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August 18, 2018

Facebook Story

Facebook Story

00:01
Doug meet final report submitted on
00:04
official Facebook survey form upon
00:06
competing basic blocking report action
00:08
submitted October 27 830am audio samurai
00:13
adi da samurai three mike 59 sicko
00:17
Flicka Randall kitty Davis stole the
00:19
group HTTP WWF a CB o ok calm groovy
00:25
bookies three days ago and now Facebook
00:28
is punishing and penalizing those in
00:30
that group who report this group and
00:31
indiscriminately report any and all
00:33
photos videos and content this was a
00:37
three year old group with over seventy
00:39
members which had never had a problem
00:40
until Randall Kitty Davis brought in an
00:42
gaben administrator status to adi da sam
00:45
i second who turned out to be a neo-nazi
00:47
extremist using a fake facebook profile
00:50
based on a 1980 s new age pop religious
00:53
figure and who then began a campaign of
00:55
posting of obscenities Nazi propaganda
00:58
photos hopped hate images of various
01:00
members which two days subsequent
01:03
culminated in his self induction and
01:05
reversal of all former administrative
01:06
settings and which resulted in his
01:09
commanding sole administrator ship of
01:11
this group a group which he had been a
01:13
member of for a total of three days he
01:16
then posted a message at the top of the
01:18
group which read this group has been
01:20
hijacked which featured below with a
01:23
terrorist threat to frighten any
01:24
remaining members and which link to an
01:26
FBI governmental website regarding what
01:29
to do in the event of the terrorist
01:31
hijacking of a commercial aircraft like
01:33
those employed in the September eleventh
01:35
two thousand suicide bombing of the
01:37
world trade center after this illegal
01:39
act of aggression he began creating
01:42
multiple fake profiles of himself or
01:44
sock puppets as they are known on
01:46
Wikipedia which he then appointed to
01:48
administrator status so that even
01:51
the former members of this group had
01:53
been successful in contacting Facebook
01:55
through any channel besides that which I
01:57
write you at present something that
01:59
criminally doesn't exist Facebook would
02:02
have to eliminate at last count over 10
02:04
bogus profiles or the entire group in
02:07
order to remove control from him and his
02:08
self-appointed group of administrators
02:10
he is now publicly boasting via Facebook
02:14
along with Randall Kitty Davis the
02:16
threat which may currently be viewed on
02:17
the official facebook page I stopped
02:19
eating sparta that he is in possession
02:21
of mine and several other erstwhile
02:23
members IP address along with a
02:25
sarcastic remark of thanks as a final
02:27
implied threat this group of individuals
02:30
has been linked to online hacking credit
02:33
card fraud and identity theft on
02:35
Facebook in the past and is no doubt
02:37
planning to do the same thing in this
02:39
instance the original group was named
02:41
the new keys with the facebook Uniform
02:43
Resource locator prefix for groups it
02:45
was a secret group and has not been on
02:48
the control of any of its original and
02:50
rightful administrators since Tuesday
02:52
october twenty four twenty eleven most
02:55
of those members who were successfully
02:57
contacted on that first day were able to
02:59
successfully block and report these
03:01
individuals but after the second day
03:04
know when previously a member of the
03:05
group was able to gain entry in order to
03:07
officially leave the group which is how
03:09
it remains until today many former
03:12
members are extremely concerned about
03:14
their personal privacy and the security
03:16
of their online presence within the
03:18
confines of facebook and can only hope
03:20
that the unknown disposition of the
03:22
individuals who did in fact and lawfully
03:24
compromised their identity security and
03:27
peace of mind will somehow be addressed
03:29
through the multiple reports which eyes
03:30
group founder have urged everyone to
03:32
file however as there is absolutely no
03:35
provision for a unique complaint and
03:37
report of this nature provided by
03:39
facebook which does not consist merely
03:41
of a from a three option checklist most
03:44
are cynical at the desired outcome and
03:46
resolution to this easily remediable
03:48
act of online piracy this predicament in
03:51
Facebook's inadequate provision for same
03:53
are now being forwarded to multiple
03:55
influential blogs and media agencies
03:58
such as Mashable New York Times LA Times
04:01
and many smaller blogs who specialize in
04:03
Facebook and social network matters
04:06
gentlemen I suggest you investigate this
04:09
matter immediately before any
04:11
controversial negative press is
04:13
generated at best and at worst before a
04:15
personal or class-action lawsuit is
04:17
filed by any or all of those violated
04:20
and even now unable to adequately report
04:22
or deal with directly with an appointed
04:24
official Facebook representative to
04:25
address there are multiple privacy and
04:27
safety concerns no matter what fine
04:30
print you may have in your User
04:31
Agreement it would easily be contested
04:34
in a court of law sue this become even
04:36
worse and more intrusive than it has
04:38
from the moment it occurred sincerely
04:40
more your work org group founder october
04:46
twenty seven twenty eleven HTTP WWF a
04:50
CBO okay calm grooves of emojis

