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September 20, 2019

Larry Wallis Dead! WATCH Police Car "The garbage truck is the heat!" from On Parole 1979


Larry Wallis Dead

Police Car

"The garbage truck is the heat!"


Doug Meetthinking about  things with Lenny Smith and 19 others



70-year-old baby-driver

Motörhead Shredder

confirmed by official Motörhead

Pink Fairies

Original Stiff Records' Artist

No official cause of death has been revealed.

Would you care to have an antejentacular coffee with me?


    Wallis said of their first time playing together, “We plugged in, left the amp settings where they were, as they were already turned with a monkey wrench, and went nuts.”

    The trio, which soon drummer Phil Taylor in place of Fox, recorded On Parole in 1975, with Wallis penning the title track and contributing to three other songs – Vibrator, Fools and City Kids, the last of which was a remake of one of his Pink Fairies numbers.

    Though considered a seminal album today, Motorhead’s label at the time, United Artists, was unimpressed and refused to release the recording. No Parole was finally issued in 1979, after Motorhead had found success with albums like Overkill and Bomber.

    By this time, Wallis was long out of the band, having left soon after No Parole’s shelving and the hiring of “Fast” Eddie Clarke as a second guitarist.

    “The game didn't look as if it was worth the candle,” Wallis recalled. 

“I wanted another guitarist to flesh it out, but once Eddie Clark came along, it was apparent he would be the man to replace me. He had the enthusiasm that had been eaten away from me by circumstances.”

    Post-Motörhead, Wallis played with a reunited Pink Fairies and served as a producer for punk and new wave label Stiff Records. He also recorded a single for Stiff, Police Car/On Parole, which was produced by Nick Lowe.

    Wallis continued to record and perform, including another stint with the Pink Fairies, throughout the subsequent decades. His one and only solo album, Death in the Guitarfternoon, was released in 2001.



*this very inaugurate method of commemorating time may vary depending on certain time- Geo-related and/or other particular factors, which may or not be relevant.
    
For example:

I fell asleep mid-edit of the lugubriously (heart)-breaking news story this morning (the sun was out CST), when, only just now, awakened, a Coleridge- Poe-rapping came tap tap tapping on my hotel door.


        Earlier application, or its soporific dreaming, and no more its cause--a grassy Pontalarier l'absinthe, now fashionable for those daytime toilings at l'heure vert, as one potentiates other--no one ever base, augmentor--laudanum--but deep-sleep state in place of disturbance of two unlike but similar non-exclusive states--upon returning errant, in fact, interruption which Coleridge and I now share.


Instead of finding concentration from similar irreparably disturbed--not by God or memory--recollections, I instead of magic palace of Kubla Khan--found myself lost, never to be recovered, orientation through, once-found, "true," as sailor whose pole is North, whose sextant close, lost bearing not pleasure, but funereal commemoration as antiqu crash, never cause to disorient relation, its stationary seat among firmament, lost lodestar--no chance of recovery--as parking.

Waking dreamlike, its measurement relatively true, E=MC2 relativism relates famous "C" as  3.176254678, stationary train-passenger traveling steady 60 mph, having thrown book from front to rear, it receives different result at weight, speed, and velocity, but far more notably, time of action..." 

RIP

Now listen to
"police car." 

 




    To valetudinarians and others:  following method of making coffee for breakfast is earnestly recommended as most wholesome, pleasant, jentacular beverage first ordered by able physicians.

September 19, 2019

Bebe Veve ❣️ Coup de glotte Martin Amis ... Everly Brothers, Roy Orbison Its faith its awaiting

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INCREMENTALS

...singers such as the Everly Brothers, Roy Orbison  ... Coup de glotte, (French m., 'stroke of the glottis') or 'glottal attack, a singing ... effortlessly gliding from glottal growls of desire to the long lonesome sorrow and ... u-turn faith types













Martin Amis 1995 novel The Information, satiates the literary journal.

Antihero, Richard Tull,  literary editor of  The Little Magazine, in whose dank, Dickensian offices bow-tied critics lay prone, slumped over typewriters in obliquity and depression. . .


The Little Magazine, less commonly incarnate in Amis' depiction.


Struggling journals are often first port of call for poetry, stories and essays in glossier publications...

Natural corollary, inundated with rejection letters, is treading terminal tactlessness without  violent hatred.


Joseph Parisi, editor of Poetry magazine has  $100 million.


87-year-old Ruth Lilly, heiress to Eli Lilly endowed Poetry magazine $100 million, in spite of her own works' handwritten rejections from Parisi.



Amis conceits, like the small Chicago-based journal, circulation 12,000, stand among the richest literary publications.



. . . he chooses to invest in modernizing Poetry


Parisi smartened the image of literary journals both sides of the Atlantic.

