These are some of the sexiest K-Pop Girl Group Music Videos on the internet!
Don't watch this around your parents.
★
SEXIEST K-POP GIRL GROUP MUSIC VIDEOS
Here's the full list:
Dr. Feel Good - Rania
Wiggle Wiggle - Hello Venus
Never Ever - Ji Yeon
Cha Cha - Rainbow Blaxx
Miniskirt - AoA
Marionette - Stellar
Vibrato - Stellar
Sting - Stellar
Full Moon - Sunmi
Nice Body - Hyomin
Joker - Dal*Shabet
Move - 4L
Touch My Body - Sistar
Something - Girl’s Day
Paradise Lost - Gain
So Crazy - T-ARA
Wild - 9Muses
Into You - Jun Hyo Seong
Chewy - D.Holic
I Am A Woman Too - Minah
Touch - Anda
I Feel You - Wonder Girls
You’re Pitiful - Fiestar
Stupid Liar - Wa$$up
Roll Deep - Hyuna
Flashback - After School
One More - Fiestar
A Bad Thing - Purfles
Ring My Bell - Girl’s Day
You Don’t Love Me - SPICA
Alone - Sistar
Hush - Miss A
Ma Boy - Sistar19
Abracadabra - Brown Eyed Girls
A - Rainbow
Expectation - Girl’s Day
Poison - Secret
First Love - After School
Give It To Me - Sistar
Female President - Girl’s Day
Hot Pink - EXID
Bubble Pop - Hyuna
Sketch - Hyomin
“la hanche dans une bite non naturelle transformant un battement en précision militaire”
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‘Dior - Положение’ by ilonusyaa on #SoundCloud? why can't you sound more like iggy azalea. i saw your video you own the world. save money for when if you just start rentin' again I JUST MET MY TWIN AND SHEEZ soundcloud.com/gvfpjojorgen/dior
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a lot of people actually selling meth pills, as meth pills,” said Organelle. If you are caught selling or taking these meth pills, you will be charged and if someone overdoses because of the pills you provided you can be held accountable.
“There's a variety of state and federal charges a federal charge would be the distribution of a controlled substance resulting in death,” said Sorianello. Aside from the dangers of overdoses, meth often does its damage over time. According to the National Institute on Drug Abuse, meth use contributes to strokes and heart attacks, even in otherwise healthy adults.
But meth doesn’t get its share of blame for the damage it does.
Meth-related stroke and heart attack deaths aren’t always attributed to drug use, especially now that everyone is looking more closely at Covid-19 as the culprit in any health related issues. •
When “Murder Most Foul”
surfaced, I never got around to playing it. ... But then my old friend Greil inspired me
to give it a shot, and whaddaya know—
I had trouble getting to the endmuch less working up any interest in what it “meant.”
But, honestly,
would you ever play this?
Emma Swift I Contain Multitudes
But he’s been saying everything is going to hell for decades.
In a world where everything is broken, your clock is right twice a day — more if you’ve got a lot of busted clocks, which dude does.
I was appalled again by all the hoohah. So I wrote Joe Levy, an on-again-off-again Dylan obsessive who is now my editor, de facto manager, as well as the man without whom And It Don’t Stop wouldn’t exist, just to find out what he thought—we talk all the time but it had never come up.
And soon he emailed me a briefer version of the essay below.
Like Joe, I’ve found that both “Murder Most Foul” and “I Contain Multitudes” have grown on me a little.
But this somewhat expanded version of that email says far more than I could have far better than I could have.
I’ve been telling Joe what a great critic he is for 25 years. Here’s proof positive no one who’s ever read him needs:
My Twitter feed was full of chatter about “Murder Most Foul” for days. Thought “Real Life Rock Top 10” captured that, with what felt to me like an appropriate sense of both excitement and suspicion: “The hundreds of instant and definitive Captain Midnight Decoder Ring analyses of every word. . . . in an instant it can feel as if the whole world is listening, talking back, figuring it out, and playing with it as if it’s a cross between the Bible and Where’s Waldo.” The feeling of that item is like the song itself, the way it apes Dylan’s Homeric list of song requests with a recitation of the birth and death years of the artists.
The news that there’s a serious publisher out there looking for a book on a song Greil says works like “a cross between the Bible and Where’s Waldo” — that’s pretty funny.
But first few times through I thought “Murder Most Foul” was fucking awful, and can’t understand: does no one else hear it this way?
I mean, he used to have music in his music, so if he’s going to do spoken word, the words better be really good.
By his own standards — not mine, not the Nobel Committee’s, not those of my high school English teacher who taught us “The Waste Land” (Mrs. Dewey, I salute you!) — these aren’t.
