SEO

July 21, 2009

BUCKET HEAD UPDATE - STILL WEARING BUCKET

Fifteen minutes before Buckethead was scheduled to play, my friends and I decided to go backstage to see if we might catch a glimpse of the famed metal guitarist who dons a creepy white mask and, yes, a KFC bucket on his head. It’s not just a clever name.

bcukethead_walks

As we stood there in the back, I suppose I was expecting something completely normal – just some dude with a guitar walking up the stairs, only to be handed his mask and bucket before revealing himself to the crowd. “Here’s your bucket. Have a good show.”

However, the quest for seeing the real Buckethead quickly became the weirdest, and, perhaps, most memorable, part of our entire All Good Festival weekend.

Shortly after we arrived backstage, a non-descript SUV pulled up to the loading ramp, and was met by an All Good stage worker. The driver side window rolled down, and a man who might as well have been your dad, spoke to the stage hand in what seemed like a nervous hush. Had there not been this moment of slight tension, the general presence of the SUV would have more or less gone unnoticed.

Trying not to be too obvious, I uncapped my camera and directed it at the car, readying myself for a few hip shots if things got juicy – it was sort of like being in the paparazzi.

For another five minutes, nothing happened. The car just sat there. Then, as we settled back into our Buckethead holding pattern, either from the far side of the car or from somewhere beyond the stage, a man appeared with a mask over his face. It wasn’t the ghostly mask that Buckethead wears on stage, but, rather, a surgical mask.

Buckethead_Helped

Our immediate assessment was that this man was either trying to avoid the dust or, maybe, it was really Buckethead trying to keep himself just slightly hidden before going on stage. Either way, we knew that he was somehow involved with the Buckethead performance when he approached the SUV and, through the driver’s window, was handed a white Gibson Les Paul. Unquestionably, this was Buckethead’s axe.

He fitted the guitar with a wireless transmitter, and then returned it to the man inside the SUV – just a little pre-show prep.

It would be five more minutes before everything changed.

In a slight “this is the moment” fury, the surgically masked man opened up the car’s side door. Then, from a hiding position on the floor, covered by a blanket, Buckethead emerged, clad in Chucks, a one-piece jumpsuit, his mask, and the bucket. The guy had seriously been hiding there in that car all along. And it couldn’t have been comfortable. Buckethead is astonishingly tall and skinny, which ruled out my theory that he’s really Warren Haynes in disguise.

The man in the surgical mask helped Buckethead up the stage, holding his shoulders and directing him with both hands. Once he was situated, standing alone in front of the crowd, Buckethead proceeded to hammer away, slaying his guitar to backing music that came from, perhaps, an iPod, a DJ, or maybe Jupiter. The whole thing was so weird – I stopped asking questions.

In the photo pit in front of the stage, there was more press crammed together than I had seen for any other act all weekend. It was like, Bob Weir from the Grateful Dead? Nah… I’m here for the bucket guy.

Buckethead_Slays

Be it a fun gimmick or strange alter-ego, whatever it was that inspired this man – this Buckethead – was working. People were absolutely eating it up.

Now, I’m not into metal, but I stood there truly amazed at the performance I was seeing on stage. In actuality, it wasn’t really even metal. It was just… odd. But good. As I turned to my friend Ryan, he said, “This is like a train wreck. I can’t turn away.” Next to him, my other friend, Andrew, said nothing, only allowing his jaw to drop.

The day’s plan for us was to watch one Buckethead song and then head back to camp to cook a quick dinner. However, fifteen minutes into the set, we were still standing there, dinner be damned.

Finally, Ryan tapped my shoulder and mimed eating with a spoon, the international signal for I’m hungry. Later, he would explain, “I felt like one of us had to make a move. Otherwise we would have been there for an hour.”

