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February 23, 2010
Scanning The Mind Of Charlotte Gainsbourg : NPR
Enlarge courtesy of the artistFrench actress and singer Charlotte Gainsbourg has hardly missed a step in a long career that began in adolescence.
courtesy of the artistFrench actress and singer Charlotte Gainsbourg has hardly missed a step in a long career that began in adolescence.
Charlotte Gainsbourg is a cultivated enigma: The French actress and singer has hardly missed a step in a long career that began in adolescence. Her voice is luscious, magnetic, haunting and a bit breathy. The daughter of the late French singer Serge Gainsbourg and the British singer-actress Jane Birkin made her music debut at 13 in a duet with her father. Since then, she's become an award-winning actress, starring alongside the likes of Willem Dafoe and Sean Penn.
Now in her late 30s, she's released her third album, IRM, which is the French acronym for MRI, or Magnetic Resonance Imaging. As the victim of a water-skiing accident, Gainsbourg has undergone numerous brain scans, and her test results were not always encouraging.
Listen Now
"I actually had a hole in my head," Gainsbourg says. "Straight after going through the surgery, when I realized I was still alive, I was relieved, of course. And it's true that you look at life in a different way. But that disappears after a few months."
Gainsbourg says the idea for the album came while listening to the sounds of the MRI machine %u2014 an idea that her producer, singer Beck, loved.
"We went into many different directions that had nothing to do with that, but then I called the entire album IRM, because it was the most personal thing that I had put in this album," she says. "So it made sense."
In addition to producing IRM, Beck co-wrote Gainsbourg's lyrics. Gainsbourg says she was impressed by Beck's ability to write a narrative that she could relate to.
"I have the impression that he was able to see through me," she says. "The album is very personal. It's very intimate."
The album is in stores now, and has received a great deal of critical acclaim. But Gainsbourg says the real reward comes from journeying into the unknown %u2014 from pushing herself.
"I was entering [Beck]'s world, his culture, his words," she says. "That's what I'm excited about: the discovery."
via npr.org
Heard on Weekend Edition Sunday
February 21, 2010 - JACKI LYDEN, host:
Charlotte Gainsbourg is a cultivated enigma. The French actress and singer has hardly put a foot wrong in a long career that began in adolescence. Her voice is luscious, magnetic, haunting and a bit breathy.
(Soundbite of song "Master Hands")
Ms. CHARLOTTE GAINSBOURG (Singer): (Singing) Pull my strings and cut my rope, rattle my frame and shatter my ghost. And if I can't get back in line, they're gonna break me down until the broad daylight comes through...
LYDEN: Gainsbourg is the daughter of the late French singer Serge Gainsbourg and the British singer-actress Jane Birkin. Charlotte Gainsbourg made her music debut at the age of 13 when she dueted on the song "Lemon Incest," with her father.
(Soundbite of song "Lemon Incest")
Mr. SERGE GAINSBOURG (Singer): (Singing) Oh, oh, baby.
Ms. GAINSBOURG: (Singing) (French spoken)
LYDEN: Since then, she's become an award-winning actress and has started alongside the likes of Willem Dafoe and Sean Penn. She's now in her late 30s and has released her third album called "IRM," and she joins us from the studios of Studio Line in Paris. Charlotte Gainsbourg, it's lovely to have you with us on the program.
Ms. GAINSBOURG: Oh my god, what a portrait. Thanks a lot.
(Soundbite of laughter)
LYDEN: Well, we do our homework. Would you explain this: I know that it's the French acronym for MRI, because you've had some brain scans, but I'll let you tell that story.
Ms. GAINSBOURG: Well, yes. It all began for me with an accident. Waterskiing. I had a lot of MRIs to go through, surgery and so quite a traumatic time for me. But hearing those sounds in that scan machine, I felt that I just wanted to do something with those sounds, put them on music.
(Soundbite of music)
Ms. GAINSBOURG: It was my first input on an idea of a song. And then I started working with Beck and then talked to him about this idea that he loved and that's how we did it.
