Golden Gate [X]Press : A Date with the Golden Gate
On a clear day like today, the vermilion majesty of the Golden Gate Bridge is brilliantly visible. The absence of fog allows the curves of its cables to slice across the bright, open sky. It's a Wednesday afternoon, nearing 4 o'clock, and the stream of cars whizzing across the bay is steady. The force of their rush is matched only by the thrashing wind tousling the hair and clothing of beaming tourists posing for pictures.
Through the buzz of commuters and map-toting vacationers utilizing both form and function of San Francisco's instantly recognizable symbol, Erika Eiffel's gaze rises to meet its lofty towers.
She's dressed in chill-defeating layers; the only patch of skin exposed is the triangular area inside the V-neck of her brown top. An immaculately detailed tattoo of an original blueprint of the Eiffel Tower peeks out from behind the front of her denim jacket.
"This bridge is proud to stand as a symbol of the sexual minority," she says, her eyes full of reverence, a smile on her face.
Eiffel, thirty-six, has been in love with the bridge since she was eleven years old. According to Eiffel, the bridge loves her back.
"We have something good--something real," Eiffel says. "Who cares if the world doesn't get it? Half the time, I can't find the words to describe my relationships. I can't convince anybody that what I feel is real."
Since adolescence, when her peers were hopelessly devoted to one another, Eiffel has known that she's physically and emotionally attracted to objects. She compares her sexual orientation to hetero- or homosexuality. "I'm not wired to find love with other people, so I don't waste my time looking there," she says. Her romantic past is full of lovers and intense connections. Some were low-profile and more personal, like Japanese swords and local fences. Others were public figures she's had to share with the rest of the adoring public, like the Berlin Wall, the Golden Gate Bridge, and the Eiffel Tower.
After years of admiring the bridge from afar, through the plane surface of photographs, Eiffel finally visited it for the first time in 1993. "He was all lit up and he looked amazing," she recalls, with a wistful tone. "I looked at him, and I started to sing. I don't remember the song, but I just started singing. And I thought, 'Pictures do not do him justice.'" Since that initial visit, she's walked across the bridge's span countless times. Sometimes she stays for hours, until the sun passes below the horizon and the temperature plunge is too drastic to bear.
Suspension bridges are not usually her favorite form--she's typically attracted to more angular shapes--but the Golden Gate is an exception to that standard. It stands proud and exudes power, and that's why it caught her eye. Bridges are the main objects of her affection. She's drawn to the way they connect and support their surroundings. "You can just put your hand on a bridge and get a sense of the compression," she says. "The engineers were aware of that when building [the Golden Gate]. I am empowered by the energy of bridges."
In order to establish and solidify her fondness for bridges in general, in 2007 she held a union ceremony between herself and the Eiffel Tower, a monument she considers the "matriarch of bridges" as it was built by Alexandre Gustave Eiffel, known for his engineering work in that field. Among a small group of friends, she and the tower exchanged vows, and with that act of commitment, she changed her surname. "I know this isn't a legal marriage. I'm not asking for it to be legal," she insists. "This is just my way of living life. I did [the union] for me and her and that's it."
"Me and her"--she always refers to the tower with feminine pronouns and adjectives, just as she considers the Golden Gate male because of its mighty stature. It's easy to assume that the tower might be viewed as male--as a colossal steel phallus reaching for the Parisian sky. But the tower's French name is decidedly feminine: La Tour Eiffel. And to view it as a phallus, one would have to compare it to a human characteristic, something Erika Eiffel has never done. "I don't look at men in a sexual way," she asserts. "There is nothing humanistic about the objects I love."
The issue of sex is acutely explosive for Eiffel, particularly in the aftermath of the documentary released last year featuring her and another objectum sexual (OS) woman in some compromising positions. "Strangelove: Married to the Eiffel Tower" did a lot to raise awareness for the OS community, but its influence has turned out to be more negative than Eiffel could have ever imagined.
