me at 17 after a dead boys show changing the sign around to spell cunt and ass, etc.
this
is me at 17 after a dead boys show changing the sign around to spell
cunt and ass, etc., although who could blame me--i was the world's
forgotten boy (i know that's the Stooges).
stiv and band look on in
admiration and suggest and cajole this suggestible high school kid
wearing trash and vaudeville pants, mail-ordered from the back of
Trouser Press, while my bandmasters stay out of frame.
afterwards we are chased around the hotel and shot with bb's from
Stiv's Sonic Reducer gun until the sun won't rise from here,until we're
ten-feet tall and Stiv's nothing at all.
i think it was '79 or '80
somewhere outside of New Orleans.
Samuel Hui Koon-kit, usually known as Sam Hui, is best known for being a star in the Cantopop and movie industry in Hong Kong's from the 1960s to 1990s. He was born on 6 September 1948. He graduated from the Arts Faculty of University of Hong Kong, Ying Wa College and St Francis Xavier's College in the late 1960s to early 1970s. He and his brothers Michael and Ricky made several comedy blockbusters in the 1970s. He is also acknowledged for popularising Cantopop, by incorporating the then unknown idiosyncrasies of Western popular music into the Cantopop genre.
Samuel Hui Koon-kit
Chinese name 許冠傑 (Traditional)
Chinese name 许冠杰 (Simplified)
Pinyin Xǔ Guàn jié (Mandarin)
Jyutping heoi2 gun3 git6 (Cantonese)
Birth name Samuel (Sam) Hui
Ancestry Panyu(Now Canton),
Origin Hong Kong
Born 6 September 1948 (1948-09-06) (age 61)
Hong Kong
Other name(s) God of Songs (歌神), Sam哥
Occupation Singer, Actor, composer, songwriter
Genre(s) Cantopop, Hong Kong English pop
Instrument(s) Guitar, Electric Bass Guitar, Piano, Violin, Harmonica, drums
Years active 1967 1992, 2003 - present
Associated acts The Lotus
Spouse(s) Rebecca Fleming (Rebu Hui)
Children Ryan Hui and Scott Hui
Parents Lee See Wun (Mother), Hui Sai Cheung (Father)
Discography
He started his career as a host to a youth music TV show on TVB. At the time, he was the lead musician of his band named The Lotus. In the early years of his career, he sang Western songs from Britain and the U.S. However, he began singing Cantonese songs when he wrote the theme songs for the comedies produced by his brother Michael Hui.
His music appealed to the Hong Kong masses particularly the working class with its simple lyrics and light-heated nature which was popular in Hong Kong music in the late 1970s. One of his most popular song during the mid 70's was the theme song to the movie "The Private Eyes". It was a humorous reflection on the plight of harsh working life for middle and lower class in Hong Kong.
English Albums: * Time of The Season (1971) * Morning After (1974) * Interlude (1975) * Came Travelling (1977)
http://en.wikipedia.org/wiki/Sam_Hui
Mahjong (麻將) is a game for four players that originated in China. It was called (麻雀), meaning sparrow in ancient China, which is still the name most commonly used in some southern Chinese dialects such as Cantonese and Minnan, as well as in Japanese. However, most Mandarin-speaking Chinese now call the game má jiàng (麻將).
Mahjong involves skill, strategy, and calculation, as well as a certain degree of luck (depending on the variation played, luck can be anything from a minor to a dominant factor in winning). In Asia, mahjong is also popularly played as a gambling game. In the game, each player is dealt either thirteen or sixteen tiles in a hand, depending on the variation being played. On their turn, players draw a tile and discard one, with the goal of making four or five melds (also depending on the variation) and one pair, or "head". Winning comes "on the draw" by drawing a new or discarded tile that completes the hand. Thus, a winning hand actually contains fourteen (or seventeen) tiles.
Mrjyn@mrjynFeb 18#HelmutNewton's portrait and some cunt took down my profile at the infantalized Russian troll promoting @facebook. Do we live in Iran? No, it's the FB outsourced police. Thanks @Twitter for displaying the undressed and giving voice to the oppressed. art snitches get stitches.
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Mrjyn@mrjynFeb 14are you talking about Raul? he's
my favorite director besides Roeg. i got to meet him at lincoln center
for a film retrospective somewhere around 88 to 90. it's a good quote.
i hope you realize that that 'man' is 'mankind'--he's old
Mrjyn@mrjynFeb 18New Orleans Grave Theft: Nothing's Sacred nyti.ms/2BAz6Jt andy antippas is the slimiest excrescence on this earth
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Mrjyn@mrjynFeb 16whatgetsmehot.blogspot.com/2018/02/helmut…
here's where the helmut newton documentary lives. i mean the whole
thing. it's the best hour and 40 minutes you've had with other people's
clothes off--and i was there. summon the energy sapped by the endo
diet and press play @sea_of_shoes
Mrjyn@mrjynFeb 18#HelmutNewton's portrait and some cunt took down my profile at the infantalized Russian troll promoting @facebook. Do we live in Iran? No, it's the FB outsourced police. Thanks @Twitter for displaying the undressed and giving voice to the oppressed. art snitches get stitches.
323
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Mrjyn@mrjynFeb 14are you talking about Raul? he's my favorite director besides Roeg. i got to meet him at lincoln center for a film retrospective somewhere around 88 to 90. it's a good quote. i hope you realize that that 'man' is 'mankind'--he's old
Mrjyn@mrjynFeb 18New Orleans Grave Theft: Nothing's Sacred nyti.ms/2BAz6Jt andy antippas is the slimiest excrescence on this earth
285
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0.4%
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Mrjyn@mrjynFeb 16whatgetsmehot.blogspot.com/2018/02/helmut… here's where the helmut newton documentary lives. i mean the whole thing. it's the best hour and 40 minutes you've had with other people's clothes off--and i was there. summon the energy sapped by the endo diet and press play @sea_of_shoes