(Soundbite of music)
Ms. GAINSBOURG: (Singing) Take a picture, what's inside? Ghost image in my mind. Neural pattern like a spider. Capillary to the center. Hold still and press the button. Looking through a glass onion...
LYDEN: The lyrics, which I believe he wrote, say: take a picture, what's inside? Ghost imaging my mind.
Ms. GAINSBOURG: Neural pattern like a spider. He wrote all the lyrics and apparently he didn't know that I had had that accident, that I actually had a hole in my head.
LYDEN: You came so close to the edge. Could I just - the fatal edge, and I'm so sorry that you did. How has it changed your outlook on life, or has it?
Ms. GAINSBOURG: It changed straight after going through the surgery when I realized that I was still alive. And it's true that you look at life in a different way but that disappears after a few months. I didn't really like what I saw about myself after that accident because I became very, very fragile. It took me a very long time to overcome all of this. And the work on the album helped me a lot.
LYDEN: What did you do like about Beck's work that made you want to work with him? There must be quite a bit actually.
Ms. GAINSBOURG: Quite a bit. I love his work. I'm very, very attracted to his voice. It's a weird thing of, you know, wanting to work with someone, but to want to put your voice instead of his, because I do love the way he sings. And I'm very proud to have made this duo, you know, "Heaven Can Wait," where you can hear him.
(Soundbite of song "Heaven Can Wait")
BECK (Musician) and Ms. GAINSBOURG: (Singing) Heaven can wait. I have too far to go. Somewhere between what you need and what you know. And they're trying to drive that escalator into the ground...
LYDEN: So jazzy - in an album that has a lot of mysterious and dark tones.
Ms. GAINSBOURG: But that was what I enjoyed the most with this work was to be able to explore so many different styles. The first session we started out with "Heaven Can Wait" and a song called "In the End" and "Master's Hands." It was three very, very different styles. There's sort of a pop song, a ballad. And when Beck asked me, well, what sound do you want for this album? I didn't know because I wanted to explore things with him.
(Soundbite of song "Vanities")
Ms. GAINSBOURG: (Singing) You could have it all, you could pawn it off. You could learn to crawl, where you used to walk. And I, I...
LYDEN: Many of the songs here are songs in English. Do French fans ever ask why?
Ms. GAINSBOURG: Yes, of course. I feel much freer in English. French is too difficult because of the comparisons to my father. When he died I thought I'll never go back to music. He was the only reason I did it.
LYDEN: Do you have a favorite song from "IRM"?
Ms. GAINSBOURG: I do. I love "Trick Pony" because my son played the drums on this track.
(Soundbite of song "Trick Pony")
Ms. GAINSBOURG: (Singing) Train, train. Come and gone. My rum coco, my cold empty shake, shake...
It wasn't planned at all. He happened to be in the studio and had fun on the drums. And Beck thought it was a great beat so we used it, and I felt very, very proud of that. My daughter speaks on a track called "Greenwich Mean Time."
(Soundbite of song "Greenwich Mean Time")
Ms. ALICE ATTAL: Et toi? Et toi?
Ms. GAINSBOURG: (Singing) Crooked man down a crooked mile...
I had fun recording her voice and placing it there. It's touching for me to know that they're present on this album.
(Soundbite of song "Greenwich Mean Time")
Ms. GAINSBOURG: (Singing) We live together in a crooked little house. We're all fine. We're all fine.
LYDEN: Charlotte Gainsbourg, it's been a great pleasure talking to you and thanks for joining us from the studios of Studio Line in Paris.
Ms. GAINSBOURG: Thank you very much. Thanks.
(Soundbite of song "In the End")
LYDEN: And you can hear songs from the new CD on our Web site, nprmusic.org.
This is WEEKEND EDITION from NPR News. Liane Hansen returns to the show next week. I'm Jacki Lyden.