Elvis and Michael: Two Kings Whooshed Touching

Elvis and Michael: Two Kings Whooshed Touching

Hillel Italie of the Associated Press writes delightfully about two Kings - Elvis Presley, King of Rock and Roll, and Michael Jackson, King of Pop, who died tragically yesterday in Los Angeles:

"Michael Jackson didn’t want to be just a superstar. Like the Beatles, he wanted to be the biggest, the king. He wanted to topple the reigning man with the crown, Elvis. In life and in death, there was Elvis. “It’s just so weird. He even married Elvis’ daughter,” said author-music critic Greil Marcus, who wrote at length about Presley in his acclaimed cultural history, Mystery Train. Elvis Presley overdosed — in his bathroom — on prescription drugs in 1977 at 42, his bloated, glazed middle age a cautionary tale to rock stars and other celebrities. Jackson died Thursday at 50, rushed from his Los Angeles home and pronounced dead at the UCLA Medical Center. The death shocked more than surprised. While endless fame seemed to inflate Elvis like helium, Jackson’s fame seemed to scrub the flesh and wear into his bones until you could almost see him shiver. Like Elvis, Jackson was once beautiful, outrageous, a revolutionary without politics who shook down the walls between black and white. He had the hits, the style, the ego, the talent. He was the King of Pop and he needed only to fill in the life: He married Elvis’ daughter. He bought the rights to some of Elvis’ songs. Elvis owned Graceland, its name a symbol for a deliverance the singer prayed for until the end of his life. Jackson had Neverland, a fantasy for a child-man for whom money meant the chance to live in a world of his own. He did, and did not, want to be like Elvis."

Read more about Elvis, Michael, and Lisa Marie in Adam Victor in The Elvis Encyclopedia.

Neil Young on CNN - April 18th 2006

Neil Young on CNN - April 18th 2006

Numerology Readings that will stun you with their honesty - “I sat in shock as I read it”

“ If You Have An Email Account,
Now You Too Can Receive a FREE Sample
Of One of the Most Strikingly Accurate
Numerology Readings You Will Ever Read! ”

“I'm so determined to prove the astonishing power of numerology
to you, that I'll happily send you a personalized sample reading
based on your very own birth details -- completely free”

signature
-by Blair Gorman,
Master Numerologist


Dear Spiritual Seeker,


Imagine what it would be like to read the story of your life, before it actually happened ...

You'd know how to make the most out of the opportunities life gives you ... how to avoid negative influences that distract you from achieving your true life purpose ... and which path to take in order to have the happiest, most fulfilling life that is available to you.

That would really be something, wouldn't it?

A full numerology reading will give you all these things, and much more ... essentially, a recipe for a happier and more fulfilling life.

Now, I want to offer you what I truly believe to be one of the most wonderful numerology readings you'll ever read about yourself.

Page after page, I virtually guarantee you'll find yourself nodding in agreement, as you learn your own unique pathway to greater personal fulfillment.



“Fulfilling my destiny!”

“I’ve always wanted to fulfill the destiny of who I am and who I can become. Thank you! Your reading puts everything I had been sensing and feeling on a map that I can finally read!”

 -Brandy Reece, Senior Corporate Trainer, Maryland






“I sat in shock as I read it”

When I got my reading, I sat in shock as I read it... I just can’t believe the accuracy - there are things in here about me almost nobody knows, but you do!”

- Vicki Marks. Special Events Director, Missouri



However ... I don't want money to be the reason you hesitate to try one of these readings for yourself ... which is why I want to send you a sample reading (based on your own birth information) absolutely free of charge.

To take advantage of this offer, simply enter your birth details below.

You'll receive the free report, "How To Change Your Life With Numerology", which details all the numbers in a numerology chart, and how they can be used to change your life for the better. This will be followed by your free numerology reading -- and I'll also send you a complete 21-part series of free numerology tutorials, where you'll learn to uncover the mysteries of your soul, your personality, and your future.

Best of all, you don't have to pay me a single cent, now or later ... simply enter your details below to start a fascinating journey of discovery:

Numerology Readings that will stun you with their honesty

David Bowie's son releases Space Oddity 'Moon'

"This is ground control to Major Tom," sang David Bowie about a fictional astronaut lost in orbit in 1969. Now, 40 years later Bowie's son Duncan Jones has released his own space oddity.

Sam Rockwell plays a moon worker nearing the end of his contract with Lunar Industries which mines precious gas, Helium-3.

