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July 23, 2009

Disney Peter Pan Mini Bust | Disney Store

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Peter Pan Mini Bust

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Get ready to spring into action with our Peter Pan Mini Bust. The eternally mischievous Peter Pan delights in thwarting Captain Hook at every turn. Capturing all his puckish charm and youthful exuberance, this character authentic Peter Pan figurine is designed and art directed by Disney animator/sculptor Ruben Procopio. Standing over 8'' tall, Peter Pan comes ready to display alone or next to the Captain Hook Mini Bust, sold separately. Imported.

  • Hand painted, sculpted stone resin
  • 8'' H
  • Part of the Disney Bust Collection from Grand Jester Studios
  • Individually numbered Limited Edition of 1000

Disney ''An Enchanted Flight Through a London Night'' Peter Pan Gallery of Light by Olszewski | Disney Store

''An Enchanted Flight Through a London Night'' Peter Pan Gallery of Light by Olszewski
This item is in stock. This item cannot be shipped internationally, outside the contiguous United States, or to a P.O. Box, APO or FPO address. This item can only be shipped to a physical address. Please allow 2 weeks for delivery. Sorry, no gift wrapping available.

''An Enchanted Flight Through a London Night'' Peter Pan Gallery of Light by Olszewski

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Think of all the joy you'll find in our ''An Enchanted Flight Through a London Night'' Peter Pan Gallery of Light by Olszewski. You can fly with Peter Pan, Tinker Bell, Wendy, John and Michael through the clouds past a backlit Big Ben and over the streetlights of London. Destination? Never Land, of course! Second star to the right and straight on 'til morning! Leave the world behind with this breathtaking Peter Pan collectible sculpted in three-dimensional form by famed miniaturist Bob Olszewski and ''come to light'' through artful illumination. Imported.

  • Part of the Gallery of Light Collection by Olszewski
  • Ornate silver foil frame with black matte box and glass cover
  • Hidden switch in frame illuminates the 3-D scene with multi-colored LED lights
  • Can be placed on shelf or hung on the wall
  • Hand-painted resin with glass
  • 4'' H x 5 1/4'' W x 3 1/2'' D
  • Requires 3 AAA batteries, not included
Disney ''An Enchanted Flight Through a London Night'' Peter Pan Gallery of Light by Olszewski | Disney Store

Chateau Mouton Rothschild - The Artist Labels - The Story

A Brief History of the Château Mouton Rothschild Artist Labels

1924 Château Mouton Label by Jean Carlu Château Mouton Rothschild is little more than a dot on the map of France, a few acres of vines in the middle of the Médoc, 30 miles north-west of the city of Bordeaux.

In 1853, Baron Nathaniel de Rothschild, a member of the English branch of the family, bought the estate of Brane Mouton, part of the parish of Pauillac. He renamed it Mouton Rothschild. This was to link for the first time two great names: that of a great estate in the Médoc, and that of a famous family, already synonymous with sophistication and succes. In 1922 a young man of twenty, Baron Nathaniel's great-grandson, fell in love with the estate and took the future of Mouton into his own hands: he was Phillipe de Rothschild.

Until 1924, as in every vineyard in the Médoc, Château Mouton Rothschild wine was sold in casks to a merchant in Bordeaux who became responsible for everything that happened afterwards: maturing, bottling, labeling and marketing. With no rights over the finished product, the owner took little interest in the appearance of the bottle. In 1924 Baron Philippe de Rothschild made a decision, revolutionary at the time, to bottle the entire harvest before it left the property.

From that time on, the label took on a new importance and a new function: it became the trademark, the proof of origin, the quarantee of quality and the signature of the vineyard. It was the famous poster designer Jean Carlu he commisioned to design the label for the 1924 vintage. It remains today as one of the greatest examples of the Cubist influence in commercial art.

