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May 8, 2009

LINDA GAIL LEWIS: [VIDEOGRAPHY] THE EARLY YEARS WITH JERRY LEE LEWIS AND SOLO CAREER [PT. 1]






http://upload.wikimedia.org/wikipedia/en/thumb/9/9d/Jerry_Lee_Lewis_Drive_in_Ferriday_IMG_1201.JPG/200px-Jerry_Lee_Lewis_Drive_in_Ferriday_IMG_1201.JPGhttp://upload.wikimedia.org/wikipedia/en/thumb/9/9d/Jerry_Lee_Lewis_Drive_in_Ferriday_IMG_1201.JPG/200px-Jerry_Lee_Lewis_Drive_in_Ferriday_IMG_1201.JPGhttp://i20.ebayimg.com/02/i/001/48/39/fc52_1.JPG

Jerry Lee & Linda Gail


Don't Let Me Cross Over
Jerry Lee Lewis

Jerry Lee & Linda Gail


Jerry Lee & Linda Gail
Jerry Lee Lewis
&
Linda Gail Lewis
Lyrics:


Don't let me cross over love's cheatin' line I'm
tempted my darling to steal you away don't let me
cross over stay out of my way You know that I love
you and I'm not the stealing kind But I'm faced
with heartaches at love's cheatin' line Don't let
me cross over love's cheatin' line You belong to
another and can never be mine I know one step
closer would be heaven divine Don't let me cross
over love's cheatin' line [ steel ]
(I've tried to forget you but what else can I do
When your eyes keep saying that you love me too I
know if I lose you not a dream will I have left I
don't want to cheat dear but I can't help myself)
Don't let me cross over...






Lewis
Family Name

LINDA GAIL LEWIS



Shindig mix

(1965)



Born July 18, 1947
Ferriday, LA
daughter
Elmo and Mamie Lewis
sister of

Jerry Lee Lewis
and
Frankie Jean Lewis


Husbands

Bobby Goza

Jim Bushland

Cecil Harrelson (twice)

Kenny Lovelace

Brent Dolan

Robert Ellis (aka Bobby Memphis)

Eddie Braddock


Children

Cecil Jr.
Mary Jean
Annie
Oliver

Like her brother Jerry Lee, Linda Gail Lewis soaked up the sounds of hillbilly music and rhythm and blues in the rural areas of Ferriday and Black River, Louisiana. Although the Lewis family was poor, they always had enough to eat because of father Elmo Lewis's skill at farming. When Jerry Lee began to score hits with "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire" in 1957, he singlehandedly lifted the family from dire poverty to a life of relative ease. "Jerry shared everything he had with us," Linda Gail remarked in a personal interview. "He'd call my mama up and say, 'Mama, I want you and daddy and Frankie Jean and Linda Gail to have everything that I have.' And we did!. ... I don't know how many people would say that. He meant it too." Linda Gail's chief inspiration was Jerry Lee, but later, as the era of rock 'n' roll came into play, she also tuned into the sounds of Brenda Lee, Patsy Cline, and Lavern Baker. Like her famed elder brother, she was married many times, and her first marriages were at ages 14 and 15.

Toured with Brother

Lewis's official recording debut came when she performed as Jerry Lee's duet partner for Sun Records in 1963, where her defiantly off-key vocals turned their rendition of George Jones's "Seasons Of My Heart" into one of the worst records ever made.

"I've gotten a lot of criticism for the vocals I did early on," Linda Gail said in an interview. "I hate to say it was a mistake to do it, because it is a part of history and something I remember in a fond way, but I wish I could've sung that song a little bit better."

As a teenager Lewis joined her brother on the road, playing in numerous tank towns and dives. Yet according to Lewis, her brother shielded her from the late night parties and exploits that were common to a touring rock 'n' roll band.

"Oh yeah, he did take care of me," she remarked. "He protected me.... I knew that after the gigs I wasn't welcome to be at these parties. I knew I was just going to be watching the late, late show if I was lucky enough for one to be on in my motel room."


