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August 16, 2009

PAT'S PIZZA

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PAT'S PIZZA

Jim Dickinson - "Down In Mississippi" - GuerrillaMonster + PAT'S PIZZA (Circa 1950-1996?)


GuerrillaMonster Films


Please visit: http://www.guerrillamonsterfilms.com

In
1993, 30 year old JMM (John Michael McCarthy) formed Big Broad
Guerrilla Monster (the only indie film company in Memphis) &
dedicated it to his ideas alone.

JMM had
drawn comics for 7 years, being published by Fantagraphics Books in
Seattle. Though he had received some publicity (including a glow in the
dark review from the Village Voice Literary Supplement) he felt he was
not reaching enough people with his "regionalist unpopular culture".

Highly
premeditated in his approach, JMM got a feel for shooting film by
serving as associate producer on two shot-on-video horror movies in
Memphis. "I set up the locations, found the actors, & let everyone
stay at my house." Gorotica and Gorewhore had sold-out shows in
Memphis. Soon JMM planned his own projects with the help of credit
cards. Armed with a script that he had originally planned to draw, JMM
made Damselvis, Daughter of Helvis in 1993. The flick featured such
characters as Rebelvis, Psychedelvis, and Evel Knielvis! An ongoing
trademark to be established was nudity & a certain amount of
violence. "Sex plus violence equals nature," says JMM, "and we have
forgotten that we are permeated and controlled by this feminine force.
Due to this analogy, my women characters always come out on top.
Perhaps in similar fashion to Russ Meyer's movies. My movies are also
intentional comedie, which most low-budget filmmakers are afraid to
make."

Big Broad welcomes back a simpler age when fans of
adult-related themes in cinema were no so jaded. "We sell the sizzle,
not the steak."

With Teenage Tupelo, JMM deals with the story
of his own conception in Tupelo, Mississippi in 1962. "My biological
father is unknown to me, so in my story I've made him into an
Elvis-inspired characer called Johnny Tu-Note. Basically, I'm saying
Elvis is my father. "

Teenage Tupelo makes my biological mother
into the definitive heroine, though I've never met her. You might say
this movie is a "semi-auto-bio-sexploitation-comedy-drama-musical."
Therefore, JMM is the first to make a "Nudie-Cutie" starring his own
mother.

"I suppose the genesis of Teenage Tupelo belongs to
history & synchronicity", JMM explains, "My bio-mother saw Elvis
play at the '56 Tupelo Fair when she was barely a teenager. You can see
her in the famous photo of Elvis singing & reaching out to the
crowd of mostly young women. At the same show, the people who would
adopt me years later are sitting in the backrow. Elvis is my devine
arbiter of synchronicity. We shot exclusively in Tupelo & Memphis
where HE walked."

Impressed with JMM's previous outing with
Damselvis, Sexploitation cinema pioneer David F. Friedman has loaned
his name as associate producer to Teenage Tupelo. The premier
underground video company Something Weird (who carry all of David F.
Friedman's classic films) also carries Teenage Tupelo as their first
new release.



PAT'S PIZZA
(Circa 1950-1996?)
A place to eat on Summer Avenue frequented by Elvis Presley, Panther Burns, and the Rockroaches, among others. Very few toppings and mice scurried faster than waitresses but that was the 80's & 90's, when Mr. Pat would only open AFTER 5 P.M., to beat out the city health inspector. In the fifties it was a whole other scene; second hand smoke framed lovey and lively times.
Fotos by Son of Mr. Pat and given to Mike McCarthy for exclusive use © JMM 2006

Teenage Tupelo: Chapter 06 - Meet The Manhaters - GuerrillaMonster Films on blip.tv

Zebra Ranch Production Manifesto


PRODUCTION MANIFESTO

Jim Dickinson The unretainable nature of the present creates in Man a desire to capture the moment. Our fears of extinction compel us to record- to re-create- the ritual ceremony. From the first hand-print cave painting to the most modern computer art, it is the human condition to seek immortality. Life is fleeting. Art is long. A record is a "totem," a document of an unique, unrepeatable event worthy of preservation and able to sustain historic life. The essence of the event is its soul. Record production is a subtle, covert activity. The producer is an invisible man. His role remains a mystery. During the recording process there is an energy field present in the studio- to manipulate and to maximize that presence- to focus on the peculiar "harmony of the moment" is the job of the producer. Music has a spirit beyond the notes and rhythm. To foster that spirit and to cause it to flourish- to capture it at its peak is the producer's task.