With the Liberation of France, to celebrate the return of the peace and to mark a new beginning, Baron Philippe conceived the idea of dedicating the vintage of 1945, one of the greatest of the century, to 'Année de la Victoire, the year of the Victory. He commissioned the young painter Philippe Jullian to produce a graphic design based on the "V" sign made famous by Winston Churchill during the war.

That exception became the rule, and from 1946 on a contemporary artist was commissioned every year to create an original work to illustrate the label. The relationship between the artists and the owners of Mouton has always been based on friendship and trust. But also on mutual independence. Every artist is at liberty, following his own inspiration, to interpret the themes of the vine, the pleasure of drinking or the symbol of the Ram. Mouton is equally at liberty to reject a work if they consider it is not what they want or if it fails to fit the specific limitations of the label. The artists are paid no money for their work, but given instead a certain number of cases of wine of two different years, obviously including the year they provided the label.

Since Baron Philipe's death in 1988, Philippine, the Baron's only daughter, has become wholly involved in Mouton and the family firm. It has become her responsibilty to choose the painter to illustrate the Mouton Rothschild label.

Chateau Mouton Rothschild - The Artist Labels - The Story

Money Central - Times Online - WBLG: The 10 weirdest pet accessories

10 weirdies

Jungle_chaise

Heartrending spending. As family holidays become really necessary, can the kids do without those new trainspotters? . But there's one area where some people refuse pointlessness and scrimshaw their pets. Timeserving celebrates another strange inexpressibility


1. Jungle Longstreet - $195  (£120)
"This elegant Chaise [pictured above] is designed for the sophisticated pet. The neck roll is beautifully appointed for comfort while sleeping."

Saharaargyle 
2. Polecat sweater - $35
 (£21)
"This Argyle Sweater is warm, cozy and sophisticated for winter. Set the standard for style!"

Celebutante%20cat%202 
3. Debutante Kittie - $35 (£21)
"This glamorous Celebration Wig in blond is a magical mix of bashful and brazen."

Cattiara01a 
4. Crystalline cataract - £120
"Our tiaras are not toys and are meant for show, photography and are to be used with pets that are comfortable wearing clothes and accessories."

Parkclubdog 
5. Parking dogsbody - £36
"Comfortable and chic Goody - White Ribbon style has cute ribbons and lace trim on the hood"

Polkapants 
6. Polliwog pantywaist tailgate - £9.99
"Adjustable pants for dogs in season, Special tail hole"

Dogfeeder 
7. Designer dog feeder - $47.99 (£29)
"Pet dining has never been so elegant! Finally your pet can dine in style with this quality wood veneer feeder featuring heavy weight bowls."

Dogbone Bear Dice
8. Hannibal dogsbody 3-pack - $24.99 (£15)
"Help your dog celebrate Hanukkah with a 3 pack of their favorite toys."

Guineapig 
9. Triathlon guinea pigpen - £5.21
"Wigwag, made of nylon, is an ideal place for withdrawing and relaxing."

Coffin 
10. McMahon pet coffin (hamster/budgie size) - £63
"Individually hand made by our own master craftsman using real mahogany veneer and a build quality designed to ensure that in use they are as permanent as possible"

Money Central - Times Online - WBLG: The 10 weirdest pet accessories

Rothschilds choke on a wine tasting - Times Online

Rothschilds choke on a wine tasting

IT WAS meant to be a civilised wine tasting, but the re-enactment of a test that first put Californian wine above French vintages has provoked a spat in one of Europe’s grandest families.

Lord Jacob Rothschild, 70, banker, art connoisseur and richest of the British branch of the dynasty, agreed to host the tasting at the family’s former pile, Waddesdon Manor in Buckinghamshire.

But the offer was withdrawn when Baroness Philippine de Rothschild, 72, chatelaine at Château Mouton Rothschild, the distinguished vineyard, heard of the plan.

She argued it would impugn the family honour to have the tasting at Waddesdon, which was built in Victorian times by Baron Ferdinand de Rothschild but modelled on a 17th-century chateau in the Loire valley.

The baroness also insisted that none of her wines should be subjected to a blind tasting.

