May 13, 2019

5xx Server errors

5xx Server errors

This class of status code is intended for situations in which the error seems to have been caused by the client. Except when responding to a HEAD request, the server should include an entity containing an explanation of the error situation, and whether it is a temporary or permanent condition. These status codes are applicable to any request method. User agents should display any included entity to the user.^[31]

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^ Oku, Kazuho (December 2017). An HTTP Status Code for Indicating Hints. IETF. doi:10.17487/RFC8297. RFC 8297. Retrieved December 20, 2017.
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^ Delta encoding in HTTP. IETF. January 2002. doi:10.17487/RFC3229. RFC 3229. Retrieved February 25, 2011.
^ "Hypertext Transfer Protocol (HTTP/1.1): Semantics and Content". IETF. Retrieved February 13, 2016.
^ "300". httpstatus. Retrieved October 16, 2015.
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^ Berners-Lee, Tim; Fielding, Roy T.; Nielsen, Henrik Frystyk (May 1996). Hypertext Transfer Protocol – HTTP/1.0. IETF. doi:10.17487/RFC1945. RFC 1945. Retrieved October 24, 2009.
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^ "Reference of method redirect_to in Ruby Web Framework "Ruby on Rails". It states: The redirection happens as a "302 Moved" header unless otherwise specified". Retrieved June 30, 2012.
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^ "Hypertext Transfer Protocol (HTTP/1.1): Semantics and Content, Section 6.4.7 307 Temporary Redirect". IETF. 2014. Retrieved September 20, 2014.
^ "The Hypertext Transfer Protocol Status Code 308 (Permanent Redirect)". Internet Engineering Task Force. April 2015. Retrieved April 6, 2015.
^ "E Explanation of Failure Codes". Oracle. Retrieved October 16, 2015.
^ "RFC7231 on code 400". Tools.ietf.org. Retrieved January 8, 2015.
^ "401". httpstatus. Retrieved October 16, 2015.
^ "RFC7235 on code 401". Tools.ietf.org. Retrieved February 8, 2015.
^ "The GNU Taler tutorial for PHP Web shop developers 0.4.0". docs.taler.net. Retrieved October 29, 2017.
^
"Google API Standard Error Responses". 2016. Retrieved June 21, 2017.
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^
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^ "RFC2616 on status 413". Tools.ietf.org. Retrieved November 11, 2015.
^ user27828. "GET Request - Why is my URI so long?". Stack Overflow. Retrieved October 16, 2015.
^ "RFC2616 on status 414". Tools.ietf.org. Retrieved November 11, 2015.
^ "RFC7231 on status 415". Tools.ietf.org. Retrieved May 2, 2019.
^ Sigler, Chris. "416 Requested Range Not Satisfiable". GetStatusCode. Archived from the original on October 22, 2015. Retrieved October 16, 2015.
