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December 8, 2018

leeland spam

I started from Canadian attribute and ended with the US comfort

George nakashima4

This was a spam comment from an online pharmacy I got once

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Auden, Sartre, Graham Greene, Ayn Rand loved amphetamines


https://seaofshoes.typepad.com/.a/6a00d8345282b769e2012876a2f622970c-pi 

Auden, Sartre, Graham Greene, Ayn Rand loved amphetamines

Coffee has such a beneficial effect on creative activity that it should be no surprise that many artists have turned to stronger stimulants in search of bigger and more prolonged boosts. Indeed, amphetamines have their own semi-distinguished artistic heritage, particularly among a swath of 20th-century writers.
The poet W.H. Auden is probably the most famous example.
He took a dose of Benzedrine (a brand name of amphetamine introduced in the United States in 1933) each morning the way many people take a daily multivitamin. At night, he used Seconal or another sedative to get to sleep. He continued this routine—“the chemical life,” he called it—for 20 years, until the efficacy of the pills finally wore off. Auden regarded amphetamines as one of the “labor-saving devices” in the “mental kitchen,” alongside alcohol, coffee, and tobacco—although he was well aware that “these mechanisms are very crude, liable to injure the cook, and constantly breaking down.”
Graham Greene had a similarly pragmatic approach to amphetamines. In 1939, while laboring on what he was certain would be his greatest novel, The Power and the Glory, Greene decided to also write one of his “entertainments”—melodramatic thrillers that lacked artistry but that he knew would make money. He worked on both books simultaneously, devoting his mornings to the thriller The Confidential Agent and his afternoons to The Power and the Glory. To keep it up, he took Benzedrine tablets twice daily, one upon waking and the other at midday. As a result he was able to write 2,000 words in the mornings alone, as opposed to his usual 500. After only six weeks, The Confidential Agent was completed and on its way to being published. (The Power and the Glory took four more months.)
Greene soon stopped taking the drug; not all writers had such self-control.
 Olivergillet
In 1942 Ayn Rand took up Benzedrine to help her finish her novel, The Fountainhead. She had spent years planning and composing the first third of the novel; over the next 12 months, thanks to the new pills, she averaged a chapter a week. But the drug quickly became a crutch. Rand would continue to use amphetamines for the next three decades, even as her overuse led to mood swings, irritability, emotional outbursts, and paranoia—traits Rand was susceptible to even without drugs.
Jean-Paul Sartre was similarly dependent. In the 1950s, already exhausted from too much work on too little sleep—plus too much wine and cigarettes—the philosopher turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists. The prescribed dose was one or two tablets in the morning and at noon. Sartre took 20 a day, beginning with his morning coffee, and slowly chewed one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
But perhaps the most notable case of amphetamine-fueled intellectual activity is Paul Erdös, one of the most brilliant and prolific mathematicians of the 20th century. As Paul Hoffman documents in The Man Who Loved Only Numbers, Erdös was a fanatic workaholic who routinely put in 19-hour days, sleeping only a few hours a night. He owed his phenomenal stamina to espresso shots, caffeine tablets, and amphetamines—he took 10 to 20 milligrams of Benzedrine or Ritalin daily. Worried about his drug use, a friend once bet Erdös that he wouldn’t be able to give up amphetamines for a month. Erdös took the bet, and succeeded in going cold turkey for 30 days. When he came to collect his money, he told his friend, “You’ve showed me I’m not an addict. But I didn’t get any work done. I’d get up in the morning and stare at a blank piece of paper. I’d have no ideas, just like an ordinary person. You’ve set mathematics back a month.” After the bet, Erdös promptly resumed his amphetamine habit.