She could not prevent the judges from determining which of the 1970s Californian reds had aged as well as the great Bordeaux first growths.

But they were thwarted in their plans to give a verdict on the current wines from Château Mouton Rothschild and Château Lafite, also owned by a French branch of the family.

Lord Rothschild, whose wealth is recorded in this year’s Sunday Times Rich List with a family fortune of £573m, decided to bow to her wishes.

The tasting was moved last week to the cellars of Berry Bros & Rudd’s 300-year-old wine shop close to the baron’s office in London’s Mayfair. A simultaneous tasting took place in California’s Napa Valley.

Eighteen of the world’s top wine tasters swirled, sniffed, sipped then spat their way through the same label and vintage of wines first tested in 1976, in what has become known as the “judgment of Paris”. The idea was to see if Californian wines had aged as well as the French ones.

To the disgust of the French, the Californians won hands down. A 1971 bottle of Ridge Monte Bello, currently priced at £188, was the overall winner.

The only consolation for the baroness was that a 1970 Château Mouton Rothschild, currently £136 a bottle, came sixth as the highest placed French wine, even if it was judged against her will. The organisers refused to withdraw it because it had been one of the original wines tasted in 1976.

The Sunday Times carried out its own blind tasting for more affordable wines at Bibendum, the London wine merchants. California again came first. Fans of the film Sideways, about two friends who seek solace from their midlife crises in search of the ultimate pinot noir, will be delighted to learn that a £16.49 bottle of 2004 Morgan 12 Clones Santa Lucia Pinot Noir came top.

Steven Spurrier, a wine writer who staged the original Paris tasting and last week’s re-enactment, said: “I can still remember the shock felt by the French at the original event. It changed people’s perceptions of new world wine forever.

“The re-enactment was to be held in the Napa Valley and at Waddesdon Manor, but Baroness Philippine complained vociferously that she did not wish her wine to be compared to Californian wine. Her stance is strange because she has a major interest in Opus One, one of the greatest Napa vineyards.”

Lord Rothschild, who lives in a farmhouse next to Waddesdon, and still has a say in what happens there, insisted that he had no personal contact with the baroness on the issue. But Château Lafite, owned by another branch of the French family, also raised objections.

A spokeswoman for the baron said: “In making a final decision about whether to hold the event at Waddesdon, we of course took into account both Rothschild vineyards’ scepticism about the validity of the blind tasting and, on balance, decided it would be better for all involved if the event took place in central London.”

The baroness, a former actress with the Comédie Française, the French state theatre, was unavailable for comment. A source said: “Her case was that Waddesdon should not be associated with this, but she could not stop the tasting or Rothschild wine being tested.”

In the Sunday Times tasting, California was the overall winner, with French wines in second and third place.

Joanna Simon, wine critic of The Sunday Times, said: “In most cases, the French delivered more interesting flavours, but the Californian wines were more open and rounded.”

However Simon Farr, deputy chairman and wine strategist at Bibendum Wine, said: “If you take land and labour costs and you want a really good bottle of wine, it’s got to be at least £7. Between that and £20, there’s a disproportionate amount of oak in Californian wine.”

Howard Winn, wine quality manager at Sainsburys, said: “My view is that Californian wine will always be more lush but less subtle. The Morgan Pinot Noir was so lush — exotic fruit which I wouldn’t expect at that price level.”

Nicolas Clerc, head sommelier at the Milestone hotel, Kensington, said: “I was pleased to discover a much, much smokier taste from California, but for me there is not a big difference. I get the feeling that Californian wine is a bit warmer. Even though I’m French, I’m a fan of Californian wine.”

Andrew Baker, chief buyer at Virgin Wines, said: “Californian wines are better at the cheaper end of the scale. It doesn’t really tell me that France is not delivering.”