Sam Rockwell plays a moon worker nearing the end of his contract with Lunar Industries which mines precious gas, Helium-3.

Jones' debut feature "Moon" is a thoughtful, stylish sci-fi thriller set in the near future amid the monochromatic wastelands of Earth's closest satellite.

It is a contemplative character-driven piece of filmmaking that is particularly smart and accomplished because Jones has managed to create the film's universe with next to no money.

But then, "Moon" isn't your average sci-fi: Stylistically, it's very different from the big budget, spectacle-driven science fiction being made by Hollywood studios today.

With a storyline about alienation rather than aliens, this retro delight is peppered with references to 20-year-old classics like Ridley Scott's "Alien" and cult films like "Outland," starring Sean Connery.

It includes an inspired turn by Kevin Spacey as computer GERTY, whose automaton voice bears a creepy resemblance to HAL 9000, the ruthless computer in Stanley Kubrick's seminal space opera, "2001: A Space Odyssey."

"We wear our references on our sleeve," Jones, whose mother is David Bowie's first wife, Angela Bowie, told CNN. "It is a period of science fiction we are both huge fans of and we miss that kind of film."

His partner and inspiration in this project is quirky actor Sam Rockwell who he was determined would take the lead in his debut feature.

Rockwell plays Sam Bell, a moon worker nearing the end of his contract with Lunar Industries which mines Helium-3, the precious gas thought to be the solution to Earth's energy crisis.

"In some ways we worked backwards," says the 38-year-old who met Rockwell to discuss another film that didn't work out.

"The very first thing I knew was that Sam Rockwell was going to star.

"I knew I wanted to work with him because he's just so talented, and he also just happens to be such a nice guy.

"I said, 'Look, I really want to work with you. I really want you to be in my first film. Let me go away and write something for you.'"

The pair discovered a shared love of science fiction films from the late 1970s and early 1980s, like "Silent Running" starring Bruce Dern.

"Real, character-driven stories about working class, blue-collar people working and living in space," explains Jones.

This was the seed of Jones' screenplay and the moon seemed the obvious place to set it.

"Everyone has a relationship with the moon but at the same time it remains so mysterious. We may have been there, but only briefly."

Nine months later Jones had worked up a script and, with his leading man secured, he had to come up with a plan for how to make a traditionally pricey sci-fi on a budget of $5 million.

"It was a challenge," Jones acknowledges. "Science fiction by its nature is very expensive because you have to build everything; you have to build the entire universe that our film takes place in.

"If there's anything in shot, you're probably going to have to have it designed and built and then there's special effects on top of that."

To keep costs down, Jones used model miniatures for the exterior shots of the moon base and the lunar buggy that Bell drives across the cold regolith to tend to the monstrous Helium-3 harvesting machines traversing the planet.

He shot the entire film in a studio and on a sound stage at Shepperton Studios, near London, England, which allowed them to completely control the environment.

All of Jones' ideas in the film are based on what could be fact in the near future.

Much of his inspiration came from a book by U.S. aerospace engineer and manned Mars exploration advocate, Robert Zubrin called "Entering Space: Creating a Spacefaring Civilization."

One of the chapters in Zubrin's theoretical guide to expanding human settlement across the solar system was about setting up a Helium-3 mining facility on the moon.

"It always stuck in my head as a really interesting idea," says Jones. "Hard science fiction, science fiction that builds out of scientific potential or extrapolating from what's possible -- that's the science fiction I find most interesting."

"Moon" was screened on request at the NASA Space Center, where they are doing research into Helium-3 mining.

The researchers quizzed him on his moon base design choices and discussed their research, including "mooncrete," a special concrete made of lunar rock and water from the moon's polar caps.

Jones will continue to mine the rich seam of classic science fiction in his next film, "Mute." He has likened it to a Berlin-based version of "Blade Runner," Ridley Scott's bleak vision of a future Los Angeles.

He hopes to replicate the success of "Moon" which won Best New British Feature at this year's Edinburgh International Film Festival: "What we're finding now is that there is a real interest and hunger for this kind of film."