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August 11, 2010

Newlydeads - for better or worse... they got the worst! (fruit has rotted more colorfully)

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Newlydeads

Hotel dla nowozenców Poland

till death do us part

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newlydeads.mp4 (10136 KB)

for better or worse... they got the worst!

 

I think that this film is about as bad as it gets. It is cruel, has despicable characters, and it concentrates on homo-phobia as if it were a good thing. NEWLYDEADS made me angry in many different ways.

First, there's the plot, which is so ludicrously played out that you wished that the transvestite would wipe everyone out pronto. Second, the actors are universally annoying. Why noone decided to hire professionals is probably a credit to the lecherous script. Thirdly, the direction is poor, poor, poor...fruit has rotted much more colorfully. And, the thing is, the director still gets work!

This is appalling work by any standards, and someone had to actually edit this thing.

NEWLYDEADS is a zero in my book.

 

We begin in 1972 with Jackie (Scott Kaske) driving down a country road. Writer/director Joseph Merhi is careful not to show the character's face, but Jackie appears to be a woman. She checks into a lodge hotel. The manager, Lloyd (Jim Williams) brings up a complimentary bottle of wine and tries to hit on Jackie. It works, but he quickly discovers that she's a he, so he flips out and kills him/her with a corkscrew. Cut to 15 years later. Lloyd is still running the lodge, which we eventually realize is a kind of honeymoon resort, and he's about to remarry. But the ghost-zombie of Jackie won't have it. As a number of different people descend on the lodge at the same time, we're in the midst of a textbook slasher film.

"Classic crap" is meant more seriously than it might sound. This film is the perfect example of the barrage of 1980s low-to-no-budget horror that was enabled by "revolutions" in the home video VHS retail/rental market and the home video camera market (although The Newlydeads may have been shot on film, the film quality is awful and reflective of the home video camera aesthetic).

Suddenly in the 1980s it was relatively easy, cheap and profitable to crank out independent films, avoid the former necessity of a theatrical release, and go straight to video. In the mid-80s, video stores were still hungry for product, and given a movie with a title like "Newlydeads", combined with attractive poster/cover art, you were sure to make some money. The directors of these films used horror, and particularly slasher flicks, for a model, as there was a (somewhat mistaken) impression that the slasher movies that were huge successes--principally Halloween (1978), Friday the 13th (1980), A Nightmare on Elm Street (1984) and their sequels--were not very elaborate or "deep" in terms of script, and not very sophisticated in their performances or direction. So the common factors were stamped into a slasher template and countless films were poured into the mold, sometimes with barely even a script written. The formula produced some films that were remarkably good, like April Fool's Day (1986), some that were horrendous, like Blood Cult (1985), and some that are better than they should have been, like this one.

The biggest problem with The Newlydeads isn't that it is so blandly formulaic or poorly acted (which it generally is). The biggest problem is that it looks awful. It's difficult as a somewhat lay viewer to say exactly what the technical problem is, but throughout its length, The Newlydeads is smudgy/blurry, with awful color. The mostly unattractive actors, dressed in cheesy costumes, bad 1980s hairstyles, and shot in a bland location do not exactly help.

There are some exceptions to all of this. The minister, who is played by "Captain Mike", is actually very entertaining to watch. He is frequently funny and seems to be a decent actor. If Merhi and co-writer Sean Dash would have centered the film around this character instead, they might have had something. There are a few other times when the writing, or improvising, is surprisingly decent. These tend to involve a middle-aged couple with a wife who is a psychic. There are two actresses who are very pleasant to look at--one is Lloyd's new bride, the other, the girlfriend of a grotesquely skinny geek, wasn't in the film enough (the grotesquely skinny geek was in the film too much, at least too much for having so few clothes on). A lot of people would probably enjoy the very brief appearance of Michele Burger as "The Bikini Girl", as well, although she's a bit too stereotypically model-like for my tastes.

You might notice that I'm not talking about the story a lot. There isn't a lot to say about it. What plot there is only exists to enable the typical Ten Little Indians-styled knockoffs. The deaths aren't particularly imaginative here, although they're well done for the minuscule budget that this film surely had, as is the zombie makeup. There are hints of something more interesting beneath the surface with the psychic lady and the eventual method of dispatching the villain, but these aren't developed enough, and the resolution of the climax is unforgivingly arbitrary. Merhi also lets a lot of threads simply vanish from the picture. There were probably too many characters. Presumably, you'd have so many characters to enable a bunch of creative deaths, but a lot of the characters just disappear. Maybe they ran out of money for the special effects guy, or those actors quit before their death scenes could be filmed. (Troma head Lloyd Kaufman gave a good piece of advice for shooting films at this level: shoot in sequence, because that way when some actors quit--and they will, because you can't pay them squat and you're basically torturing them--you can just come up with some excuse in the plot for why they're not around anymore.)

Surprisingly, perhaps, Merhi has had a long, very successful (monetarily, at least) career so far, both as a director and more recently as a producer (even producing Val Kilmer in the David Mamet written and directed film, Spartan, 2004). However, most of his subsequent work has been in the action genre--an aptitude for which it is difficult to foresee in The Newlydeads. It's not that the film is incompetent directorially, but partially due to budget, it's just pretty blah. This is only recommend for horror film completist, and even then, try to see it for free if possible.