Cutting-edge writing continues,  combining arts, politics.


Sic Adventures in Anti-Capitalism, from CHUMBAWUMA, London Magazine and discontinued Butterfly.


Dave Eggers's McSweeney's features English-language fiction:


Zadie Smith, Rick Moody,


David Foster Wallace,


Utahna Faith,


Jonathan Lethem, George Saunders, Arthur Bradford, attract cult followings.


McSweeney's, Arts and Letters Daily, Granta and New York Review of Books, available from The Little Magazine, with its perilous typescript.


McSweeney's typography creates  continuity in literary culture.


John Kinsella, of Leviathan:


'disrupt the status quo as much as possible'.


Such purpose may encourage eccentrics, not a bad thing.


You never know, who might leave you $100m.


 
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Tilly told me,

Its faith its awaiting

for
Utahna Faith




Tilly told me,

Its sweetness its silence,

its richness its innateness,

its terroir its season,

its secret its sowing,

its ready its blooming,

its Winter its looming,

its December its fleeting,

its gloaming its mooning,

its hueing its feeling,

its blush its revealing,

its lightness its being.

Tilly repeating,

Its faith its awaiting.




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Bebe Veve,

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You are my loa,


mounting me


around the peristyle.

YOU

  you brother.  

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He ribald,

so

profane.

 


WE love see him come. 

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Spread black,

purple.

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Sweet trickster,
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"What are you talking about?"
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Loa (/ˈloʊə/, also written lwa /lwɑː/ as in Haitian Creole)

❣️

Please don’t do that glottis thing w/out intent.



Tilly told me, Its faith its awaiting for Utahna Faith - Louis Armstrong & his Orchestra - In the Gloaming [1941]


Tilly told me, its faith its awaiting   

(1965 December) 

for

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Utahna Faith







Tilly told me, its faith its awaiting   

(1965 December)



Tilly told me,
its sweetness its silence, 
its richness its innateness,
its terroir its season,
its secret its sowing,
its ready its blooming,
its Winter its looming,
its December its fleeting,
its gloaming its mooning,
its hueing its feeling,

its blush its revealing,
its lightness its being.

Tilly repeating,

its faith its awaiting








September 14, 2019

Outsider Musician Wild Man Fischer dErailRoaDed


Wild Man Fischer

Outsider Musician

 Dies

 66

His best-known song was Merry-Go- Round



Fischer made several albums, toured sporadically and performed on television, including, 1968, “Rowan & Martin’s Laugh-In.”

His best-known song was “Merry-Go- Round.”

Come on, let’s merry-go, MERRY-go, merry-go-round.
The faint Caribbean lilt Fischer provided with instrumental accompaniment. The lyrics strike listeners as joke:




Boop-boop-boop. [Fischer making calliope-noise.]

Merry-go, MERRY-go, merry-go-round.
Boop-boop-boop ...
The joke — postmodern and self-referential — is on the listener:
The song circles around the head like a carousel never stilled.



Mr. Fischer was the grandfather of Outsider music.
He was an outsider by Outsider standards.

After being released for the second time in his late teens, he lived mainly on the streets. Dreaming of becoming a famous singer, he performed in local talent shows.

He gained a small following and by the mid-1960s was opening for the soul singer Solomon Burke. He later opened for Alice Cooper, the Byrds and others.

Most of the time, though, Mr. Fischer stood on the Sunset Strip, where for a dime, or even a nickel, he would sing for passers-by. Mr. Zappa discovered him there and in 1968 released “An Evening With Wild Man Fischer” on his label Bizarre Records.

Mr. Fischer eventually fell out with Mr. Zappa, as he did with nearly everyone in his orbit. He languished until the mid-1970s, when he was almost single-handedly responsible for the birth of Rhino Records.

Rhino had been a record store in Los Angeles; Mr. Fischer, a habitué, recorded a promotional single, “Go to Rhino Records,” in 1975. Demand for it proved so great that it catapulted the store’s owners into the record-producing business.

For Rhino, Mr. Fischer recorded three albums: “Wildmania,” “Pronounced Normal” and “Nothing Scary.” The last two were produced by the comedy rock duo Barnes & Barnes, in real life Robert Haimer and Mr. Mumy.

Mr. Fischer’s other songs include “My Name Is Larry,” “I’m Selling Peanuts for the Dodgers” and “I Wish I Was a Comic Book.” (That aspiration, at least, was realized: he was featured in several comic books over the years.)

With Ms. Clooney, he recorded the single “It’s a Hard Business.”

Mr. Fischer is survived by a brother, David, of Agoura Hills, Calif., and a sister, Joyce Sherman, of West Hills, Calif.