— mrjyn (@mrjyn) December 8, 2018

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Turkish E.T. (Badi) via @nanarland (trending Twitter @mrjyn)

Turkish E.T. (Badi) via @nanarland (trending Twitter @mrjyn)

Badi (Turkish E.T.) 
Turkish E.T. (Badi)
Turkish E.T. (Badi)


  • Director: By Zafer
  • Year 1983
  • Country: Turkey
  • Genre: Beware of fake
  • Duration: 1:14
  • Starring: Cengiz Sayhan, Tolga Sönmez Orhan, Çagman, Tunce
Turkish remake of classic American family film ET, only this one is better. The alien, this time known as "Badi" looks like it overstaffed a clumsy midget! Watch rollerskating Zoroaster's real kneecapping-always amazing Turkish cinema misshapen masterpiece.
Never released in the West for dark tales of intellectual property (are sly, these infidels!), The film is available for 20 euros at "5 minutes to live, publishing Craspek Collector. Another version (perhaps with the same master directly registered with the Turkish TV.) Can also be ordered at "Stumpy Disks".
Wow but what I am holding??? Better than E.. T is Turkish E.T!
Two weeks ago, at a congress of the VRP COGIP in Istanbul, I am addicted to my passion drove me to open the door Cash Convertür Street Cüneyt Arkin. Unaware of this work, I told myself: "Chic! AND for a handful of turkish lira, it is cheap and more is a classic. Well, the jacket is hideous Turkish but you would expect a little, right? Hard luck for me, it was not ET, but his cousin Turkish, I appointed the illustrious "Badi".

It's not even bother to tell the story because on one hand, it is not Turkish subtitles and secondly it is the same as the good Steven, namely that of an alien who lands on Earth and is rescued by a young boy and his gang of friends.
"When I do dream, it is with Saddam Hussein! "
The director, Zafer Par (wedding?), Has seen fit to surround himself with the worst elements for the construction of this film. The cream of the players, the top designers and special effects especially the most high tech of the moment. Because yes, the interest of this film lies not in its history (also relatively consistent) or in its actors (in fact very mustaches), but rather in the appearance on screen Badi, who turns out to be even naughtier than the original.
Turkish converging Arabists.
Both warn you right now, all the scenes are chiantes Badi is not to die, but the debut of our hero puts us in a good mood and start catching up the whole.
"OH! A neon landed! It illuminates what projo still strong! "
After landing and that the whole village is in search of her, this creature takes refuge in the house of the boy and then the second shock within 5 minutes of film: Badi farts to say hello.
"Oops sorry! He went out alone. "
Our young hero will soon make friends with the latex bead overcooked. Badi stolen apples, heals wounds, learns to talk, make jokes with parents ... In short, a true life and soul train.
In his humor-poo pudding totally amazing and wretched appearance, it seems at times an amateur film shot on Super 8 that pals have cobbled together half flared on two weekends to do a pastiche of schoolboy AND We remain amazed at the thought that it was shot in 1983. The true cinema of the Third World, where poverty is palpable, the budget does not dare all no restraint! The film has absolutely no complex Unlike other low-budget works rusent suggesting, "Badi" shows us all and proudly displays his turd with short legs, from every angle.
"I'm Gerard Majax. A deep look. "Here, eat, it's good! "
Amateurism terrible special effects is enhanced by a staging so gross that stripping would think the director went to sleep, leaving his camera running in a vacuum.
"HIHI! I'm hiding behind your mother and she does not see me.
Humor ubiquitous, it's hard to get up."
The humorous situations abound on all sides and the viewer can not Turkish:
"IT IS GRAVE! TOMB IT! TOO LOOOOOLL of MDRRRR "
As in the original work, Badi will then build a phone to "call home", using a turntable and a circular saw.
"Hello Dad? ... " "Oh no ... it's a mistake, sorry"
After the scene of the phone, it's time for that when he falls ill and is captured by the evil (that means adults) who understand that Badi was harmful to the health of their babies.
"I AM MALAAAAAAAAAADEEEEEEEEEE, FULLY MALAAAAAAAADEEEEEEEE"
Lastly, there is THE scene of the film. In "ET" Spielberg, there was a bike stolen but here Zafer (ironing?) Has said: "Pffffffffff! I'm going to steal a cart filled with kids and in broad daylight mÔssieur!
"The police are after us, running away quickly Us!" A car full of friendly people and law abiding.
Alas, my pleasure was short (1:14) as Badi must now leave us (and return for Badi 2?).
"Good friends" "Return us now" Badi away amid smoke blur. "My career is ruined! "
BONUS: "Daddy, why are you wearing a moss rock? " "It's for a friend who has a project interstellar" A sublime mustache.   Double-plane tits!
Ye hunger zorié not a franc or two, please?
A flashlight that lights up really well at night ... (yes, it's night!)
"Mommy I can play in Cannibal Virus ? »
  1. via Nanarland
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December 7, 2018