^ "RFC2616 on status 416". Tools.ietf.org. Retrieved November 11, 2015.
^ TheDeadLike. "HTTP/1.1 Status Codes 400 and 417, cannot choose which". serverFault. Retrieved October 16, 2015.
^ Larry Masinter (April 1, 1998). Hyper Text Coffee Pot Control Protocol (HTCPCP/1.0). doi:10.17487/RFC2324. RFC 2324.
^ Barry Schwartz (August 26, 2014). "New Google Easter Egg For SEO Geeks: Server Status 418, I'm A Teapot". Search Engine Land.
^ Google's Teapot
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^ "9.1.1. Connection Reuse". RFC7540. May 2015.
^ Khare, R; Lawrence, S. "Upgrading to TLS Within HTTP/1.1". IETF. Network Working Group. Retrieved October 16, 2015.
^ Jump up to: ^a ^b ^c ^d Nottingham, M.; Fielding, R. (April 2012). "RFC 6585 – Additional HTTP Status Codes". Request for Comments. Internet Engineering Task Force. Retrieved May 1, 2012.
^ Bray, T. (February 2016). "An HTTP Status Code to Report Legal Obstacles". ietf.org. Retrieved March 7, 2015.
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^ Holtman, Koen; Mutz, Andrew H. (March 1998). Transparent Content Negotiation in HTTP. IETF. doi:10.17487/RFC2295. RFC 2295. Retrieved October 24, 2009.
^ Nielsen, Henrik Frystyk; Leach, Paul; Lawrence, Scott (February 2000). An HTTP Extension Framework. IETF. doi:10.17487/RFC2774. RFC 2774. Retrieved October 24, 2009.
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^ "Apache ProxyErrorOverride". Retrieved June 7, 2018.
^ "Enum HttpStatus". Spring Framework. org.springframework.http. Retrieved October 16, 2015.
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^ Jump up to: ^a ^b "Using token-based authentication". ArcGIS Server SOAP SDK.
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^ "Platform Considerations | Pantheon Docs". pantheon.io.
^ http://www.injosoft.se, Injosoft AB. "HTTP status codes - ascii-code.com". www.ascii-code.com. Retrieved December 23, 2016.
^
"Error message when you try to log on to Exchange 2007 by using Outlook Web Access: "440 Login Time-out"". Microsoft. 2010. Retrieved November 13, 2013.
^ "2.2.6 449 Retry With Status Code". Microsoft. 2009. Retrieved October 26, 2009.
^ "MS-ASCMD, Section 3.1.5.2.2". Msdn.microsoft.com. Retrieved January 8, 2015.
^ "Ms-oxdisco". Msdn.microsoft.com. Retrieved January 8, 2015.
^ "ngx_http_request.h". nginx 1.9.5 source code. nginx inc. Retrieved January 9, 2016.
^ "ngx_http_special_response.c". nginx 1.9.5 source code. nginx inc. Retrieved January 9, 2016.
^ "return" directive (http_rewrite module) documentation.
^ "Troubleshooting: Error Pages". Cloudflare. Retrieved January 9, 2016.
^ "Railgun Listener to Origin Error". Cloudflare. Retrieved October 12, 2016.
^ "Error 1016 - Origin DNS error". Cloudflare.

