'The Runaways' Not A Biopic But Rather An Ode To Youth And Rock 'N Roll Featuring Coke-Snorting, Lesbian Leads
On the eve of it's Sundance Film Festival premiere, director Floria Sigismondi has taken to the L.A. Times to discuss her upcoming film, 'The Runaways" starring Kristen Stewart and Dakota Fanning as Joan Jett and Cherie Currie."It's young girls getting swept up into a world they couldn't handle," Sigismondi explains. "Feeding on those confusing feelings that develop from moving from girl to woman, I could reach deep into myself to find those things."
"I wanted to focus on Joan and Cherie. How different they are, how they were drawn together for this crazy experience. Joan is so focused, she really wanted to have this band. And Cherie wanted the rage of rock 'n' roll, the rebellion."
While a focus on Jett and Currie has always seemed a go as the script is based on Currie's 1989 memoir "Neon Angel: The Cherie Currie Story," the film's producer John Linson reveals any attempts to detail the band were thwarted by the inability to secure life rights for both Lita Ford and Jackie Fox. Ford still features in the film though, played by Scout Taylor-Compton, while Fox is totally absent - original bassist Micki Steele is fictionalized as Robin (Alia Shawkat).
Subsequently, rather than a musical biopic of the band, the film aimed to faithfully capture the "youth ethic in film" centering on "15-year-old rock stars" and "the rise and fall of kids."
Of
course, a film about rock 'n roll has to feature sex and drugs, right?
Not really but "The Runaways" ticks both boxes anyway. In potentially
controversial scenes, Stewart and Fanning reportedly snort cocaine in
an airplane bathroom and then get up close and personal about
two-thirds of the way through (perverts, take note) in a revealing
make-out scene at a roller rink.The sight of 16 year old Fanning doing drugs is surely going to have conservatives in rapture. The make-out scene, meanwhile, seems to be more speculative than truth -- Sigismondi explains that in Victory Tischler-Blue's rockumentary, "Edgeplay: A Film About the Runaways," Currie "mentions that Joan is really good in bed" so the director thought; "I have to pry into this a bit. It will cause an explosion in the film. Why not go there?"
If anything, the film should flourish in the performance department; the quintet of Stewart, Fanning, Taylor-Compton, Shawkat and Stella Maeve, who plays drummer Sandy West, reportedly rehearsed together for over a month before shooting began. Much though will rely on the musical talents of Stewart and Fanning who laid down vocals for The Runaways' tracks to be used in the film. Stewart was under the constant guise of Joan Jett herself and, according to Sigismondi, "completely embodied the character of Joan... her body language, her face, her walk. It's amazing how she has just become her."
“We rehearsed for a long time, which was a great advantage," the director adds. "We got the girls in the recording studio, got the recordings right. Then by the time we filmed it, it wasn’t lip-syncing. Because they were the ones who had done it. I put Dakota in with my husband’s band so she could feel what it’s like to have big drums and amps behind her – so she could feel what it’s like to be a singer having to fight for the sounds. You have to use your body for that. I wanted to give her that experience.”
The
L.A. Times, who sounds like they've already seen the film, further
detail the film's plot, which should already be gospel to Runaways fans.The film follows Currie at age 15 as she chafes against the San Fernando Valley's suburban torpor and her family's psychological abandonment en route to becoming the most forward female face in rock. On a parallel track, Jett is shown raging against the proverbial machine, defying all cultural expectation to stake out her place as a young woman in the boys' club of hard rock while still in her midteens."The Runaways" premieres on January 24th at Sundance before hitting theaters March 19th.
One night in Hollywood, Jett approaches record impresario Kim Fowley (a scene-chewing Michael Shannon in campy glam drag) who introduces her to drummer Sandy West (Maeve) and becomes the band's Svengali. Fowley "discovers" Currie at a nightclub, installs her as frontwoman and even concocts the lyrics to one of the group's biggest hits, "Cherry Bomb," on the spot during Currie's audition. Scant character development is devoted to West and bandmate-guitarist Lita Ford (Taylor-Compton).
(Redirigé depuis Péripatéticienne)
La prostitution (du latin pro statuere mettre devant, exposer au
public) est une activité consistant à échanger des
relations sexuelles contre une rémunération
financière. Bien que cette activité soit pratiquée
par les membres des deux sexes, elle est le plus souvent le fait
des femmes, mais cela concerne aussi les hommes dans le cadre de
prostitution homosexuelle, travesti, et
hétérosexuelle, ainsi que les transsexuels. Le terme
générique employé est prostitué(e).Histoire
L’entremetteuse, œuvre du peintre Dirck van
Baburen en 1622
Les politiques actuelles vis-à-vis de la prostitution
Une prostituée dans un bar en Thaïlande.