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#video FOUND! Billy 'Crash' Craddock - Rub it In ['雪上加霜' 'da la labă' 'азбука']
http://www.facebook.com/video/video.php?v=104161882946497
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*NEED TO HEAR FROM
Laïla Tout Court
Hasse Isaksson
Aleix Pitarch
Limbs Andthings
Victor Krummenacher
Darcy Barbera
Mia Dior Remove
Lumina Sector
Scoot Away
Abraham Castillo
Translation EMERGENCY!
Billy 'Crash' Craddock - Rub it In ['雪上加霜' 'da la labă' 'азбука']
http://www.facebook.com/video/video.php?v=104161882946497
READ THE STORY OF 'RUB IT IN' (CONTRIBUTE YOUR OWN TRANSLATION
*Have it featured in: http://whatgetsmehot.blogspot.com
The Story of 'Rub It In'
by Mo Rourk
"I got a handjob from Radu (I gave it to Radu in the palm)"
* da la labă
* Bengali: kata ghaye nuner chite
* Chinese: Mandarin:
雪上加霜
(xuě shàng jiā shuāng)
* Danish: Føje spot til skade
* Finnish: pahentaa asiaa entisestään
* Icelandic: bæta gráu ofan á svart is(is), gera vont verra is(is), bæta móðgun við meingjörð is(is), blammera is(is)
* Italian: oltre il danno la beffa
Transliteration: (e.g. ázbuka for азбука)
Verb
to add insult to injury
1. (idiomatic) To further a loss with mockery or indignity.
As if the hostile takeover weren't enough, to add insult to injury they scrapped ninety percent of our products and replaced them with their own.
Verb
to rub it in
Etymology 1. (idiomatic) To add insult to injury; to emphasize one's strengths or another's weaknesses in a manner that degrades another.
I know you're a better painter than I am, but you don't have to rub it in.
See also
* rub in
See also
* beat a dead horse
* rub salt in the wounds
"to further a loss with mockery or indignity"
1. (slang) to receive a handjob
Translations
vreau să-i dau la labă
I want to get a handjob from her/him
i-am dat-o lui Radu la labă
Billy "Crash" Craddock - Rub It In-Video-Findin' Contest (Win a 6-Pack)
Rub It In
"Rub It In" Single by Billy "Crash" Craddock from the album Rub It In B-side It's Hard to Love a Hungry, Worried Man Released 1974 Format 45 Record Recorded 1974 Genre Country Length 2:30 Label ABC
Writer(s)
Layng Martine Jr.
Producer Ron Chancey
English Etymology
This was derived from the fables of Phaedrus in the first century AD. The story was of a bald man who swats at a fly which has just bitten him on the head, but instead hits himself on the head. The fly comments, "You wished to kill me for a touch. What will you do to yourself since you have added insult to injury". The actual wording appears in English from the middle of the 18th century.
The following pages link to handjob:
Plural
handjobs
handjob (plural handjobs)
1. The sexual stimulation of a penis by the hand.
* Index:English/h (← links)
* hand (← links)
* job (← links)
* sega (← links)
* handjobs (← links)
* da la labă (← links)
* happy ending (← links)
* User:Visviva/Linkeration/h (← links)
Romanian
Etymology
da (to give) + la (to/at) + labă (palm). Literally "to give to the palm"
Verb
a da la labă (third-person singular present dă la labă, past participle dat la labă) 1st conj.
1. (slang) to receive a handjob
vreau să-i dau la labă
I want to get a handjob from her/him
i-am dat-o lui Radu la labă
I got a handjob from Radu (I gave it to Radu in the palm)
Conjugation
da la labă. See also the conjugation table of da
infinitive a da la labă
gerund dând la labă
past participle dat la labă
number singular plural
person 1st person 2nd person 3rd person 1st person 2nd person 3rd person
indicative eu tu el/ea noi voi ei/ele
present dau la labă dai la labă dă la labă dăm la labă daţi la labă dau la labă
imperfect dădeam la labă dădeai la labă dădea la labă dădeam la labă dădeaţi la labă dădeau la labă
simple perfect dădui la labă dăduşi la labă dădu la labă dădurăm la labă dădurăţi la labă dădură la labă
pluperfect dădusem la labă dăduseşi la labă dăduse la labă dăduserăm la labă dăduserăţi la labă dăduseră la labă
subjunctive eu tu el/ea noi voi ei/ele
present să dau la labă să dai la labă să dea la labă să dăm la labă să daţi la labă să dea la labă
imperative — tu — — voi —
affirmative dă la labă daţi la labă
negative nu da la labă nu daţi la labă
* Note that the giver and receiver in this expression are reversed from "to give a handjob" in English.