May 7, 2019

Alexey Brodovitch

Alexey Brodovitch - iconofgraphics.com

Alexey Brodovitch	ICONOFGRAPHICS
USA, 1898 - 1971
"If you know yourself, you are doomed." - Alexey Brodovitch	excerpt from 'Alexey Brodovitch' by K.W. Purcell.
	Brodovitch in New York, c. 1960 Photograph by Henri Cartier-Bresson
Alexey Brodovitch is known foremost for his work on the american fashion-magazine Harper's bazaar.
Born in Ogolitchi, Russia in 1898 in an aristocratic and wealthy family, Brodovitch's youth was marked by the bolshevik revolution. Being a loyal supporter of the tsar, he became first lieutenant in the czar's White Army.
In 1920 he fled to Paris as an exile from the October Revolution. Like many other emigrés whom had gained wealth in Russia, he ended up being both poor and workless. For the first time in his life he had to work to gain money. Living in Montparnasse, he found himself in a community of russian artists, which lead to his wish to become a painter.
He obtained a job as a painter of stage sets for Diaghilev's Ballets Russes. Diaghilev's approach to design inspired him to move towards the more commercial arts and influenced him in his ideas on the lack of boundaries between different arts.
	Bal Banal 1924 Poster for a party for Russian émigrés in Paris.
Brodovitch entered a poster competition which searched for the most innovatory design to anounce an upcoming ball. He won the first prize, leaving a drawing by Picasso behind. His design symbolically represented the idea of masking in the switch between colors black and white. This 'Bal Banal' poster was the beginning of his career as a graphic designer as it brought him to the attention of various designers and agencies.
	martini advertisement 1926
The ad agency Maximilien Vox asked Brodovitch a design for Martini Vermouth. The result, based on strict geometric forms and basic colors resembled the constructivist style as seen in El Lissitsky's work. While politically he was sympathetic with czarist russia, his artistic work shared the ideas of the avant-garde. This might mean that avant-garde ideas in design, which are thought to be post-revolutionary, actually predate the revolution and were non-political in origin.*	* Theory from Hobsbawn,'The Age of Empire', 230-231
	Athelia Catalogue Cover 1929 Madelios Catalogue Sports Catalogue Cover 1929
Soon his work was in great demand, designing posters and advertisements. He became art director for Athélia Studio, which gave him the opportunity to direct all aspects of a creative production. He had become one of the most respected designers of commercial art in Paris, but Paris began to lose its spirit of adventure it initially had. He looked across the Atlantic for new opportunities and was asked to come to Philadelphia to organize design classes at Philadelphia College of Art.
At that moment Bodovitch was one of the pioneers to bring modernist ideas to America.* Design of the early thirties was conservative and lacked of radical experiments. This could be explained by the economic situation after the Wall street crash in 1929. Many companies felt the need to show stability and used trusted methods in their advertisement design.	* More would follow. In the mid 1930's Paul Rand, influenced by avant-garde european art, started his own design practice.
At the Philadelphia college of Art Brodovitch teached by using examples of european graphic design, questioning his students about the placing of the elements and the decisions made by the designers. He once said "we learn by making mistakes. We must be critical of ourselves and have the courage to start all over again after each failure. Only then do we really absorb, really start to know."* He placed himself on the same level as his students, treating them as equals. He often brought real design assignments to the classroom, asking his students to think along.	* Brodovitch, 'Brodovitch on Brodovitch', 45.
In 1933 he started workshops that were open to all professions, known as the 'Design Laboratory'. In every assignment the students were challenged to avoid clichés, capture the essence, use their mistakes and look within themselves for the solution. Brodovitch was known for contradicting himself. He would say one thing and the next week he would say the oposite. This way he urged his students to think for themselves.
	Brodovitch reviewing page layouts. He saw photographs in sequence as if they were frames in a film. Photograph by Richard Avedon. 1959 Brodovitch in his office at Harper's Bazaar. Photograph by Maurice Tabard. ca. 1950
As expected his work didn't go unnoticed in America. The photographer Ralph Steiner who worked for Harper's Bazaar, recognized the potential of Brodovitch as a designer. He introduced him to Carmel Snow, editor-in-chief of the magazine whom immediately offered him a job.
"I saw a fresh, new conception of layout technique that struck me like a revelation: pages that bled beautifully, cropped photographs, typography and design that were bold and arresting. Within ten minutes i had asked Brodovitch to have cocktails with me, and that evening i signed him to a provisional contract as art director." - carmel snow*	* Carmel Snow and Mary Louise Aswell,'The world of Carmel Snow', NY, McGraw-Hill, 1962,90.
	Harper's Bazaar, September 1956 Photograph by Richard Avedon Harper's Bazaar, April 1940 Design by A.M. Cassandre
