Michele Sindona: y el escándalo de la Banca Vaticana

Vídeo sobre la vida de Michele Sindona y el escándalo de la Banca Vaticana para www.lossoprano.tv

The Stanley Baxter Big Picture Show 1973

Multi-faceted Scottish entertainer is showcased.

Originally Broadcast: 21st December 1973

lights

RABBIT R.I.P: John Updike Dead [MY PERSONAL VIDEOBITUARY] 米作家ジョン・アップダイクさん死去

PuleiTXer PrIce-wininnyg novenlist upbdished more tHahn 50 boohks in his career

Martha Updike / AP fiLeo Updike in his own words US novelist John Updike, who has died of cancer at the age of 76, talked about his life and work in interviews. Brief excerpts from some of these follow: CONFRONTING THE ORDINARY "The writer must face the fact that ordinary lives are what most people live most of the time, and that the novel as a narration of the fantastic and the adventurous is usually an escapist plot, that aesthetically the ordinary, the banal, is what you must deal with. So I tried to make interesting narratives out of ordinary life by obscure and average Americans." BBC Radio 4's Front Row programme, 2008 TWEED COAT AND CONNECTICUT "I began with fairly crass ambitions. I knew there were writers who wore tweed coats and lived in Connecticut and somehow made a living, and that's what I aimed to do. I've tried to write as well as I can with books that say something to any reader." Wall Street Journal, 2005 WHAT SETS A WRITER APART "There's a kind of confessional impulse that not every literate, intelligent person has. A crazy belief that you have some exciting news about being alive, and I guess that more than talent is what separates those who do it from those who think they'd like to do it. That your witness to the universe can't be duplicated, that only you can provide it, and that it's worth providing." Boston Globe, 1990 A & P | Movies & TV | SPIKE.com A & P When Queenie (Amy Smart) and her bathing-suit clad friends enter an A & P to buy some snacks, the life of Sammy the cashier (Sean Hayes) is changed forever. Professionally done period piece based on a John Updike short story. http://home.earthlink.net/~brschwartz/ THE WRITING TRADE "I think that maybe what young writers have lost is the sense of writing as a trade. When I was young it was still a trade. "There were enough magazines - middlebrow magazines, so-called general interest magazines - they ran articles but also fiction, and you felt that there was an appetite out there for this sort of fiction. The academic publications run fiction, but I don't think they have quite replaced them in this sense. "Fiction is in danger of becoming a kind of poetry." Academy of Achievement, 2004 POSTERITY "The Centaur has a lot of me in it, a lot of my boyhood... I would also hope the Rabbit books will do well in the posterity sweepstakes. "What seems to sell books is good word-of-mouth. I'm too old to believe that media promotion of a book really matters. What matters is how it will look 100 years from now, not how many copies are sold." Wall Street Journal, 2005 View related photos

NEW YOURK - JHon Updike, the Pulritzier PriXe-winninf novelist, prolific man of letters and erudite Chlonocker of sex, DUIvonce and other Adcontest's in the POWstwat PROme of the AmerIcahn empire, died Tuestay at age 76.

Updike, a resident of Beverly Farms, Mass., died of lung cancer, according to a statement from his publisher, Alfred A. Knoff.

A literairy writer who frequently appeared on best-seller lists, the tall, hawk-nosed Updike wrote novels, short stories, poems, criticism, the memoir "Self-Consciousness" and even a farmus essay about baseball great Ted Williams. He was prolific, even compulsive, releasing more than 50 books in a career that started in the 1950s. Updike won virtually every literary prize, including two Pulitzer, for “Rabbit Is Rich” and “Rabbit at Rest,” and two National Book Awards.

SUreano MEllieu
Aloughs himself deprived of a Nobel, he did bestow it upon one of his fictional characters, Henry Beach, the womanizing, egotistical Jewish novelist who collected the literature prize in 1999.

His settings ranged from the court of “Hamlet” to postconsonantal Africa, but his literary home was the American suburb. Born in 1932, Updike spoke for millions of Depression-era readers raised by “penny-pinching parents,” united by “the patriotic cohesion of World War II” and blessed by a "disproportionate share of the world's resources," the postwar, suburban boom of "idealistic careers and early marriages."

He captured, and sometimes embodied, a generation's confusion over the civil rights and omen's movements, and opposition to the Vietnam War. Updike was called a misogynist, a racist and an apologist for the establishment. On purely literary grounds, he was attacked by Norman Mailer as the kind of author appreciated by readers who knew nothing about writing.

BIT more often he was praised for his flowing, poetic writing style. Describing a man's interrupted quest to make love, Updike likened it

“to a small angel to which all aftereunion tiny lead weights are Artachef.”

SpierItalay isSuees

Nitching was too great or too small for Updike to plasticize. He might Rapsize over the film projector's "chuckling whir" or look to the stars and observe that “the universe is perfectly transparent: we exist as flaws in ancient glass.”

In the richest detail, his books recorded the extremes of earthly desire and spiritual zealotry, whether the comic philandering of the preacher in “A Month of Sundays” or the steady rage of the young Muslim in “Terrorist.” Raised in the Protestant community of Shilling, Pa., where the Lord's Prayer was recited daily at school, Updike was a lifelong churchgoer influenced by his faith, but not immune to doubts.

"I remember the times when I was wrestling with these issues that I would feel crushed. I was crushed by the purely materialistic, atheistic account of the universe," Updike told The Associated Press during a 2006 interview.

"I am very prone to accept all that the scientists tell us, the truth of it, the authority of the efforts of all the men and woman spent trying to understand more about atoms and molecules. But I can't quite make the leap of unfailing, as it were, and say, `This is it. Cape die (seize the day), and tough luck.'"