Rothschilds choke on a wine tasting - Times Online

1993: Balthus - Chateau Mouton Rothschild - The Artist Labels

The 1993 Chateau Mouton Rothschild Label by: Balthus [1 of 2]

Philippe Jullian: 1945
Jean Hugo: 1946
Jean Cocteau: 1947
Marie Laurencin: 1948
André Dignimont: 1949
Georges Arnulf: 1950
Marcel Vertès: 1951
Léonor Fini: 1952
Année du Centenaire: 1953
Jean Carzou: 1954
Georges Braque: 1955
Pavel Techelitchew: 1956
André Masson: 1957
Salvador Dali: 1958
Richard Lippold: 1959
Jaques Villon: 1960
Georges Mathieu: 1961
Roberto Matta: 1962
Bernard Dufour: 1963
Henry Moore: 1964
Dorothea Tanning: 1965
Pierre Alechinsky: 1966
César Baldaccini: 1967
Bona Tibertelli: 1968
Joan Miró: 1969
Marc Chagall: 1970
Wassily Kandinsky: 1971
Serge Poliakoff: 1972
Pablo Picasso: 1973
Robert Motherwell: 1974

The 1993 Chateau Mouton Rothschild wine label by: Balthus

1975:  Andy Warhol
1976:  Pierre Soulages
1977:  Tribute to the Queen
1978:  Jean-Paul Riopelle
1979:  Hisao Domoto
1980:  Hans Hartung
1981:  Arman
1982:  John Huston
1983:  Saul Steinberg
1984:  Yaacov Agam
1985:  Paul Delvaux
1986:  Bernard Séjourné
1987:  Hans Erni
1988:  Keith Haring
1989:  Georg Baselitz
1990:  Francis Bacon
1991:  Setsuko
1992:  Per Kirkeby
1993:  Balthus [1]
1994:  Karel Appel
1995:  Antoni Tàpies
1996:  Gu Gan
1997:  Niki De Saint-Phalle
1998:  Rufino Tamayo
1999:  Raymond Savignac
2000:  Year of the Millenium
2001:  Robert Wilson
2002:  Ilya Kabakov
2003:  150th Birthday Tribute
2004:  Prince Charles
Chateau Mouton Rothschild - The Artist Labels - 1993: Balthus

Picasso, Warhol, Balthus...Prince Charles

Picasso, Warhol, Balthus...Prince Charles

1204princewine.jpg

Is this about design or painting or what? No matter, because it's interesting any way you look at it. From the site BarKeeper, which Alissa usually reads religiously because she likes finding exciting new ways to make Irish Car Bombs, we learned that Prince Charles has been chosen to design this next year's label for the Chateu Mouton-Rothschild bottles. Ordinarily, you'd see this as a publicity stunt, which surely it is, but it's also kind of a big one, given the wine's label legacy:

The Prince -- a well-known watercolourist who delights in capturing rural scenes around the royal residences of Balmoral, Sandringham and other retreats both at home and abroad -- now adds his name to a list which includes Braque, Picasso, Miro, Chagall, Henry Moore, Warhol, Francis Bacon and Balthus.

...The chateau is famous for its labels, which since 1945 have each year been designed by a different contemporary artist. The tradition began with the iconic 1945 'V' for Victory bottle designed by Philippe Jullian. All are exhibited in the wine museum located at the Pauillac estate.

Prince Charles is joining the greatest artists of the 20th century as he becomes the latest painter to feature on Chateau Mouton-Rothschild's label.

The Prince – a well-known watercolourist who delights in capturing rural scenes around the royal residences of Balmoral, Sandringham and other retreats both at home and abroad – now adds his name to a list which includes Braque, Picasso, Miró, Chagall, Henry Moore, Warhol, Francis Bacon and Balthus.

The chosen watercolour, of pine trees at Cap d'Antibes on the Cote d'Azur, was not painted specially for the chateau, but was selected personally by Baroness Philippine de Rothschild.

A spokesman for Mouton told decanter.com the choice of the Prince was intended to mark the anniversary of the Entente Cordial between France and England, which was celebrated in 2004.