Japanese Modern Jazz Opera (all versions)

Japanese Modern Jazz Opera
(Momotaro)

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      Japanese Modern Jazz Opera.

     

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モダン・ジャズ・オペラ 桃太郎 

白樺モダン birch skin

 Japanese Modern Jazz Opera





Momotaro: Modern Jazz Opera

FEATURING:
Charlie Parker, Kenny  Dorham, Miles  Davis, Thelonious  Monk, Horace  Silver, Bill  Evans, Art  Blakey and The Jazz  Messengers, Sonny  Rollins, Benny  Golson, Bud  Powell, Herbie  Hancock, Clifford  Brown, Charles  Mingus, John  Coltrane ----------------- "Lotus Blossm" Milestones Misterioso "Blue Monk" "Sister Sadie" "Waltz For Debby" "Blues March" Doxy "Five Spots" "After Dark" "Cleopatra's Dream"  "Comin' Home" Baby "Donna Lee" Cherokee "Fables of Faubus" "'Round Midnight" "Moment's Notice" "St.Thomas"
 

The standard view of Japanese popular culture, at least here in the United States, is that it’s wacky, chaotic and impossible to fathom. That’s the first reaction you might get from a video doing the rounds online.

It features actors dressed up as traditional Japanese peasants performing some sort of story to the accompaniment of American jazz standards. Which they sing. With Japanese lyrics.


    At first glance it’s just funny. But The World’s Alex Gallafent digs a little deeper.


So a colleague sent me a link to a video. It had been forwarded to him by another friend: you know how it goes.


    The video is titled: “Japanese Jazz Opera”.


    And here’s how it begins. Yep, that’s ‘Now’s The Time’, by Charlie Parker. Only in the video it’s sung by an old peasant couple, with Japanese lyrics.


    The setting is a kind of studio version of an olden-days Japanese village. They seem to be actors in some kind of elaborate comedy skit.


    But before you have a chance to consider what might be going on, they move on to Miles Davis. Superficially the video, which runs to about ten minutes, is just spectacularly odd.


    But still, what IS it?


    I turned for help to Roland Kelts. He’s the author of Japan America – and splits his time between Tokyo and the US. It didn’t take Kelts long to recognize the actor playing the part of the old peasant woman — a middle-aged man in sunglasses.


    KELTS: “In Japan, this guy Tamori, the comedian behind this video, this show, is everywhere, he’s ubiquitous.”


    OK, progress: so we know it’s a skit starring one of Japan’s biggest celebrities.


    KELTS: “If you can imagine someone… posters… beer… that you see on TV every night in Japan.”


    And this video clip, Kelts says, comes from Tamori’s nightly variety show, an edition from March 1986. It was called ‘What a Great Night’.

Kelts recognizes the subject of the skit too.


    Turns out it’s a take on Momotaro, or the Peach Boy – one of the all-time classic Japanese fairy tales.