Synonyms
* a da la mână
Related terms
* a face labă
--------------------------------------------------
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As seen on Pop Goes The Country
FOUND!!!Pop Goes The Country
Billy "Crash" Craddock - Rub It In-Video-Findin' Contest (Win a 6-Pack)
REMOVED ACCOUNT COURTESY OF YOUTUBE: youtube.com/user/sutter66
English
Etymology
This was derived from the fables of Phaedrus in the first century AD. The story was of a bald man who swats at a fly which has just bitten him on the head, but instead hits himself on the head. The fly comments, "You wished to kill me for a touch. What will you do to yourself since you have added insult to injury". The actual wording appears in English from the middle of the 18th century.
Verb
- (idiomatic) To further a loss with mockery or indignity.
- As if the hostile takeover weren't enough, to add insult to injury they scrapped ninety percent of our products and replaced them with their own.
Verb
- (idiomatic) To add insult to injury; to emphasize one's strengths or another's weaknesses in a manner that degrades another.
- I know you're a better painter than I am, but you don't have to rub it in.
See also
Translations
to further a loss with mockery or indignity
- Bengali: kata ghaye nuner chite
- Chinese:
- Mandarin: 雪上加霜 (xuě shàng jiā shuāng)
- Danish: Føje spot til skade
- Finnish: pahentaa asiaa entisestään
- Icelandic: bæta gráu ofan á svart is(is), gera vont verra is(is), bæta móðgun við meingjörð is(is), blammera is(is)
- Italian: oltre il danno la beffa
The following pages link to handjob:
Noun
Singular
handjobPlural
handjobshandjob (plural handjobs)
- Index:English/h (← links)
- hand (← links)
- job (← links)
- sega (← links)
- handjobs (← links)
- da la labă (← links)
- happy ending (← links)
- User:Visviva/Linkeration/h (← links)
Romanian
Etymology
da (to give) + la (to/at) + labă (palm). Literally "to give to the palm"
Verb
a da la labă (third-person singular present dă la labă, past participle dat la labă) 1st conj.
- (slang) to receive a handjob
- vreau să-i dau la labă
- I want to get a handjob from her/him
- i-am dat-o lui Radu la labă
- I got a handjob from Radu (I gave it to Radu in the palm)
Conjugation
da la labă.
infinitive a da la labă gerund dând la labă past participle dat la labă number singular plural person 1st person 2nd person 3rd person 1st person 2nd person 3rd person indicative eu tu el/ea noi voi ei/ele present dau la labă dai la labă dă la labă dăm la labă daţi la labă dau la labă imperfect dădeam la labă dădeai la labă dădea la labă dădeam la labă dădeaţi la labă dădeau la labă simple perfect dădui la labă dăduşi la labă dădu la labă dădurăm la labă dădurăţi la labă dădură la labă pluperfect dădusem la labă dăduseşi la labă dăduse la labă dăduserăm la labă dăduserăţi la labă dăduseră la labă subjunctive eu tu el/ea noi voi ei/ele present să dau la labă să dai la labă să dea la labă să dăm la labă să daţi la labă să dea la labă imperative — tu — — voi — affirmative dă la labă daţi la labă negative nu da la labă nu daţi la labă
- Note that the giver and receiver in this expression are reversed from "to give a handjob" in English.
Synonyms
Related terms
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