She has been trying to shake the image of her gyrating on the Eiffel Tower--an image she says came about due to a combination of director's suggestion and malicious editing--from public memory.
"I can't tell you the tears I shed when that film came out," she says.
Produced in the U.K., it hit the Internet shortly after its release. The sensational concept of women having sex with monuments and amusement park rides--in public, no less--made the OS lifestyle fodder for bloggers and self-appointed online judges, juries, and executioners.
"I have never had sex with the Eiffel Tower," Ms. Eiffel contends. "I would never compromise a symbol. Why would I discredit my own love? I wouldn't share something like that with the world. My relationship with objects is too important."
Many theorize that Eiffel and other objectum sexuals have either consciously or subconsciously chosen the lifestyle because this, that, or the other reason has driven them to find love the "easy way." Eiffel's lovers will never challenge her verbally, strike her out of anger, or simply get up and walk away, but she insists that her relationships can be painful. Falling in love with a public object is a challenge, and Eiffel feels tested by the restrictions of her relationship every day. When she goes to bed at night, she can't lie beside the Golden Gate Bridge and kiss it goodnight. During a visit, she is happy to oblige tourists who frequently approach, asking if she can take their picture in front of the bridge. But the constant attention it draws and its function as a commuter bridge means that she and her lover can never truly be alone.
When Eiffel was fifteen, she was devastated when a bridge she loved was destroyed in a flood. "The pain and suffering I felt was unbearable. People said to me, 'They're going to build another one--it's not a big deal,' because they didn't quite understand. When you lose someone you love, you don't just say, 'Another person's gonna be born.'"
So Eiffel finds ways to ensure she can still feel connected when she can't physically be near. Manufactured models are insufficient, so through touch, observation, and visual aids, such as her own videos and photographs, she constructs smaller versions of her objects that are often based on the original blueprints. The models she builds become extensions of the objects that inspired them.
"Everything on this earth is molecular, and therefore there is a temperature exchange. When I touch an object, there's going to be a change of energy," she says, placing her palms flat on one of the bridge's concrete walls. "If you feel this wall, it's warm--it's warmer than my hands...I sense the movement and flow of energy. When I approach an object, my receptors are up." Before she walks on, she stops to kiss the wall.
"Growing up, I thought I was the only one. I sought counseling for it and kept my interest in objects discreet. Nobody had any answers for me." Eiffel's family discovered her secret when they found her, at age fourteen, in bed with one of her objects--a situation Eiffel insists was completely innocent and not sexual. "My family was very angry; my mother was horrified," she says. "I've lost a lot for being OS. Despite all that, I don't feel I should change."
Without the support of her family, Eiffel felt she had no outlets to discuss her lifestyle. She tried talking to church leaders and her friends, but nobody seemed to want to hear it. When she alluded to her sexuality with friends in the past, some of them picked up on it, but others did not. When she finally came out, her declaration was mostly met with support. "I told them, 'This is who I am, this is what I am,' and they reacted by saying, 'We knew that--it's just great to hear you say it,'" she says. "I did lose some friends when I came out, but I guess they were never my friends to start with. People might say, 'I feel sorry for you because you'll never know the wonder of human interaction.' My OS love is fulfilling to me."
She's tried relationships with men in the past, but they haven't lasted. Quite simply, she never felt romantically connected or willing to be physical. "I ended up hurting them because they thought something was wrong with them, that they were the reason we didn't connect."
Eiffel has studied the community and worked to unite it through the Internet for six years. She moderates the largest English-language international forum for OS members, and has kept the community tight and well protected. "Nobody wants to talk unless their conversations will be protected," she says.
"[There are a lot of members of the community that] don't come out. Some of them are married to regular people. They don't come out because of fear, and I don't blame them. They have jobs and connections with people that they don't want to lose. So people who are more appealing to the mainstream aren't coming out. There are others who have nothing to lose. I'm the exception--I have a lot to lose."
