per cent sure that these are drawings by Hitler. If one wanted to make a forgery, one would never hide it in the back of a picture, where it might never be discovered."
The initials on the sketches, and the signature on the painting, matched other copies of Hitler's handwriting, he claimed.
"Hitler had a copy of Snow White," he said. "He thought this was one of the best movies ever made."
Discoveries of Nazi-era memorabilia have repeatedly turned out to be mistaken or the result of a hoax. However, art attributed to Hitler continues to sell at auction, even if its provenance is far from complete.
Nineteen watercolours and two sketches said to be by Hitler were sold in Britain two years ago for a total of £118,000.
The auction firm Jefferys said the seller did everything possible to authenticate the works.
The pictures of cottages and rural scenes were found in a farmhouse in Belgium and were believed to have been painted while Hitler was a young soldier in the country during the First World War
http://www.telegraph.co.uk/news/worldnews/1579629/Did-Adolf-Hitler-draw-Disne...
chattanova27-08-2008, 03:58 PMThe Walt Disney Agendacheck all the subliminals, fingerprinting ++ http://www.davidicke.com/forum/showthread.php?t=8971&highlight=disney
onourwayto201227-08-2008, 04:57 PMTalking animals are the essence of evil.:D
SINGING talking animals are the evilest.
moonshine27-08-2008, 09:02 PMBanned Cartoons
http://www.rotten.com/library/culture/banned-cartoons/Evil Disney
http://www.anomalies-unlimited.com/Disney.htmlDisney's Urban Legends ... Revealed
http://animatedbuzz.com/WB/36.html
moonshine27-08-2008, 09:03 PMSINGING talking animals are the evilest.Your scaring me.:eek:
smurf27-08-2008, 10:03 PMDamn, Hitler was a pretty good cartoonist. :p
lakkimakki28-08-2008, 11:39 AMHey, lakkimakki, I love to uncover hidden meanings in Disney productions too, but for friggin' sake, THAT'S the head of a guitar, hence "Camp Rock". There's a great difference between being curiosly suspicious and stupidly paranoid...
yeah it may be , im just stupid :)
mariag17-09-2008, 12:24 AMIt all seemed so harmless... =(
Seriously, the movies can't be THAT bad. I mean, I grew up on them as a kid and look at me now; I'm posting on a David Icke site.
LOL sorry for beeing rude but that was so funny . I feel the same way . I used to love all kinds of cartoons and now I am freeking paranoid hehehehe:D
young_geecee20-09-2008, 07:53 PMhas anyone else caught on to disneys obsession with the villains in their movies, particularly cartoon, having british accents opposed to the rest of the characters americans? thats subliminal divide and conquer i reckon
apopheniac20-09-2008, 10:49 PMHey, lakkimakki, I love to uncover hidden meanings in Disney productions too, but for friggin' sake, THAT'S the head of a guitar, hence "Camp Rock". There's a great difference between being curiosly suspicious and stupidly paranoid...I have to agree. I see nothing in that image. - :)
sade20-09-2008, 11:40 PMI always have liked Disney, but all of his stories have a dark twist to it. Fantasia is one of those that scared the hell out of me when I was a child.
I watched it again a while ago and it was still scary. Sculls and a dark city? FOR CHILDREN?! Give me a break! That itself shows that he didn't like children at all.I remember that someone in school told me about the Lion King subliminal. Everyone saw it, but no one really understood WHY it was put in it. Everyone just thought it was a joke.
bensonz06-01-2009, 03:58 AMIt would appear that you have to be a Christian to be upset by most of this. e.g. "PULP FICTION (Miramax) is a seedy, hyper-violent movie starring John Travolta. It had an NC-17 rating before editing gave it an R rating - Entertainment Weekly, 6/10/94; Daily Variety, 6/15/94" - yeah, and?And as for the Rock Camp 'cock' - have you ever seen a guitar? Think it may say more about you than it does Disney!
FFS!