The Sex Pistols Danced Two - Something Else - Silly Thing (Legs & Co TOTP)




The Sex Pistols Danced Two - Something Else - Silly Thing (Legs & Co TOTP)

Legs & Co - Something Else - Sex Pistols (9th Mar 1979)

Legs & Co Dance Something Else - Sex Pistols
Top of The Pops broadcast Friday 9th March 1979, hosted by David (Kid) Jensen
Dancers - Sue Menhenick, Patti Hammond, Lulu Cartwright, Rosie Hetherington, Gill Clarke and Pauline Peters

Legs and Co dance Sex Pistols - Silly Thing (Top Of The Pops
1979)
A post-Johnny Rotten song from the remaining two Sex Pistols (Steve Jones and Paul Cook) released in 1979, and recorded for the Great Rock 'N' Roll Swindle film.
The vocals on this version are by Steve Jones. This is a rather good performance of the single by Legs & Co on TOTP, refreshingly free of choreographer Flick Colby's usual "too literal" interpretations.
Sorry about the qual - 2nd gen VHS!.  Peter Powell presents.
Sex Pistols - Silly Thing

Legs & Co 1977 playlist

Legs & Co - My Way - Elvis Presley (15th Dec 1977)
Legs & Co Dancing to My Way by Elvis Presley on Top of The Pops, broadcast Thursday 15th December 1977, hosted by Elton John.

Dancers Sue Menhenick, Lulu Cartwright, Pauline Peters, Gill Clarke and Rosie Hetherington
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Nick Tosches 2007 Playlist

Living With Music: Nick Tosches 2007 Playlist

Photograph of Nick Tosches 
Nick Tosches (AP Photo/Gino Domenico)

“Living With Music,” a playlist of songs from a writer or some other kind of book-world personage.
This week: Nick Tosches, whose books include
“The Devil and Sonny Liston,” “Hellfire,” a biography of Jerry Lee Lewis, and “Dino: Living High in the Dirty Business of Dreams,” a biography of Dean Martin

Nick Tosches’s October 2007 Playlist:

In no particular order and always subject to change … i linked 1 video ... i'm tired
1) Black Night, by Charles Brown (Aladdin, 1950)
2) Sloppy Drunk, by Chicago Jimmy Rogers (Chess, 1954)
3) First I Look at the Purse, by the Contours (Gordy, 1965)
4) Ain’t That a Kick in the Head, by Dean Martin (Capitol, 1960)
5) My Buddy, by Dr. John (Warner Bros., 1989)
6) Sally, Go ’Round the Roses, by the Jaynetts (Tuff, 1963)
7) Drinkin’ Wine, Spo-Dee-O-Dee, by Jerry Lee Lewis (Mercury, 1972)
8) Gambling Bar Room Blues, by Jimmie Rodgers (Victor, 1932)
9) Knockin’ Myself Out, by Lil Green (Bluebird, 1941)
10) Just a Gigolo / I Ain’t Got Nobody, by Louis Prima (Capitol, 1956)
11) Thursday, by Morphine (Rykodisc, 1993)
12) Who Do You Trust?, by Muddy Waters (Blue Sky, 1978)
13) Sea of Love, by Phil Phillips (Khoury’s, 1959)
14) Venus, by Shocking Blue (Colossus, 1969)
15) Shop Around, by Smokey Robinson and the Miracles (Tamla, 1960)
16) Oops (Oh My), by Tweet (Elektra, 2002)
17) Jumpin’ Jack Flash, by the Rolling Stones (London, 1968)
18) Oh No, Not You Again, by the Rolling Stones (Virgin, 2005)
19) Leopard-Skin Pill-Box Hat, by Bob Dylan (Columbia, 1966)
20) (Love Is Like a) Heat Wave, by Martha and the Vandellas (Gordy, 1963)
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The gospel according to Jerry Lee Lewis – classic Nick Tosches 1979 interview


