Objectum Sexuality: When Relationships With Inanimate Objects Become Intimate - Objectum sexuals - JezebelObjectum Sexuality: When Relationships With Inanimate Objects Become Intimate
You have got to see this documentary about "objectum sexuals," people who fall in love with objects like fences and amusement park rides, (one woman even married the Eiffel Tower). And they have sex.
If you thought that men in love with Real Dolls was strange, wait until you see Strange Love: Married to the Eiffel Tower, which follows these fetishists (all of them, for some reason, female). Interestingly, Objectum Sexuals — they call themselves OS people — believe their love with the objects are reciprocal and that they can telepathically communicate with them.
Amy Wolf is in love with a fairground ride called 1001 Nacht, for which she writes poetry. Based on appearances, she seems like an out-and-proud lesbian, but has no interest in humans. She also loves a church banister, a banister in her home, and the Empire State building. Having connected through an OS people forum on the internet, Erika goes to visit Amy. (Both women are said to have Asperger's and share a history of abuse.) They go to the fairground to see 1001 Nacht. In the clip above, Amy is left alone to have an intimate moment with the ride, while Erika goes for a walk. She happens upon a picket fence and feels an immediate attraction.
Erika La Tour Eiffel married the Eiffel Tower and then took its name. But she doesn't like referring to the structure as "it" because "calling something an 'it' instantly means it's inanimate." She gets "a sense" of an object's gender. According to her, the Eiffel Tower is female.
After suffering abuse as a child, and bouncing between foster homes, she joined the US Air Force but during her training, was sexually assaulted, and defended herself with a Japanese sword, which was her lover at the time. She refused to part with the sword, and was discharged from the military for psychological reasons. She then fell in love with an archery bow — she became a US medal champion in archery — but her feelings for the bow waned after time and she moved on to bigger things, literally, as in: tourist attractions. On their one-year anniversary, Erika goes back to visit the Eiffel Tower to consummate their marriage. She lifts up her skirt, and straddles one of the beams with "no barrier" between them. The entire documentary can be seen here online.
Related: GUESS WHAT OBJECTUM-SEXUALS LOVE [Street Carnage]
I Married The Eiffel Tower [Independent]
Object Sexuality [Wikipedia]
Objectum-Sexuality Internationale [Official Site]
Send an email to Tracie, the author of this post, at tracie@jezebel.com.
@mrjyn
October 18, 2009
Objectum Sexuality: When Relationships With Inanimate Objects Become Intimate - Objectum sexuals - Jezebel
10 Things You May Have Missed On TV This Week - Mariah carey the view - Jezebel
10 Things You May Have Missed On TV This Week - Mariah carey the view - Jezebel
thanks for all your OS coverage. I sent you an email including my correspondence with 'OS' 'It' lady, Erika Eiffel. Hope you enjoy it. Here's a little tribute I made on one of my rogue YT channels which she has not been successful in censoring...yet. But these YT channels, they're like Frito's, you just make more.
10 Things You May Have Missed On TV This Week
In this week's multimedia compilation of pop culture crap, Chynna Phillips believes that Jesus planned for her sister and father to have sex, Tyra investigates objectum sexuals, and there's a reported vagina flash on So You Think You Can Dance.
1.) Flash Dance
This week on So You Think You Can Dance?, some woman flashed her crotch, and Fox gave her a flesh-colored blur, leading these ABC News correspondents to wonder whether or not she was going commando.
2.) Barbara disses Mariah's boring story on The View.
The interview was preempted for the breaking news that Chicago did not get picked to host the Olympics. When The View returned, Mimi's dog appeared.3.) This.
4.) Jesus wanted John Phillips to have sex with his daughter.
Because he knew it would help Chynna sell her new album.
5.) Tyra has a knack for discovering people who are really good at being assholes.
6.) Tyra also finally discovered Objectum Sexuals.
7.) Check out this hot ticket on Judge Judy.
8.) So not glitz.
9.) Kim doesn't like anything "cheesy" or "cheap."
So don't let the wig fool you.
10.) NeNe bitches out Lara Spencer.
Send an email to Tracie, the author of this post, at tracie@jezebel.com.
Ralph Lauren Fires Photoshopped Model For Being "Too Fat" - Ralph lauren model - Jezebel
Ralph Lauren Fires Photoshopped Model For Being "Too Fat" - Ralph lauren model - JezebelRalph Lauren Fires Photoshopped Model For Being "Too Fat"
Filippa Hamilton, the 23-year-old model who was Photoshopped into a stick insect by Ralph Lauren, has revealed that the brand — which later apologised for the image — quietly fired her for being overweight.
Hamilton had counted Ralph Lauren among her clients since she started modeling at the age of 15 and she says that she considered the people who worked there her second family — at least until April of this year, when Ralph Lauren summarily fired her. The stated reason was that the label dumped Hamilton "as a result of her inability to meet the obligations under her contract with us." What Ralph Lauren allegedly told Hamilton's agency, Next, is that the
5'10"5'8", 120 lb model had become too fat to fit into its clothing.
Ralph Lauren's behavior since these images came to light, on the blog Photoshop Disasters, has single-handedly turned a small PR crisis into a full-fledged disaster. First, the company had its lawyers try to sue Photoshop Disasters and BoingBoing, the second blog to pick up the story, for copyright infringement for reporting on the ad. The threats — and the fact that Ralph Lauren managed to get Photoshop Disasters' ISP, Google-owned Blogspot, to remove the image — not only came across as ridiculous and bullying, but only served to draw hundreds of thousands of eyes to the story. (The Daily Mail, Huffington Post, Telegraph, Current TV, and Mother Jones, among other outlets, jumped on the story with more or less alacrity.)