Are moderators supposed to be sarcastic and judgemental?
supertzar06-01-2009, 04:37 AMOnce I saw this antique Disney toy at a collectibles shop. It was Mickey Mouse in his own car. He was turning and waving. The thing about the car was that on its' hubcaps was the so-called Star of David. That said to me that Disney is a Zionist vehicle.
supertzar06-01-2009, 04:42 AMI always have liked Disney, but all of his stories have a dark twist to it. Fantasia is one of those that scared the hell out of me when I was a child.
I watched it again a while ago and it was still scary. Sculls and a dark city? FOR CHILDREN?! Give me a break! That itself shows that he didn't like children at all.I remember that someone in school told me about the Lion King subliminal. Everyone saw it, but no one really understood WHY it was put in it. Everyone just thought it was a joke.
Fantasia was the first movie I ever saw. I didn't know what to expect and I didn't want to go, but from the first moment I was captivated. It was very powerful. The night on Bald Mountain was indeed terrifying, but I was thrilled. I insisted we see it again, but it wasn't as good the second time.
octopusrex06-01-2009, 05:28 AMOkay.Maybe, just maybe.. Donald should use pants.
shenoma07-01-2009, 07:50 PMhttp://www.rotten.com/library/culture/banned-cartoons/
"Marching and heiling, heiling and marching. In him is planted no seed of laughter, hope, tolerance or mercy. For him - only heiling and marching, marching and heiling. The grim years of regimentation have done their work. Now he's a good Nazi. He sees no more than the party wants him to. He says nothing but what the party wants him to say. And he does nothing than what the party wants him to do. And so he marches, with millions of comrades, trampling on the rights of others. For now, his education is complete. His education... for death."
Read MORE » on DogmeatView Full Version : Disney dark knight18-07-2008, 09:50 PM enjoy mariag29-07-2008, 11:48 AM enjoy http://nwomirror.tripod.com/13bloodlines.html This might give you an idea why Disney was Created and why disney is still going strong . And this http://www.jesus-is-savior.com/Ev ...
Japanese Modern Jazz Opera as STOLEN by Marc Campbell at DangerousMinds.net
Japanese Modern Jazz Opera
モダン・ジャズ・オペラ 桃太郎
Japanese Modern Jazz Opera
Momotaro: Modern Jazz Opera
FEATURING:
Charlie Parker, Kenny Dorham, Miles Davis, Thelonious Monk, Horace Silver, Bill Evans, Art Blakey and The Jazz Messengers, Sonny Rollins, Benny Golson, Bud Powell, Herbie Hancock, Clifford Brown, Charles Mingus, John Coltrane ----------------- "Lotus Blossm" Milestones Misterioso "Blue Monk" "Sister Sadie" "Waltz For Debby" "Blues March" Doxy "Five Spots" "After Dark" "Cleopatra's Dream" "Comin' Home" Baby "Donna Lee" Cherokee "Fables of Faubus" "'Round Midnight" "Moment's Notice" "St.Thomas"
The standard view of Japanese popular culture, at least here in the United States, is that it’s wacky, chaotic and impossible to fathom. That’s the first reaction you might get from a video doing the rounds online.
It features actors dressed up as traditional Japanese peasants performing some sort of story to the accompaniment of American jazz standards. Which they sing. With Japanese lyrics.
At first glance it’s just funny. But The World’s Alex Gallafent digs a little deeper.
So a colleague sent me a link to a video. It had been forwarded to him by another friend: you know how it goes.
The video is titled: “Japanese Jazz Opera”.
And here’s how it begins. Yep, that’s ‘Now’s The Time’, by Charlie Parker. Only in the video it’s sung by an old peasant couple, with Japanese lyrics.
The setting is a kind of studio version of an olden-days Japanese village. They seem to be actors in some kind of elaborate comedy skit.
But before you have a chance to consider what might be going on, they move on to Miles Davis. Superficially the video, which runs to about ten minutes, is just spectacularly odd.
But still, what IS it?