[c'mon, Bard! That's shoddy, for you -- ed.]
But they’re interesting! Maybe.
Though I find it hard to forgive the invocation of conspiracy theory in a moment when conspiracy theory runs the game, and I don’t care if that’s the point.
['Kitchen Sink'-exclusion / inclusion lazy for Christgau]
(Tip your hat to Revelations on your own time, not when the guys pulling the strings actually believe that shit and are practically building a helipad for the Antichrist so we — sorry, I mean they, because I’m not going — can rapture up sooner.)
It’s all going to hell, just like that dark day in November when a man put his hand over the sun(that took me a couple of seconds, unintentional Christ imagery and all, and seems about as good as anything in “Murder Most Foul”).
critic tell competition as easily slobbered as the dullards who (enough to remember their 100s) would come into my art gallery and say, about the self-taught / outsider art on display -- first, quoting its price, i could do that!
And I could kick them out.
But he’s been saying everything is going to hell for decades. In a world where everything is broken, your clock is right twice a day — more if you’ve got a lot of busted clocks, which dude does. The second song, “I Contain Multitudes,” sounded better — funnier — but . . . the first song mentions the Beatles, the second song mentions the Stones.
Why? It has the sickly sweet smell of nostalgia to it, which the Lennon song on Tempest did as well.
Both songs about men named John who were shot down.
Yet if you take out the one verse about the Liverpool docks from “Roll On John,” it’s a real song. Mawkish.
(“Shine your light / Moving on / You burned so bright / Roll on, John” — yeesch. He steals so much. Can’t he lift something sharper than that?) But real. (Oh, America, we love you. Get up.) You can’t do the same with “Murder Most Foul.”
Do I like it more the more I listen to it? Yeah, though I wonder if reads better, less slack, than it sounds.
I can’t get over how nonexistent the track itself is, the way its sleepiness makes his Titanic song seem as alive as Eminem or Otis Redding by comparison.
It’s a fever dream says one friend. It’s like The Irishman says another. It’s about the collapse of America, at a time when American is collapsing all over again!
LANA TURNER HAS COLLAPSED! there is no snow in Hollywood there is no rain in California I have been to lots of parties and acted perfectly disgraceful but I never actually collapsed oh Lana Turner we love you get up
But I hear a guy who so often insisted on existing outside of history now wanting to own it by reciting it.
This is Dylan’s general strategy
in what I’d call his post-original phase — the five (or is it six?)
discs from the songbook, the autobiography, the documentary, the second
documentary, the repackaging of his most despised work into totems.
This
is all a retelling. His story, his way. Or a story told so many ways
you can’t tell up from down, good from bad, now from then. He exists
past any sense of originality or creation.
Has he written a song since Tempest?
His website describes “Murder Most Foul” as “an unreleased song we
recorded a while back,” and even Dylan nuts can’t tell when or where
these tracks are from.
His voice sounds suspiciously good, especially
compared to the stones-in-his-throatway croak on his cover of “Things We Said Today”
that came out in 2014.
One friend wonders if these tracks were recorded
with the current touring band, because the drums don’t sound like . . .
whoever the fuck is playing drums with him now.
I mean,I’m hung up on
this guy — I’ve looped “Highlands” so it goes for an hour, then looped
it again because my long walk or my book weren’t done — and I don’t have
the patience for this stuff.
“music can comfort us in times of national trauma.”
So: play “The Stumble” by Freddie King. Play “P*$$Y Fairy”
by Jhené Aiko.
Play the whole Dua Lipa album and then play it louder.
Play Harry Styles and Harry Partch at the same time and drink a coffee
for Hal Willner. Play “Good Bad Times” by Hinds. Play whatever Joni Mitchell song was playing when Dylan fell asleep listening to Court and Spark at
David Geffen’s house. Did you play “The Stumble” yet, because I’m
telling you, you underestimate Freddie King, he’s a muthafuhya, could
make a dead man dance.
Play whatever you want, whatever brings you joy.
But, honestly, would you ever play this?
the stolid breasts testing the seamstress art
of pristine restraint on the female form in service to womanly
appreciation which both confines and enlivens their fulsome
burring feminine wiles ...
... as they read their phones instead of
calling and describing the impossibility of besting the
strained, pleated bodice and embroidered lacy stitching whose bunching provide perfect presentment and enhancement to that which
no one shall deny it, lifeblood or personhood.