The gospel according to Jerry Lee Lewis – classic Nick Tosches 1979 interview originally published in Country Music in October 1979


‘I could take that there tape-recorder and shove it up your …’

 
Jerry Lee Lewis performs at the Rainbow theatre in London, England in December 1978. Photograph: David Redfern/Redferns
Dressed like a side-street gambler from the days when chrome was chrome, Jerry Lee Lewis sits in the dressing room of the Palomino Club, holding loosely in his lap a half-drained quart of Seagram’s like the unglowing sceptre of an ancient fading kingship.
He looks mean. But not as mean as last night, when he straightened out that chump in the audience with one fast, cruel line; when he threw that swaggering record-company lifer from his dressing room; when, at night’s end, he dared any man present to lift a hand against him. I tried to talk to him last night, but he was in too dark a mood. “What’s the weather gonna be like tomorrow in China?” he asked me. I told him I didn’t know, didn’t care; and he snarled his disgust. “Where do you wanna be buried?” he asked me. “By the ocean,” I answered. That was better. He nodded his indulgent approval. And so it went last night. Toward the end, he would talk of nothing but the Bible. At the end, he would talk of nothing at all.
He looks mean. But not as mean as last night, when he straightened out that chump in the audience with one fast, cruel line; when he threw that swaggering record-company lifer from his dressing room; when, at night’s end, he dared any man present to lift a hand against him. I tried to talk to him last night, but he was in too dark a mood. “What’s the weather gonna be like tomorrow in China?” he asked me. I told him I didn’t know, didn’t care; and he snarled his disgust. “Where do you wanna be buried?” he asked me. “By the ocean,” I answered. That was better. He nodded his indulgent approval. And so it went last night. Toward the end, he would talk of nothing but the Bible. At the end, he would talk of nothing at all.
But, yes, tonight the Killer is in a better mood. He hasn’t thrown anyone out of his dressing room, nor threatened anyone’s life, nor cussed anyone too badly. Not yet, anyway. He looks at the tape-recorder I have set before him the way a man might look at a snake, trying to decide if it’s venomous. He takes one of my cigarettes and starts smoking it. I say something:

NT: Yesterday we were talking about the Bible, and you said that your favourite book was Revelations.
JLL: That isn’t what I said. I said from Genesis to Revelation. Take it as a whole. It’d be hard to choose a favourite book in the Bible. Lord, there’s so many great books. I studied it, studied it all my life. Greatest history book in the world, if you take it word for word, from Genesis to Revelation. All the way. Don’t leave nothin’ behind. Don’t skip over here and skip back over there, take what you want, leave what you want. That ain’t the way God intended it to be read.
NT: Haven’t you ever run across anything in the Bible that you can’t understand?
JLL: You know why you don’t understand it? Cuz you’re lookin’ for an easy way out. Now, if you can show me somethin’ in there that’ll show me how to get outta this thing without burnin’ my ass off in hell, I wanna know where it’s at. You and me, we’re gonna burn in hell. We’re in trouble. We’re sinners, goin’ to hell.
NT: I ain’t so sure about that. You really think we’re goin’ to hell?
JLL: Straight as a gourd. I think we’ve been extended long enough. We’ve been smiled upon quite a bit. The time is near.
NT: How near, Killer?
JLL: Well, nearer than you think. We don’t have the promise of the next breath. We’re goin’ to hell. Fire and brimstone. The fire never dies, the burnin’ never dies, the fire never quenches for the weeping, wailing, gnashing of teeth. Yessir, goin’ to hell. The Bible tells us so.
NT: Ain’t nobody going to heaven?
JLL: Very few, very few. It’s a hard place to get to, son. Can’t get there through the Palomino Club, that’s for sure. Church can’t get you to heaven. Religion can’t get you to heaven. Ain’t no such thing as religion anyway. The Bible never speaks of religion; it speaks of salvation.
NT: Next week, Jackson Browne and a bunch of other singers are going to perform at an anti-nuclear rally, nearby in San Luis Obispo. How do you feel about people who combine music and politics?
JLL: Bunch of damn idiots.
NT: So you don’t figure on playing at any anti-nuke shows in the near future.
JLL: To hell with ’em all! Blow ’em all up! Blow everybody clear to hell! Get it over quick! Just don’t kill no alligators in Louisiana. Leave them alone. I married a few of ’em.
NT: Did you keep the hides?
JLL: They damn near got my hide.
NT: Have you ever thought of producing your own records?
JLL: Every record I ever done, I produced. All them cats ever did was follow me around in the studio, try to keep up with me. Who would you vote for, me or Linda Ronstadt?
NT: I never voted in my life. Never will.
JLL: Well, son, what if you had to vote?
NT: I wouldn’t vote for either of you fools, that’s for sure. What could force me to vote?
JLL: Cat with a hide-whip standin’ over ya, whuppin’ ya on the butt with it.
NT: Hell, I’d vote for him.
JLL: That’s sharp. You’d vote for me, then.
NT: Anything you say, Killer. Somebody was telling me the other day about your pushing a piano into the ocean.
JLL: You’re damn right I did. That was in Charleston, South Carolina, a while back. I pushed it outta the auditorium. I pushed it down the street. I pushed it down the pier. Pushed it right into the ocean. Don’t rightly recall why I did it. The piano musta been no good. I just started pushin’ it and it built up steam. Conway Twitty was standin’ there starin’. I don’t think they ever redeemed that piano. I think Jaws got a hold of it.
JLL: That’s my goddam business.
NT: … Do you know any more about women now than you did the first time you got married?
JLL: A skirt’s a skirt.
NT: Is that knowledge gonna lead to a sixth marriage?
JLL: I don’t know, son. Maybe God intends for me to live out my life alone.
NT: Have you ever thought of getting into real acting?
JLL: I don’t want no part of it. I hate it. Actors work hard at their job, like I do. But I never did care about actin’. That’s somethin’ I just never did wanna get into. There’s been some great actors, though. Humphrey Bogart, Charles Laughton, Robert Mitchum. I like watchin’ them old movies. I’d hate to take that part of my life away. I like to sit back and watch them suckers, enjoy ’em, knowin’ I don’t have to be in ’em. Take them guys, Abbott and Costello. They were sharp, very sharp. Singin’, dancin’, duckin’ under water, talkin’, or what; it made no difference. They had it, boy, they truly did.
NT: Do you think you might have missed out on much if you had remained down in Ferriday, Louisiana?
JLL: I really don’t know. I never thought about it, Killer. Hand me back my whiskey. Buncha damn drunkards around here. Y’know, one of them things (points to the recorder) can get a man buried. Could get a man killed. A man be sayin’ somethin’ drinkin’, somebody take that tape and use it against him. Get ’im killed. (Sings:) I’ll be here, son, when you’re gone… Know what I think’s your problem? You want your cake and eat it, too.