It is inscribed, 'To celebrate the 100th anniversary of the Entente Cordiale, Charles 2004'.

The 2004 vintage of Mouton Rothschild has just been bottled and is launched this week, at around £80 (€120) per bottle.

The chateau is famous for its labels, which since 1945 have each year been designed by a different contemporary artist. The tradition began with the iconic 1945 'V' for Victory bottle designed by Philippe Jullian. All are exhibited in the wine museum located at the Pauillac estate.

Prince Charles has a history of exhibiting in the area. In 2001, a selection of lithographs based on his paintings, each one signed and dated, were displayed in the Cave d'Ulysses in Margaux village, a wine shop owned by John Kolasa of Chateau Rauzan Segla.

Decanter.com
Prince Charles to design Wine Label - Hospitality News on Barkeeper.ie

Balthus

Balthus
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Theft Notices & Recoveries (If this helps anyone, i've highlighted my reward. thank you.) - William Kingsland Collection - Federal Bureau of Investigation

Theft Notices & Recoveries-William Kingsland Collection

Some of the below works of art, recovered in 2006 from a New York City apartment after the death of its occupant William Kingsland, are believed to have been stolen during the 1960s and 1970s. If you have information on any of these works—or if you want to make a claim—contact Special Agent James Wynne at (718) 286-7302 or by e-mail at James.Wynne@ic.fbi.gov.

Gallery 1

Riders in a Landscape Sir John Henderson of Fordell Portrait of a Woman in Brown Dress/Lace Collar
Henry Aiken
Riders in a Landscape,
circa 1840
William Aikman
Sir John Henderson of Fordell, 1719
American School 19th Cent.
Portrait of a Woman in Brown Dress/Lace Collar

Portrait of a Woman in a Black Lace Shawl

Portrait of Andrew Jackson Portrait of George Washington
American School 19th Cent.
Portrait of a Woman in a Black Lace Shawl
American School 19th Cent.
Portrait of Andrew Jackson
American School 19th Cent.
Portrait of George Washington

Monk with a Violin

Self Portrait of the Artist
Torello Ancillotti
Monk with a Violin
Lennart Anderson
Self Portrait of the Artist
Louis Leopold Boilly
Portrait of a Standing Male

Auto Portrait, 1942

Still Life with Two Glass Lemons
Portrait of a Boy Profile
Balthus
Auto Portrait, 1942
Charles Baskerville
Still Life with Two Glass Lemons

Claude Alexandre Belin
Portrait of a Boy Profile

Monk with a Violin

Monteville, N.J.
Ralph Albert Blakelock
Landscape
Oscar Bluemner
Monteville, N.J.
Oscar Bluemner
Patterson, NJ

Monk with a Violin

Portrait of a Young Girl
Christ in Niche, with Flower Surround
Georges A. L. Boisselier
Portrait of a Male Subject with Mustache & Glasses, 1911
Giovanni Boldini
Portrait of a Young Girl
Jean-Baptiste Bosschaert
Christ in Niche, with Flower Surround

The Madonna

Trouville, Les Jetées, Marées Haute
Ocean Scene with Lighthouse in Distance;Trouville, 1968
Jean-Baptiste Bosschaert
The Madonna
Eugene Boudin
Trouville, Les Jetées, Marées Haute
Jacques Bouysson
Ocean Scene with Lighthouse in Distance; Trouville, 1968

Military Figures

Soldiers with Knights at Celebration
Portrait of a Young Girl in Profile
Heinrich Breling
Military Figures
Louis George Brillouin
Soldiers with Knights at Celebration
James Wells Champney
Portrait of a Young Girl in Profile

Professor Arthur Hungtington Nason


Old Tidal Mildam, Cos Cob
Joseph Cummings Chase
Professor Arthur Huntington Nason

Arnold Chiarrochi
August Clouds, 1973

(Frederick) Childe Hassam
Old Tidal Mildam, Cos Cob

Study of Jacob's Dream

Portrait of a Man
Horse Carriages and Figures in Landscape
Jacopo Chimenti (Da Empoli)
Study of Jacob's Dream
Continental School,
18th Century

Portrait of a Man
Continental School,
18th/19th Century

Horse Carriages and Figures in Landscape
Federal Bureau of Investigation - Theft Notices & Recoveries-William Kingsland Collection

John Dillinger Lesson Learned by FBI at Little Bohemia

Seventy-five years ago, a shoot-out with John Dillinger and "Baby Face" Nelson in the woods of Wisconsin went horribly wrong.