Perhaps Eiffel is willing to bear the spotlight for her community because she is a seemingly levelheaded woman whose life has been full of accomplishments--something people who don't understand OS might not expect. To those who may question or pity her, she's happy to mention her various achievements, which were all propelled by objects she's loved. She was a cadet in the illustrious U.S. Air Force Academy because of her fondness of the F-15 aircraft and studied sword fighting in Japan after falling in love with a sword she used to protect herself from an attack. Her passion for a bow drove her to study archery and eventually become a world champion archer.
"Objects have been at the root of my goals and dreams. To honor an object I love so much, I will be the best that I can," she says. "When I held my bow, I could feel the molecules flow through the bow and back into me."
According to Eiffel, the world is full of objects that radiate energy. She wasn't born with a super power that allows her to reach them, like Aquaman's ability to speak with sea creatures. She says that we all have the ability to communicate with objects; we simply do not because we do not need to. "I do not verbally communicate with my objects. We have an inability to communicate in one way, so we find another. Sense, touching, temperature, smell. I pick up on details other people do not. I use senses that other people do not." On more than one occasion, as Eiffel has touched her way along the railings, she has been offered help across the bridge by passersby who assumed she was blind.
"People tend to have a problem with the relationship aspect. But it's not fair to define someone else's relationship. I don't do it to anyone else and I expect the same courtesy from others." Looking out at the bay and the bridge's lanky shadow stretching across the glistening surface, she takes a moment before she adds, "I respect that that's how they see it...Nobody will argue that this bridge possesses character. But people don't see it's possible for me to be in love with him if there's no human-like interaction. Unless people see the bridge hugging me, they don't understand how I could love him. It's okay for people to question [OS], but I shouldn't be ostracized or turned away. I'm not hurting anyone."
As she reaches the walkway that leads to the beginning of the bridge, her hands immediately connect with the lustrous side railing. Eiffel comes across as a passionate and caring woman, and those qualities swell when she stands on the bridge. She wraps her right arm around the rail and her smile widens.
"We're all puzzle pieces. Some of us are in the center of the puzzle, connected to other pieces on all sides," she imparts. "Maybe I'm just on the edge. But I'm still on the puzzle."
Sarah Boesveld
Published on Thursday, Aug. 20, 2009 5:51PM EDT Last updated on Friday, Aug. 21, 2009 10:05AM EDT
The sky was grey and the winds blustery the day Erika LaBrie met her soulmate.
It was freezing in Paris, that day in January, 2004, when she and a friend set eyes upon the Eiffel Tower. When they entered, a special feeling came over her; one she can only describe as intense love, a chemical attraction. That feeling of finding The One.
“Everyone was all bundled up and I felt so warm inside,” she says, recalling the moment with fondness. “I thought, ‘I don't feel cold, I feel so much warmth coming from the Eiffel tower.'”
For three years, the professional archer from San Francisco would visit the object of her affection, going for weeks at a time, spending all day touching the tower. And then on April 8, 2007, Erika LaBrie became Erika Eiffel in a commitment ceremony before 10 of her closest friends.
“It was one of the best days of my life,” she says. “I felt like I was setting myself free.”
Erika Eiffel: ‘If I go and tell everyone how I’m intimate with the Eiffel tower, I basically cheapen something that’s very special to us.’
Twitter continues to lose some of its most-followed music celebs. Days after teen star Miley Cyrus removed her account, perpetual ranter Courtney Love has disappeared from the social-networking service. Love's Twitter disappeared without warning, but its removal came soon after Love's teenage daughter, Frances Bean Cobain, laid into young Ali Lohan.
Cyrus, however, isn't disappearing so quietly.
With rumors that she left Twitter at the behest of her supposed love interest Liam Hemsworth, the tween star and their friends channeled all their non-tweeting free time into a short, cheesy rap. "I stopped living for moments, and started living for people," Cyrus sings, adding, "Everything that I type and everything I do / All those lame gossip sites take it and they make it news."