The company's apology, when it came, seemed sincere — but today, Ralph Lauren sought to distance itself from its decision to create and run the ad: "The image in question was mistakenly released and used in a department store in Japan and was not the approved image which ran in the U.S."
And for it to emerge that the model in question is a justifiably pissed-off employee that the brand threw under the bus six months ago for being "fat" — that's just the cherry on the Ralph Lauren public relations shit pie. The company's admission of "responsibility" for the ad, coming after its attempt to minimize the ad's significance, rings as hollow as its protestation that Hamilton is a "beautiful and healthy" woman, and that the Photoshop incident had "absolutely no connection" to the company's decision to fire her. Which is it? Is the ad a one-time "error" that was "unapproved," or is it something Ralph Lauren is prepared to take true responsibility for? Is Hamilton "beautiful and healthy," or is she unable to meet the obligations of her contract because of her weight?
Models get fired, or simply passed over for work, all the time for being overweight, but it's a practice that rarely gets addressed publicly. (Not least because anyone outside the industry might struggle to grasp by what measure a size 4 twenty-something who's represented a brand for nearly a decade could be considered "overweight.") There have even been cases where models who have had eating disorders, having entered treatment, have lost work or agency contracts because of their choice to try and get better. As much as it sucks that Hamilton was fired so coldly, it's kind of thrilling that she's willing to talk about it.
Did it never occur to Ralph Lauren to fire the photographer? Or the retoucher who created the image of the near-death Bratz doll Hamilton? Why didn't it consider firing the person who was responsible for releasing the image, if indeed that was a "mistake"? Why did Ralph Lauren's sights immediately fall to rest on the person involved who bore the least responsibility for the drastically altered image in question: the model?
What else isn't so great? Hearing some of Cosmopolitan editor Kate White's statements in the full segment. It seems to be the rule that any model, when doing television appearances, needs to be chaperoned by a fashion magazine editor, à la Ali Michael and Teen Vogue's Amy Astley. At least, that's the only explanation I could come up with for White's presence. After grabbing Hamilton's spotlight and hitching her wagon to the attendant publicity by offering her an 8-page spread in her magazine — a favor that Hamilton, having graced the covers of numerous international editions of Elle, Harper's Bazaar, and Vogue, including one of my all-time favorite issues of Vogue Paris, hardly need lower herself to accept — White, much like Ralph Lauren, set about walking the delicate line of admitting that there might be a "problem" in fashion without doing anything so creative as taking responsibility for it.
"It really starts with the sample clothes, because they've down-sized, they're now like a size 2 or 4," says White. "To some degree, it relates to the Kate Moss era. Before then, supermodels like Cindy Crawford and Christy Brinkley, they were really curvy. But they got skinnier and skinnier, and the clothes got smaller, and so it creates this cycle where you have to fit in the clothes to get the job, and then the models get smaller and that's who we have to use in fashion stories."
Notice the absence of subjects in that sentence: "it" creates a cycle. (A cycle! Those can be really hard to stop.) "It" relates to Kate Moss, or at least her "era." "The clothes" got smaller. (All by themselves?) The underweight ideal body that the fashion industry promulgates to women all around the world — and the underweight bodies that real fashion models are required to maintain, and which some cannot but maintain through unhealthy means — are problems that everyone is prepared to "acknowledge" in the fashion industry. People write letters about it. They institute meaningless, unenforced laws. What nobody has yet done is actually make a serious, thoughtful attempt to confront these problems of the industry's function — and this is an industry which is structured to punish the sufferer of an eating disorder who decides to enter treatment — and to solve them.
White's perspective on the basic problem is troubling: "The models" got smaller — seemingly of our own volition — and that's who she "has" to use in fashion stories.
The Cosmopolitan editor goes on to say, "I think women have to protest — and back it up. Because sometimes women say they want real girls in stories, but often those stories don't rate as well. Or if you put a heavy celebrity on the cover it might not sell as well. So women have to complain, and then back it up with their actions. Their pocketbooks." If we don't have the magazines we deserve, it's really our own fault.
ooh, this looks good: FARM SLUTS: CHRIS PARNELL + NOTORIOUS [BIOPIC: BIGGIE SMALLS]
A successful 30 something (Chris Parnell) is fired for accidentally visiting a pornographic web site during office hours. His life unravels when the false accusation prevents him from gaining alternative employment. In despair, he commences a series of hilarious suicide attempts. Directed by: Collin Fresno
Vibe Magazine's Special Shoot!
BET.com
had this to say about Vibe's special shoot:
"VIBE’s September issue hits newsstands Tuesday and features behind-the-scenes footage with with
The spread also includes Biggie’s real-life family and friends Faith Evans, their son Christopher 'VJ' Wallace, and his mom and film producer Volta Wallace and members of Junior M.A.F.I.A.
Jamal Woodard
Derek Luke
(Sean Combs)
Angela Baster
(Violette Wallace)
Antique Smith
(Faith Evans)
Nutria Naughty
(Lil Kim)
As part of the fashion feature, VIBE re-creates its memorable October 1995 cover featuring Biggie and his wife Faith Evans
in the back of a 1968 Cadillac Devil."
![]()
NOTORIOUS