I turned for help to Roland Kelts. He’s the author of Japan America – and splits his time between Tokyo and the US. It didn’t take Kelts long to recognize the actor playing the part of the old peasant woman — a middle-aged man in sunglasses.
KELTS: “In Japan, this guy Tamori, the comedian behind this video, this show, is everywhere, he’s ubiquitous.”
OK, progress: so we know it’s a skit starring one of Japan’s biggest celebrities.
KELTS: “If you can imagine someone… posters… beer… that you see on TV every night in Japan.”
And this video clip, Kelts says, comes from Tamori’s nightly variety show, an edition from March 1986. It was called ‘What a Great Night’.
Kelts recognizes the subject of the skit too.
Turns out it’s a take on Momotaro, or the Peach Boy – one of the all-time classic Japanese fairy tales.
KELTS: “It follows the narrative very closely, it hews quite close to the narrative, but everything is done tongue-in-cheek.”
The first part of the story goes like this. There’s a poor old couple. They can’t have kids. One day, a giant peach floats down the river to their village. The old couple take the peach home and try to eat it. But when they cut it open, they find a boy inside.
In Tamori’s version, this is where they sing Thelonius Monk’s Misterioso.
So now we’ve got a Japanese TV variety show from the 1980s doing a tongue-in-cheek version of a classic fairy tale.
But why the jazz?
It starts to make a bit more sense, says Roland Kelts, when you know that Tamori – the comedian – was born in August 1945.
That makes him the archetypal post-war boomer.
Kelts: “That generation grew up idolizing America pop culture. They read American novels, they listened to America jazz, they watched Am TV. So knowing those specific numbers and who created them, who composed them would be a point of pride.”
And Kelts thinks that back in the 80s, that self-aware sophistication — knowing relatively obscure jazz tunes like this one, Bill Evans’ Waltz for Debby — fit into a broader sense of Japan’s place in the world.
Tamori’s TV show took full advantage.
Kelts: “That was a time when Japan’s economy was expanding… show that was perceived to be how far Japan had come… can poke fun…. at ourselves… best known fairytale in Japan.”
In Japan, but not here in the States. Here’s how it ends. The peach boy grows up. And, along with some animal friends, he travels across the ocean – um, to the Herbie Hancock tune, Maiden Voyage.
The peach boy arrives at the island of the ogres — they’ve been stealing from the villagers. In Tamori’s skit, the chief ogre is painted red from head to toe, wears glasses and sings the bebop tune Donna Lee. In the end, the peach boy defeats the ogres and returns home with a load of treasure. In Japan it’s about as well-known a story as you can get.
But Roland Kelts says that for younger Japanese today, the only thing they’d understand would be the story.
Today their focus is domestic not international — in music and in other things.
Kelts: “It’s a symbol or a sign of how pessimistic younger Japanese feel. Tamori’s generation, they were looking to a Japan that continued to grow and the growth seemed endless. Your real estate holding would grow in value, forever. Some people said back then we’d all work for a Japanese company. It seems absurd now.”
So did the video when I first watched it. But it turns out to be much more than anonymous Japanese TV comedians singing jazz tunes in peasant costumes. It’s really a historical document of a Japanese attitude — one that’s slipping away.
And maybe the United States can relate to that feeling… a feeling that something’s been lost: that carefree sense of being on top of the world.
--For The World, I’m Alex Gallafent.
今夜は最高！危険な関係のブルース処女航海
Japanese Modern Jazz Opera (My Favorite Video) STOLEN by Marc Campbell at DangerousMinds.net 3.1.2011
3.1.2011
2:33 am
Tamori wearing his signature shades
This wonderfully surreal clip from a 1986 episode of Japanese TV variety show It’s Okay To Laugh (what a stupid fuck) hosted by popular comedian Tamori (who is never seen in public without sunglasses) takes a classic Japanese fairyland called “The Peach Boy” and melds it with American jazz to create something truly unique.
And it gets progressively more unique as it goes along.
*every post i read by this demented neanderthal is worst than the last
Tell him to fuck himself and Richard Metzger here,
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