Wolverton Mountain


The near-constant touring provided Lewis with valuable experience and a chance to sharpen her vocal skills, and resulted in a unique opportunity--a steady gig with the road company of ABC-TV's mid-1960s teenfest Shindig.

Don't Be Cruel (1965)


"It was great," remembered Lewis. "Jack Good [Shindig's producer] actually asked for me. My brother didn't have to give them the hard-sell and say 'Would you please have my sister on too?'"

Recorded with Jerry Lee Lewis

Lewis's first solo release, the ABC-Paramount single "Small Red Diary," sank into obscurity, as did a lone single for Columbia, a remake of LaVern Baker's "Jim Dandy."

Meanwhile, Lewis made several duet appearances on her brother's b-sides and albums for Smash records. It was only after Jerry Lee mounted his late-1960s comeback via country music that Lewis was finally able to ride his coattails onto the charts.

Recording with her brother, she scored her lone top ten country hit with a version of Carl and Pearl Butler's "Don't Let Me Cross Over."

A rousing duet remake of Chuck Berry's "Roll Over Beethoven," a staple of her act, followed it onto the lower chart regions. The Lewis duo's 1969 Smash LP Together featured their rowdy duet style on a variety of country standards and rockers.

When You Wore a Tulip

[Duet w/JLL]


This led to Lewis's debut solo album for the label, The Two Sides Of Linda Gail Lewis, a hard sung but poor-selling country album.


Son of a Preacher Man
(1969)


In addition to composing material for her brother's top-selling Smash and Mercury discs, Lewis also garnered an ASCAP award for her song "Smile, Somebody Loves You," her only solo top 40 country hit.

She was growing artistically, but her label did not seem to notice. "Nobody was really serious about my career," declared Lewis. The best pure country singles of her career, 1970's "Before The Snow Flies," which featured a rare appearance by brother Jerry Lee on rhythm guitar, and 1973's "I Wanna Be a Sensuous Woman," which she debuted on ABC-TV's In Concert, received no meaningful push from the label.

Mercury 73463

Linda Gail Lewis:

I Wanna Be A Sensuous Woman



While her recording career languished, Lewis toured almost non-stop as part of her brother's show. She twice married and divorced his best friend and road manager, Cecil Harrelson, and then married Jerry Lee's guitarist/fiddle player Kenny Lovelace, with whom she often wrote songs. The constant touring wreaked havoc on her relationship with her two children, and her drug use took a toll on her health. The drugs were prescribed by several physicians, none of whom knew she was under treatment by others. Lewis recalled that a mistake may have saved her life.

"I slipped up by calling one doctor who found out about the other doctors---about three or four of 'em were giving me these things."

Lewis was hospitalized as a result of her drug habit, and Jerry Lee picked up the tab, but her efforts to stay clean and sober alienated her from her brother. By 1977 she had had enough---she quit the act, married a man outside the music industry and started a new family.

[STAY TUNED FOR HER 80's COMEBACK, VAN MORRISON ALBUM AND CURRENT TOUR INFO, PLUS FULL DISCOGRAPHY AND MORE VIDEOS]



END PT. 1

Charles Manson: Apportez-moi la tête de Geraldo Rivera

Charles Manson: Apportez-moi la tête de Geraldo Rivera
Video sent by mrjyn

Charles Milles Manson, né le 12 novembre 1934 à Cincinnati, en Ohio, aux États-Unis, est un criminel américain. Il était le leader d'une communauté hippie (« la famille ») au début des années 1960 rendue célèbre à cause d'une série d'assassinats dans la région de Los Angeles.

Il a été reconnu coupable, en 1971, du meurtre très médiatisé de Sharon Tate (épouse de Roman Polanski) et de quatre de ses amis. Il n'a pas lui-même commis les crimes, mais en a été le commanditaire.

Geraldo Rivera est un journaliste et un animateur de télévision américain né le 4 juillet 1943 à Brooklyn, New York (États-Unis). Connu pour ses reportages dramatiques sur des sujets chauds, il a à maintes occasions dû répondre à des accusations de sensationnalisme.

Dans les années 1980, Manson a donné trois interviews notable. Le premier, enregistré à la California Medical Facility, 1981, a été de Tom Snyder pour NBC's The Tomorrow Show. La deuxième, à la prison de San Quentin, 1986, par Charlie Rose pour CBS News, 1987.