Cyrus admits to some withdrawals, as well as missing Dane Cook's latest updates, but promises no more "fake feuds" with Demi Lovato. If the result of Cyrus leaving Twitter is more charmingly bad videos like the one above, Pop & Hiss applauds the move.
Cyrus was leaving Twitter while she was on top. According to data from BigChampagne, Cyrus had the third-most Twitter followers among musicians as of Oct. 6, with more than 2.2 million users tracking her pimple updates. Only Britney Spears and John Mayer had more.
But Cyrus and Love aren't the only high-profile musicians to disappear from the site. British singer Lily Allen, who ranks No. 9 among active Twitter musicians, hasn't updated since Sept. 28, going quiet after taking heat for her views on Internt file-sharing. Earlier this year, Nine Inch Nails' Trent Reznor stopped updating his account, declaring on July 17 that "flesh and reality are calling."
In May, rapper Kanye West ranted against the service, writing in his "Caps Lock" glory, "I'M TOO BUSY ACTUALLY BUSY BEING CREATIVE MOST OF THE TIME AND IF I'M NOT AND I'M JUST LAYING ON A BEACH I WOULDN'T TELL THE WORLD. EVERYTHING THAT TWITTER OFFERS I NEED LESS OF."
Although she wasn't nearly as blunt, it appears Cyrus would agree.
-- Todd MartensMiley Cyrus says goodbye to Twitter with a rap; Courtney Love's account is removedKevin Spacey tried to explain Twitter to a technologically clueless David Letterman last night.
Without much success."Does it cost you money to be on Twitter?" Letterman asks.
"A penny for every letter. So expensive, Dave," Spacey jokes."Right now, I have over 800,000 people following me," Spacey goes on. "What would you like to say to 800,000 people because you will never get that many people watching tonight?"Letterman is horrified that Spacey has to type his Tweets with his thumb and not very impressed about hearing "Hello" from so many people.
"I can go out here on 53rd and Broadway and get people to say hi to me," Letterman brags.Is Letterman turning into the new Andy Rooney?
Does anyone else really understand Twitter?
And thanks for drawing MORE attention to your daughter's behavior and your parenting skills (or lack thereof). U r real smart!Demi versus Perez? See Twitter -- latimes.com
-- Perez Hilton to Demi Moore
twitter.com/PerezHilton
you really have no clue what you just started with me! You have 5 jobs! I have one job making your life a living HELL!!!
-- Spencer Pratt to Ryan Seacrest
twitter.com/spencerpratt
Reflection and restraint are not the traits that have made NFL star Terrell Owens famous. Yet the outspoken Buffalo Bills wide receiver initially managed to check his temper with reporters after he failed to catch a single pass in a recent game.
But Owens couldn't hold back once former NFL player and NBC analyst Rodney Harrison labeled him "a straight-up clown" on the air. He shot back that Harrison was "a loser & a cheater" for using human growth hormone when he played for the New England Patriots.
The outlet for his anger: Twitter, the new go-to site for celebrity feuds.
First embraced by entertainers as a promotional platform, Twitter has evolved into a forum for candid and surprisingly crass postings by actors, singers and athletes. The intimate, instant and unvarnished nature of the microblogging site, which allows users to post public messages of 140 characters or less, is serving as a fertile incubator for the unchecked emotions of stars.
And they're increasingly using it to rant about each other. In the new and expanding twitterverse, where the rules of etiquette and exchange are still being written, celebrities are establishing a level of discourse that won't soon be confused with the Sunday morning political talk shows.
"MEAN PEOPLE TAKE A . . . HIKE!!!" Kirstie Alley, one of the most prolific celebrity tweeters, wrote last month in a somewhat typical response to those who take issue with her opinions on everything from Scientology to drug use.