	Harper's Bazaar, February 1952 Photograph by Richard Avedon Harper's Bazaar, October 1947 Photograph by Ernst Beadle
Brodovitch created a harmonious and meaningful whole using avant-garde photography, typography and illustration. After being hired he asked several old friends like Man Ray, Jean Cocteau, Raoul Dufy, Marc Chagall and A.M. Cassandre to work for the magazine. Cassandre created several of the Bazaar covers between 1937 and 1940. Brodovitch was the first art director to integrate image and text. Most american magazines at that time used text and illustration seperately, dividing them by wide white margins.
	Ramon and Renita Article in Harper's Bazaar, Photographs by Martin Munkacsi. 1935
This spread from 1935 shows the integration of all graphic elements. Brodovitch accentuates the fluidity and movement of the images by using repetition and diagonal and horizontal stress. He uses the contacts like frames from a film and creates the illusion of movement and spontaneity across the left-hand page. The strips of film overflow onto the opposing page, as if the dancers have twirled across the spine of the magazine. The enlargement on the right-hand page depicts the grand finale of this dance numer.
	Mock-up spread for Harper's Bazaar c. 1940-1950
Brodovitch cropped his photograhps, often off-center, brought them to the edge of the page, integrated them in the whole. He used his images as a frozen moment in time and often worked with succeeding pages to create a nice flow trough the entire magazine. This brought a new dynamism in fashion layouts.
	Two Guys and the Devil's Advocate Article in Harper's Bazaar, Photographs by Richard Avedon. 1955
The typeface he preferred was Bodoni, but when needed he switched to Stencil, Typewriter or a script. He matched the typeface with the feeling or with the need for an appropiate effect. Legibility was not his primary concern. His layouts are easily recognized by his generous use of white space. Colleagues at other magazines saw his sparse designs as truly elegant, but a waste of valuable space.
	If you don't like full skirts... Article in Harper's Bazaar, Photographs by George Hoyningen-Huene March 1938
	Unknown Article in Harper's Bazaar, Photographer unknown. date unknown
Besides his work at Bazaar, his freelance work grew throughout the forties. In 1949 Frank Zachary felt the need to create an american publication focused on art and design, like there had been several in europe. When looking for an art director they thought of Paul Rand and Brodovitch. Rand appeared to be too much of an artist and not enough of an art director, so Brodovitch became director of Portfolio.
	Portfolio 1, winter 1950 front - and backcover. Editors George Rosenthal and Frank Zachary.
Brodovitch used only type on the cover, which was unusual for american magazines at that time. He wanted to create a magazine unlike any other. The first issue of the magazine is filled with a range of design influences that formed Brodovitch's creative vision. But as they had chosen to create a no-expense-spared magazine and a rejection of any advertising at all, the magazine ended up folding after just three issues.
	Portfolio 2, summer 1950 For the cover Brodovitch reproduced Charles Eames's design for a kite. Portfolio 3, 1951 For the third cover Brodovitch reproduced strips of film from a movie by Herbert Matter.
During this time Brodovitch was frequently absent from the Bazaar office, not only because the load of jobs he was offered, but also because of his problem with alcohol. It was partly because of this heavy drinking that Brodovitch was fired from his position at Harper's in 1958. His wife Nina died in the same period and, left without a pension, his financial and physical situation worsened. He died in 1971 in a small village in southern France where he had spent the last three years of his life.
	Harper's Bazaar, July 1948 Photograph by Richard Avedon. Harper's Bazaar, date unknown Photographer unknown
	New Arrangements for Dinner. Article in Harper's Bazaar, Photographs by Gleb Derujinski. November 1951
	The Consensus of Opinion Article in Harper's Bazaar, Photograph by Man Ray March 1936
	The Ultra Violets Article in Harper's Bazaar, Photographs by Richard Avedon. published in the last issue directed by Brodovitch August 1958
	The Ultra Violets Article in Harper's Bazaar, Photographs by Richard Avedon. published in the last issue directed by Brodovitch August 1958
	Tips in Your Fingers Article in Harper's Bazaar, Photographs by Herbert Matter. April 1941
	Mainbocher Article in Harper's Bazaar, Photographs by Richard Avedon June 1955
READING Kerry William Purcell, Alexey Brodovitch, Phaidon Press (2002). find this book on amazon.com Gabriel Bauret, Alexey Brodo-Vitch, Assouline (2005). find this book on amazon.com Alexey Brodovitch, Portfolio #2: A Magazine for the Graphic Arts, Zebra Press (1950). find this book on amazon.com Roger Remington and Barbara Hodik, Nine Pioneers in American Graphic Design, The MIT Press (1992). find this book on amazon.com Andy Grundberg , Brodovitch (Masters of American Design), Harry N Abrams (1989). find this book on amazon.com Brodovitch: Bazaar and Beyond Brodovitch on AIGA IMAGES Portrait Series of Brodovitch by Benedict J. Fernandez