    KELTS: “It follows the narrative very closely, it hews quite close to the narrative, but everything is done tongue-in-cheek.”


    The first part of the story goes like this. There’s a poor old couple. They can’t have kids. One day, a giant peach floats down the river to their village. The old couple take the peach home and try to eat it. But when they cut it open, they find a boy inside.


In Tamori’s version, this is where they sing Thelonius Monk’s Misterioso.


    So now we’ve got a Japanese TV variety show from the 1980s doing a tongue-in-cheek version of a classic fairy tale.


 But why the jazz?


    It starts to make a bit more sense, says Roland Kelts, when you know that Tamori – the comedian – was born in August 1945.


    That makes him the archetypal post-war boomer.


    Kelts: “That generation grew up idolizing America pop culture. They read American novels, they listened to America jazz, they watched Am TV. So knowing those specific numbers and who created them, who composed them would be a point of pride.”


    And Kelts thinks that back in the 80s, that self-aware sophistication — knowing relatively obscure jazz tunes like this one, Bill Evans’ Waltz for Debby — fit into a broader sense of Japan’s place in the world.


    Tamori’s TV show took full advantage.


    Kelts: “That was a time when Japan’s economy was expanding… show that was perceived to be how far Japan had come… can poke fun…. at ourselves… best known fairytale in Japan.”


    In Japan, but not here in the States. Here’s how it ends. The peach boy grows up. And, along with some animal friends, he travels across the ocean – um, to the Herbie Hancock tune, Maiden Voyage.


    The peach boy arrives at the island of the ogres — they’ve been stealing from the villagers. In Tamori’s skit, the chief ogre is painted red from head to toe, wears glasses and sings the bebop tune Donna Lee. In the end, the peach boy defeats the ogres and returns home with a load of treasure. In Japan it’s about as well-known a story as you can get.


    But Roland Kelts says that for younger Japanese today, the only thing they’d understand would be the story.


    Today their focus is domestic not international — in music and in other things.


    Kelts: “It’s a symbol or a sign of how pessimistic younger Japanese feel. Tamori’s generation, they were looking to a Japan that continued to grow and the growth seemed endless. Your real estate holding would grow in value, forever. Some people said back then we’d all work for a Japanese company. It seems absurd now.”


    So did the video when I first watched it. But it turns out to be much more than anonymous Japanese TV comedians singing jazz tunes in peasant costumes. It’s really a historical document of a Japanese attitude — one that’s slipping away.


    And maybe the United States can relate to that feeling… a feeling that something’s been lost: that carefree sense of being on top of the world.


--For The World, I’m Alex Gallafent.

-------------------------------

 今夜は最高!


危険な関係のブルース

 処女航海

Japanese Modern Jazz Opera (My Favorite Video)

STOLEN by Marc Campbell at DangerousMinds.net 3.1.2011


image

Tamori wearing his signature shades

This wonderfully surreal clip from a 1986 episode of Japanese TV variety show It’s Okay To Laugh (what a stupid fuck) hosted by popular comedian Tamori (who is never seen in public without sunglasses) takes a classic Japanese fairyland called “The Peach Boy” and melds it with American jazz to create something truly unique.


(5 videos) Hugh Cornwell (Stranglers) 'Totem and Taboo' PLUS new favorite Mariachi song - 'Golden Brown' (replacing Willy DeVille's 'Hey Joe')

Hugh Cornwell "Totem and Taboo" video from Hugh Cornwell

 http://www.hughcornwell.com/assets-splash-monster/img/background-hughcornwell-desktop.jpg

Hugh Cornwell is the UK's finest songwriting talents and accomplished live performers.
The original guitarist, singer and main songwriter in the British rock band The Stranglers,  enjoyed massive UK and European success with 10 hit albums and 21 Top Forty singles, including No More Heroes, Golden Brown, Always the Sun and Duchess.



Bad Vibrations (trailer) from Hugh Cornwell
Hugh’s latest studio album TOTEM AND TABOO was released to rave reviews.