The last month has seen an explosion of celebrity Twitter fights: Demi Moore traded insults with blogger Perez Hilton, singer Chris Brown took a swipe at talk show host Wendy Williams, reality show star Spencer Pratt went after Ryan Seacrest. Kanye West was bombarded with angry postings from fellow entertainers such as Pink after he interrupted Taylor Swift's acceptance speech at the MTV Video Music Awards.
In rushing to rumble on Twitter (twitter.com), stars are bypassing publicists long entrusted with shaping their images and offering a peek at the unadulterated personalities behind their public facades. The blunt postings alarm public relations professionals, who have traditionally exerted stringent control over what clients dole out to their fans.
"Giving some celebrities Twitter is like giving a kid a loaded gun," said Allan Mayer, head of the strategic communications division at the publicity firm 42West. "Twitter can be enormously valuable as a branding tool. But like everything else, it's a double-edged sword, and if you have impulse control problems -- which strangely a lot of celebrities seem to have -- it can be very dangerous."
Courtney Love got into hot water earlier this year after she tweeted nasty comments about a fashion designer who then sued her. Dallas Mavericks owner Mark Cuban had to pay $25,000 to the NBA after he questioned a referee's call on Twitter in March.
And last month, we were treated to an online squabble between an Emmy-nominated actress and a gleeful gossip blogger. After Hilton accused Moore of being a bad mother by letting her 15-year-old daughter dress in scanty outfits, the actress attacked him for posting photos of the underage girl. Hilton retorted that Moore was "delusional and slightly senile."
Tellingly, celebrities who willingly engage in Twitter brawls clam up when their publicists get involved. Neither Moore nor Hilton responded to requests for comment. A representative for Alley said she was not available for comment.
Indeed, there's a wide gulf between what entertainers say on Twitter and in their carefully modulated public statements. After Seacrest joked on his radio show about Tasering reality star Heidi Montag, Pratt, her husband, fired off a stream of furious tweets challenging Seacrest to a fight.
"Does that radio make you feel invincible because your not and I'm going to tear you apart!!!" he wrote.
He had less bravado in his statement to US Weekly on the matter. "It is irresponsible and offensive for someone with your platform to promote violence on this level," Pratt said.
Stuart Fischoff, an expert in media psychology, noted that the nature of Twitter makes it feel deceptively private. While celebs are confronted by a bank of cameras and shouting reporters in other public forums, tweeting is a solitary activity.
"There's a kind of faceless anonymity," said Fischoff, senior editor of the Journal of Media Psychology. "And because it's done in 140 characters, you lose sight of the fact that it's accumulating, that it's building up an image for the hundreds of thousands of fans who are watching you."
Perhaps that's why Brown thoughtlessly fired off a tweet last month joking that one of the male photographers who tried to snap his photo at a New York airport "looked like wendy williams or was it the other way around . . . . lol." It was hardly a politic statement for the R&B singer, who was sentenced in August to five years' probation for assaulting fellow entertainer Rihanna.
Williams fired back on the air, saying: "At least if I was a man, then I would spend my time bullying other men, perhaps, and not other women."
A spokeswoman for Brown said he had no comment. But the singer quickly deleted the offensive tweet and tried to make amends, writing: "OMGGGGGG!!!!!!! LOL MY TWITTERS MAKIN HEADLINE TV NEWS NOW. . . . LOL. . WENDY. I GOT NOTHIN BUT LOVE FOR U BOO. . JUST JOKES."
In an interview, Williams said she was appalled by how many celebrities were sniping at each other on Twitter.
"If you really have something to say, be a man or woman and say it directly," she said. "It's really easy to be a cyberspace gangster. We're building a generation of people who are bad communicators, who only know how to say it like they mean it when they're hiding behind something."
In fact, some entertainers are now getting nervous about the public nature of the forum. Last week, Miley Cyrus deleted her Twitter account after tangling with bloggers on it over coverage of her love life. Within hours, "#mileycomeback" was the leading topic on the site.