 

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Video response to "Wise Blood Bedroom (Captions for Hearing Impaired and Others)"

On Wed, Aug 11, 2010 at 3:27 AM
 

Nick Tosches http://en.wikipedia.org/wiki/Nick_Tosches READ POST HERE: http://whatgetsmehot.blogspot.com/2010/01/video-nick-tosches-anthony-bourdain-hd.htmlTosches was featured on the popular Travel Channel show Anthony Bourdain: No Reservations in the episode Disappearing Manhattan. http://podcasts.travelchannel.com/read/episode-8-chat-with-nick-tosches He and Bourdain shared a drink at Sophies in the East Village, a Manhattan dive bar, and they discussed the changing nature of the city.
Newark, New Jersey, United States Occupation Biographer, Essayist, Journalist, Novelist, Poet Nationality American Official website Tony and Friends Podcast Anthony Bourdain: No Reservations deleted scene. Tony and Nick discuss Southeast Asia and "The Last Opium Den."
http://nicktosches.com/
Nick Tosches (born 1949) is an American journalist, novelist, biographer, and poet of Albanian and Italian descent.
Life

After different odd-jobs, Tosches started writing wit... more

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Nick Tosches Anthony Bourdain HD (there aren't a lot of nick tosches videos on YouTube. In fact this is the only one)

Led Zeppelin Rock 'n' Roll Tennis

that's the most god-awful thing i've ever watched twenty seconds of. thanks.

that's the most god-awful thing i've ever watched twenty seconds of.  thanks.  i never thought anybody would send me two things i despise as categories combined into two things I despise as specifics.  that's it!  Stewart McSherry

KORN with Dale Bozzio

P.S. biggest drum kit in the world.

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"This makes me uncomfortable" posted on "Rock 'n' Roll Circus Chants! Masks! Go-Go Dancers!"

On Tue, Aug 10, 2010 at 8:32 PM
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kazumagunning has made a comment on Rock 'n' Roll Circus Chants! Masks! Go-Go Dancers!:

This makes me uncomfortable

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French Penis Bloopers response to "Brief history of animals hitting on women (as seen on Asylum.co)"

On Tue, Aug 10, 2010 at 10:01 PM, YouTube Service <service@youtube.com> wrote:
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HAVE I MENTIONED THIS FRENCH WOMAN IS OBSESSED WITH PENIS? What is the common point between a watering can and a tow bar? None, except when Valérie MAURICE presents: guaranteed laughter.

Sexy TV

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Frank Sinatra UNRELEASED Song! Okay, it's a commercial...

...but it's a freakin' Frank Sinatra Chrysler commercial written by Sammy Cahn...so it's a song and a commercial!  Here's where being an Internet addict pays off...
http://www.sinatrafamily.com/forum/showthread.php?t=22701
 Jack_Pack
Some Questions
I've heard about a song called IT'S TIME FOR YOU that Francis recorded for a commercial in the eighties.My questions are,of course,if the song is available officialy in any compilation,when and where were recorded,who did the arrangements and who wrote the song.

Someone in some thread talked about a version of MACK THE KNIFE recorded in 1984 and only available in the vinyl edition of L.A. IS MY LADY.I've heard the version released in the L.A IS MY LADY SESSIONS video.Is the same one?

What are the Sinatra movies in dvd format released?

It is available offically on Freedom To Swing Cd issued by Las Vegas Conention Center Bureau.

The Mack on the vinyl and in the video are the same.According to what I have seen documented, "it's Time For You" was recorded on July 30, 1980, in New York City, session being conducted by Walt Levinsky, meant for a Chrysler Commercial. This would make the tune the only musical studio recording Sinatra laid down that year! Sinatra's lyrics were written by Sammy Cahn. Who wrote the music??? Haven't seen anything on that.

Bernhard.

 Can anyone name who wrote the song for F.S ( It's time for you )
for the chrysler commercial !!!!!!!!!! "It's Time For You"
I believe the actual recording date was July 10, 1980. That is the date reportedly confirmed by Walt Levinsky, the orchestra conductor for the New York City recording session. The arrangement was by Don Costa.

The November 15, 1981 date appeared in an AP news release in October 2001, when the song was used in a promotional campaign by the Las Vegas Convention and Visitors Authority. For Sinatra's birthday that year, the LVCVA released a limited-edition promo CD, titled Freedom to Swing: A Las Vegas Tribute to Frank Sinatra, which included this previously unreleased track.

I've also seen dates of July 30 or July 31, 1980 mentioned, for example in this earlier similar thread here in the forum (suitable for merging): Some Questions. [Edit: Now merged above.]

Incidentally, you can hear the song on the web here: "It's Time For You" MP3 File.


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Video response to "Malcolm McLaren's Too Fast To Live, Too Young To Die an ..."

On Tue, Aug 10, 2010 at 10:05 PM


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Comment posted on "Teach-In The Robot Musikladen"

On Tue, Aug 10, 2010 at 11:20 PM
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AirfieldBremen has made a comment on Teach-In The Robot Musikladen:

Live in Bremen - Thursday, May 17, 1979

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