- Jim Dickinson
Jim Dickinson - Genius at work
Genius At Work

Jim Dickinson - Genius at work
Zebra Ranch Production Manifesto

JIM DICKINSON (It Doesn't Get More Complete than This) Thanks Pete Hoppula (People Think I'm compulsive) Ackn: Jim & Mary Dickinson

JIM DICKINSON





SINGLES & EP'S


Jim Dickinson@Everything2.com

Jim Dickinson (1940/41* — ) is a prolific musician, songwriter and producer who grew up with the Delta traditions of jug band music and the Blues. Born James Luther Dickinson in Little Rock, Arkansas, he spent the first nine years of his life in Chicago, Hollywood and all points in between before putting down roots in Memphis. After attending Baylor University as a student of theatre, one of his earliest recordings was as singer and pianist on the Jesters' "Cadillac Man", a hallowed rockabilly single released on Memphis' Sun Records.

A longtime staple of the Memphis music scene, Dickinson helmed sessions for successive generations of cult heroes spanning from Screamin' Jay Hawkins to The Cramps to The Replacements, additionally lending his keyboard talents to recordings from Ry Cooder, the Rolling Stones, Aretha Franklin, Bob Dylan, Sam and Dave, Los Lobos, Steve Vai and many others. Dickinson began his career during the mid-'60s, emerging as a sought-after session player through recordings with everyone from Petula Clark to Arlo Guthrie to the Flamin' Groovies.

In 1971, Dickinson appeared on the Stones' classic Sticky Fingers, and that same year collaborated with Cooder on Into the Purple Valley, the first in a series of solo albums and soundtracks with the famed guitarist. In 1972, Dickinson issued his first solo LP, Dixie Fried (produced by Tom Dowd), which was widely acclaimed by critics as a definitive statement in contemporary Memphis Delta blues. Around that time he also formed local band Mud Boy and the Neutrons, with whom he has recorded over a career spanning two decades. He was also a member of the Dixie Flyers session group, alongside Jerry Wexler.

Much of Dickinson's reputation rests on his 1974 production of Big Star's Third/Sister Lovers, the pioneering Memphis power-pop group's abortive final masterpiece - a record which both literally and figuratively captures the sound of a band falling apart. The album was not issued in anything close to its intended form until 1992 (Rykodisc), and its status as an underground classic nevertheless assured through years of unauthorized releases. His work with former Big Star frontman Alex Chilton continued on 1979's disastrous Like Flies on Sherbert; the hipster cachet of both projects made Dickinson a sought-after producer among a new generation of bands.

Throughout the 1980s his credit appeared on albums from the likes of Jason and the Scorchers, Chris Stamey, Green on Red, Mojo Nixon, True Believers, Toots Hibbert and most notably, The Replacements, whose 1987 release Pleased to Meet Me included their song "Alex Chilton." Dickinson remained active in the years to follow, working with the likes of Primal Scream, Mudhoney, and Rocket from the Crypt.

In the celluloid realm, Dickinson has scored or contributed his musical talents to many films, including Gimme Shelter, Crossroads, Streets Of Fire, The Long Riders, Stroker Ace, Paris, Texas and Brewster's Millions. Despite his illustrious career, Dickinson is still unable to read music, having suffered from a "multiple sight" condition since childhood.

Personal Notes: I met Jim Dickinson in the spring of 1992 at Ardent Studios in Memphis. I was there in the capacity of publisher and quasi-manager for an artist named Tommy Hoehn, and we had hired Dickinson to produce five of Hoehn's songs with a bevy of talented session players from Memphis and Nashville. I remember my first impression of Jim rather vividly: he was rather heavy-set at the time, with long unkempt black hair and a beard. He looked like a roadie from the Black Crowes, wearing Birkenstocks, smoking pot like a chimney, and - well, having a European sense of hygiene.

When he entered the studio, it was like God had shuffled into the room. His reputation preceeded him by miles, and all the artists there to record were a little awe-struck. The only people not terrible impressed by his presence were Jody Stephens and John Fry at Ardent, since Jim and them had a long history of working together. When recording began, Jim's talent and experience were immediately evident. His direction and ear for "the sound" was amazing, and it was thrilling to watch him work. He knew exactly what he wanted and exactly how to make it happen.

As he gave instructions to the AMS Neve mixing board engineer, Jim would often lie on the floor of the control room on his back, smoking a joint while positioned equally between the monitors, describing which elements of the mix needed to be raised or lowered as he reviewed each subsequent track of the song that was being recorded. I had never watched a music producer work quite like this before, and it struck me that the truly artistic elements of creating art are often achieved in ways that fall outside the traditional paradigm of businesslike behavior.