... encounter with a beer girl in traditional dirndl, whose bodice
makes them thirsty to drink from the utters on tap in the Stammerhaus Augustiner on the Marionplatz
グレート・ボールズ・オブ・ファイヤー
グレート・ボールズ・オブ・ファイヤー
This
impracticality of acrobatic ENT.
The glottis required by Liguistic gymnastics reminds us that there
was once a Germany whose Hegels, Kants and Neitches were only surpassed
by the Germanic Barabangnariam philosophies and the young, proud
Germanic Rochambeau, with whom they stand up for them and theirs Publish
works for the heritage of all humanity.
And always job security for its signpainters, literary publishers,
papermill owners and manufacturerers, as well as the sheer heft which
its translators, and public have in directing American tourists to Anne
Frank's house through streetnames whose stygian directions would be more
helpful for them to drive them.
American tourists whose patience is overwhelmed by the inhumane
brevity of their vacations, and their impatience to post thirty pictures
in thirty days: (hashtag 30n30) on Instagram.
They barely register the stolid breasts testing the seamstress art
of pristine restraint of the female form in service to a womanly
appreciation which both confines and enlivens their sense of fulsome burring feminine wiles, as they only read their phones instead of
calling someone and describing the poetic impossibility of besting the
strained pleated bodice and embroidered lacy stitching whose bunching
materials provide the perfect presentment and enhancement to that which
no man shall deny is the lifeblood of his manhood.
The encounter with a beer girl in a traditional dirndl, whose bodice
makes men and women thirsty to drink from the utters of the tap in the beer hall on the Marionplatz in Munich.
Amerikanische Touristen, deren Geduld von der unmenschlichen Kürze
ihres Urlaubs und ihrer Ungeduld überwältigt ist, dreißig Bilder in
dreißig Tagen zu veröffentlichen: (Hashtag 30n30) auf Instagram.
Tapferkeit und des Unwillens, die Normen des Wortabstands oder der Silbentrennung oder eines der anderen modernen diakritischen Hacks einzuhalten, sind im Dienst des ästhetisch ansprechenden, aber unbequemen Volkswagen für das luxuriöse Prestige der Ankunft ihres Kanzlers überflüssig in einem Mercedes der 500er-Serie anstelle eines vom Krieg zerrissenen technischen Produkts aus dem wirklichen Leben, dessen Mission an dem Tag erfüllt wurde, als die Amerikaner begannen, Surfbretter auf ihren Dächern zu montieren. (99)
The glottal yogic poses of the Liguistic gymnastics exhibition require the memory of a Germany whose Hegels, Kants and Neitches were only surpassed by the Germanic barabangnariam philosophies that Germany bestowed on them and the youthful Rochambeau with whom they developed their guides to understanding Spirit released the earth, the relief structure of the spirit and the spirit: a legacy for all humanity. (88)
The glottal yogic poses of the Liguistic gymnastics exhibition require the memory of a Germany whose Hegels, Kants and Neitches were only surpassed by the Germanic barabangnariam philosophies that Germany bestowed on them and the youthful Rochambeau with whom they developed their guides to understanding Spirit released the earth , the relief structure of the spirit and the spirit: a legacy for all humanity. (88)
Sign painters, paint manufacturers, publishers, translators, and the luxury of speaking the street names with their directions to American tourists, whose patience is overwrought at the brevity inhumane length of their vacation, and equal to their impatience to post to Instagram a thirty-second encounter with a beer maiden in a traditional dirndl whose scooped bodice provides the thirst to finish drinking the Pilsners on tap next to the tourist beerhall on the Marionplatz in Munchen. (83)
this is a safe place for everyone or no one And always job security for his signs, literary publishers, paper mill owners and makers, and the sheer weight translators and the public have in leading American tourists to Anne Frank's house by street names whose stygian directions would be more helpful to them. (76)
Sie registrieren kaum die starren Brüste, die die Näherin-Kunst der pristenen Zurückhaltung der weiblichen Form testen, um einer weiblichen Wertschätzung zu dienen, die ihr Gefühl der weiblichen Bestrebungen sowohl einschränkt als auch belebt, da sie nur ihre Telefone lesen, anstatt jemanden anzurufen und das Poetische zu beschreiben Die Unmöglichkeit, das gespannte, plissierte Oberteil und die gestickten Spitzenstiche zu besiegen, deren Bündelmaterialien die perfekte Präsentation und Verbesserung dessen bieten, was niemand leugnen soll, ist das Lebenselixier seiner Männlichkeit. (75)
And always job security for his signs, literary publishers, paper mill owners and makers, and the sheer weight translators and the public have in leading American tourists to Anne Frank's house by street names whose stygian directions would be more helpful to them. (74)
Zeichenmaler, Maler, Verleger, Übersetzer und der Luxus, die Straßennamen mit ihren Anweisungen an amerikanische Touristen zu richten, deren Geduld von der unmenschlichen Kürze ihres Urlaubs und ihrer Ungeduld, dreißig auf Instagram zu posten, überwältigt wird. (65)
And always job security for its signpainters, literary publishers, papermill owners and manufacturerers, as well as the sheer heft which its translators, and public have in directing American tourists to Anne Frank's house through streetnames whose stygian directions would be more helpful for them to drive them. (63)
ihren (6)
germany (6)
dirndl (6)
einem (6)
ihre (5)
rochambeau (5)
kants (5)
hegels (5)
tourists (5)
The glottal yogic poses of the Liguistic gymnastics exhibition require the memory of a Germany whose Hegels, Kants and Neitches were only surpassed by the Germanic barabangnariam philosophies that Germany bestowed on them and the youthful Rochambeau with whom they developed their guides to understanding Spirit released the earth, the relief structure of the spirit and the spirit: a legacy for all humanity.