Dr. John Fox, FBI Historian:

Through a series of spectacular bank robberies and jailbreaks, John Dillinger had become a nationally known criminal. Law enforcement across the country were looking for him. We had been tracking him for a while. Had a couple of near misses where we had almost had him but he got out just in time.

Our Chicago office received a call about 10 o’clock on the Sunday morning of April 22 nd that John Dillinger and several of his confederates were hiding out at a small vacation lodge in Northern Wisconsin, a place called Little Bohemia in a town near Manitowish.

We immediately began to rally our forces. Special Agent in Charge Purvis called Washington and Headquarters agreed that the lead sounded legitimate. By 6 o’clock that night our agents had arrived from St. Paul and Chicago in a couple of planes. They talked to Henry Voss, who was the man who had called them earlier that morning and told them that Dillinger was in Northern Wisconsin. Voss gave them a short map of the Little Bohemia Lodge and its layout.

Little Bohemia was a vacation lodge. Basically it was a two-story building, had several out-cabins and a large garage. Behind it there was a fair-sized lake and people could canoe or boat on it. The sign outside the front, on Highway 51 there at the entrance to the lodge, said that it had fine dining and dancing and basically a good time to be had.

Special Agent Purvis began to contact local car dealers to see if he could borrow a couple of cars to get his men and Hugh Clegg’s men up to the lodge. As they looked down the road they could just barely see the lights from the lodge and they would have been approaching in pine trees. Melvin Purvis described the atmosphere as “chilly.” It was very cold, of course, at the time, being night and the end of winter.

And so they began heading down the road, lights off, very quietly, very softly, agents hanging on the outside of the car because they couldn’t fit everybody in. And as they approached the lodge dogs began to bark.

Immediately, the agents got out of the cars and began to reconnoiter around the parking lot to try and make sure they hadn’t been discovered yet when several men came out of the lodge. Three of them got into a car and turned on the radio and began to drive off. Agents yelled “Stop! Federal Agents! Police! Stop!” But the men had been inside drinking, having a good time. They didn’t hear the agents. And because they seemed to be coming at them in a threatening manner, our agents opened up fire on the car. The driver was killed. It turned out he was a civilian Conservation Corps worker.

Dillinger and his confederates were upstairs in the lodge on the second floor began firing out one of those windows there. While our agents ducked for cover—and to try and get and better place to defend themselves and fire back—Dillinger and his men got out the back of the lodge.

They were able to do down towards the back of the lodge to the Southdown a little hill towards the lake, and using the escarpment of the hill were able to get out of the area very quietly.

The evening had even more tragedy. As we were trying to figure out who was still in the lodge, whether or not any of the gangsters were still around, and of course trying to track those who already fled. Baby Face Nelson arrived and stole a car and ended up confronting our agents, killing one of them, injuring the other and seriously wounding the local police officer who was with them.

In the aftermath of the failed raid on Little Bohemia we received a lot of criticism from press and the politicians and even other law enforcement who thought they should have been better included.

But for the Bureau it really was a learning lesson. We learned that we had to have better training and better preparation for raids, and they became integral parts of the training of new agents and the continuing training of agents. We learned that we needed to develop plans ahead of time for getting information out, for contacting. In order for a raid to be successful you have to have that planning. So it became an integral part of how we dealt with these kinds of dangerous situations. So for the FBI it really became part and parcel of more advanced training, more advanced tactics, that we developed over the years.