I can't say that I got to know Jim very well, as he was there to do his job and get paid, and very little else. Still, I quickly developed a respect for him and his methods by watching him work, and the studio master of the songs that Jim mixed were nothing short of incredible. I will never forget sitting there observing him work one afternoon as I held and examined the master tapes of several Big Star songs from Third/Sister Lovers that had been brought out of the Ardent archives, and thinking to myself, I am one lucky son of a bitch!

Epigraph: "When I was a painter, my most successful paintings I left outside and let them get rained on. The ones that weren't so successful I just gave away, but my most successful ones rotted, returned to leaves and twigs. I'm just interested in decomposition. I want to be buried in New Orleans, because it's the only place in America that lets you rot." - Jim Dickinson

Jim Dickinson@Everything2.com

DOWN IN MISSISSIPPI'S: Jim Dickinson, Mississippi Producer, Billy Wayne Posey, Klansman, Civil Rights Murderer, have died...

Jim Dickinson has died

I’m sad to report that Jim Dickinson has died.  Oxford folks have known him for years, playing around town (including at the Hoka) and in recent years as the piano player for Thacker Mountain radio.  He’s nationally known as a session player, producer, and recently as the father of Cody and Luther Dickinson of the North Mississippi Allstars. Here’s the Commercial Appeal account:

Iconic Memphis musician and producer Jim Dickinson has died.

The 67 year-old Dickinson passed away early Saturday morning in his sleep, according to his wife Mary Lindsay Dickinson. Dickinson had been in ill health for the past few months, and was recuperating from heart surgery at Methodist Extended Care Hospital. “He went peacefully,” said Mary Lindsay.

Just last weekend, a tribute concert, headlined by John Hiatt, had been held in Dickinson’s honor at the Peabody Skyway, to help defray his medical costs.

A third generation piano player, Dickinson was born in Little Rock, Ark., but raised in Memphis. During the course of his colorful half-century career, Dickinson built a reputation as a session player for the Rolling Stones and Bob Dylan, a producer for Big Star and the Replacements, a sometime solo artist, and patriarch of a small musical dynasty that includes sons Cody and Luther Dickinson of the North Mississippi Allstars.

Dickinson’s health woes began following a high-profile performance with Elvis Costello at the Beale Street Music Festival in May. After a physical exam revealed serious cardiac issues, Dickinson was immediately sent into surgery where doctors at Methodist Le Bonheur Hospital in Germantown put in a pair of stents, then sent him home to rest up for bypass surgery.

Dickinson seemed in good health and spirits when The Commercial Appeal caught up with him at his Coldwater, Miss., home in late May, to talk about the release of his new album of classic pop standards, Dinosaurs Run in Circles.

However, just before he was to celebrate the CD release with a show at Huey’s on May 31, he had to be rushed back to the hospital with complications. He remained there before finally undergoing triple bypass surgery on June 24. Two days later he went into cardiac arrest. He was revived and spent several weeks recuperating in a cardiac intensive care unit.

Late last month, Dickinson was relocated to a rehabilitation facility; family and friends and physicians had hoped for a slow but eventual recovery that did not come.

“He just never did really get a break,” says Mary Lindsay. “He had so many different things go wrong with him. Every time he would work so hard to get better, something else would happen. It was a long drawn out experience the last few months.”

Dickson’s wife says her husband was in a good place mentally and spiritually at the end. “He had a great life, and he was a consummate family man. He loved music and his family. And he loved Memphis music, specifically.”

The family says there are no immediate plans for a memorial.

–Bob Mehr

Below is an interview of Jim talking about being a record producer.

I don’t ordinarily post music videos, but here’s his cover of “Down in Mississippi,” which he memorably performed at last year’s Neshoba County Fair.

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Klansman Billy Wayne Posey, participant in civil rights murders, has died

The Clarion-Ledger has a Jerry Mitchell story about Posey:

The 73-year-old Posey died Thursday of natural causes, according to friends. That leaves four living suspects in the June 21, 1964, killings of James Chaney, Andrew Goodman and Michael Schwerner. …

Posey came within one vote of being indicted by that same Neshoba County grand jury that indicted Killen, with a deciding vote against indictment cast by his relative. In a 2007 series, “Buried Secrets,” The Clarion-Ledger revealed three potential new witnesses against Posey.

In a 2000 statement, Posey told investigators there were “a lot of persons involved in the murders that did not go to jail.”

He did not name those people.

Posey admittedly was among those who pursued the trio that night, was there when they were killed and helped haul their bodies to the dam to bury them.