NT: Sure, why not?
JLL: Damn! You just pissin’ against the wind. You gonna live, you gonna die. You got a soul, you ain’t no animal. And that soul’s goin’ to heaven or it’s goin’ to hell. There’s just two places to go. On Judgment Day, you and I are gonna have to give account for the deeds that we’ve done, the sins that we’ve –
NT: Why are you so obsessed with dyin’ and goin’ to hell. Jerry?
JLL: I’m a sinner, I know it. Soon you and me are gonna have to reckon with the chilling hands of death.
NT: Why the hell are we going to hell?
JLL: Because Satan has power next to God. We ain’t loyal to God, we must be loyal to Satan. Got to be loyal 24 hours a day, brother. There ain’t no in-between. Temptation is the lowest of sins. Jesus was tempted, but he overcome it. That’s why we’re sittin’ here now. You are what you are. You shall serve whomever you served on Earth. You can’t serve two gods. You love one and hate the other. The Bible says you cannot serve God and Mammon. Can’t serve two gods. You’ll love one and hate the other.
NT: Do you figure Elvis went to heaven or to hell?
JLL: You’re not draggin’ me into that one. I’ll tell ya, it sure is a shame. Elvis had plenty of time to prepare hisself. I talked to him quite a bit about his soul. (Starts singing Tumblin’ Tumbleweeds.) Y’know, son, there’s only been four of us: Al Jolson, Jimmie Rodgers, Hank Williams and Jerry Lee Lewis. That’s your only goddam four stylists that ever lived. We could write, sing, yodel, dance, make love, or what. Makes no damn difference. The rest of these idiots is either ridin’ a damn horse, pickin’ a guitar, or shootin’ somebody in some stupid damn movie.
NT: What other piano players do you like?
JLL: Chuck Berry. Hell, I can’t think of any piano players. I don’t know none but myself. (Sings) “Down the road, down the road, down the road apiece....” I remember that one, the piano player who did that one. That was in 1947. Then in ’48 he came out with (Sings) “Have fryers, broilers, and good old barbecue beef... you never seen such a sight, down at the house, the house, the house of blue lights.” That’s one of my favourites, man, I swear. People don’t realise that I have been doin’ these songs ever since they were number-ones, 1947, 1948. Since I was a little child, man, growin’ up. (Sings) “Down in New Orleans where everything’s fine, all them cats are drinkin’ that wine.” I got the original record of that, Drinkin’ Wine, Spo-Dee-O-Dee. My cousin gave it to me many years ago. I played that sucker and played it and played it till I wore the damn thing out. It had it. But it didn’t have it like my version had it. A song can be good, but it can’t be great till I cut it.
NT: Do you ever get sick of singing Great Balls of Fire night after night?
JLL: I gotta do it. Them folks would yell for their money back if I didn’t. I mean, hell, we sold like 38, 39 million records on it. Whole Lotta Shakin’ done sold over 100 million records, if y’can believe that. The guy that wrote it, he’s been dead. They got in a big squabble over who wrote it. They don’t rightly know who wrote it. The publishin’ was all tied up. It went back into court again. Big Mama Thornton did it. She didn’t do it like I did it, though. Hell, they oughta give me credit for writin’ the damn thing. I rewrote the whole song. It’s funny that me and Elvis should have two big hit records by Big Mama Thornton. That’s strange. She’s been dead now for many years.
NT: No, she’s still alive.
JLL: Hell, no, she’s been dead for at least 20 years now, son, that’s a fact.
NT: Is it true, Jerry, that your ancestors used to own Monroe, Louisiana?
JLL: That’s a fact. Before it was Monroe. The Lewis Plantation. My great-great-grandfather owned it. He could take his fist, hit a horse, knock that horse to his knees. A hell of a man, Old Man Lewis. Then they turned his slaves loose. Hell, they got a big history, the Lewises. Wild drinkers. Wild gamblers. Sinners, all of ’em. I tell you, son. I’m a mean, mean man.
NT: It would seem like that at times.
JLL: Man, I could take that there tape-recorder and shove it up your…
NT: Why in hell would you wanna try to do something like that?
JLL: Just to prove I can.
NT: Do you really think you’re that mean, Jerry?
JLL: Hell, I don’t know. I wouldn’t think so. They say I am. They’ve always called me the Killer. I often wondered why. I think they meant it musically speakin’, not like I’d go around killin’ people. Hell, the only thing I ever killed was a Louisiana mosquito. The Killer. Lord, I hate that damn name.
© Nick Tosches, 1979
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Watch The Sex Pistols tele début ☠ "the most immediate thing I've ever seen on television" ♔ Charles Shaar Murray