It was Recorded at Electrical Audio Studios in Chicago, engineered and mixed by the legendary Steve Albini.


Hugh Cornwell "God is a Woman" video from Hugh Cornwell
"UK Punk's Dark Lord" David Fricke/Rolling Stone
"He sounds more engaged and intense than he has in years" Classic Rock
"Cornwell provides the goods In Spades" Vive Le Rock
Mariachi Mexteca Feat. Hugh Cornwell - "Golden Brown" from Hugh Cornwell

"Golden Brown" performed by Mariachi Mexteca Feat. Hugh Cornwell.

Taken from the Hugh Cornwell digital EP "God is a Woman"
Hugh Cornwell "I Want One Of Those" video from Hugh Cornwell
TOTEM & TABOO
TRACK BY TRACK BY HUGH CORNWELL

TOTEM & TABOO
Strangely enough this was the last track I wrote for the album, but it's become one of my favourites.

A hint of 'Rebel, Rebel' with some Marc Bolan glam thrown in. I've always like songs with the marching 4's on the snare, and that's what it is supposed to be, a rallying call for like-minded souls. I was playing this live most of last year so it went down easily enough in the studio.

THE FACE
My favourite guitar bits on the album. I was stretched a bit to keep the solo going for that long, but Steve Albini liked it, which is praise indeed.
Based on a funny story about Madonna.
I WANT ONE OF THOSE
I was very excited when I wrote this. After the melody came together I went for a walk in the country and wrote the lyric whilst I was walking in my head. Had to rush back to write it all down before I forgot it! We've all become slaves to a consumer society and it's spread into all aspects of our lives unfortunately.

STUCK IN DAILY MAIL LAND
Conceived in a hotel in the Midlands about 5 years ago, over breakfast, alone, over a copy of - of course - the Daily Mail. Not that it's an attack on it, some of my best friends read it.

BAD VIBRATIONS
People who are familiar with what I've done over the years will be familiar with a habit I have of appropriating titles and changing them perversely to my own evil ends. 'Good Vibrations' is a classic pop song from the 60's that needed to be backdoored.

GOD IS A WOMAN
Probably my favourite track on the album. First few notes may remind some people of 'Badge', but I think this is an improvement. The voice is unusually very dry and in your ear, in contrast to the bass and guitar. Hopefully people will consider, as I do, that this is a modern day 'Peaches'.

LOVE ME SLENDER
Another one of my favourites. I wanted to revisit Hendrix's 'Spanish Castle Magic' somehow in a song, as I love that skippy beat, I find it very sexy. When I play this live I give Chris (drums) the tempo at the start and I sound a bit like Tommy Cooper when I do it, which always makes him laugh. It would take too long to go into what it's about. But it is another misappropriation, this time from Presley's 'Love Me Tender' of course.

GODS GUNS & GAYS
A song about the United States of America and the obsessions you find there. The word 'gays' is only meant to represent the power of Freedom Of Speech they enjoy in that wonderful country of contradictions. No wonder so many of the Surrealists flocked there in the 1930's. Another one of my tributes to Arthurly and his band Love, God rest his soul. Amen.

A STREET CALLED CARROLL 
Los Angeles. Silverlake. Overlooking downtown. A street called Carroll. The most unusual wooden houses. It's where they shot the 'Thriller' video. Quite enigmatic. Not at all what you'd expect in LA. On a hill. Old style street lamps. Not quite sure what it's got to do with Totem & Taboo, but it was the time when the whole idea of the album became clear to me.

IN THE DEAD OF NIGHT
I thought it was about time to write a long epic track, rather like we used to do when I was in The Stranglers. It had to be at the end of the album, and I wanted it to feature an extra instrument, rather like 'Banging On At The Same Old Beat' did on 'Hooverdam', my last album. Steve (bass & keyboards) obliged perfectly, bless him. Bass riff came to me in the middle of the night and sat around for a while before I realised what was going on.


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