But the statement could never be used against Posey in state court because he was given immunity.

Then-Neshoba County Deputy Cecil Price told authorities prior to his 2001 death that he told Posey in 1964 he had just jailed the three civil rights workers and asked Posey to get in contact with Killen, who helped to orchestrate the killings.

Klansman Billy Wayne Posey, participant in civil rights murders, has died

Barry Hannah to hold fiction writing workshop at Square Books in memory of Jim Higgins

Barry Hannah to hold fiction writing workshop at Square Books in memory of Jim Higgins

I’ll just quote Barry’s flyer (first noting that Barry was the only person Jim allowed to call him Jimmy).  This is a real opportunity.

The JIMMY HIGGINS MEMORIAL WORKSHOP

BARRY HANNAH – TEACHER

BEGINNING JUNE 11th, 2009 3:30 – 6:00 PM

RUNNING FOR 4-5 THURSDAYS FOLLOWING

Mr. Higgins recently passed after a heroic thirteen years of struggle and supurb work in fiction and computers.  He was a hero to all his friends, which were many.  The workship is given in honor of Jimmy and his lovely wife, Tayla, who fought with him through dire straits.

For $300.00 (3 Stories) or $400.00 (4 Stories) per student, a class up to 15 and no fewer than 7 writers will be taught by Hannah, of the Ole Miss, Sewanee, Iowa, and Bennington Workshops.  Check out his books.

Call Hannah or Square Books at 236-2262 (As for Slade) or htttp://www.squarebooks.com, for info.

Apply now. Fiction only. Payment in advance.

Class members can submit 3 stories in 5-6 sessions.  Photocopied (by you) stories will have round table discussion and will be personally edited by Hannah. At $100.00 per story this price is modest. Get bang for buck.

Workshop is held 3:30-6:00PM beginning Thursday, June 11th on Square Books upper deck.  I expect several publications.

Be a pro!

3 comments to Barry Hannah to hold fiction writing workshop at Square Books in memory of Jim Higgins

  • Maggie

    Perhaps someone will stage a spelling workshop to coincide with the writing workshop: “supurb”? “dire straights”?

    I guess I never knew how much my enjoyment of Mr. Hannah’s fiction has been enhanced by his editors.

  • NMC

    I retyped the flier and the errors are mine, not those of either Barry, or Square Books (who made the flier).

  • Jackson B.

    Grammar National Socialists are the worst.

NMissCommentor » Barry Hannah to hold fiction writing workshop at Square Books in memory of Jim Higgins

Jim Dickinson and his new album of pop standards, in the Commercial Appeal » NMissCommentor

Jim Dickinson and his new album of pop standards, in the Commercial Appeal


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The Commercial Appeal has a nice piece about Jim Dickinson and his new album, which is pop standards.  It turns out that he’s always loved but never really tried to perform them until his stint in the house band on Thacker Mountain Radio.  Folks who know him only through the radio show will get a bit of his background (the session playing with the Stones was on “Wild Horses,” and with Dylan was on Time Out of Mind, by the way).

NMissCommentor » Jim Dickinson and his new album of pop standards, in the Commercial Appeal

Chico Harris, Barry Hannah, the Continental Drifters, Jim Dickinson, and many of Oxford's finest

Author Message
ChicoHarris
Member
Posted: Dec 21, 2008, 10:56 pm    Quote
24 years ago today, I was buying beer at Kroger in Tupelo and my buddy Craig C. Cannon walked up and said, "Hey Chico, let's go get the Christmas present I'm going to give you." We had been in the ghetto that morning about 3 o'clock and I figured we were headed back there, so I said, "Let's go!"
But, we didn't go back to the ghetto, we went to the white people neighborhood where his brother lived. I was led into a room where a dog, Sadie had given birth a few hours before. "You get pick of the litter. Merry Christmas."
The one I picked, I picked him right away and I named him Wayne.
Here's something for you to watch while you're at work and either bored or just feel like sticking it to the man. This is worth watching for the Barry Hannah part.
I had an accident April 5, 1997, the day Allan Ginsberg died. Wayne died that day in the accident and I came very close to doing so myself. Wayne the Dog was named for Wayne in "Darlington County," from Springsteen's Born In The USA record. I named him the day he was born, December 21, 1984. He was a favorite son of Oxford. I was with Wayne and we were crossing the street and got hit by this dude's car at a big rate of speed. Folks in Oxford had a three-day festival as a fundraiser for my medical bills and it was a memorial for Wayne. Cary and Laurie from Blue Mountain got the ball rolling with organizing and bands came to play from New York to New Orleans, there was three nights of music at Proud Larrys by ten bands. There was a art auction, a golf tournament, a frisbee gold tournament and a reading in which Larry Brown read poetry and American literary treasure Barry Hannah, a dog lover, wrote and read an incredible essay about Wayne. Stephen Bransford and his crew made a documentary about the three days and here for you is the short version, at about only 15 minutes. I think Steve won some award or such for this in Savannah...I know the editing is superb, especially regarding Hannah. This version on Vimeo is kind of dark visually but does have a button to watch in high def but doesn't have captions, so I'll list them after the link:
http://www.vimeo.com/2436881