In 2004, after a severe episode of paranoia, Mr. Fischer was placed in the assisted-living facility and put on medication. Mr. Rubin, the filmmaker, whom Mr. Fischer had telephoned, often in high excitement, 20 or 30 times a day for several years, visited him there many times.

“After he went to the facility, the phone calls just stopped,” Mr. Rubin said in an interview on Friday. “The ‘pep’ was gone.”


...




I do not want to know what I mean. I am a selfie. I am a selfie, you are a selfie, you are a personal game. Trust their own little things that you love.
I do not think I'm too hot here with my little girl and my mother and my mother with my Facebook friend with whom she met very well.
I love you so much, I hope you feel that you have done something special for me and that your friend has made comments.


I am really sorry for the rush hour.


I'm awake thinking and I hope you have a good time with me today and I'll send you money to go home tomorrow night.


After work tomorrow night, you know you need me, you can see what you have to say about it ha-ha.


I am very happy.





Je suis vraiment heureux pour toi et je sais à quel point tu m'aimes.


Vous pouvez dire que je vous aime et que vous savez vous y prendre.


Je ne pense pas que je suis tellement excité au milieu de ma journée.


Je vais être heureux. Vous pouvez dire que je n’étais pas vraiment bon à ça, mais j’étais vraiment fou, et je ne sais pas à quel point je le voudrais.


Vous êtes une bonne personne pour être avec.


Vous savez ce que vous ressentez quand vous êtes ici.


Enfin, parce que nous avons tous les deux un problème, nous savons tous les deux ce que vous pensez et vous ne voulez pas le faire partout.


alors, donc, je dois aller au monde.


et je t'aime tellement, mon amour.


Je t'aime si gentil, bébé. Jésus, je t'aime tellement.


alors tu m'aimes et tu m'aimes tellement que tu m'aimes, tu m'aimes tellement. Tu m'aimes trop d'amour. trop bébé, mon amour.


tu es si gentil, petit bébé amour.


Vous trop.


Je suis heureux que vous ayez reçu mon message aujourd'hui à propos de votre rendez-vous et laissez-moi vous appeler demain.


Qu'est-ce que tu veux? Voulez-vous dire quelque chose?


Voulez-vous savoir quelque chose?
Tu es si gentil, bébé cornsilk. Jésus, ton charpentier va-t-il dormir là, et tu vas être ici.


Les utilisateurs d'Android peuvent regarder une grande vidéo sur ce que vous devez faire.


C'est ce que vous faites pour me faire bien paraître.
savez-vous comment me faire bien paraître? Bien?


M'as-tu déjà dit quelque chose à propos de demain soir, ou demain matin, ou demain soir, avant ou après demain matin?




I'm really happy for you and I know how much you love me.


You can say that I love you and that you know how to do it.


I do not think I'm so excited in the middle of my day.


I'm gonna be happy. You can say I was not really good at that, but I was really crazy, and I do not know how much I would like it.


You are a good person to be with.


You know how you feel when you are here.


Finally, because we both have a problem, we both know what you think and you do not want to do it everywhere.


so, then, I have to go to the world.


and I love you so much, my love.


I love you so nice, baby. Jesus, I love you so much.


so you love me and you love me so much that you love me, you love me so much. You love me too much love. Too baby, my love.


you are so nice, little baby love.


You too.


I'm glad you received my message today about your appointment and let me call you tomorrow.


What do you want? Do you want to say something?


Do you want to know something?
You are so nice, baby cornsilk. Jesus, your carpenter is going to sleep there, and you are going to be here.


Android users can watch a great video about what you need to do.


That's what you do to make me look good.
do you know how to make me look good? Well?


Have you ever told me anything about tomorrow night, or tomorrow morning, or tomorrow night, before or after tomorrow morning?






Je t'aime trop et je suis content de ce que tu veux.

Je vais parler de ce que je vais faire de préférence.

Je vais vous envoyer l'image de tout ce que nous pouvons parler demain soir avant dormir.

Je pense. je vais.

Je retourner. Je médecin. Je suis demain.

Je suis peut-être. Je suis devrais.

Je suis aller voir avant. Je suis avant . Vous pouvez me dire que vous voulez faire. Je suis vous.

Je suis voulez que vous ayez raison.

Je suis, vous savez.

comment allez vous.

Je suis faire aimez trop, demi-bébé.

Vous êtes tellement mieux d'autres le passé.

I love you too much and I'm happy with what you want.
I will talk about what I will do preferably.
I will send you the picture of everything we can talk about tomorrow night before sleeping.





I think. I go.
I return. I'm a doctor. I am tomorrow.
I may be. I should be.
I went to see.





I am before.





You can tell me what you want to do.





I am you.

I want you to be right.

I am, you know.



I am doing too much love, half-baby.