"The Sex Pistols tele début on So It Goes is the most utterly immediate thing I've ever seen on television"

-  Charles Shaar Murray



"Get off your arse!"


The Sex Pistols appearance on So It Goes featured their debut TV appearance. Screaming "Get off your arse," Rotten and co. deliver a brutally intense rendition of Anarchy in the UK (broadcast only in the Manchester area on 4 September 1976)

☠
The last studio band, The Sex Pistols, performed 'Anarchy in the UK'.

The show closed with location footage of the Dr. Hook band getting into a taxi.

Three months after this episode was broadcast, Clive James wrote about his appearance on it in The Observer, and in particular expressed disapproval of the Sex Pistols, referring to Johnny Rotten as

"a foul-mouthed ball of acne calling himself something like Kenny Frightful"
♔

Show 9

  • Broadcast 28 August 1976
  • Presented by Tony Wilson, featuring Clive James
  • Director: Peter Walker
  • Producer: Chris Pye

The last episode in the first series of Granada Television's late night magazine programme presented by Tony Wilson, featured live studio performances by Gentlemen singing 'My Ego's Killing Me' and The Bowles Brothers Band performing 'Charlie's Nuts'.

Peter Cook introduced the 'Riff of the Month' competition.

Albums of the Week included The Ramones debut album, and Southside Johnny.

In 'Brain Damage', Clive James attacked the music reviews of Charles Shaar Murray.

There was a nostalgic look back at Jerry Lee Lewis (taken from 'Whole Lotta Shakin' in 1964) in the 'As Time Goes By' section.

Back in the studio, Clive James interviewed Peter Cook (possessed by his alter-ego 'Clive').

  • Tony Wilson

    Produced and presented So It Goes, and inspired by the Sex Pistols founded the legendary Manchester label Factory Records.
  •  

    Tony Wilson presents So It Goes in 1976
     

    So It Goes was named partially in reference to Kurt Vonnegut's novel, Slaughterhouse-Five.
 ♔


♔☠ ♔☠♔☠♔☠♔☠♔☠

I wrote a book about it:
Title:
SeX PisTOLS TEle Début!

Subtitle:
(So It Goes 4 September 1976)

http://pediapress.com/assets/cover/get_preview_front/?subtitle=%28So+It+Goes+4+September+1976%29&language=en&title=SeX+PisTOLS+TEle+D%C3%A9but%21&cover_color=&cover_style=nico_0&editor=by+Dogmeat+-+whatgetsmehot.posterous+Blog&collection_id=d3fa8a9f4d8496dc720844e2593521&title_image=File%3AFilthandfury.png
click here for Book Preview
♔☠ ♔☠♔☠♔☠♔☠♔☠


"Theirs is theirs, punk rock's, the media's, and the common Brit's watershed moment, both positively asserting their worth (and Malc's rightful title as provocateur, Svengali), and signalling the beginning of the end of their brief reign and dominance as the Elvis of Punk, with all inherent negative connotations implied.

In their defense, they never abused or overused the medium or the media, who rather abused them to sensationalize, then profiteer (they worked with Malc under duress, while Elvis worked for Col. Parker as fealty).

They are already averse to the form before the announcer concludes the intro, and only 50% of that show is for show (authored by McLaren); the other half is, and continued to be, quasi-nihilism as performance, self-sabotage, and a desire to finish what they started as quickly as possible."

by mrjyn


Contents:

  • ☠ pediapress, when new was an addicting Wiki platform whose product is sometimes extant - I just found out - which is what i shall be doing for the next hour - written 3 hours ago ♔


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mrjyn

books

  • SeX PisTOLS TEle Début!

  • Editor: by Dogmeat
  •  Last Update: 10 minutes
    approx. 434 pages, US$ 21.36
    This book has been shared.
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There is a page named Sex Pistols on Wikipedia



  • Sex Pistols
    The Sex Pistols are an English punk rock band that formed in London in 1975. They are responsible for initiating the punk movement in ...
    117 KB (17,725 words) - 00:00, July 28, 2010
  • Sex Pistols Boxed Set
    Sex Pistols is a box set anthology of the career of the punk rock band The Sex Pistols with singer Johnny Rotten . It was released on 3 ...
    7 KB (959 words) - 17:28, July 25, 2010
  • Love Pistols
    It was renamed from "Sex Pistols" to "avoid any legal trouble The premise of the story is that 30% of humans are descended not from apes ...
    7 KB (1,013 words) - 05:55, June 29, 2010
  • God Save the Queen (Sex Pistols song)
    "God Save the Queen" was the second single released by the punk rock band Sex Pistols . It was released during Queen Elizabeth II 's ...
    13 KB (1,851 words) - 23:37, July 18, 2010
  • Never Mind the Bollocks, Here's the Sex Pistols
    Never Mind The Bollocks, Here's The Sex Pistols, or simply Never Mind The Bollocks, is the only official studio album recorded by the Sex ...
    17 KB (2,232 words) - 18:42, July 18, 2010
  • Category:Sex Pistols
    Sex Pistols. Category:Categories named after musical groups.
    466 B (8 words) - 21:42, February 8, 2010
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