In the documentary, in order of appearance:
Barry Hannah, novelist and Ole Miss writer-in-residence, reads his essay about Wayne in segments throughout the film.
Chico Harris - the cause of all this.
Jim Dees - local writer and media personality
Mitch Ulrich - owner, Uncle Buck's Records on the square in Oxford. He worked on organiztion of the festival and he's sitting beside a statue of Faulkner on the Oxford square.
The Voice of Jamo - talking about Wayne as camera shot goes inside my then house.
Ron Shapiro - Owner of the Hoka and local shaper of Oxford culture from 1970s to the present.
Jim Dickinson - Musician, Yalobushwackers, Mud Boy and the Nuetrons, Rolling Stones, etc. Producer, Beanland, Alex Chilton, Bob Dylan etc. Father, 2/3 of the North Mississippi All-Stars.
Barton - Oxford character
Scott Caradine and Michael Nichol - Caradine is founder and owner of Proud Larrys, where the festival music was over three nights and Nichol is an Oxford musician. At the time and here in the film they were hosting an Ole Miss sports radio show.
Larry Brown with Dees and Hannah at the Square Books reading.
Where Wayne is buried.
Performance by the Continental Drifters at Proud Larrys (List of other bands at end of this list).
(Continental Drifters were a New Orleans band consisting of Vicki Peterson, Susan Cowsill, Peter Hosapple, Robert Mache, Mark Walton and Russ Broussard)
Russ Broussard
Dave Woolworth (Kudzu Kings bassist)
T-shirt and poster festival art by folk artist Blair Hobbs
1985 picture of me and Wayne on our way back from Jazz Fest in New Orleans.

Partial list of bands:
The North Mississippi All-Stars with Jim Dickinson and Jimbo Mathus
Blue Mountain
Continental Drifters
Kudzu Kings
Kate Jacobs
Amy Rigby
Cardinal Fluff
Wobitty
The Jazz Gestapo
The Ole Missbehavin' Choir

Scott Rogers was in no way harmed during, in, or by the making of this film.
michael baker
Member
Posted: Dec 22, 2008, 7:01 am    Quote
i met hannah a few times in the 80's; one time in a wild period of his, one time in this mode: compassionate, caring, funny. anyone who pretends to know the south, contemporary lit, or the pain of loss and who has not read Airships is doing a disservice to those three fields of knowledge. it is a great great book.
michael baker
Member
Posted: Dec 22, 2008, 7:09 am | Edited by: michael baker    Quote
hey

that clip has cowsills' ex holsapple and an interview with her present beau, broussard (i think)

i love that cowsills song about the park...
ChicoHarris
Member
Posted: Dec 22, 2008, 9:17 am    Quote
her present beau, broussard (i think)


Correct about that and Airships. Some Oxford DJs have named themselves Airships in honor.
Cowsills were a cool American band...
Miss Faye
Member
Posted: Dec 22, 2008, 12:01 pm    Quote
How is Dees these days?
ChicoHarris
Member
Posted: Dec 22, 2008, 12:36 pm    Quote
How is Dees these days?

Very well. He's got two great dogs, good looking women chasing him, recently released a new book, Lies And Other Truths,
http://www.lemuriabooks.com/index.php?show=book&isbn=WFES980016444
is host of a very cool live-audience radio show, Thacker Mountain Radio,
http://www.thackermountain.com/index.php?range=past
and writes a very cool column in a very un-cool newspaper, Oxford Town (so lame it doesn't even have a Web-site).
http://www.oxfordeagle.com/OT801.pdf
Miss Faye
Member
Posted: Dec 23, 2008, 9:53 am    Quote
So he hasn't changed a bit. Good to know!

Oddly enough, after asking about him, I came across him on facebook. I'll have to check out his book--he's one hell of a witty guy.
This is worth watching for the Barry Hannah part - Goner Message Board

Performance: Nicoloas Roeg: (jim dickinson: keyboa