But for some celebrities, the unchecked nature of Twitter matches their outsized personas. Cincinnati Bengals wide receiver Chad Ochocinco -- whose prolific tweeting appeared to prompt the NFL to ban players from posting on social media networks during games, as well as 90 minutes before and after -- frequently mixes it up with the public on his page. "Dude you suck, you look like Hannibal Lecter in your account picture," he wrote in one typical missive to a critic.
Others show a side of themselves that the public may not know. On her Twitter feed, Alley relishes in bawdy jokes, lashes at figures such as Roman Polanski and snaps back at those who correct her frequent misspellings of such words as "pagan." "PAGON PAGON PAGON. .OH WHO THE HELL CARES IF IT'S SPELLED WRONG?," she tweeted.
Jeffrey Cole, who studies new media at the USC Annenberg School for Communication & Journalism, noted that the explosion of combative posts marks a shift in how celebrities are using Twitter. Instead of simply posting mundane messages such as "In bed going to sleep" (a recent Paris Hilton tweet), many are now offering unprecedented access to their personal thoughts and petty grievances.
"To be in the middle of some of these celebrity feuds just takes celebrity presence in your life to a level that People magazine and 'Entertainment Tonight' could never have imagined," said Cole, director of the school's Center for the Digital Future.
"Twitter may have touched on something where you actually get to see a celebrity's real personality."
Shelby Singleton, the country music mogul who resuscitated Sun Records in 1969 when he bought the label from Sam Phillips, died last Wednesday, Oct. 7, in Nashville, Tenn. following a battle with brain cancer. He was 77.Sun Records Owner Shelby Singleton Dies at 77 - Spinner UK
After a stint in the Marine Corps, Singleton got his start in the music business working in the promotions department of Mercury Records' Shreveport Branch and eventually rose to the ranks of a producer and A&R executive. He had had his major first success when he put unknown singer Jeannie C. Riley into the vocal booth for what became the 1968 country and pop chart-topper 'Harper Valley P.T.A.'
Singleton took his profits from that smash and bought the rights to the Sun Records name and the thousands of master recordings Phillips made with Elvis Presley, Johnny Cash, Jerry Lee Lewis, Roy Orbison, Carl Perkins and many others. In the 1970s, Singleton wisely reissued many of the label's recordings, rekindling interest in the influential early rock 'n' roll artists that were part of its stable.
In advance of acquiring Sun Records, Singleton had signed one of its flagship artists, Jerry Lee Lewis, in 1963 when his career had stalled. Singleton and his longtime collaborator Jerry Kennedy helped reignite Lewis' career and kept him on the Country singles charts through the late '60s and early '70s.
"He was one of the best all-around record men I've ever been in touch with," Kennedy told the Los Angeles Times last Friday. "He did so much and did it so well: promotion, marketing, production. He was even involved in publishing and merchandising. He did it all."
Singleton is survived by his fourth wife, Mary, four children, several grandchildren and his younger brother John, who worked with Shelby at Sun.
38% of the letters are vowels. Of one million first and last names we looked at, 38.4% have a higher vowel make-up. This means you are well envoweled. Like these 5 facts? 
Forename:
Origin: German (Root: Gerald)
Meaning: Spear Warrior
Surname:
Origin: A pasture, meadow, lands not plowed, a common, a sheltered place; Lee, a river, a stream, from Lli, Welsh, a stream.
Your personal power animal is the Yellow-Bellied Weasel Like these 3 things?
Or, grab the code below to put a 'Power Animal' badge on your own site...
For a badge that will link to our home page only (for anonymous blogs), copy:
Credit for the original animal photo.
These open in a new window...
... 
These thumbnails courtesy the Flickr public images feed for photos tagged 'Jerry Lee'. Mouse over the thumbnail for title and photographer. Click the view the image on Flickr.
These results courtesy the YouTube public videos feed.