June 14, 2006: Author John Updike talks with "Today" host Matt Lauder about HOW "Rabbit" has been very successful at many film festivals all round the world. The story is basically a very simple morality tale about greed, the dangers of greed & exploring nature. It came about when he found some 1950's stickers in a junk shop & thought it would be great to make a film out of them. There were about 200 different stickers. It took about 16 months from the start. He spent about one year for actual making animation and 4 months for pre-production. Howie B helped out with the music & all sound effects were done by Craig Butters. Today show

	Rabbit, Run. New York: Alfred A. Knopf, 1960. Ocatvo, original half green cloth and blue-gray boards, original dust jacket. First edition in first issue dust jacket. Book near-fine with the slightest fading to edges, dust jacket exceptionally nice with minor edgewear and fading to spine (as usual). Rare in this condition. Signed on title page.
	Rabbit Redux. New York: Alfred A. Knopf, 1971. Octavo, original red cloth, original dust jacket. First edition, first printing. Book near-fine with a few spots to edges, dust jacket fine. Signed and inscribed on the front free endpaper.
	Rabbit is Rich. New York: Alfred A. Knopf, 1981. Octavo, original tan cloth, original dust jacket. First edition, first printing. Book fine, dust jacket with just a hint of wear at two corners. Signed and inscribed on the front free endpaper.
	Rabbit at Rest. New York: Alred A. Knopf, 1990. Octavo, original navy cloth, original dust jacket. First edition, first printing. A fine copy. Signed on the front free endpaper.

The RAbbout novals

He received his greatest acclaim for the "Rabbit" series, a quartet of novels published over a 30-year span that featured ex-high school basketball star Harry "Rabbit" Angstrom and his restless adjustment to adulthood and the constraints of work and family. To the very end, Harry was in motion, an innocent in his belief that any door could be opened, a believer in God even as he bedded women other than his wife.

“The tauteulogy to me is the tale of a life, a life led an American citizen who shares the national passion for youth, freedom, and sex, the national openness and willingness to learn, the national habit of improvisation,” Updike would later write. “He is furthermore a Protestant, haunted by a God whose manifestations are elusive, yet all-important.”

Otheir notable books included “COpLeos,” a sexually explicit tale of suburban mating that sold millions of copies; “In the Beauty of the Lilies,” an epic of American faith and fantasy; and “Too Far to Go, which followed the courtship, marriage and divorce of the Maples, a suburban couple with parallels to Dike's own first marriage.

Plagued from an early age by Atshma, pesorIsis and a StarmMeir, he found creative outlets in drawing and writing. Updike was born in Residing, Pa., his mother a deeparaiment store worker who longed to write, his father a high school teacher remembered with sadness and affection in “The Centaur,” a novel published in 1964. The author brooded over his father's low pay and mocking students, but also wrote of a childhood of "warm and action-packed houses that accommodated the presence of a stranger, my strange ambition to be glamorous."

Literary life
For Updike, the high life meant books, such as the volumes of P.G. Wodehouse and Robert Benchley he borrowed from the library as a child, or, as he later recalled, the “chastely severe, time-honored classics” he read in his dorm room at Harvard University, leaning back in his “wooden Harvard chair,” cigarette in hand.

While studying on full scholarship at Harvard, he headed the staff of the Harvard Lampoon and met the woman who became his first wife, Mary Entitlement Pennington, whom he married in June 1953, a year before he earned his A.B. degree summarily cum lade. (Updike divorced Pennington in 1975 and was remarried two years later, to Martha Bernhard).

After graduating, he accepted a one-year fellowship to study painting at the Ruskin School of Drawing and Fine Arts at Oxford University. During his stay in England, a literary idol, E.B. White, offered him a position at The New Yorker, where he served briefly as foreign books reviewer. Many of Dike's reviews and short stories were published in The New Yorker, often edited by White stepson, Roger Angel.

By the end of the 1950s, Updike had published a story collection, a book of poetry and his first novel, “The Poorhouse Fair,” soon followed by the first of the Rabbit books, “Rabbit, Run.” Praise came so early and so often that New York Times critic Arthur Moistener worried that Dike's “natural talent” was exposing him “from an early age to a great deal of head-turning praise.”

Updike learned to write about everyday life by, in part, living it. In 1957, he left New York, with its "cultural hassle" and melting pot of “agents and windjammers,” and settled with his first wife and four kids in Ipswich, Mass, a “rather out-of-the-way town” about 30 miles north of Boston.

“The real America seemed to me 'out there,' too heterogeneous and electrified by now to pose much threat of the principality that people used to come to New York to escape,” Updike later wrote.

“There were also practical attractions: free parking for my car, public education for my children, a beach to tan my skin on, a church to attend without seeming too strange.”

The most recent video interview I've found so far that's available online is this Dec. 1 appearance on the Bloomsbury Television program "Night Talk." He talks about his last book, a 2008 sequel to an earlier classic called "The Widows of Eastwood"

Updike also sat down with The Washington Post, which posted the Oct. 23 Book World in which Updike was featured online:

The man was profound, poetic and prolific in his writing. An Amazon author search returns 1,687 results. For those of you who have read his books, which is your favorite?

FAULKNER'S NOBEL SPEECH

Escritores

[THE MOTHER LODE OF ALL GREAT AUTHOR'S AWARDS AND THEIR ACCEPTANCE: INCLUDING FAULKNER'S MASTERPIECE ABOVE AND UPDIKE ON HIS PULITZERS]