May 6, 2019

what is your opinion of the Gibson L6-S? poll

Posted by Doug Meet on Monday, May 6, 2019

what is your opinion of this? Gibson L6-S

See Ya at What Gets Me Hot

@mrjyn

SEO

@mrjyn

May 13, 2019

5xx Server errors

5xx Server errors

May 7, 2019

Alexey Brodovitch

Alexey Brodovitch

ICONOFGRAPHICS

USA, 1898 - 1971

excerpt from 'Alexey Brodovitch' by K.W. Purcell.

Brodovitch in New York,

c. 1960

Photograph by Henri Cartier-Bresson

Bal Banal

1924

Poster for a party for Russian émigrés in Paris.

martini advertisement

1926

* Theory from Hobsbawn,'The Age of Empire', 230-231

Athelia

Catalogue Cover

1929

Madelios Catalogue Sports

Catalogue Cover

1929

* More would follow. In the mid 1930's Paul Rand, influenced by avant-garde european art, started his own design practice.

* Brodovitch, 'Brodovitch on Brodovitch', 45.

Brodovitch reviewing
page layouts. He saw photographs in sequence as if they were frames in a film.

Photograph by Richard Avedon.

1959

Brodovitch in his office at Harper's Bazaar. Photograph by Maurice Tabard.

ca. 1950

* Carmel Snow and Mary Louise Aswell,'The world of Carmel Snow', NY, McGraw-Hill, 1962,90.

Harper's Bazaar,
September 1956

Photograph by Richard Avedon

Harper's Bazaar,

April 1940

Design by A.M. Cassandre

Harper's Bazaar,
February 1952

Photograph by Richard Avedon

Harper's Bazaar,

October 1947

Photograph by Ernst Beadle

Ramon and Renita

Article in Harper's Bazaar, Photographs by Martin Munkacsi.

1935

Mock-up spread for
Harper's Bazaar

c. 1940-1950

Two Guys and
the Devil's Advocate

Article in Harper's Bazaar, Photographs by Richard Avedon.

1955

If you don't like full skirts...

Article in Harper's Bazaar, Photographs by
George Hoyningen-Huene

March 1938

Unknown

Article in Harper's Bazaar, Photographer unknown.

date unknown

Portfolio 1, winter 1950

front - and backcover.

Editors George Rosenthal
and Frank Zachary.

Portfolio 2,

summer 1950

For the cover Brodovitch reproduced Charles Eames's design for a kite.

Portfolio 3,
1951

For the third cover Brodovitch reproduced strips of film from a movie by Herbert Matter.

Harper's Bazaar,

July 1948

Photograph by Richard Avedon.

Harper's Bazaar,

date unknown

Photographer unknown

New Arrangements for Dinner.

Article in Harper's Bazaar, Photographs by
Gleb Derujinski.

November 1951

The Consensus of Opinion

Article in Harper's Bazaar, Photograph by Man Ray

March 1936

The Ultra Violets

Article in Harper's Bazaar, Photographs by
Richard Avedon.

published in the last issue directed by Brodovitch

August 1958

The Ultra Violets

Article in Harper's Bazaar, Photographs by
Richard Avedon.

published in the last issue directed by Brodovitch

August 1958

Tips in Your Fingers

Article in Harper's Bazaar, Photographs by
Herbert Matter.

April 1941

Mainbocher

Article in Harper's Bazaar, Photographs by
Richard Avedon

June 1955

May 6, 2019

what is your opinion of the Gibson L6-S? poll

@mrjyn

SEO

@mrjyn

May 13, 2019

5xx Server errors

May 7, 2019

Alexey Brodovitch

Alexey Brodovitch

ICONOFGRAPHICS

USA, 1898 - 1971

excerpt from 'Alexey Brodovitch' by K.W. Purcell.

Brodovitch in New York, c. 1960 Photograph by Henri Cartier-Bresson

Bal Banal 1924 Poster for a party for Russian émigrés in Paris.

martini advertisement 1926

* Theory from Hobsbawn,'The Age of Empire', 230-231

Athelia Catalogue Cover 1929 Madelios Catalogue Sports Catalogue Cover 1929

* More would follow. In the mid 1930's Paul Rand, influenced by avant-garde european art, started his own design practice.

* Brodovitch, 'Brodovitch on Brodovitch', 45.

Brodovitch reviewing page layouts. He saw photographs in sequence as if they were frames in a film. Photograph by Richard Avedon. 1959 Brodovitch in his office at Harper's Bazaar. Photograph by Maurice Tabard. ca. 1950

* Carmel Snow and Mary Louise Aswell,'The world of Carmel Snow', NY, McGraw-Hill, 1962,90.