The glottal yogic poses of the Liguistic gymnastics exhibition require the memory of a Germany whose Hegels, Kants and Neitches were only surpassed by the Germanic barabangnariam philosophies that Germany bestowed on them and the youthful Rochambeau with whom they developed their guides to understanding Spirit released the earth , the relief structure of the spirit and the spirit: a legacy for all humanity.
Sign painters, paint manufacturers, publishers, translators, and the luxury of speaking the street names with their directions to American tourists, whose patience is overwrought at the brevity inhumane length of their vacation, and equal to their impatience to post to Instagram a thirty-second encounter with a beer maiden in a traditional dirndl whose scooped bodice provides the thirst to finish drinking the Pilsners on tap next to the tourist beerhall on the Marionplatz in Munchen.
this is a safe place for everyone or no one And always job security for his signs, literary publishers, paper mill owners and makers, and the sheer weight translators and the public have in leading American tourists to Anne Frank's
Und immer Arbeitsplatzsicherheit.
Zeichenmaler, Maler, Verleger, Übersetzer und der Luxus, die Straßennamen mit ihren Anweisungen an amerikanische Touristen zu richten, deren Geduld von der unmenschlichen Kürze ihres Urlaubs und ihrer Ungeduld, dreißig auf Instagram zu posten, überwältigt wird.
Zweite Begegnung mit einem Biermädchen in einem traditionellen Dirndl, dessen Mieder Sie durstig macht, die Pilsner vom Fass neben der touristischen Bierhalle am Marionplatz in München zu trinken.
Die Deutschen verstehen sich irgendwie mit den kaum lohnenden fünfwöchigen Ferien, die sie bekommen.
Es ist keine Zeit, die Ausrutscher, Kieselinseln und einsamen "FKK" -Strände zu sehen, die sie in ihren Häusern und lokalen Restaurants für selbstverständlich halten, wo Kleidung verboten ist, wie Trinkgeld.
Sie staunen über die Trägheit und Unvereinbarkeit dieser Einheimischen mit ihren verschiedenen Jobs.
Während sie die Fischer auf dem Weg zu ihren Booten begrüßen wollen, sind die Deutschen gerade aus derselben schlammigen Bucht aufgetaucht und essen ein hausgemachtes Sandwich aus Roggen und Hering oder Leberwurst und Wurst oder eine Kombination der vier mit einer hausgemachten Kartoffel Pfannkuchen.
Sie sind auf dem Weg, den Standseilbahnbetreiber zu begrüßen, als er seinen Tag damit beginnt, Deutsche vom Boden auf den Gipfel des Berges zu transportieren.
Google hat Milliarden in alles investiert, was mit Sprache, Übersetzung und der Kombination von KI zu tun hat.
Es hat Ihre Investition bereits überschritten: 3.
Iteration von Deutsch über Englisch nach Deutsch mit einem Stopp auf Twitter: Eine handballspielende Meerjungfrau in traditioneller lieberhosen und dirndl, die ihre amerikanischen Lieblings-Songwriter über ihre Kopfhörer Lieber und Stoller hört.
Ein spöttisches, lächelndes Gesicht mit hartherzigen Augen kritisiert letzte Nacht das verspielte Scherzo! Autsch! Es war ein Nichtstarter für meine Männlichkeit.
"Ein einheitlicher Traktat, der ohne Tradition gedruckt und verbreitet wird, ist der Beginn der Anarchie und des von der Regierung auferlegten Chaos", so Hützenfest.
Sehen Sie es in Ihrer deutschen Stadt.