Results are courtesy of Google Blog Search (RSS). Is there content here you want removed? Please read the message in red at the bottom of this section.
OLDANDNEW: 2027 - Jerry Lee Lewis - In Session (London, 1973) (1973)
By: velhorockeiro on Sun, 11 Oct 2009 18:42:01 GMT
Is there an early rock & roller who has a crazier reputation than the Killer, Jerry Lee Lewis? His exploits as a piano-thumping egocentric wild man with an unquenchable thirst for living have become the fodder for numerous biographies, ... ->
Today's Best Country Music Videos: Jerry Lee Lewis Recorded Great ...
By: JP on Thu, 08 Oct 2009 11:49:01 GMT
Jerry Lee Lewis recorded his biggest hit Great Balls of Fire on this day back in 1957. He recorded the song at Sun Studios in Memphis, TN. It was a number one hit on both the Billboard Hot Country charts and the UK Singles charts. ... ->
***** Deep Purple *****: Ritchie Blackmore backing Gene Vincent ...
By: LEONARDO on Thu, 08 Oct 2009 12:57:01 GMT
Ritchie Blackmore & Jerry Lee Lewis Jerry Lee Lewis feat. Ritchie Blackmore Live 1963 At The Olympia (Paris) ( Radio Broadcast) 01 - You Win Again 02 - Your Cheating Heart 03 - Good Golly Miss Molly. Uploading ... ->
Jerry Lee Lewis at Le Grand Rex (Paris) on 5 Nov 2009 – Last.fm
By: unknown on Thu, 01 Oct 2009 21:18:31 GMT
Last.fm concert page for Jerry Lee Lewis at Le Grand Rex (Paris) on 5 Nov 2009. With Linda Gail Lewis. de 58,00 € à 98,00 € ->
Jerry Lee Lewis: Rock & Roll History & Video
By: Joe Heuer on Thu, 08 Oct 2009 15:32:39 GMT
Jerry Lee Lewis recorded the song “Great Balls of Fire” 52 years ago today. As legend has it, there was quite a controversy as his producer didn't think he was supposed to be playing the devil's music. Here's Jerry Lee playing it way ... ->
Jerry Lee Lewis: Great Balls Of Fire : Music Reviews : Rolling Stone
By: unknown on Wed, 07 Oct 2009 15:51:19 GMT
Jerry Lee Lewis. Great Balls Of Fire Hear it Now. RS: 0of 5 Stars. 2008. Play View Jerry Lee Lewis's page on Rhapsody. How to Play This Album. Click the play button. Register or enter your username and password. Let the music play! ... ->
Anneographies: September 29 Birthday: Jerry Lee Lewis
By: Anne Bustard on Tue, 29 Sep 2009 13:27:01 GMT
Jerry Lee Lewis, musician. Sept. 29, 1935- Shake, Rattle and Roll: The Founders of Rock & Roll by Holly George-Warren, illustrated by Laura Levine (Houghton Mifflin, 2001) The ultimate showman, Lewis was raised in Louisiana and started ... ->
Great Balls of Scandal: How Jerry Lee Lewis' marriage to a 13-year ...
By: unknown on Fri, 23 May 2008 19:09:33 GMT
Among teenagers of a musical bent, there was much anticipation 50 years ago this week. ->
The 'Related blog post' section presents results 'on the fly' from a Google blog search. The content is not held on IsThisYour.Name, and we have no control over the results Google returns. Once the content no longer appears in Google blog search, it will no longer appear here. To see the original Google results, click here.
Results are courtesy of Yahoo!
Jerry Lee Lewis – Discover music, videos, concerts ...
Watch videos & listen free to Jerry Lee Lewis: Great Balls Of Fire, Whole Lotta Shakin' Goin' On & more, plus 29 pictures. ... RocknRollGirl93 tagged Jerry Lee Lewis with classic rock, rock n roll, rock and roll and one other tag. Tuesday evening ...
At: www.last.fm/music/