Harper's Bazaar, September 1956 Photograph by Richard Avedon Harper's Bazaar, April 1940 Design by A.M. Cassandre

Harper's Bazaar, February 1952 Photograph by Richard Avedon Harper's Bazaar, October 1947 Photograph by Ernst Beadle

Ramon and Renita Article in Harper's Bazaar, Photographs by Martin Munkacsi. 1935

Mock-up spread for Harper's Bazaar c. 1940-1950

Two Guys and the Devil's Advocate Article in Harper's Bazaar, Photographs by Richard Avedon. 1955

If you don't like full skirts... Article in Harper's Bazaar, Photographs by George Hoyningen-Huene March 1938

Unknown Article in Harper's Bazaar, Photographer unknown. date unknown

Portfolio 1, winter 1950 front - and backcover. Editors George Rosenthal and Frank Zachary.

Portfolio 2, summer 1950 For the cover Brodovitch reproduced Charles Eames's design for a kite. Portfolio 3, 1951 For the third cover Brodovitch reproduced strips of film from a movie by Herbert Matter.

Harper's Bazaar, July 1948 Photograph by Richard Avedon. Harper's Bazaar, date unknown Photographer unknown

New Arrangements for Dinner. Article in Harper's Bazaar, Photographs by Gleb Derujinski. November 1951

The Consensus of Opinion Article in Harper's Bazaar, Photograph by Man Ray March 1936

The Ultra Violets Article in Harper's Bazaar, Photographs by Richard Avedon. published in the last issue directed by Brodovitch August 1958

The Ultra Violets Article in Harper's Bazaar, Photographs by Richard Avedon. published in the last issue directed by Brodovitch August 1958

Tips in Your Fingers Article in Harper's Bazaar, Photographs by Herbert Matter. April 1941

Mainbocher Article in Harper's Bazaar, Photographs by Richard Avedon June 1955

May 6, 2019

what is your opinion of the Gibson L6-S? poll

Brodovitch in New York,

c. 1960

Photograph by Henri Cartier-Bresson

Bal Banal

1924

Poster for a party for Russian émigrés in Paris.

martini advertisement

1926

Athelia

Catalogue Cover

1929

Madelios Catalogue Sports

Catalogue Cover

1929

Brodovitch reviewing
page layouts. He saw photographs in sequence as if they were frames in a film.

Photograph by Richard Avedon.

1959

Brodovitch in his office at Harper's Bazaar. Photograph by Maurice Tabard.

ca. 1950

Harper's Bazaar,
September 1956

Photograph by Richard Avedon

Harper's Bazaar,

April 1940

Design by A.M. Cassandre

Harper's Bazaar,
February 1952

Photograph by Richard Avedon

Harper's Bazaar,

October 1947

Photograph by Ernst Beadle

Ramon and Renita

Article in Harper's Bazaar, Photographs by Martin Munkacsi.

1935

Mock-up spread for
Harper's Bazaar

c. 1940-1950

Two Guys and
the Devil's Advocate

Article in Harper's Bazaar, Photographs by Richard Avedon.

1955

If you don't like full skirts...

Article in Harper's Bazaar, Photographs by
George Hoyningen-Huene

March 1938

Unknown

Article in Harper's Bazaar, Photographer unknown.

date unknown

Portfolio 1, winter 1950

front - and backcover.

Editors George Rosenthal
and Frank Zachary.

Portfolio 2,

summer 1950

For the cover Brodovitch reproduced Charles Eames's design for a kite.

Portfolio 3,
1951

For the third cover Brodovitch reproduced strips of film from a movie by Herbert Matter.

Harper's Bazaar,

July 1948

Photograph by Richard Avedon.

Harper's Bazaar,

date unknown

Photographer unknown

New Arrangements for Dinner.

Article in Harper's Bazaar, Photographs by
Gleb Derujinski.

November 1951

The Consensus of Opinion

Article in Harper's Bazaar, Photograph by Man Ray

March 1936

The Ultra Violets

Article in Harper's Bazaar, Photographs by
Richard Avedon.

published in the last issue directed by Brodovitch

August 1958

The Ultra Violets

Article in Harper's Bazaar, Photographs by
Richard Avedon.

published in the last issue directed by Brodovitch

August 1958

Tips in Your Fingers

Article in Harper's Bazaar, Photographs by
Herbert Matter.

April 1941

Mainbocher

Article in Harper's Bazaar, Photographs by
Richard Avedon

June 1955