La dernière, avec Geraldo Rivera en 1988, faisait partie de ce journaliste de prime-time spécial sur le satanisme "Geraldo" Devil Worship: Exposing Satan's Underground (1988), et a été l'inspiration pour le personnage de Wayne Gale (interprété par Robert Downey Jr.), en 1994, Oliver Stone film Natural Born Killers, en fait, beaucoup de la nature de l'interaction avec les assassins de Mickey et Mallory Knox a été fortement inspiré de Rivera Interview avec Charles Manson.

MAIDSTONE: NORMAN MAILER + RIP TORN BRAWL 1968

MAIDSTONE: NORMAN MAILER + RIP TORN BRAWL 1968
Video sent by mrjyn

“Maidstone” functions for the intelligentsia of the ’60s in much the same way that “Gimme Shelter,” Albert and David Maysles’s documentary about the Altamont festival, does for the counterculture.
In our diminished age, “Maidstone” provokes renewed amazement that artists ever really did such things, as well as nostalgia for the vivid presence of literary action heroes like Mailer. A bright thread of violence wound through the shooting, giving “Maidstone” its ominous air and notorious climax. At one point, Rosset emerged from his house to find a drunken Villechaize drowning in the pool; then come the last three minutes, which guarantee “Maidstone” a kind of immortality as one very late night in a so-called “Assassination Ball,” where Mailer/Kingsley, in top hat and tails, no attempt on his life was staged. The next day the cast decompress and use up leftover film. Pennebaker’s camera focuses on Rip Torn, who removes a hammer from a backpack, strides over to Mailer and hits him on the head twice, announcing: “You are supposed to die, Mr. Kingsley. You must die, not Mailer. I don’t want to kill Mailer, but I must kill Kingsley in the picture.” Shocked, Mailer wrestles him to the ground, and they roll down the hill in an ugly tussle, Mailer biting Torn’s ear as Mailer’s wife and children scream. Finally separated, the two bloodied men walk at a wary distance from each other, Mailer hurling curses, Torn explaining calmly: “When — when is an assassination ever planned? It’s done, it’s done.” The sequence ends with Torn calling Mailer “a fraud” and pointing a finger at the camera, taunting, “Hoo hoo!”Rip Torn took Mailer’s premise more seriously than Mailer himself and acted them out, in the process both stealing Mailer’s film and making it for him. The scenario slipped away as things devolved into a saturnalia, “a psychic pigout” in the words of one participant, and a dangerous one. His bullyragging, mock-seductive treatment of the nakedly needy actresses “auditioning” made my skin crawl.

Johnny Thunders: The Wizard 1982 + Jayne County + Klaus Nomi

Johnny Thunders: The Wizard 1982 + Jayne County + Klaus Nomi
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Johnny Thunders [RIP]: "The Wizard" [w/b Marc Bolan] (Acoustic: Live in Studio with Elliot Kidd [RIP]guitar, 1982) + Jayne County Live @ Max's Kansas City, 1979 (Peter Jordan on bass with Jeff Salen [RIP]guitar) from "Paul Tschinkel's Inner-Tube" [NYC Public Access Cable, 1982]

"HOLY CRAP!Was that me??? LOL. What was I wearing and what was I on??? And doing Countrybilly!!! Well, at least I was still a skinny bitch. Now I am FAT!!! Time Has No Mercy!!!--Jaynecounty

Professor Paul Tschinkel, a video artist, trained his camera on contemporary art and music and produced documentaries that will be viewed and treasured for as long as scholars and students contemplate late 20th century art.
Professor Tschinkel produced four different documentary series. His first series, "Paul Tschinkel's Inner-Tube" (1974-75), produced for New York public access cable, was the first weekly cable program created by an artist. His second series (1977-78) was entitled "Artifacts." His third series, "New York Music New York" (1979-84), captured early Punk and New Wave music. His fourth series, 1979-present, "Art/new york" 58 programs. The "Art/new york" series is internationally applauded and incorporated into contemporary art exhibitions.